Tag: Sorry Wrong Number

Book Recommendation – The Woman in the Window

I am really behind the times with the book I just finished. I found out that it came out in 2018, and actually had already been made into a Netflix movie.

The Woman in the Window was recommended to me by the owner of a used book store I frequent. We were talking about our recent reads and she asked if I had read it.

The Author AJ Finn wrote End of Story, which I really enjoyed. The Woman in the Window was his debut novel. Before I offer my thoughts, here is the Goodreads synopsis:

Anna Fox lives alone, a recluse in her New York City home, unable to venture outside. She spends her day drinking wine (maybe too much), watching old movies, recalling happier times . . . and spying on her neighbors.

Then the Russells move into the house across the way: a father, a mother and their teenage son. The perfect family. But when Anna, gazing out her window one night, sees something she shouldn’t, her world begins to crumble and its shocking secrets are laid bare.

What is real? What is imagined? Who is in danger? Who is in control? In this diabolically gripping thriller, no one—and nothing—is what it seems.

As I read this book, I kept thinking about Hitchcock’s Rear Window. I suppose that is what the author hoped for in that the main character loved old movies. She references them often throughout the book.

There were quite a few surprises along the way. I really found myself on the edge of my seat a couple times. The end was certainly not what I expected, but in a good way.

Finn does a fantastic job describing the fears of agoraphobia in the main character, Anna. Her character made me think of the main character in Sorry, Wrong Number. At times she is calm, at times she is frantic, and other times she is lost in despair. She is a very complex character and along the way, you find out why.

At one point I remember reading what seemed to be the “wrap up,” but I knew it could be because of how many pages were left. Where the story went from here really had me turning pages.

The Netflix movie stars Amy Adams, Gary Oldman, and Juliette Moore. I’ve heard good and bad about it, so I may or may not decide to see it. As far as the book, it is worth the read.

4 out of 5 stars.

A Golden Age of Radio Classic

I’m a firm believer in using your imagination. In today’s society, we can plop down in front of the TV and watch shows and not really have to think about what’s going on. Everything is right there on the screen. However, back in the days before television, there was radio.

Radio was a medium that brought the listener’s imagination to life! You and I could listen to the same show, but each see our own version because we’d picture things differently. There is a reason that so many folks used the phrase “theater of the mind” when talking about old time radio.

One of the best radio dramas was a show simply called Suspense. If I had to describe it, I’d say it was the radio version of the Twilight Zone. I say that because there was often a twist at the end of each show. If you really want to hear REAL acting, Suspense featured it every week! Actors and actresses only had the use of their voice to display the wide range of human emotions – and they did it flawlessly!

Suspense was a half-hour drama series that aired on the CBS radio network from 1940 to 1962 (for the first half of 1948, episodes lasted for 60 minutes). That multi-year run made it one of network radio’s longer lasting dramatic series with nearly 950 episodes produced.

At its height, the radio series featured a cross-section of well known Hollywood actors and actresses (it was aired from Los Angeles from 1943 through into the 1950s) who were attracted by the quality of the scripts and show’s production values. For years, the host was simply “The Man in Black” who would almost whisper the opening line “. . . And now, another tale well-calculated to keep you in . . . Suspense.”

82 years ago today, Suspense aired one of its classic episodes. It is an episode that will often come up when anyone speaks of the Golden Age of Radio. It starred a young Agnes Moorehead (who would go on to play Endora on TV’s Bewitched). I am talking about the classic “Sorry, Wrong Number.

“Sorry, Wrong Number,” a classic suspense radio drama, explores the chilling scenario of a woman accidentally eavesdropping on a murder plot. The episode, broadcast on May 25, 1943, tells the story of Mrs. Stevenson, a woman who listens to a phone call between two men planning a murder. She realizes the crime is set to happen that night, and she desperately tries to alert authorities. Sadly she finds her efforts blocked by indifference and bureaucracy, leading to a terrifying climax where she realizes she might be the intended victim. 

In an essay by Christopher H. Sterling, he says,

In a modern era of digital cellphones, the impact of this period program is sometimes difficult to understand. But when it was originally broadcast in the midst of World War II, in an analog era of operator-assisted telephone calls and shared “party” lines, radio listeners could readily identify with the situations they heard.

Sorry, Wrong Number was initially broadcast live twice on May 25, 1943 (once for East Coast listeners–with a minor flub in one line—and then repeated for the West Coast). It was rebroadcast other eight times (on August 21, 1943; February 24, 1944; September 6, 1945; November 18, 1948; September 15, 1952; October 20, 1957; and February 14, 1960).

In 1948, the play was made into a movie starring Barbara Stanwyck and Burt Lancaster. The film is excellent, but nothing compares to the amazing performance of Agnes Moorehead on the radio version.

Do yourself a favor, pull up a chair and give it a listen. Let your imagination go wild! Listen to what she is able to convey simply with her voice. Let’s go back 82 years and enjoy a masterpiece!

Source: Christopher H. Sterling Essay