Turntable Talk #30 – The Most Fab of Them All

It’s time again for my contribution to Dave from A Sound Day’s monthly feature Turntable Talk. If you are keeping track, this is round #30! Way back when we started this, he asked us if the Beatles were still relevant. This time we circle back to the Fab Four and Dave wants us to write about our favorite Beatle. He is calling this round The Most Fab of Them All.

I have struggled in the past to narrow down what song or artist I am going to write about, but never like this. It shouldn’t be hard to pick one guy out of four, right? For me it is, believe it or not. Frankly, and I mean no disrespect to Dave, the topic is unfair. To me, a musical group or band is the coming together of people, each contributing something unique. Like a puzzle, when all the pieces come together, you have something amazing. To have to choose one is a daunting task.

Let me start by saying that if you had asked me as a kid, without a pause, I would have chose Ringo. This may be because I was so familiar with the Beatles cartoon and Ringo always made me laugh. I also really enjoyed the almost all of the songs that he sang lead on. He went on to have some solo hits post-Beatles, too.

There are times I might have picked George Harrison, but probably not because of his Beatles stuff. Don’t get me wrong, he wrote the amazing song “Something,” which even Sinatra said was a beautiful love song. I also loved a lot of the early songs he sang on. Everybody’s Trying to Be My Baby is one of my favorites. George really gained my respect as a musician and songwriter post-Beatles.

John was a quick wit and always made me laugh when I saw him in those early interviews. You cannot deny the songwriting power that he had both solo and with Paul McCartney. He really wrote some deep songs. To me, it is interesting to look back and see how he put much of his hurt, suffering and confusion into a song.

John was also a guy who wasn’t afraid to take a stand for something. Many of his solo songs are still as relevant today as they were when they were released. If only the people would listen to the lyrics of Imagine, maybe we’d see a change? Every Christmas I hear War is Over, yet every day when I go to MSN, there is some new story about Putin and World War III. Obviously, Give Peace a Chance is not something any of the world powers wants to do.

Then, there is Paul. I don’t have to really say much about his songwriting abilities. As a matter of fact, if you look at the output of the Lennon-McCartney machine, you cannot help but be in awe of the volume of work they put out. As a musician, he really was the greatest talent of the group. Before you get up in arms, let me prove it to you.

We know that he was best known for playing bass guitar for the Beatles. Growing up, his first instrument was the trumpet (given to him by his dad). He also knew how to play the piano, and did so on Beatles songs like Slow Down and Ob La Di Ob La Da. While it is a simple tune, you can hear Paul’s drumming skills on The Ballad of John and Yoko. As a matter of fact, he can play over 40 instruments including mandolin, cello, harmonica, harpsichord, and the ukulele. Watch his video from 2020 for Find My Way and you will see him playing many (FYI – it’s not my favorite McCartney song, but it is a good illustration).

While many songs had both John and Paul listed as writers, many were “all Paul.” Yesterday, Hey Jude, Blackbird, and Here There and Everywhere, just to name a few. Paul said once that the last one was the only one that John had ever complimented him on. John said in an interview that it “was all his” and was “one of my favorite Beatles songs.”

So why am I picking Paul? Honestly, if it wasn’t Paul it would be Ringo for the simple fact that they are still around. Both are still touring and in the public eye. I love watching Paul do interviews. He is fun to watch, tells great stories and isn’t afraid to be a part of something a bit silly.

One of my favorite McCartney moments was when Chris Farley interviewed him on SNL for the Chris Farley Show bit. How Paul kept a straight face through that still amazes me. Farley asks him, “Remember when they said you were dead? That was a hoax, right?” and Paul simply says, “I wasn’t really dead!” That always makes me laugh. How Paul keeps a straight face through the bit is beyond me. I wish there was a better quality clip…

There’s another great SNL bit where he and Martin Short and doing something for a Christmas Pageant. Martin says that he and Paul are a team but he is the only singer because Paul “cannot sing.” Paul plays the triangle in the bit. He misses cues and Martin screams at him through the whole bit. Paul is hilarious. The bit ends with Martin leaving and Paul asking, “Can I sing now?” Walls move and Paul walks onto the stage to sing Wonderful Christmastime, as himself.

Paul was fantastic on the Letterman show reminiscing about being there on the Ed Sullivan show. During the interview Dave says that they have been trying to get him on the show for years. He asks why it took so long to get him there, to which Paul says with a straight face, “I don’t like the show, David.” But THE highlight for me was to watch him do a rooftop performance of Get Back. I want to say that he wound up doing about a 40 minute concert from up there that night.

Another great Paul bit is when he shows up on James Corden’s show and does his Carpool Karaoke. The first song they sing together is Drive My Car and he’s having a blast doing it. The conversation between the two of them as they drive around is moving at times. Paul and James stop at Paul’s boyhood home and shares some great stories. The kicker is that they go to a pub that McCartney used to play at and he and his band surprise the patrons of it with a concert. It is worth a watch on Youtube –

As I write this, I have no idea what Beatle the other contributors have chosen. I am guessing that many of the pieces will be very music related. While I feel mine is also a bit music related, I also feel that what made Paul stand out to me was Paul being Paul. Paul, years away from the Beatles, talking about those days, the music, the memories, and the rest of the band. Paul, looking back at those early days that influenced and brought him to where he is today.

Not too long ago, country singer George Strait said he was done touring. George is 72. Sir Paul is 82 and still out there playing for sold out crowds for hours at a time. He is an artist who is always trying something new, while never forgetting his roots. He has a passion for the music and for his fans. He just seems to be that guy who’d be fun to hang out with.

Thanks to Dave for asking me to be a part of Turntable Talk. Thanks for another great topic. I love writing for it and love to see the responses from the other music lovers. Until next month … Thanks for reading.

Guest Blogger: My Buddy Max

As I announced a few blogs ago, I am happy to present to you a blog written by my pal, Max. I stumbled on his blog when I first started blogging. I found he and I were around the same age, loved the same music, TV shows, and movies and we’ve become very good friends. You can find his blog here: https://powerpop.blog/

I mentioned that I have wanted to write a blog on the Beatles for some time. Max is quite a Beatles fan, too. I thought he’d be the perfect guy to write a Beatles blog for me. Actually, he’s gonna do two! He recently interviewed me for his blog regarding my radio career, so he kind of owed me at least one blog! LOL. So without any further ado, here’s Max and the first “official” Beatles blog on this page …

COVER SONGS BY THE BEATLES

Hello everyone! I want to thank Keith (nostaligicitalian) for allowing me to interview him for my blog. Keith mentioned to me about guest hosting his blog. I’m sorry to say this to all the readers, but I will be here twice! What I’m going to do is list my top 10 songs that the Beatles covered (today)…and my top 10 songs that people covered of the Beatles (next Saturday). I want to thank Keith for thinking enough of me to let me share this.

I first found the Beatles when I was 8 years old (in 1975) and have read and listened to them ever since. Their original songs are what set them apart from everyone else then and now, but they did play some interesting covers. 

The Beatles did mostly covers when they played Liverpool and Hamburg before their fame. They had great taste picking them and they also did some B sides because they wanted to do songs every other Liverpool band wasn’t doing. Although I’m a huge Beatles fan…I’m not suggesting that any of these are better than the original (Except a couple). In some cases though the Beatles brought attention to the song which the original artists were usually really grateful.

I’m only listing songs that were on studio albums not any live albums like Live at the BBC. So lets get this started!

10: Please Mr. Postman – The Marvelettes version will always be my favorite of this one…and I remember the Carpenters did it also in the 70s. 

The Beatles version was good, but I have heard a live version that is a little more up. Would American audiences be interested in a young white British group covering a black R&B pop smash hit? Capitol Records didn’t think so. They decided against including the song on their first album “Meet The Beatles!” for just that reason.

 After three million copies of the album had been sold by mid March, Capitol was ready to rush-release another album to cash in on the excitement. And you better believe they included “Please Mister Postman” on that next release, “The Beatles’ Second Album.”

9: Bad Boy – For me this is punk Beatles. John’s voice carries this song. They were in the middle of filming Help! when Capital Records in America requested a few more songs. 

They went back in their Hamburg/Cavern days and picked two to record – Dizzy Miss Lizzy and Bad Boy. The Beatles don’t stray too far from the original Larry Williams rendition of the song while compensating for the saxophone and piano dominated arrangement with guitars and subtle organ/electric keyboard work…it is a bit more energetic than the original. (KEITH: I actually had no idea this was a cover song, until I bought a Larry Williams album!)

8: Slow Down – Larry Williams wrote this song. They recorded 3 of his songs. More than any other songwriter but themselves. 

There was no internet or a good way to get lyrics back then. Ted “King-Size” Taylor from the rival Liverpool group The Dominoes remembers that The Beatles all sat in a row and took down one line each of all the songs they did… Dizzy Miss Lizzy and Slow Down all of those – and “the next time we saw them they were playing all our stuff.” (KEITH: I never heard this story!! That’s great!!!)

7: Money – It fit their style perfectly but John sounded as if he held back a little on this one. I still like it but it probably could have been better.

The Beatles performed the song live, vocals and all, for six full takes until everyone was satisfied. George Martin play piano on this song. (KEITH: Barrett Strong’s version was a staple on Michigan oldies stations. It was written by Barry Gordy and was the first Motown hit!)

6: Dizzy Miss Lizzy – This is one of the first guitar riffs I learned on guitar. It’s simple and if played right it can light up a club or bar. A song written by Larry Williams, John Lennon would later cover this live in 1969 at the concert in Toronto. 

This was recorded on the same day as Bad Boy. (KEITH: I think the Beatles version of this has a bit more “oomph” to it. Larry’s version sounds weak in comparison.)

5: Long Tall Sally – Paul did his Little Richard best on this song. They were playing this song way back in 1957.

Long Tall Sally has the longest legacy of all the songs in The Beatles catalog, but that is the song held an affectionate place in the hearts of The Beatles all of those years. (KEITH: What a vocal on this one! Paul knocks it out of the park!)

4: Rock and Roll Music – I was introduced to the song by the Beatles.

Their backs were up against a wall. They were not able to compose enough material on such short notice to fill an entire album. So they were happy to record their renditions of some of their favorites. “Rock And Roll Music” fit the bill. It’s another song that they knew well. They kept playing this song through their touring career. (KEITH: A classic by Chuck Berry, however, the Beatles kick it up a notch. Such a great sound to this one.)

3: Roll Over Beethoven – Everything from George’s guitar to his vocals are spot on in this Chuck Berry cover. “If you tried to give rock and roll another name, you might call it ‘Chuck Berry.’” John Lennon.

They had perfected this song on stage during the last seven years. It was the first of two numbers immortalized by The Beatles from the catalog of the most influential songwriter/performer of the fifties…Chuck Berry. (KEITH: The song itself is a great track. I always though the Beatles version was better than Chuck’s. If I had to pick a favorite version – it might be the version by ELO.)

2: Twist and Shout – John Lennon sounds demented in this song in all the right ways. It was the last song they cut that night after recording the entire album and John just got through it. They adapted the original arrangement within their limited ‘guitar-bass-drums’ format and did so very well.

Although The Beatles’ adaptation was a direct reflection of the hit version by The Isley Brothers, I feel safe to say that this version became the definitive version of the song. (KEITH: I would agree. How can you even touch this version of Twist and Shout?!)

1: You Really Got A Hold On Me – This is my personal favorite. The popular opinion would probably be on Twist and Shout as being the best song they covered…and  I think John was beyond great on that…but these harmonies are hard to beat on this one. You can’t compare Smokey to anyone…but the versions are apples and oranges. 

It had been recently recorded by its writer Smokey Robinson and The Miracles and first hit the charts only earlier that year, debuting on the Billboard singles chart on January 12, 1963. Yet just over six months later, The Beatles chose to translate the song themselves. This was the first song they chose to record for the album. They do a unique version of it that has stuck with me. Below we have a bonus…an isolated vocal of this song. (KEITH: I like their version better than Smokey’s. Cool vocal track. Never heard it before. Thanks for sharing.)

More next week….

Thanks, Max!

These are some of my absolute favorite Beatles cuts!

I’m looking forward to Max’s follow up next week, which will feature songs by the Beatles that were covered by other artists! I hope you are, too!!