Tune Tuesday – You’re Not Alone Anymore

For Tune Tuesday today, we celebrate the birthday of one of the greatest singers of all time. Roy Orbison was born on this day in 1936. A few years ago, I wrote a blog about him and this may or may not be a bit of a rehashing of that.

Roy Orbison is a rock and roll legend.  I refuse to debate this.  It is a fact.  The Beatles and Elvis Presley (both legends in their own right) have stated on record that Roy was a major influence on their music.  Roy’s music was different – it had it’s own style and a certain darkness to it.  My first exposure to Roy Orbison was when I was about 4 or 5 years old.

I remember my dad had an album of Roy’s Greatest Hits.  My favorite song as a kid was Dream Baby.  I didn’t know that was the name of it.  I know this because when I asked him to play it, I would ask for it by singing the opening bass line: “Daddy, play ‘boom boom boom, bum bum boom.’”  I remember the first song on the album was Candy Man, which started with a harmonica.  That is the instrument Roy asked for as a kid.

When asked hey wanted for his sixth birthday, Roy told his parents he wanted a harmonica.  Luckily for the music industry, his father bought him a guitar instead.  While some stories differ, most biographies claim that Roy learned how to play from his father Orbie Lee Orbison.  Some sources say that he learned from his Uncle Charlie, Orbie’s brother.

He formed a band while in Wink, Texas called the Wink Westerners and that band played some high school dances.  While in college, two friends of his had written a song called “Ooby Dooby.” They began playing that in their shows and because of their success, they got their own radio show on station KMID. In 1955, the band got their own TV show and artists came to play and sing on it.  Among them, Elvis Presley and Johnny Cash.

Roy pulled Johnny aside and asked for advice.  He wanted to know how to get a record released on the radio.  Johnny suggested that he call Sam Phillips over at Sun Records in Memphis.  Johnny gave Roy the number and sure enough Roy called.  I am sure he was not expecting what happened.  Sam Phillips answered the phone and after a brief conversation, Sam hung up on him, but not before telling Roy, “Johnny Cash doesn’t run my record company!”

Roy eventually found a place to record and recorded “Ooby Dooby” with his band, now called the Teen Kings.  The song was released in 1956 and Roy took it to a well known record dealer named Cecil “Poppa” Hollifield. He heard the song and immediately called a “connection” he had in Memphis and played him the record over the phone.  His connection asked for a copy of the record, and three days later he called Poppa up to tell him he wanted the Teen Kings in Memphis in three days to record in his studio.  That connection was none other than Sam Phillips of Sun Records!

That deal got him out on tour with Johnny Cash, Faron Young, Carl Perkins, and Johnny Horton among others.  In 1958, Roy was asked to tour with the Everly Brothers.  During the tour, the Everly Brothers told Roy they needed a new single and asked if he had any songs.  He picked up his guitar and sang the song Claudette.  They liked it, and asked him to write down the words and chords.  The song was the B-side of All I Have To Do Is Dream.  Roy had some of his other songs recorded by artists like Jerry Lee Lewis, Buddy Holly, and even Ricky Nelson.

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In 1959, Roy was signed to an independent label called Monument.  It was at this label that so many of Roy’s big hits came, starting with Uptown.  That was followed by Only The Lonely (which reached #2), Blue Angel, and I’m Hurtin’. What followed was Roy’s first #1 song, Running Scared.

Roy had hoped to change up the “pop” sound and try something different.  They recorded the song twice and he was disappointed with the two takes, so they cut it again.  Instead of using a falsetto voice, Roy sang the high natural A and nailed it.  The accompanying musicians were awestruck and had never heard anything like it.  Producer Fred Foster said “Nobody had ever hear anything like it before!”

What followed was four solid years of top 40 hits.  Those hits included Crying, Candy Man, Dream Baby, Working for the Man, In Dreams, Pretty Paper, Leah, Blue Bayou, Mean Woman Blues, and Its Over. His success got him a spot opening up for some concerts in England. He was the opening act for a few guys who were known as The Beatles (they had yet to become a big thing in the US).  The tour sold out in minutes, and on the first night of the show, they say that Roy played 14 encores before the Beatles ever got on stage!

In 1964, Roy recorded what is probably his biggest hit, Oh Pretty Woman.  It would be his last big hit while at Monument records.  Touring hurt his personal life, and his wife Claudette began having an affair.  One day while writing with songwriter Bill Dees, Claudette entered the room and said that she was going to Nashville.  Roy asked her if she had any money, and Dee’s replied, “A pretty woman never needs any money.” With that phrase, and about 40 minutes, they wrote Oh, Pretty Woman, which went to number 1 in almost every country in the world.

In 1966, Claudette was killed when a pickup truck pulled out in front of her and she hit the door.  She died instantly.  Two years later, Roy was on a tour in England and he received a call that his home had burned down.  As if that wasn’t enough bad news, he was also told that his two oldest sons were killed in the fire.  He tried to cope by keeping himself busy with work.  He starred in the film The Fastest Guitar Alive, which ended up being his only lead role.

Roy changed labels a few times after this and eventually re-signed with Monument.  In 1987, Roy Orbison was inducted into the Rock and Roll Hall of Fame.  Bruce Springsteen was there to do the honors.  A TV special followed.  Roy had always wanted to do one and this special included some powerful special guests:  Elvis Costello, k.d.Lang, Tom Waits, Bonny Raitt, Jennifer Warrens, Jackson Brown, and Bruce Springsteen.  The special was called Roy Orbison and Friends – A Black and White Night Live. It was aired on cable and released on video and became one of Roy’s great concerts.

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Jeff Lynne of ELO was busy producing George Harrison’s Cloud Nine album, and was working on Tom Petty’s and Roy’s albums at the same time.  This led to them all getting together with Bob Dylan for the Traveling Wilburys project which was a huge success! Handle With Care was a big hit from the album. 

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In late 1988, Roy put the finishing touches on the Mystery Girl album.  It was set for release in 1989.  There would be a world tour to support the project.  The album would include the smash hit “You Got It”.  On December 6, 1988, Roy was complaining of chest pains.  Just before midnight, he had a heart attack and collapsed at his mother’s home.  Roy Orbison died at the young age of 52.

I was still a senior in high school and I was going to WKSG to rip news and type up stories for the news director.  I would stay till 6am and then head to school.  I remember going to the AP wire and seeing the “URGENT” breaking news that Roy had died.  We were an oldies station and this was big news.  I remember when we broke the news.  It is one of those moments I will never forget.

You Got It was released after Roy’s death and reached the top 10.  One of the coolest tributes to Roy was when the Traveling Wilburys released the song End of the Line.  In the video, the group is on a train singing.  When Roy’s vocal comes on, the camera is on a rocking chair in which Roy’s guitar is sitting.  Next to it, is a framed photo of Roy.  Powerful!

Back to the Wilburys for my song choice for this blog. A song that was supposed to be a group song on the album was You’re Not Alone Anymore.  After rehearsing it a bit and trying a few things, it was decided that there was really only one voice that could do the song justice, and that was Roy.  It is an amazing vocal and an amazing song!

Roy Orbison is a legend.  His music was like no one else.  His style was like no one else.  His vocals were indescribably beautiful, haunting, and amazing.  Heaven’s choir is blessed to have him in their baritone section.  Happy Birthday, Roy!

Tune Tuesday – The Frogman

Yesterday a New Orleans R&B legend passed away. Clarence “Frogman” Henry passed away at age 87. The New Orleans Jazz & Heritage Foundation announced his death but provided no other details. He was scheduled to perform at the New Orleans Jazz & Heritage Festival later this month.

Clarence’s biggest hit was one that I remember playing over and over as a kid. He recorded “Ain’t Got No Home” when he was only 19 years old. In the song he sings as a boy, a girl, and frog. You read that right – a frog. He croaks a verse as a frog which, of course, led to the “Frogman” nickname. In 1956 the song hit No. 20 on the U.S. pop charts and No. 3 on the R&B charts.

He toured and continued to record, but only had two other minor hits. One was a cover of the Bobby Charles song “(I Don’t Know Why I Love You) But I Do” from 1961.

The other minor hit was also from 1961 and also a cover, “You Always Hurt The One You Love.”

His success was enough to land him quite a gig – opening for the Beatles!!

Frogman opened for the Fab Four in 1964 on eighteen dates across the US and Canada. That’s not a bad bill to be on!

He remained a popular entertainer at New Orleans clubs along Bourbon Street until 1981, when he retired from the grueling club circuit. He continued to be a crowd-pleaser at the Jazz & Heritage Festival. Even though he hadn’t had a hit in years, his name still drew big crowds.

In April 2007, Henry was honored for his contributions to Louisiana music with induction into the Louisiana Music Hall of Fame.

This is probably SO wrong, but I have to wonder how many headlines about his passing will read, “Frogman Croaks at 87.”

Leap Day #1 Songs!

When I thought about what to do for the year’s “bonus” day, my first thought was to list a bunch bunch of songs about “leaping” and “jumping.” Then I thought that was just too easy. So I decided to take another musical look at February 29th.

I present to you a look at songs that have the honor of being number one on Leap Day. So let’s leap back to 1940 …

2/29/40 – Glenn Miller and his Orchestra had the number one song with their best known song. In the Mood.

2/29/44 it was Glen Gray and the Casa Loma Orchestra with My Heart Tells Me

2/29/48 – Art Mooney was feeling lucky with I’m Looking Over a Four Leaf Clover

2/29/52 – Johnny Ray was shedding tears with his number one – Cry.

2/29/56 – The Nelson Riddle Orchestra took us to Lisbon Antigua

2/29/60 – It was Percy Faith and his orchestra with The Theme From a Summer Place.

2/29/64 – Of course, in 64 it had to be a Beatles song – I Want to Hold Your Hand was on top of the charts.

2/29/68 Yet another instrumental was number one. This time, Love is Blue from Paul Mauriat

2/29/72 – Harry Nilsson lamented about living Without You

2/29/76 – A TV Tune was number one. The Theme from S.W.A.T. from Rhythm Heritage

2/29/80 – Classic Queen! Freddy Mercury and the boys sat at number one with Crazy Little Thing Called Love.

2/29/84 – A song about leaping/jumping …. Jump from Van Halen

2/29/88 – George Michael took the top spot with Father Figure

2/29/92 – The is some confusion as to this particular year, however, the chart is dated 2/29/92 and it says the number one was held by Mr. Big – To Be With You (some people say Right Said Fred – I’m Too Sexy)

2/29/96 – It was the amazing pairing of Boys II Men and Mariah Carey on One Sweet Day

2/29/2000 the group Savage Garden hit number one with a forgotten favorite – I Knew I Loved You

2/29/04 Usher said “Yeah!” about having the number one tune. Any time I think of Lil Jon, I think of that sketch on the Dave Chappelle Show … LOL

2/29/08 – Flo-Rida hit number one with a song that still makes people dance – Low

2/29/12 Kelly Clarkston held the number one spot with Stronger

2/29/16 Justin Beiber was sitting at number one with Love Yourself

2/29/20 it was a song that I find to be a total piece of garbage. The lyrics disgust me and the fact that it was a number one song really makes me sick. I’ll just mention it, but I certainly will not be posting it here. The Box by Roddy Ricch.

As for today, it seems that Beyonce is at number one with something called Texas Hold ‘Em. I read the lyrics. Never heard it. I don’t care to.

Final thoughts? There were a lot of instrumentals on Leap Day! There were certainly some good tunes, some long forgotten, and some crap. Music is subjective. Any stick out for you?

Happy Leap Day!

Tune Tuesday: Hallelujah I Love Her So

Yesterday, my Turntable Talk was about the Blues Brothers Soundtrack. Ray Charles is featured on there with his version of Shake a Tailfeather. Also yesterday, my buddy Max from the Power Pop Blog (powerpop.blog) posted about Ray’s version of What’d I Say. That got me in a Ray Charles mood and I was surprised that I’d never posted this song before.

Hallelujah, I Love Her So was written and released by Ray Charles in 1956. I remember playing it on rare occasions when I worked at WHND, Honey Radio in Detroit. It was usually when we were featuring songs from 1956. It didn’t do much on the pop charts, but it was a Top 5 hit on the R&B charts.

As the title insinuates, it has a gospel feel to it. The opening piano lick sounds like something you’d hear before jumping into a happy hymn. One source says the song “is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson.”

My buddy Randy from http://www.mostlymusiccovers.com no doubt knows that there have been plenty of covers of this song. Ray must have been thrilled to have his song covered by folks like Ella Fitzgerald, Peggy Lee, Brenda Lee, Jerry Lee Lewis, Stevie Wonder, Eddie Cochran, Gerry and the Pacemakers, and Frank Sinatra! Oh, and a band called the Quarrymen (who went on to become the Beatles) also covered it!

To start with, here is the original by Ray:

Ella Fitzgerald’s version sounds a bit more church-like to start, but really swings.

From the Beatles Anthology, here are the Quarrymen

Eddie Cochran’s version was released in 1959

I had no idea that Jerry Reed covered it, but it’s neat to hear his take

Sinatra always makes a song his own and he does that with this one. Very bluesy

Hugh Laurie’s version was on the deluxe version of his debut album

Of all the covers, one of my favorite versions is by an Australian singer named Guy Sebastian. From his Memphis Album he a great version.

I hope you love this one as much as I do!

Hallelujah, I Love Her SO

Let me tell you ’bout a girl I know
She is my baby and she lives next door
Every mornin’ ‘fore the sun comes up
She brings me coffee in my favorite cup
That’s why I know, yes, I know
Hallelujah, I just love her so

When I’m in trouble and I have no friend
I know she’ll go with me until the end
Everybody asks me how I know
I smile at them and say, “She told me so”
That’s why I know, oh, I know
Hallelujah, I just love her so

Now, if I call her on the telephone
And tell her that I’m all alone
By the time I count from one to four
I hear her (KNOCK) on my door
In the evening when the sun goes down
When there is nobody else around
She kisses me and she holds me tight

And tells me, “Ray Charles everything’s all right”
That’s why I know, whoa, I know
Hallelujah, I just love her so

Now, if I call her on the telephone
And tell her that I’m all alone
By the time I count from one to four
I hear her (KNOCK) on my door

In the evening when the sun goes down
When there is nobody else around
She kisses me and she holds me tight
And tells me, “Daddy, everything’s all right”
That’s why I know, yes, I know
Hallelujah, I just love her so

Oh, hallelujah
Don’t you know, I just love her so
She’s my little woman, waitin’ all this time
Babe, I’m a little fool for you, little girl…

Happy Birthday, Louis

Today is the 122nd birthday of a jazz legend – Louis “Satchmo” “Pops” “Satch” Armstrong.

A unique voice and a amazing trumpet player, he is synonymous with jazz. Nothing I could write about him would do any justice to his life and legacy, so I thought I would just share a few of my favorite Louis Armstrong songs with you.

I’ve always loved A Kiss to Build a Dream On, but Louis’ version is my favorite.

Another favorite by Louis was actually one that I played at one of the last weddings I DJ’d. I was surprised that they actually asked for his version. La Vie En Rose.

How could I not mention his Grammy winning performance of Hello, Dolly! This song knocked the Beatles out of the number one spot on the charts (a spot they had held with three consecutive songs for 14 weeks!)

His collaborations with the great Ella Fitzgerald are classics. My favorite is from the show Porgy and Bess – Summertime. Both were great scat singers

Yes, it’s out of season, but I LOVE Louis’ version of Winter Wonderland

How could I not include a song that I believe belongs to Louis? NO ONE, in my humble opinion, could ever do it the same justice as he did. The emotion expressed, the beautiful arrangement, and those amazing lyrics – What A Wonderful World.

Here is a version not many are familiar with. Listen to “Pops” Armstrong’s vocal introduction to the song…

Happy Birthday, Satchmo!

Turntable Talk – Feels Like The First Time

It’s time for another round of Turntable Talk. This is the 14th edition hosted by Dave over at A Sound Day. As always he has presented our little group of music lovers with a great topic.

In his instructions he asks:

Do you remember what the first album you bought was? LP? CD? Reel to reel, LOL? Why that one? Do you still have it? Would you want to ? Let your nostalgia run wild! Tell us about that first record you made your own.

Let me start by saying that many of the albums my dad had, eventually wound up as “mine.” When I think back to the albums I remember there are some that I will never forget. To be clear, my dad bought these, but I wound up listening to them. He had many from Roy Orbison, Elvis, Lenny Dee, Herb Alpert, and so many others. The ones that eventually wound up in my room were a bit odd.

First, there was Dumb Ditties. An album of novelty songs put out by K-Tel. What 6 year old kid didn’t like silly songs?

Then there were two albums that had TV themes on them. There were not the original artists, and this was long before TV Toons put out their collections. They were actually pretty cheesy versions that a kid like me knew weren’t quite right, but close enough. They had goofy cartoon drawings of the main characters from the shows on the cover and were done by the Pop Singers and Orchestra. Was that even a real group?!

The last album that my dad bought that wound up in my record collection was the 1977 album of The Muppet Show. It had the theme song, Mah-Nah-Mah-Nah, and plenty of clips of the two old guys heckling the acts.

Now as far as the first album I actually bought, my memory is hazy. I know it had to be one of two and I know I would have bought them within a week of each other.

I had a paper route. I remember that you collected whatever your customers owed you for the week, and you paid for your papers. Whatever extra tip money you made was yours. I don’t recall making a lot of money, but it was enough to go up to the toy store to buy Star Wars stuff or to Harmony House to buy an album.

My dad had a couple of the Beatles albums. He had the blue and red greatest hits albums with them looking over the railing.

I loved the Beatles growing up – early Beatles. It took me a while to appreciate the later Beatles stuff. I recall walking into the Harmony House and grabbing either Beatles ’65 OR Beatles VI. I wish I could remember which one was THE first. I know, however, that these two albums were bought almost immediately after I began delivering papers.

Whichever one I bought first, I suppose doesn’t matter. These two albums contain some of my favorite songs by the Fab Four and they were played over and over again.

“This happened once before, when I came to your door. No reply….” A cold open starts Beatles 65. Boom! There’s John. What follows on the album was a variety of musical nuggets that my young ear just loved!

The harmonies sounded even better with headphones. I’m a Loser, Baby’s In Black, I’ll Be Back, and Mr. Moonlight each had me trying to sing all the different notes. There were great cover songs like Honey Don’t, Everybody’s Trying to Be My Baby, and Rock and Roll Music. Then there was I’ll Follow the Sun. Beautifully simple.

Beatles 65 was an album I played from start to finish many times.

As for Beatles VI, there were “skip” songs on this one for me. Skip songs were You Like Me Too Much, Words of Love, Tell Me What You See, and Every Little Thing. Why those didn’t do much for me, I can’t say.

I, of course, loved those great cover songs – Dizzy Miss Lizzie, Bad Boy, and Kansas City. I knew all of these songs by their original artists, but came to dig those Beatles versions more.

As a kid, I often found myself drumming my desk in school to the opening of Look What You’re Doing. The teachers told me to leave the drumming to Ringo!

The one song that is the stand out for me on the album was Eight Days a Week. What a great song. It is one that even non Beatles fans know, love, and sing along to. I could be mistaken on this, but I swear there was no fade in on the album. I remember the first time I played this at a radio station and the fade in happened – it freaked me out. Either way, it is one of their best songs.

My love for the Fab Four started very early in life thanks to the musical influence of my mom and dad (and maybe that Beatles cartoon). That love for them continues to this day. It only makes sense to me that the first album I would buy would be from them! These albums remain as fresh today as they were when they were released – years before I ever got my hands on them. 

Thanks again to Dave for inviting me to take part in this feature.  As always, I look forward to reading the other contributions and to next month’s topic.

The Starr of The Beatles

I was approached by my blogger buddy, Max, from the PowerPop Blog recently and asked to contribute something for his “Beatles Week” feature. In truth, it will probably go longer than a week as there are many talented writers participating with me. I think his original thought was to have each of us write about a favorite Beatles song, but then he allowed us to pursue something “Beatle themed.”

I think I have mentioned in the past that it would be extremely difficult for me to pick one favorite Beatles song. There are just too many great ones to choose from. I could spend hours talking about the fantastic harmonies of the group or the amazing songwriting contributions of Lennon and McCartney. I could also examine the way George Harrison’s guitar playing matured as the group got older. Instead, I chose to focus on the Beatle that I connected with as a young fan discovering the band – Ringo Starr.

As a kid, I discovered the Beatles through their cartoon series (as well as albums that my dad had). While the boys didn’t voice the characters themselves, it featured many of their songs and put them in silly situations. Ringo always seemed to be the goofball and I guess I found him to be the funniest.

As I began to buy Beatles albums on my own, I often found that the “Ringo” cut of each album tended to really stand out as a favorite. Let me be clear, it is not that I disliked the other guys, the opposite was true. I loved them! However, the “Ringo” cut just really had a different sound to it.

As many know, Ringo was not the original drummer for the band. Pete Best was the guy. The rumors were that he was pretty good looking and a fan favorite, so they got rid of him. How true that is, I don’t know. The boys recruited Ringo from another band (Rory Storm and the Hurricanes). Once the group got their recording contract and started sessions with George Martin, Ringo was dissed a bit. Martin felt that he was not a good enough drummer to do studio work. Eventually, Martin came around and not only was he in the recording sessions, he occasionally got to sing on a song or two.

In total, Ringo Starr sang lead vocals on 11 Beatles songs. The first was “Boys,” which was a cover of a Shirelles song. The song was one that the Beatles had been playing in their live shows for some time. Pete Best used to sing it in shows. Ringo knew the song and had performed it many times with his previous group. When the band was in the studio cutting the 1963 album “Please Please Me” he sang it in one take.

The group had been playing “Boys” for years before it was ever recorded. It was the only song that Ringo sang lead on and his loyal fans wanted to hear more. John, Paul, and George were getting tired of the song and when it was time to record their second album, Lennon and McCartney worked together to write a song for Ringo that would replace “Boys.” The song would be “I Wanna Be Your Man.”

Before they went into the studio, another British group approached Lennon and McCartney and asked if they had a song that they might record. They decided to give them “I Wanna Be Your Man.” That song became the first “hit” for Mick Jagger and The Rolling Stones!

Carl Perkins was responsible for Ringo’s next two vocal songs. First, was “Matchbox” which Perkins had a hit with in 1957. This song (and his next vocal) was responsible for the association of Ringo with rockabilly/country music. Word is that Perkins was in the studio while the Beatles recorded his songs.

For the 1964 album “Beatles For Sale,” Ringo contributed the lead vocal to Perkins’ “Honey Don’t.” Carl Perkins influenced a lot of Liverpool bands and Ringo was playing this one in his prior group before joining the Beatles. It was another song that Pete Best sang lead on in early live performances. John Lennon began singing it after Best left, but the band agreed that it was a perfect Ringo song for the album.

Ringo had decided that he wanted to have a bit more input in the songs that he was to sing. During the recording sessions for “Help” in 1965, he came upon the Buck Owens song “Act Naturally.” He brought it to the band and said he felt it would be a great song for him. They all agreed and cut it. This would mark the first Beatles cover song that they had not already been playing at live shows.

Ringo, while not best known for his song writing, did write a few for the band. By this time, John, Paul and George were all churning out songs. The three seemed to be doing everything and Ringo felt like he was being left out and maybe even someone who could easily be replaced. He went to the group and voiced his concerns. This led to his first song writing credit on a Beatles song. The song was What Goes On. The song was not all Ringo, as it was actually a song that John had originally written and Ringo tweaked and contributed to.

Yellow Submarine appeared on the 1966 Revolver album. It was a big song for Ringo as it went to #1 in the UK and #2 in the US. In Alan Clayson’s book, “Ringo Starr: Straight Man or Joker,” he says that the song was “conceived as a song that would appeal primarily to children, while recalling the band’s roots in Liverpool.” The song was written mostly by Paul McCartney and it is said that Donovan also helped (while being uncredited).

If you had to pick a “signature” song for Ringo, it would be “With a Little Help from My Friends.” The song is the second track on the Sgt. Pepper Album. The album itself was sort of a concept album where the band is playing … well, another band. In the album’s opening track, the character of Billy Shears is introduced. Even Ringo has stated that for the cut he is “taking on” the character of Shears to sing the song. The song was one that was written specifically for Ringo by John and Paul.

Ringo’s next vocal feature was one that he wrote. “Don’t Pass Me By” was one that came to him while sitting at the piano. He claims to only know a few chords on the piano and guitar. He says that while he plays around, if a melody comes to him or some words, he just keeps playing around. This is supposedly how “Don’t Pass Me By” came to be. There is some confusion as to when exactly the song was written, and while it may have been written as early as 1964, it was never recorded and released until 1968 on the White Album.

Alan Clayson says in his book that Ringo had unknowingly plagiarized music from a Jerry Lee Lewis song. It was only when George Martin was experimenting with different effects and orchestration that the song was able to be released (now sounding very musically different from it’s original version).

The song “Good Night” from the White Album was written by John Lennon. He wrote it for his five year old son, Julian. Lennon was very insistent that the song be sung by Ringo. What is interesting is that Ringo is the only Beatle who performs on the song. The music is provided by classical session musicians under the direction of producer George Martin.

Ringo’s last songwriting credit for the band appears on the 1969 album, Abbey Road. Many compare “Octopus’s Garden” to “Yellow Submarine.” Other’s compare it to an amazing and peaceful under-the sea world. This song, however, was written by Ringo at a time when things were less than peaceful with the group.

The story goes that Ringo was so angry that he walked out of a recording session because he was angry at Paul McCartney. Paul had reportedly been making comments about Ringo’s drumming, and so he left. He spent time relaxing on the Italian island of Sardinia. While there, he became fascinated by the ocean and sea life. This led to him writing the song.

When Ringo returned to the Abbey Road studios, he found that the rest of the band had decorated his drum set with flowers and found a gift from John, Paul and George as an apology. He showed the song to them and George Harrison worked with him to get the song ready to record.

After the Beatles broke up, each went on to have solo hits. Ringo enjoyed success with “Back off Boogaloo,” “Photograph,” “You’re Sixteen,” “The No No Song,” and “It Don’t Come Easy.” He continues to tour with his All-Starr Band and sells out venues.

“Peace and Love” – Ringo Starr

Perhaps if world leaders, politicians, and people in general listened to Ringo, the world would be a better place.

Trying to Unblock Writer’s Block

I’ve been struggling to write. I’m sure it is because I have had a lot of things on my mind over the past couple weeks. The things on my mind are not necessarily things I want to write about. It’s hard to be in this place. I’m still struggling to get through it, and pray that everything will be ok. That being said, I decided to sit and write about some happy things from the past few days.

“Raising Gamers?”

I usually only play on the X-box when the kids are asleep. Recently, I was in the middle of a game and Andrew woke up from his nap. I paused the game, went and got him, and spent two minutes finishing the silly car race. He loves the controllers of the game. Another time, Ella was done with her nap and came in to the bedroom where she saw me playing “the car game.”

Now, Andrew will grab a controller and point to the bedroom. He wants to play the game. Ella does, too. So I pulled the batteries out of two controllers and they hold them while I drive around. They, of course, think they are playing! It’s fun to watch them.

Too Many Tonies?

Remember a while back I mentioned the Tonie that the kid’s Aunt Margaret sent? We have ordered a few more to play on it. I guess we didn’t realize how many we had until we lined them up on the mantle.

Many of them have songs, some have stories, and some have both. It has been so nice and has helped keep the TV time down to a minimum. If you have little ones, it is worth every penny!

Too Many Ninis and the Genius of Andrew

From my wife’s Facebook:

Andrew is only suppose to have his pacifiers at bedtime. All of a sudden we were missing a TON of his pacifiers. There was none left in the diaper bag or his crib… yet all day long he would show up with one and we are constantly taking them from him.

Tonight while cleaning I found out that my brilliant child at 1 years old has hidden his pacifiers throughout the house. I have found 6 of his hiding places. I’m not even mad, I am truly impressed!

I swear, he is a genius. He plants them everywhere and knows exactly where to get one when we take one away!

Bunnies!

Our photographer friend, Beth (From Enjoy the View Photography), had Spring “Mini” sessions this week. We booked a session for just the kids. Originally, we were going to have them dress up like in Easter attire. Sam decided that she was going to have Ella in the outfit she was in for her birthday, and match Andrew up with her in some overalls. They looked so cute together!

As a bonus, Beth had real live bunnies for the session. Ella was so excited when she heard about them. We didn’t really know what to expect, but I think we were able to get some good pictures. We’ll know soon. I snapped just one that has a funny story to go with it.

Beth had a bag of carrots to feed the bunnies. The carrot that is in Andrew’s mouth, was just in the bunny’s mouth about two seconds before I snapped this. Well, at least it is a healthy snack!

Fab Four Week

I took part in a feature hosted by Max at the PowerPop Blog about the Beatles. The feature continues for the next few days. His idea was to write about your favorite Beatles song – or anything Beatles related. My write up gives a nod to one of the boys. Which one? Watch for the post in the next day or two.

My Guest Ideas

Last week I mentioned that I was thinking about hosting something similar to what Max is doing and what Dave does with Turntable Talk. I am still trying to think about whether I want to do something music, movie or TV related. Stay tuned…..

A Big “Thank You” to “Mr. Puppet”

I believe the saying goes “A stranger is a friend you haven’t met yet!” Thanks to this blog and social media, I have been able to connect with some friends who I have never met face to face. One of those friends is Mr. Puppet.

A few days ago, I posted a blog about random acts of kindness. Today, I need to thank Mr. Puppet for an act of kindness that I was the recipient of. Before I tell you about that, let me tell you about him.

Mr. Puppet is Bob Abdou. He is a ventriloquist and puppet master who has been entertaining folks for many years. As I sat here trying to recall just how I connected with him, I realized that it could have been quite a few ways (all of them on Facebook). For example, it could have been because we are both Beatles fans. I belong to a few Beatles group pages and I may have met Bob on one of those. Is Bob a big fan? Well, he has “a few” Beatles collectibles.

….and a few more ….

… and a few more

….and remember the famous Abbey Road album cover?? Yeah, his Beatles puppets actually walked Abbey Road!!

It could have been through a Beatles page I became acquainted with him. It also could have been one of the Batman pages I follow. He’s a fan of the Caped Crusader, too!

Of course, maybe it was through a love for Spiderman or Marvel comic characters…?

Or maybe it was on a site about collectible Lunch Boxes or Classic Movies or TV Shows?

A better guess might be through a Three Stooges page …

In all honesty, however, I think we met through a mutual love of the legendary Soupy Sales.

He even has an original White Fang puppet in his collection!

Before going on, I think it is apparent from the above photos (all stolen from his Facebook page), that Bob is quite a collector. While I have never been to his home, I understand that it is not an odd thing for people to stay overnight at his place. I would imagine from all of the many photos that I have seen, his house is more like a museum. This incredible collection is simply amazing!

He has amazing stuff from Happy Days that even Henry Winkler would find fascinating!

And I can honestly say, no one I know – except Bob – has a Welcome Back, Kotter collection!!

Back to Soupy and how we met. Bob can correct me if I am wrong, but on one of the Soupy pages on Facebook he posted that Soupy Sales attended his wedding! I couldn’t even imagine how cool that would be! He posted a picture of Soupy with him and his wife, June.

Bob actually remembers the first words Soupy spoke to him at the Friars Club. He has them hanging in his home.

You can learn more about Bob, his shows, and more by surfing to his website:

https://mrpuppet.com/index.php

Thank You!

On January 8th, I posted a small blurb on Facebook about it being Soupy’s Birthday. I included a couple links to past Soupy related blogs that I had written. I later discovered that I had received a private message from Bob:

“Hey Keith. Send me your home address. I have an item to send you soon. Thxs bob

Keep in mind, Bob and I have never met face to face. I know him through Facebook, we have chatted on occasion and we share a love for many of the same things (The Godfather, The Muppets, Dean Martin, Red Skelton, Hanna Barbera cartoons, and of course the other things I mentioned above). If it had been anyone else asking, I just would have ignored the message. But it was Bob, so why wouldn’t I send him my address? A few blogger friends have my address and have sent me books, Christmas cards, etc… So I sent it to him.

Today, I received the “item” he sent me. I was speechless. Truly. Included in the box was a note that reads, “Since we are both Soupy fans, I want you to have this special toy plaque.”

I have never seen this before. It is so cool! It is obviously Soupy doing his dance “The Mouse,” which was a number one song in New York City and a fan favorite.

From the bottom of my heart, THANK YOU, Bob! I will be sure to take good care of it! Your kindness speaks volumes of your character. I am so grateful to have connected with you. I hope to one day get to meet you in person, shake your hand, and compare White Fang impersonations. What a blessing it is to call you my friend! Thank you again!

Bob included his phone number with the package, and I plan on giving him a call in a few days to thank him personally, but for now, his generosity was something that I felt needed a place on the internet. (I also wanted to make sure I gave his website a plug!)

I also wanted to say that it feels good to be the person who performs random acts of kindness. However, when you are the recipient of one of those random acts, it really does feel extra special.

Turntable Talk #8 – Best Year In Music?

Once again, Dave from A Sound Day has asked some of us music lovers to participate in another round of Turntable Talk. This time around was a bit of a challenge for me. Dave’s e-mail stated:

Put your thinking caps on and go through your stacks of records (or scroll thru that I-pod) and … come up with what you think the best year for music was. A tough call of course, thankfully there have been more than a few good ones! I’m interested in what you pick and don’t worry if yours duplicates someone else’s , you still have your reasons which might be different.” He goes on to say, “I think I have a guess on a couple of years that might come up more than once, but we’ll wait and see.

This particular blog will be one of the last ones to be featured and I do not know if my year will be or has been featured. I plan on writing this KNOWING that the year I have chosen very well may be one that comes up in another post. Before I tell you the year I picked, let me tell you that I had a very difficult time narrowing it down.

My first thought was to go with 1956/1957 because those years were always so unique. You had the birth of rock and roll mixing with pop standards. When I worked at Honey Radio, I loved doing the Top 12 at 12 show when those years popped up because there was such a big variety in what was played. You could go from Elvis or Jerry Lee Lewis to Pat Boone or Nelson Riddle. When I looked at the list of songs, however, were they really the BEST? No.

The same thing can be said for some of the years in the 70’s decades. I looked through many lists and while there were many great songs, there were also a lot of really crappy songs! I just couldn’t really come up with the conviction to pick a year in that decade as the BEST.

One year kept coming up every time I started thinking about it – 1964.

I want you to know before I continue that I was dead set AGAINST 1964 when I read Dave’s e-mail. Why? Well, I felt that it would just be too Beatle heavy and loaded with British Invasion stuff. And it is. On the Top 100 Chart, The Fab Four nabbed 9 spots. 18 spots were held by other British Invasion acts. In total 27% of the Top 100 were British acts. When I really looked at the chart, the more and more I felt like this WAS the year.

1964 really was the year of the Beatles, so let’s discuss them first. They were present almost right from the start as their “Introducing The Beatles” album was released in America on January 10th of that year.

This album preceded Capitol Records “Meet the Beatles” by 10 days and there was a lawsuit surrounding that whole issue. Capitol Records won an injunction and Vee-jay Records was not allowed to put out any more Beatles recordings.

In February of 1964, the Beatles arrived in the US and appeared on Ed Sullivan’s show three times (2/9, 2/16, and 2/23). In March of 64, Billboard magazine stated that the Beatles were responsible for 60% of all single record sales! In a feat that has yet to be matched, on April 4, 1964, the Beatles held the Top 5 spots on the Billboard chart!

A week later, the boys held 14 spots on the Hot 100 Chart! That broke the previous record of 9 spots held by Elvis Presley in 1956.

In May, The Beatles Second Album was released and in July, they would release A Hard Day’s Night in theaters. “I Want to Hold Your Hand” wound up being the #1 song for the whole year of 64 (“She Loves You” was #2) To say that they played a small part in the music of 1964 would be a huge understatement.

Among the other artists that came over from “across the pond” in 64 were Manfred Mann (Do Wah Diddy Diddy), Billy J. Kramer and the Dakotas (Little Children and Bad to Me), The Dave Clark Five (Glad All Over, Because, Do You Love Me), Peter and Gordon (A World Without Love), The Animals (House of the Rising Son), The Honeycombs (Have I The Right), Dusty Springfield (Wishin’ and Hopin’), Gerry & The Pacemakers (Don’t Let the Sun Catch You Crying and How Do You Do It), Chad and Jeremy (A Summer Song), The Kinks (You Really Got Me), and the Searchers (Don’t Throw Your Love Away and Needles and Pins). It is interesting to note that the Rolling Stones debut album was released this year, but no songs appear in the Top 100 for the year.

Once you move away from the British artists, the chart has a nice variety of pop, rock, folk, country, soul, and even a few novelty songs. I think that is what made me ultimately choose this particular year.

It was nice to look over the Top 100 and see Motown represented with some classics. The Supremes hold two of the six Motown songs (Where Did Our Love Go and Baby Love), Motown was female heavy as Mary Wells (My Guy) and Martha and the Vandellas (Dancin’ In The Street) grabbed the next two spots, and the male gender was represented by The Four Tops (Baby I Need Your Loving) and The Temptations (The Way You Do The Things You Do).

While they were not “oldies” at the time, there were some classic songs that are still in hot rotation today on the oldies stations across the country. Roy Orbison had a smash with Pretty Woman in 64, and also had a hit with It’s Over. Frankie Valli and the Four Seasons grabbed three of the Top 100 with Rag Doll, Dawn and Ronnie. The Beach Boys only entry in the Top 100 was I Get Around.

1964 brought us classics like The Drifters Under The Boardwalk, Chapel of Love by the Dixie Cups, Suspicion by Terry Stafford, It Hurts to Be In Love from gene Pitney and Come A Little Bit Closer by Jay and the Americans. Johnny Rivers had a hit with Chuck Berry’s Memphis, Bobby Freeman invited us to C’mon and Swim, Detroit’s Reflections offered up Just Like Romeo and Juliet and the Shangri-Las told us the story of the Leader of the Pack.

Car songs were well represented in 64! Ronny and the Daytonas had GTO, while the Rip Chords sang Hey Little Cobra, and the Hondells had Little Honda. Jan and Dean told us the stories of The Little Old Lady from Pasadena and Dead Man’s Curve, while J. Frank Wilson and the Cavaliers told us the tragic story of a Last Kiss.

Soul music is represented by The Impressions (I’m So Proud and Keep on Pushing), Joe Hinton (Funny How Time Slips Away), The Tams (What Kind of Fool Do You Think I Am), Jimmy Hughes (Steal Away) and Nancy Wilson (How Glad Am I). If you throw Blues into the “Soul” mix, the great Tommy Tucker song “Hi Heel Sneakers” was out in 1964.

Instrumentally, Al Hirt had a monster hit with Java, The Ventures had Walk Don’t Run 1964, The Marketts had The Outer Limits, and Robert Maxwell had the incredibly cheesy lounge version of Shangri-la. While novelty songs included Jumpin’ Gene Simmons (Haunted House), The Trashmen (Surfin’ Bird) and Roger Miller (Chug-a-Lug).

While Rock was dominant in 1964, there were still some pop (and even folk) songs that made the Top 100 – one of them, doing the “impossible.” Two of the biggest pop hits of the year couldn’t be more different from each other. The third biggest hit of the year belonged to Louis “Satchmo” Armstrong and his Dixieland hit “Hello, Dolly!” Barbra Streisand (who won Album of the year at the 1964 Grammy Awards) had the 11th biggest hit of the year with “People.”

Pop/Folk was also represented by Gale Garnett (We’ll Sing in the Sunshine), The Ray Charles Singers (Love Me With All Your Heart), Dionne Warwick (Walk On By), Al Martino (I Love You More and More Every Day), and Andy Williams (A Fool Never Learns). But the biggest surprise came from an artist who hadn’t had a top 40 record since 1958!

Dean Martin didn’t care for Rock and Roll. With the British Invasion in full swing, there was very little chance of him ever having another hit. His kids loved the new artists. His son, Dean Paul, loved the Beatles. Dean told his boy, “I’m gonna knock your pallies off the charts!” On August 15, 1964 – he did just that with a song that became his NEW theme song, “Everybody Loves Somebody.” (It replaced That’s Amore as his theme song)

The song knocked the beloved Beatles A Hard Day’s Night out of the number 1 spot! It went on to stay at #1 on the Pop Standards Singles Chart for 8 weeks. It also became the theme to his weekly television show in 1965.

I picked 1964 for a few reasons. Despite my initial worry about it being British act heavy, it was the year that introduced us to the Beatles (who changed the music scene forever!). It is also the year that one act held the top 5 spots on the charts (a record that remains in place). It is also the year that my favorite singer of all time bumped the biggest group in music out of the top spot.

It is also a year that encompasses such a vast variety of music. While there may be better songs that appeared before and after 1964, it truly represents a unique time in history. America was still recovering from the loss of a beloved president, there were still Civil Rights issues, and a war in Vietnam. The music of 1964 was a welcome escape from so many things.

Was it all good? No, and that is true of every year. However, as I look at the 100 biggest songs of the year, there are a lot of great songs that have gone on to become classics. There are so many songs that are still looked at as pivotal in the music scene. The fact that many of these songs are still getting airplay today is a statement to just how good they are.

Thanks again to Dave at a Sound Day for allowing me to be a part of this feature. I can only hope that my contribution is worthy of an invite to participate in the next round.