The Big O

Roy Orbison 1

Roy Orbison is a rock and roll legend.  I refuse to debate this.  It is a fact.  The Beatles and Elvis Presley (both legends in their own right) had stated on record that Roy was a major influence on their music.  Roy’s music was different – it had it’s own style and a certain darkness to it.  My first exposure to Roy Orbison was when I was about 4 or 5 years old.

I remember my dad had an album of Roy’s Greatest Hits.  My favorite song as a kid was Dream Baby.  I didn’t know that was the name of it.  I know this because when I asked him to play it, I would ask for it by singing the opening bass line: “Daddy, play ‘boom boom boom, bum bum boom.'”  I remember the first song on the album was Candy Man, which started with a harmonica.  That is the instrument Roy asked for as a kid.

When asked hey wanted for his sixth birthday, Roy told his parents he wanted a harmonica.  Luckily for the music industry, his father bought him a guitar instead.  While some stories differ, most biographies claim that Roy learned how to play from his father Orbie Lee Orbison.  Some sources say that he learned from his Uncle Charlie, Orbie’s brother.

He wrote his first song in 1944, and entered a talent show in 1946.  He and another act tied for first place and the first prize of $15 was split between Roy and the other winner.  How much of a class act was Roy?  He gave half of his $7.50 to the friend of his who carried his guitar to the contest!

He formed a band while in Wink, Texas called the Wink Westerners and that band played some high school dances.  While in college, two friends of his had written a song called “Ooby Dooby.” They began playing that in their shows and because of their success, they got their own radio show on station KMID. In 1955, the band got their own TV show and artists came to play and sing on it.  Among them, Elvis Presley and Johnny Cash.

Roy pulled Johnny aside and asked for advice.  He wanted to know how to get a record released on the radio.  Johnny suggested that he call Sam Phillips over at Sun Records in Memphis.  Johnny gave Roy the number and sure enough Roy called.  I am sure he was not expecting what happened.  Sam Phillips answered the phone and after a brief conversation, Sam hung up on him, but not before telling Roy, “Johnny Cash doesn’t run my record company!”

Roy eventually found a place to record and recorded “Ooby Dooby” with his band, now called the Teen Kings.  The song was released in 1956 and Roy took it to a well known record dealer named Cecil “Poppa” Hollifield. He heard the song and immediately called a “connection” he had in Memphis and played him the record over the phone.  His connection asked for a copy of the record, and three days later he called Poppa up to tell him he wanted the Teen Kings in Memphis in three days to record in his studio.  That connection was none other than Sam Phillips of Sun Records!

That deal got him out on tour with Johnny Cash, Faron Young, Carl Perkins, and Johnny Horton among others.  In 1958, Roy was asked to tour with the Everly Brothers.  During the tour, the Everly Brothers told Roy they needed a new single and asked if he had any songs.  He picked up his guitar and sang the song Claudette.  They liked it, and asked him to write down the words and chords.  The song was the B-side of All I Have To Do Is Dream.  Roy had some of his other songs recorded by artists like Jerry Lee Lewis, Buddy Holly, and even Ricky Nelson.

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In 1959, Roy was signed to an independent label called Monument.  It was at this label that so many of Roy’s big hits came, starting with Uptown.  That was followed by Only The Lonely (which reached #2), Blue Angel, and I’m Hurtin’. What followed was Roy’s first #1 song, Running Scared.

Roy had hoped to change up the “pop” sound and try something different.  They recorded the song twice and he was disappointed with the two takes, so they cut it again.  Instead of using a falsetto voice, Roy sang the high natural A and nailed it.  The accompanying musicians were awestruck and had never heard anything like it.  Producer Fred Foster said “Nobody had ever hear anything like it before!”

What followed was four solid years of top 40 hits.  Those hits included Crying, Candy Man, Dream Baby, Working for the Man, In Dreams, Pretty Paper, Leah, Blue Bayou, Mean Woman Blues, and Its Over. His success got him a spot opening up for some concerts in England. He was the opening act for a few guys who were known as The Beatles (they had yet to become a big thing in the US).  The tour sold out in minutes, and on the first night of the show, they say that Roy played 14 encores before the Beatles ever got on stage!

In 1964, Roy recorded what is probably his biggest hit, Oh Pretty Woman.  It would be his last big hit while at Monument records.  Touring hurt his personal life, and his wife Claudette began having an affair.  One day while writing with songwriter Bill Dees, Claudette entered the room and said that she was going to Nashville.  Roy asked her if she had any money, and Dee’s replied, “A pretty woman never needs any money.” With that phrase, and about 40 minutes, they wrote Oh, Pretty Woman, which went to number 1 in almost every country in the world.

In 1966, Claudette was killed when a pickup truck pulled out in front of her and she hit the door.  She died instantly.  Two years later, Roy was on a tour in England and he received a call that his home had burned down.  As if that wasn’t enough bad news, he was also told that his two oldest sons were killed in the fire.  He tried to cope by keeping himself busy with work.  He starred in the film The Fastest Guitar Alive, which ended up being his only lead role.

Roy changed labels a few times after this and eventually re-signed with Monument.  In 1987, Roy Orbison was inducted into the Rock and Roll Hall of Fame.  Bruce Springsteen was there to do the honors.  A TV special followed.  Roy had always wanted to do one and this special included some powerful special guests:  Elvis Costello, k.d.Lang, Tom Waits, Bonny Raitt, Jennifer Warrens, Jackson Brown, and Bruce Springsteen.  The special was called Roy Orbison and Friends – A Black and White Night Live. It was aired on cable and released on video and became one of Roy’s great concerts.

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Jeff Lynne of ELO was busy producing George Harrison’s Cloud Nine album, and was working on Tom Petty’s and Roy’s albums at the same time.  This led to them all getting together with Bob Dylan for the Traveling Wilburys project which was a huge success! Handle With Care was a big hit from the album.  A song that was supposed to be a group song on the album was You’re Not Alone Anymore.  It was decided that there was really only one voice that could do the song justice, and that was Roy.  It is an amazing vocal and an amazing song!

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In late 1988, Roy put the finishing touches on the Mystery Girl album.  It was set for release in 1989.  There would be a world tour to support the project.  The album would include the smash hit “You Got It”.  On December 6, 1988, Roy was complaining of chest pains.  Just before midnight, he had a heart attack and collapsed at his mother’s home.  Roy Orbison died at the young age of 52.

I was still a senior in high school and I was going to WKSG to rip news and type up stories for the news director.  I would stay till 6am and then head to school.  I remember going to the AP wire and seeing the URGENT breaking news that Roy had died.  We were an oldies station and this was big news.  I remember when we broke the news.  It is one of those moments I will never forget.

You Got It was released after Roy’s death and reached the top 10.  One of the coolest tributes to Roy was when the Traveling Wilburys released the song End of the Line.  In the video, the group is on a train singing.  When Roy’s vocal comes on, the camera is on a rocking chair in which Roy’s guitar is sitting.  Next to it, is a framed photo of Roy.  Powerful!

Roy Orbison is a legend.  His music was like no one else.  His style was like no one else.  His vocals were indescribably beautiful, haunting, and amazing.  Heaven’s choir is blessed to have him in their baritone section.  Happy Birthday, Roy!

 

My Biggest Musical Influence – Dad

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Over the years I have been influenced musically by many people, but I would have to say that it is my father who has had the biggest influence. This blog is sort of a continuation of the “series” I have been doing based on “songs from my iPod”.

My dad introduced me to almost every genre of music. My love for oldies music comes from some of my earliest memories of songs he played. I was also introduced to classic country and country music in general by him. He played in a wedding band for years – the first being Now & Then, and the second was Foxfire. I recall him sitting in front of the stereo playing along with 45 records of songs that they were learning for gigs. I remember long nights when my brother and I had to go to “band practice” as well.

Rock and Roll music was a staple in our house, probably because it was the stuff he grew up listening to. The first song that comes to mind is Dream Baby by Roy Orbison. As a kid, I would ask, “Daddy please play ‘boom boom boom….bum bum boom'”. This was a reference to the bass notes that open the song. I loved that song. While so many other folks always connect Roy to Pretty Woman (a classic, no doubt), I remember Candy Man, In Dreams, and Crying. Roy was awesome – and dad introduced me to him.

He also introduced me to Elvis. Man, Elvis was cool! Sure, every one knows Hound Dog, All Shook Up, and the biggies….but dad played me songs like Steamroller Blues, Moody Blue, and Way Down! He had the Moody Blue album (which was on Blue Vinyl) and Elvis In Concert and I remember playing them on the stereo many times. I remember the look on my dad’s face when the news came on the radio that Elvis had died. We were at the drive in movie getting ready to watch Smokey and the Bandit, when Honey Radio announced it. Dad was shocked. We listened to Elvis music until dark and the movie started.

I have to include another person in this section about music – my Godfather, my Uncle Tom. He and my dad grew up together and their exploits can be an entirely separate blog. For now, let me talk about R&B and “local” music. When I first started working at WKSG (Kiss-FM) in Detroit, my dad asked if I could find him some songs. I told him I would look and if they were at the station, I’d throw them on tape for him. These were songs that he and my Uncle Tom grew up listening to.

As I looked over the list, I remember thinking, “What the hell are these songs? Were these even hits? Who are these people?’ The result was me getting a taste of some really amazing music. I cannot listen to any of these songs without thinking of them. This is music that was stripped down, funky, and amazing.

Mind Over Matter by Nolan Strong jumps out at first. This song is classic! Backing Nolan on this is the group the Diablos. Simple instrumentation and a powerful vocal makes this one of my favorites. This was not a song that would play on the radio much in the late 80’s, and I recall watching my uncle and my dad listening to the tape I made and loving every damn second of it. I watched them become transported back to when they were teens and jamming to these songs for the first time – it was magical!

Village of Love by Nathaniel Mayer is another one that is worth a listen just for the bass singer – it is R&B gold!. Two songs that were on his list (and now on my iPod) that were local hits that I absolutely love were by the band The Dynamics. I’m The Man and Misery are two very different songs, but they capture the sound of Motown prior to the Motown sound emerging.

A couple oldies that were on the list which we actually played in a regular rotation at WHND Honey Radio were Don’t Let Go by Roy Hamilton, You Can Have Her by Roy Hamiliton, So Fine by the Fiestas, Let’s Go Let’s Go Let’s Go by Hank Ballard and the Midnighters, What In the World’s Come Over You by Jack Scott, and Agent Double O Soul by Edwin Star. I loved when these songs would come up on the play list.

Another one that would come up was the song You’re So Fine by the Falcons. Wanna talk about stripped down? This one was as simple as they come. It was recorded in a garage with probably one or two microphones. You can totally tell that they it recorded all at once on one track and it was one take. You can even hear a little guitar feedback at the end. GREAT song! I love it!

My dad was instrumental in introducing me to blues music too. One of those songs that he and my uncle asked for was Baby, What You Want Me To Do by Jimmy Reed. Wow. It is one of those songs that DEFINES the blues in my opinion. Other songs he had me listen to were Fannie Mae by Buster Brown, which we played at WHND, Baby, Scratch My Back by Slim Harpo, Shake Your Money Maker by Elmore James, and The Thrill is Gone by BB King. The blues and R&B music helped shape Rock and Roll and these songs are a must for my iPod.

I grew up in the Urban Cowboy era when country music got a lot of attention and a lot of radio airplay. I don’t know that I would say country music is my dad’s favorite genre, but he sure introduced me to some great artists and songs. He, of course was responsible for me hearing Willie Nelson & Johnny Paycheck (who are mentioned in other blogs), but he also introduced me to Hank Williams Sr. and Jr. I recall him playing the two of them singing a duet on Tear in My Beer. This was high tech at the time, they took Hank Sr’s vocal and isolated it and then Hank Jr. sang with him, It was a great song with just Hank Sr., but adding Hank Jr. was excellent.

Another song he played for me was Okie from Muskogee. The opening line is “We don’t smoke marijuana in Muskogee”…not exactly the best song for a 10 year old to hear, but I had no idea what it meant and I liked Merle Haggard’s voice. I also recall him playing Amanda by Waylon Jennings. It is probably one of my favorite Waylon songs. Such a simple ballad, but I could listen to it over and over. I also loved when he bought the soundtrack to Smokey and the Bandit II because it was the only place you could find a great song by Don Williams called To Be Your Man. Among other acts he played were the great Ronnie Milsap, George Jones, Juice Newton, and Charlie Pride.

Two country albums I remember him calling me in to hear were from Dwight Yoakam and The Kentucky Headhunters. The Headhunters album had a great cover of Oh Lonesome Me on there, but the song he played for me was Dumas Walker. It sounded fresh and almost a little rockish. I remember immediately getting this on cassette for the car. The other album was If There Was a Way from Dwight. In my opinion, this is one of his best. My favorite cut from the album was never released as a single – The Distance Between You and Me. The instrumentation is perfect and the lyric is classic – almost Brad Paisley-ish. I crank it up ALWAYS.

On the “pop” side of things, a few songs stand out, most of which because they were songs he learned and played for his wedding band gigs. The first one I think of is the Breakup Song by Greg Kihn. I remember him putting the 45 on the stereo, and playing that intro over and over. The first time I heard him play it note for note, I was blown away! I loved watching him work out licks and chords and stuff by simply listening to it on the stereo! America by Neil Diamond was another. By the time this one came out, he was in Foxfire and playing bass guitar, not lead guitar. These guys were good. Not that the other band wasn’t, I just know that they sounded amazing. Dennis, the lead singer, (and at one time my boss at my first job) NAILED his vocals. I could swear he was Neil Diamond! Every song he sang was dead on. Man, I miss that group of guys!

Probably the craziest musical incident involving my dad was when he introduced me to the music of Red Prysock. My grandmother always wanted to go to garage sales. I think my dad hated it. There was a familiar look of disgust on his face one day when she asked to go. While at one garage sale, he was going through old 45’s. His face lit up with boyish excitement as he stopped at one 45 with a black label on it. I heard him so, “I can’t believe it…” He bought the 45 and couldn’t wait to play it for me … and to be able to hear it for the first time in years. Hand Clappin’ was the song. It was a jazzy sax number that caused to you tap your toes. It was GREAT. It was like nothing I had ever heard. My dad said that DJ’s used to use it for their “theme song” back in the day. Still remains a favorite for me. Who says garage sales are bad?!

Over the years, my dad has called me over to the turntable, the cassette deck, the CD player, the mini-disc player, and his computer with the words, “Hey son, listen to this …” Very rarely was I ever disappointed. Today, I listen to almost every type of music and have always kept an open mind to genres because of dad. I am so lucky that he was such an instrumental (pun intended) part of my musical influence. Thanks, Pop!

More Musical Memories …

The more I thought about my last two blogs, the more I realized how many memories I have that are tied to certain songs and the people in my life. My family members alone, and the music that I connect them with is an entirely separate blog! For this one, I jotted down a few songs and the friends (and memories) I connect with them.

WKSG

My first program director, Paul Christy, was such a great guy to work with. I remember that when we didn’t have a song, he’d contact a couple local guys (Tom or Tom) and get it. Those songs would come to us on a reel to reel tape. He used to talk about the song Gee by The Crows on the air and he finally played it off of one of those tapes. He raved about how much he loved it. It was one of the first Doo-Wop songs. Now there were plenty of other songs that came to him on tape, but the other one that sticks out was a song that a listener always asked him for – Blame It On The Bossa Nova by Eydie Gorme. Not that I hear it often, but every once in a while on Sirius XM it plays and I think of Paul.

One of the morning show guys was Vince. Vince and I share a love for The Blues Brothers movie (because it is a masterpiece). Vince and I often cracked up behind the scenes while Paul was on the air. Besides The Blues Brothers Soundtrack, two songs make me think of him. Fats Domino’s My Blue Heaven is the first. I’m not even sure how it came about, but we both talked about how it sounded like Fats mumbled almost the entire first line of the song and then you finally could make out “My … Blue …. Heaven”. We’d often pass each other in the hall mumbling that first line.

The other song is Leap Frog by Les Brown. It was Les’s Theme song, and was used in the prom scene in the Jerry Lewis film, The Nutty Professor. In the scene, Jerry’s character is standing and listening to the music, which slowly he gets more and more into. Jerry ends up doing this ridiculous dance to the song. Vince could do that dance move for move. Damn, just the thought of it makes me laugh!

I was lucky enough to follow Johnny Molson each night after his show. Many of the songs that remind me of him are related directly to stuff that happened off air or with his listeners. Examples of this would be Miracles by Jefferson Starship and Rocket Man by Elton John. I think of Johnny, because of two listeners in particular who had … unique … ways of requesting them.

Wind Parade by Donald Byrd wasn’t even a song we played on our station, but I had to find it to hear what it sounded like. It is on my iPod today and when it comes up, I think of Johnny and our mutual friend Joe Crawley, who requested this often (no matter what the station format was). This was one of Joe’s favorite requests, but he had more: Do You See My Love by Jr. Walker and the All Stars, Julie Do You Love Me by Bobby Sherman, Got To Be There by Michael Jackson and Home Cookin’ also by Jr. Walker. All remind me of Molson. Finally a song that reminds me of classic Johnny moment is Walk Away Renee by the Left Banke (because of an on air blooper).

My friend Victor Hughes just so happens to be the guy who was the lead singer for the group The Tymes on their hit single So Much In Love. Vic s responsible for me getting to finally shake hands and meet one of my idols – Soupy Sales. Vic used to work in law enforcement in New York and often saw Soupy there. He sent his business card back stage and next think I know, I’m shaking hands with him. It was pretty cool! I still remember Vic showing me his gold record for this song.

They started as listeners, but remain life long friends today. Roxanne, Gary, and Lee all used to call and BS through the night on the request lines. Roxanne would laugh about Elvis’s Wear My Ring Around Your Neck, Gary would always ask for some surfing instrumental called Penetration by the Pyramids, and Lee would ask for Grady Martin and the Slew Foot Five!

WHND

Richard D. used to have a feature called The Off-the-Wall Record. He’d say, “To my right is a wall. On the wall is a peg. On the peg – records. When I take one of the records of the peg on the wall and play it on the air, it becomes a Tricky Dickie Off-The Wall Record”. When he did this feature it usually consisted of rare or obscure tunes. One day I gave him Stormy Weather by the Spaniels to play. He LOVED it. He told me that was one of his favorites.

He often spoke of the group the Hi-Los and told me about the “tight” harmonies that they had. He was right. Good stuff! As a fan of the big bands, I let him listen to The Spitfire Band’s version of Cherokee, which featured an AMAZING trombone part. Again, he loved it and I think of him when it plays on the iPod.

Long story short – I gave him hell one day because he played a Dean Martin song and made some comment about him. I told him that we were both Italian and I could make some calls if he bad mouths our heritage again or something stupid like that. He laughed and then went on the air and said that I had come in and thrown him around the room and trashed the studio because of what he said about Dean. He said “I had no idea Keith Allen was the President of the Dean Martin Fan Club”! After his last show on Honey Radio, a listener suggested I play a Dean Song in Richard’s honor….I chose “I Will”. The first line of the song is “I don’t wanna be the one to say I’m gonna miss you, but I will…” it fit the somber occasion.

Then there was Rob, my morning show partner in crime. The list of songs that remind me of him are plenty. Most because he sang them at Karaoke (And I Love You So – Perry Como, Delilah – Tom Jones, There Goes My Everything – Englebert Humperdinck, and My Cup Runneth Over -Ed Ames). Three stick out for other reasons. The first two stand out because of a hillbilly character he did named Red Neckman! He’s always get “giddy” when we played Ringo by Lorne Greene and Waterloo by Stonewall Jackson. The one that I can’t believe we played on the air was by actor Robert Mitchum. Rob had this song called My Honey’s Lovin’ Arms from an album that Mitchum did. It was catchy and Bob actually sounds ok singing it…..unlike some of his other songs.

Lesley Ronson and I have “hated” each other since high school. She used to call me all the time when I was at Honey and ask me to play her a song or something. Personally, I think she just liked hearing her name on the radio. One day, I hit the wrong button and played a sound effect of the Frankenstein monster moaning and screaming (which we said was Richard warming up for his show) and said it was for Lesley…..The song I wanted to play – and eventually did – was Mean Woman Blues by Roy Orbison.

WFBE

I was in a meeting with my program director Brian Cleary when the first plane hit the World Trade Center on 9/11. We were called out of the office by the morning show gal and we watched in horror as the second plane hit. To this day, when I hear Where Were You When The World Stopped Turning by Alan Jackson, I think of that morning.

On the less serious side, Brian was/is a big Simpsons fan. I have on the iPod the 45 second classic song from the Stonecutters episode “We Do”. It still is my ringtone for him on my phone.

My morning show partner from my second go around at B95 was Stephanie Carroll. Three songs stand out immediately that make me think of her. She has a very unusual infatuation with George Strait. I’m sure he has some sort of restraining order on her. Give It Away reminds me of her. One of the coolest stars we had in studio was Jeff Bates. He was a blast. Funny. Talented. Boy, he could sing! Rub It In always makes me think of Steph.

Our newsman, Hal, was doing some story about a guy who was truck by lightnight more than once and Steph responded by saying, “Lightning always strikes three times”. Hal said, “No, its Knock Three Times on the ceiling if you want me”….which led to this crazy Tony Orlando and Dawn rant. I quickly found the hook of the song and without telling her, I waited till she started to read the traffic sponsor and just started playing it…she lost it. I did this a couple more times until I finally just jumped in and finished while she laughed. One of my favorite bits and the song will forever be connected with Steph (and Hal)!