This was first posted on the A Sound Day blog hosted by Dave Ruch:

Once again, Dave from A Sound Day has invited me to participate in his month Turntable Talk feature. I truly appreciate the fact that he always comes up with great topics. Some of those topics are a bit more difficult to write (like last month), and some are quite easy. This month’s topic falls into the latter category.

Dave is calling this month’s round –Turn it on Again!  His instructions are very easy: “tell us about your favorite music video, or the one which impresses you most, and why you love it.” As a child who grew up with MTV, I had many that came to mind.

At this writing, I don’t know what the other contributors have chosen to write about. Has someone picked Michael Jackson’s Thriller? What about Take on Me from A-Ha or Buddy Holly by Weezer? I also wonder about Fatboy Slim’s Weapon of Choice, Peter Gabriel’s Sledgehammer and Nirvana’s Smells Like Teen Spirit. Each and every one of them stands out and have appeared on many “Best Music Video” lists.

I’m not sure that my pick would be considered my “favorite.” I also wouldn’t say it “impresses” me most, but I do enjoy watching the craziness of it. I suppose readers may be surprised at my choice, as I don’t really write about many “rock” songs. I suppose that this song wouldn’t fit into that category, but the singer qualifies as a rocker (at least most people think so).

“The band as you know it is over!” That is what Eddie Van Halen told Rolling Stone in mid-August 1985. This confirmed the rumors of division in the band with David Lee Roth. Eddie also made sure to add that “Dave left to be a movie star.” With that, Dave went on to explore a solo career. In late 1984, Dave released a cover of the Beach Boy’s California Girls. He followed that with another cover song (medley actually) from the great Louis Prima.

In 1956, Prima took the song Just a Gigolo and paired it up with I Ain’t Got Nobody. He used the song in his 1950’s Las Vegas act with Sam Butera and Keely Smith. The success of that act gained Prima a recording deal with Capitol Record, which hoped to capture on record the atmosphere of his shows. The first album, titled The Wildest! was released in November 1956, and opened with “Just a Gigolo”/”I Ain’t Got Nobody.” It became Prima’s signature number and helped relaunch his career.

Roth’s version is really almost a note for not copy of Prima’s record. By itself, it’s just an ok cover song. However, with an entertaining video that features celebrity look-alikes, beautiful women, and Dave being … Dave, it becomes something much much more.

The video for the song begins with Dave asleep at a news desk as his video for “California Girls” plays behind him on the monitor. The crew calls his name and he wakes up. After his talk, the freaky crew members begin to speak to him. They are right in the camera, so the viewer sees this from Dave’s perspective in this sequence. It’s actually kind of disturbing. The intro to the video is almost two minutes long before the song actually begins.

When it does, Dave is off dancing through the studio. We see him showing up at a talk show, walking through the backstage area among Vegas showgirls, astronauts, pimps, pirates, monsters, cheerleaders, hula dancers, and the police. All of this happens before you really get to the “meat and potatoes” of the video.

It is there that Dave begins parodying videos from Michael Jackson, Cyndi Lauper, Billy Idol, Richard Simmons’s “Sweatin’ to the Oldies” videos (Davercize!), Willie Nelson, and Boy George. As he appears in each of the videos, he winds up wrecking them. It is almost like watching a cartoon. It’s utter chaos, but a fun chaos (unless you count the priest who has a heart attack because of Dave’s dancing.)

The video is like a snapshot of the 80’s. It’s funny to imagine Dave crashing into a Willie Nelson or Cyndi Lauper video. As the “Nostalgic Italian,” I appreciate the nostalgia that the video presents. It is more powerful now than it was in 1985.

Eventually, MTV edited the 2 minute intro out, and just played the song portion of the video in rotation. I think that is how I first saw the video. When I searched for it to post in this blog, I found the full video. I honestly had forgotten all about the intro, but seeing it again was a hoot. Watching Dave do his “over the top” announcer made me think of so many of those DJ’s on the radio who literally puke every thing they say.

Back in one of our first rounds of Turntable Talk, we discussed music videos and whether they hurt radio. To me, I love the fact that a music video can convey the story of a sad song or add a whole lot of fun to another. With this video, Dave pokes fun at other videos, which only makes his more enjoyable to see.

I could be wrong, but it is possible that Weird Al Yankovic looked back to this video as inspiration for his UFH video. In Al’s Video, (in between clips from the movie) he pokes fun at Guns and Roses, Prince, George Michael, Peter Gabriel, ZZ Top, Billy Idol, The Beatles, INXS and the Talking Heads!

Thanks again, Dave for asking me to take part in this feature. I know that I really look forward to your topics and enjoy writing my response to them. I am already looking forward to next month.

Thanks for reading!