Another Monday is upon us and if you are feeling “blue” today, this song will having you tapping your feet. I first heard it in The Blues Brothers movie.
John Lee Hooker will forever be associated with the song “Boom Boom.” It became his signature song. Do a search on the internet for it and you will find that there are many versions of the song – all recorded by John Lee himself.
John said he wrote the song in the 50’s, but it wasn’t recorded until 1961. John’s telling of the story of the song’s origin can be found on Songfacts.com:
“I used to play at this place called the Apex Bar in Detroit. There was a young lady there named Luilla. She was a bartender there. I would come in there at night and I’d never be on time. Every night the band would beat me there. Sometimes they’d be on the bandstand playing by the time I got there. I’d always be late and whenever I’d come in she’d point at me and say, ‘Boom Boom, you’re late again.’ And she kept saying that. It dawned on me that that was a good name for a song. Then one night she said, ‘Boom boom, I’m gonna shoot you down.’ She gave me a song but she didn’t know it.
I took that thing and I hummed it all the way home from the bar. At night I went to bed and I was still thinking of it. I got up the next day and put one and one together, two and two together, trying to piece it out – taking things out, putting things in. I finally got it down right, got it together, got it down in my head. Then I went and sang it, and everybody went, Wow! Then I didn’t do it no more, not in the bar. I figured somebody would grab it before I got it copyrighted. So I sent it to Washington, D.C., the Library of Congress, and I got it copyrighted. After I got it copyrighted I could do it in the bar. So then if anybody got the idea to do it I had them by the neck, because I had it copyrighted. About two months later I recorded it. I was on Vee-Jay then. And the record shot straight to the top. Then, after I did it, the Animals turned around and did it. That barmaid felt pretty good. She went around telling everybody I got John Lee to write that song. I gave her some bread for it, too, so she was pretty happy.”
On the original recording, he had a great group of musicians with him. Members of Motown’s house band (known as The Funk Brothers) played on this. The Funk Brothers were outstanding musicians and played on hundreds of hit records, but Motown didn’t pay them very well, so they would take gigs at other labels in the Detroit area to make extra cash.
The song has many accolades. In 1995, “Boom Boom” was included in the Rock and Roll Hall of Fame’s list of “The Songs That Shaped Rock and Roll.” It was also inducted into the Blues Foundation Hall of Fame in 2009 in the “Classics of Blues Recording” category. A Detroit Free Press poll in 2016 ranked the song at number 37 in “Detroit’s 100 Greatest Songs.”
Here are just a couple versions that John recorded. Version 1:
We go back to one of my favorite movie soundtracks today for Movie Music Monday.
There were many pop and soul singers who made cameos in The Blues Brothers! They include Aretha Franklin, John Lee Hooker, James Brown, and Ray Charles. It also includes a man who had been making music since the 1930’s! I’m talking, of course, about the legendary Cab Calloway.
Cab was a regular performer at the Cotton Club in Harlem. He was an amazing scat singer and led his own band. His career spanned over 65 years!
In the film, Cab plays Curtis, a friend of Jake and Elwood Blues. He lives in the basement of the orphanage that the Blues Brothers were raised in. When they need to raise money for the orphanage, they hold huge concert. It is here that Cab gets to shine on stage.
It was on this day in 1931 that Cab and his band recorded the song that would forever be connected with him – Minnie The Moocher. He performed this song in the Blues Brothers.
From wiki:
The lyrics describe the story of a woman known as “Minnie the Moocher”, a “moocher” being American slang for a person who constantly asks others for money or who takes unfair advantage of generosity. She is described as a performer of the sexually-suggestive Hoochie Coochie dance. The lyrics are heavily laden with drug references, and describe Minnie’s vivid dreams after drug use. The character “Smokey” is described as “cokey”, meaning a user of cocaine; the phrase “kick the gong around” was a slang reference to smoking opium. The song ends with Calloway wailing “Poor Min!” insinuating an untimely end for the protagonist. The “hi-de-ho” scat lyrics came about when Calloway forgot the lyrics to the song one night during a live radio concert.
First, here is the original:
And from the Blues Brothers, featuring Mr. Fabulous, Alan Rubin on Trumpet:
Today we celebrate two birthdays that have a movie tie-in. Both appeared in one of the greatest films of the 1980’s – The Blues Brothers.
First, we remember the beautiful Carrie Fisher who was born on this day in 1956. While known for Star Wars and many other films, she appears as one of Jake Blues’ jilted girlfriends. Throughout the movie, she is hell bent on killing The Blues Brothers.
Despite having some pretty powerful and amazing weapons, she never seems to be able to get the job done. In one of the most “emotional” scenes in the film, she finally confronts Jake and Elwood. Up to this point in the film, she has been silent, but when she get’s the chance to speak, she let’s Jake have it!
Jake’s list of excuses is one of my favorite part of the film.
Steve “The Colonel” Cropper turns 83 today. He was a member of the Stax house band and a member of Booker T and the MG’s. He played on tracks by Otis Redding, Wilson Pickett, Sam and Dave (“Play it, Steve!”), Rufus Thomas, Johnnie Taylor and more.
He is one of the most respected guitar players in the business, and he is still making music! He was one of many amazing musicians who joined the Blues Brothers Band. So it is only appropriate to play a song from the movie. Originally done by the Spencer Davis Group, here is Gimme Some Lovin’
I’m adapting this post from a few years ago because of a couple recent articles on MSN about TV theme songs. I clicked on one about the Top 30 best TV Theme songs, and that lead to MSN offering up many other “TV theme song” articles and lists, naturally. At any rate, back when this blog was in its infancy, I wrote a blog about them and I thought maybe it was time to revisit since I have many new followers.
Today, many shows don’t even bother with a theme song. You see the credits scroll on the screen while the show is in progress. This is sad. To me, a TV theme song kind of sets the mood for the show. Usually, it will be a song with catchy lyrics or a melody that you can hum along with. Using that as my criteria, lets go back and look at some of my favorite theme songs from TV’s past. When we’re done – tell me your favorites that I may have missed.
The 50’s
Two of the earliest themes on my list come from shows considered classics. First, The Andy Griffith Show. This catchy tune is one that you can whistle along with. Even without looking at a screen, whistling it makes you picture Andy and Opie walking with their fishing poles to the lake.
Second, The Dick Van Dyke Show. What’s not to like about this one? You only have to wonder whether or not he’s gonna trip over the ottoman when he walks in the house.
Then there is the Twilight Zone. The haunting guitar part that plays those same four notes over and over is scary as hell! As a kid, I remember freaking out when it was on. Today, as I listen to it, it is perfect for the show. It was the perfect music to play while Rod Serling explained that we were entering another dimension. I can’t tell you how many times something obscure happens and I start humming the theme song!
One of the great 50’s themes is also one of the most recognizable is from the master of suspense, Alfred Hitchcock Presents. He is known for his movies, naturally, but his TV work was right up there with the aforementioned Twilight Zone.
Another one of my favorites was the theme to Perry Mason. It was written by Fred Steiner who said he wanted to capture Perry’s sophistication and toughness. The song is actually called Park Avenue Beat and it is a bluesy “piece of symphonic R&B”. The song was re-recorded for the Perry Mason TV movies and was used by the Blues Brothers band while out touring.
Another theme song that I absolutely love, has a Blues Brothers tie in, too. Peter Gunn is a private eye. The initial base line accompanied by low brass instruments screams sleazy private eye. It’s a great piece. The song actually plays in the first Blues Brothers movie as the brothers are driving through Illinois. They do a fine cover of it.
The 60’s
The shows of the 60’s and 70’s had some of the best theme songs!
The theme to Mission: Impossible is instantly recognizable. It was composed by the great Lalo Schifrin. What’s neat about the song is that it is in 5/4 time. From the opening note – you can see the fuse light up and begin to burn. It’s such a cool piece of music. I was glad that they used it in the movies with Tom Cruise (even though I disliked them).
Wanna sing along with the theme to Batman? You only need to sing the word “Batman” and you got it! Neil Hefti, who was a composer and arranger, composed the theme with it’s simple guitar lick and vocal. It was a hit for Hefti, The Ventures, and the The Marketts.
William Dozier, creator of Batman, also created the Green Hornet. Even though the show didn’t last long, the theme song is memorable for a few reasons. First, it is based on the classical piece, The Flight of the Bumblebee. Second, playing the trumpet on the song is the great Al Hirt! Classic! One that you will hum for days.
Who can forget the theme to the Monkees? “Here we come, walking down the street. We get the funniest looks from, everyone we meet….” Hey! Hey! They’re the Monkees! For this show, they gathered 4 guys with little or no musical experience and made them a band. The show appealed to kids and adults alike. It was fast paced with quick jokes and 4 lovable characters who featured many of their hit songs on the show.
In the 60’s the guitar played a big part in theme songs. Think about this, The Munsters theme had such a catchy lick that was sampled for the song Uma Thurman by Fall Out Boy. It was cool enough to sample for one of today’s hit songs.
One of those great guitar theme songs was to Get Smart. The opening sequence changed a little from season to season, but it always included Don Adams walking through a corridor with sets of doors one right after another until he finally makes it to the payphone that gets him into CONTROL headquarters. Love this song and it never fails, if I am ever walking down a long hallway – I will almost always start to hum this song.
I mentioned the Ventures earlier, and they have one of the coolest theme songs – Hawaii 5-0. It was a huge instrumental hit for the band. It’s a great balance of guitar and horns. The use of the tympani drum and the pyramid effect by the horns in this song is masterful! It’s one of those theme songs you instantly crank up.
Maybe it’s the marching band guy in me, but I always loved a good march. That’s what you get as the theme song for Hogan’s Heroes. We played this in our alumni band one year.
The 70’s
Disco was in and some theme songs were just “funky”. Two examples of this are Barney Miller and it’s spin-off, Fish. The funky bass in the two theme songs is prominent and sets the tone for the them. The guitar melodies blend in and make them two themes that you could listen to over and over. The horns in Barney Miller continue to crescendo to the end of the song itself. It started slow and funky and ends in such a way that when it’s over you are disappointed cause you want more. The Twin Towers stand proudly in the opening scene as well.
It’s funny to listen to the Fish theme song again, because I realize how much it sounds like the theme from Night Court.
Norman Lear was a staple of 70’s TV. He created All In The Family, Maude, The Jeffersons, Sanford and Son, Good Times, and the list of his credits goes on and on. I have featured the Sanford and Son theme as a separate blog before, because it is one of my favorites. Here it is again, just because.
The Jeffersons was a spin-off of All In The Family. George Jefferson is “moving on up” to a bigger and better life and that’s where the theme song sets you up. It tells you the story. The theme song was written by Ja’net Dubois (of Good Times) and Jeff Berry and sung by Dubois and a gospel choir. Her vocal is amazing and so is the song.
How do I describe the theme song from What’s Happening!!? As the show opens, the main characters are running down a sidewalk bouncing a ball. The music kinda sounds like a ball is bouncing and then the soprano sax jumps in. It’s odd, but it’s catchy. It’s also written and composed by one of the most respected men in music – Henry Mancini!
The 70’s introduced us to the superhero Wonder Woman. I do not know a boy alive who did not have a crush on Lynda Carter. Much like the Batman theme, this theme repeats the character’s name a few times, but then expands on how wonderful she is. There is a funky little bass line that drives the song and I can’t really remember much more because I was watching Lynda Carter run ….
Welcome Back, Kotter was the show that introduced us to John Travolta. It was a comedy about a guy (Gabe Kaplan) who goes back to his old neighborhood to teach. The show was originally going to be called Kotter. The title was changed, however, because of the theme song. It was written and recorded by former lead singer of the Lovin’ Spoonful, John Sebastian. The song hit the charts and went all the way up to #1. This song give you the feel of the “folksy” 70’s.
Ok, I have to include the theme from a show that I watched faithfully every week as a kid. I was introduced to many stars and a lot of songs by watching this show. How can I not include The Muppet Show
The 80’s
There are so many great theme songs from the 80’s! Let’s start with Night Court. Night Court’s theme song throws me back to the 70’s because of that funky bass open – even more so now that I have listened to the Fish theme! You also have that soprano sax melody. It’s not a long theme, and when it’s done, you wish that you could find somewhere an “extended club mix”.
I just wrote about this next show for a Blogathon and did an entire blog on it as well. Police Squad only produced 6 episodes and it was cancelled. It starred Leslie Nielson as Lt. Frank Drebin. At the time, the network didn’t think that a show like Police Squad would be something an audience would want to watch (so they could catch all the jokes – remember, this was done by the guys who gave us the movie Airplane!). The theme song was accompanied by a voice over announcer reading the credits. He would also announce tonight’s guest star (who would always die during the credits) and give the name of the episode (which never matched with the title read on the screen). Thankfully, when the Naked Gun movies were made, the kept the theme song.
In 1980, Urban Cowboy hit theaters and country music was all the rage. It only made sense that we’d have a country comedy show on TV. That show was the Dukes of Hazzard. Talk about big name singers – Waylon Jennings sings the theme song, and he was also the show’s narrator. The song was released as a single in August of 1980, and it went to #1 on the Billboard Country Charts! Yee-haw!
The 90’s
It is here that we begin to see the decline in the use of the TV theme song. As a matter of fact, it became a habit to edit them down to 10-30 seconds from the already short 60 seconds. There are some that stand out for me though from this decade.
Tim Allen’s Home Improvement was a show based on his comedy act. His grunts and vocalizations intermingle through the theme song, almost as if they are a part of the musical score. The theme song almost sounds like a “work” song, both in sound and in tempo.
Seinfeld was one of those shows who used a theme song for a while, and used it at the end of the show, but often times especially in the show’s later seasons, it was shortened. The bubbly, poppy, twangy bass, and silly feel will forever be associated with the show about nothing and it’s silly characters.
From the opening guitar of “I’ll Be There for You” by the Rembrandts, you are in New York with Ross, Rachel, Chandler, Joey, Phoebe and Monica. The theme to the show Friends was an international hit. It was a song that was requested on radio and used at wedding receptions to introduce bridal parties. The song is heavily influenced by the Beatles (I Feel Fine) and the Monkees (Pleasant Valley Sunday). It was originally just one minute long, but the band went in an recorded an extended version, which became a radio hit.
Who could forget It’s Garry Shandling’s Show? The show, in itself, was silly. Garry interacts with the cast, but often will interact with the studio audience as well. It was just so weird. The theme song is just as weird. It’s a bouncy song that basically references itself (this is the theme to Garry’s show) and tells you how it came to be (Garry called me up and asked if I would write his theme song) and then asks how you like it (we’re almost halfway finished how do you like it so far?). The melody is so catchy, you can’t help but want to sing (or whistle) along with it.
One that I loved singing along to was the theme to That 70’s Show. The first season’s version was done by Todd Griffin, but from season 2 onward the group Cheap Trick sang the theme song. It rocked a bit more that season one.
2000-2010
There were only a few shows that I really enjoyed watching by this time. One that made me laugh out loud all the time was Arrested Development. This ridiculous silly theme song seemed so out of place, but I loved it
I really loved the show House MD. The theme song is actually a song that has a vocal called “Teardrop” by the group Massive Attack. If you hear the vocal version, you wonder how or why anyone would think to use this as the theme to a medical show…
The medical comedy Scrubs was a very good show which reminded me a lot of MASH. The theme on the show is only like 20 seconds long. However, I found the full version by Lazlo Bane called, “Superman.”
Another really short theme which I loved came from another show that made me laugh. 30 Rock. This cast was so good and the theme conveys the craziness that the characters experience while trying to put on their show. There is a couple full versions of the theme which can be found on the official soundtrack, but here is the TV version.
Wrapping up
I know I’m going to go back over this and think about many others I forgot to mention, but for now, I will stop here. So think about this for a minute:
With the TV theme song becoming more and more absent from TV…what are your thoughts? Which ones did you love growing up? Which ones do you still sing? Which ones did you hate?
Now it’s your turn – I look forward to seeing your comments.
Yesterday, my Turntable Talk was about the Blues Brothers Soundtrack. Ray Charles is featured on there with his version of Shake a Tailfeather. Also yesterday, my buddy Max from the Power Pop Blog (powerpop.blog) posted about Ray’s version of What’d I Say. That got me in a Ray Charles mood and I was surprised that I’d never posted this song before.
Hallelujah, I Love Her So was written and released by Ray Charles in 1956. I remember playing it on rare occasions when I worked at WHND, Honey Radio in Detroit. It was usually when we were featuring songs from 1956. It didn’t do much on the pop charts, but it was a Top 5 hit on the R&B charts.
As the title insinuates, it has a gospel feel to it. The opening piano lick sounds like something you’d hear before jumping into a happy hymn. One source says the song “is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson.”
My buddy Randy from http://www.mostlymusiccovers.com no doubt knows that there have been plenty of covers of this song. Ray must have been thrilled to have his song covered by folks like Ella Fitzgerald, Peggy Lee, Brenda Lee, Jerry Lee Lewis, Stevie Wonder, Eddie Cochran, Gerry and the Pacemakers, and Frank Sinatra! Oh, and a band called the Quarrymen (who went on to become the Beatles) also covered it!
To start with, here is the original by Ray:
Ella Fitzgerald’s version sounds a bit more church-like to start, but really swings.
From the Beatles Anthology, here are the Quarrymen
Eddie Cochran’s version was released in 1959
I had no idea that Jerry Reed covered it, but it’s neat to hear his take
Sinatra always makes a song his own and he does that with this one. Very bluesy
Hugh Laurie’s version was on the deluxe version of his debut album
Of all the covers, one of my favorite versions is by an Australian singer named Guy Sebastian. From his Memphis Album he a great version.
I hope you love this one as much as I do!
Hallelujah, I Love Her SO
Let me tell you ’bout a girl I know She is my baby and she lives next door Every mornin’ ‘fore the sun comes up She brings me coffee in my favorite cup That’s why I know, yes, I know Hallelujah, I just love her so
When I’m in trouble and I have no friend I know she’ll go with me until the end Everybody asks me how I know I smile at them and say, “She told me so” That’s why I know, oh, I know Hallelujah, I just love her so
Now, if I call her on the telephone And tell her that I’m all alone By the time I count from one to four I hear her (KNOCK) on my door In the evening when the sun goes down When there is nobody else around She kisses me and she holds me tight
And tells me, “Ray Charles everything’s all right” That’s why I know, whoa, I know Hallelujah, I just love her so
Now, if I call her on the telephone And tell her that I’m all alone By the time I count from one to four I hear her (KNOCK) on my door
In the evening when the sun goes down When there is nobody else around She kisses me and she holds me tight And tells me, “Daddy, everything’s all right” That’s why I know, yes, I know Hallelujah, I just love her so
Oh, hallelujah Don’t you know, I just love her so She’s my little woman, waitin’ all this time Babe, I’m a little fool for you, little girl…
Once again, Dave Ruch from A Sound Day has offered up a gem of a topic for his monthly Turntable Talk feature! This month it is a topic that I have been hoping he’d get around to. Per his instructions:
“This time around, let’s look for THE SOUNDTRACK OF OUR LIVES ! Pick a great movie soundtrack and talk a bit about it. It can be from a great movie or a dog of one (or anything in between), one made specifically for the film or one assembled from existing tunes as long as it’s one that works for you!“
There are certainly many fantastic soundtracks to choose from. Movies that are known for being a great film and also their great soundtracks include American Graffiti, Smokey and the Bandit, The Wedding Singer, The Sting, and Forrest Gump. Those aren’t even considered “musicals!” When I think about musicals, wow, that list is a long one.
Plenty of movie (and TV) soundtracks can be found in my collection. When I worked in radio, I would often buy soundtracks so I could uses some instrumental tracks as voiceover beds (music that plays underneath your voice as you are doing a bit or talking to a listener). I used a variety of cuts from Napoleon Dynamite, Stripes, The Three Amigos, Dragnet, and movies that were box office bombs! My pick comes from a movie that was far from a bomb. It was one of the biggest films of the 1980’s.
The one soundtrack that has always been a favorite for me (and it doesn’t even contain all the songs featured in the film) is The Blues Brothers. It has some fantastic cuts from Belushi and Aykroyd as well as musical legends like Ray Charles, Aretha Franklin, and Cab Calloway.
I had this soundtrack on vinyl and I played the heck out of it. Many of the songs were featured on my “driving mix tapes” when I had my first car! While the album contains 11 great tracks, the film included many other classics that I wound up searching for to add to my collection. The music doesn’t follow their chronological appearance in the film for some reason.
She Caught the Katy
The album opens with this Taj Mahal song. The Blues Brothers version has a lot more sound to it. It is so much fuller with the horns and guitars of the band. It is the song that the starring credits roll under. The opening guitar lick leads to the first big horn stab (and we see Belushi) then you have another horn stab (and we see Aykroyd) and the third big horn stab hits as we see the movie’s title card.
Belushi’s vocal on this is perfect. I like his vocal on this cut more than any other song on the album.
Peter Gunn Theme
This is the first of two TV themes on the album. This instrumental plays as the Blues Brothers are driving back to Elwood’s place. There are some really great shots of the city of Chicago in this scene. As you listen to this one, you can hear the talents of Tom “Bones” Malone, “Blue” Lou Marini, and “Mr. Fabulous” Alan Rubin. If I had a dollar for every time I used this as background music to introduce a wedding party I could fly to Italy!
Gimme Some Lovin’
Best known for being a hit for the Spencer Davis Group (and a young Steve Winwood), the soundtrack features the full song. In the film, the band begins to play this song at Bob’s Country Bunker (a country bar) and the owner shuts the lights off on them. If I had to choose between the two, I’d pick the Spencer Davis version over this one, but it is still a great jam.
Shake a Tail Feather
Originally done by the Five Du-Tones of Chicago in 1963, James and Bobby Purify had a bigger hit with it in 1967. This version tops them because of one man – the great Ray Charles. In the film, he owns a music shop and the band is buying new instruments. Ray is asked about a keyboard and Murphy Dunn tells him that the “action” of the keys is not that great. Ray sits down and says, “I don’t see anything wrong with the action on this piano” and launches into this song.
As Ray plays, a crowd gathers outside the store and dances along with the song doing all the dances mentioned in it (the monkey, the jerk, the boogaloo, etc…). This song is fantastic.
Everybody Needs Somebody To Love
The song was written by Solomon Burke and recorded by him in 1964. Wilson Pickett’s 1966 cover is probably the best known version. This song is featured at the Blues Brothers’ big concert toward the end of the film. Over the intro, Elwood (Aykroyd) speaks to the audience and thanks “the members of Illinois law enforcement” who are present and waiting to arrest them. We get to hear a big more of Aykroyd on this track.
The Old Landmark
When you mention the Blues Brothers to someone, they will often quote “We’re on a mission from God.” This song is performed by the Godfather of Soul, James Brown who plays a preacher. Jake and Elwood are attending this church service and it is a pivotal moment in the film (and what sets them off on their “mission from God.”
The Old Landmark is a gospel song written by Dr. William Herbert Brewster Sr. back in 1949. It has been recorded by the Staple Singers, Aretha Franklin, Dionne Warwick and many others. James Brown takes this to a whole new level. It’s hard to imagine anyone performing this. He performed/recorded this one live on set.
Think
The Queen of Soul, Aretha Franklin, performs this one as she is telling off her husband Matt “Guitar” Murphy. The song was a hit for Aretha in 1968. For the film, they bump up the tempo and add some dancers. This track is SO good! ”Blue” Lou Marini grabs his sax midway through the number and really jams through the end.
This was one of the harder songs to do in the film. Aretha had recorded the song and found it difficult to lip synch to her vocals as they filmed. It was a scene that needed many takes to do. This version is far superior to her original version.
Theme From Rawhide
The second TV theme on the album takes place in that country bar. After the lights go out they band has to figure out something that the audience will like. They wind up performing this one. Aykroyd’s vocal is just awesome here not to mention the “call and answer” between him and Belushi. Add in a whip and you have a real country hit on your hands!
This scene always makes me laugh because they perform on a stage surrounded by chicken wire. Why? Because the crowd gets so excited they throw beer bottles at them!
Minnie The Moocher
This was a song that Cab Calloway had been singing for decades! He was the “Hi-De-Ho Man.” I just love this version of the song. The rumor is that Cab wanted to do the disco version of the song that he had recorded in the past. They insisted that it needed to be the jazz/big band sound.
The song itself send you right back to the 1940’s. The full sound of the band, the horn section, and the amazing trumpet solos by Alan Rubin. Without a visual, it is still fantastic. Watching it in the film only enhances the experience.
They band is on stage waiting for Jake and Elwood to arrive. The crowd is getting antsy. The band is dressed in street clothes and look sort of shabby. Cab asks if they know the song and the band says they do. He yells, “Hit it!” and the curtain opens. Out struts Cab in a white tuxedo backed by the band, wearing black tuxes and looking sharp. The stage now has an backdrop of famous 40’s places with neon signs and a sweet looking band stand.
As a trumpet player, I can’t NOT mention the spectacular trumpet playing of Alan Rubin on this one!
Cab was a scat singer and his call and answer with the audience is just priceless. I’m not sure how old he was here, but his vocals are right on! He was a legend!
Sweet Home Chicago
This is the longest track on the soundtrack. The original version was done by Robert Johnson in 1936. This is the second song the band plays at their big concert (and the one where they make their escape, hence the long instrumental ending). As they intro it, they dedicate it to the late, great Magic Sam (who was from Chicago) who recorded it in 1967.
This is such a fun song to listen to and to watch in the film. The looks that they give John Candy’s character and the other folks who have been chasing them always make me smile. The song serves as the background music as we transition from night to day and the ultimate finale of the movie.
Jailhouse Rock
Movie Spoiler: The entire Blues Brothers Band gets arrested at the end of the movie. Naturally, the final song of the movie is Jailhouse Rock, originally done by Elvis Presley. Trivia: In the film, the first “prisoner” to jump up on the tables and dance is Joe Walsh!
On the soundtrack, the song is a bit different than in the film. You have a complete cut on the album, while in the movie each band member has a little solo as their name appears in the credits. In the film version you also get a line or two sung by James Brown, Cab Calloway, Aretha Franklin, Ray Charles and more. It’s a perfect capstone to wrap the soundtrack.
I have played the songs on this album over and over again on vinyl, cassette, on my iPod, and YouTube. It remains one of my favorite soundtracks of all time! What disappoints me is the many songs that were featured in the film that didn’t make the soundtrack. They are worth finding and checking out!
Of course, I can’t tease those without listing them, so here goes:
Somebody Loan Me a Dime – Fenton Robinson (Plays while Jake is escorted from his prison cell)
Shake Your Moneymaker – Elmore James (Plays while Jake and Elwood visit with Curtis at the orphanage)
Soothe Me/Hold On, I’m Comin’ – Sam and Dave (Plays on the 8 track in the Bluesmobile while Jake and Elwood are driving and get pulled over)
I Can’t Turn You Loose – The Blues Brothers – Originally done by Otis Redding (Plays while they drive through the mall and as they take the stage at the Palace Hotel Ballroom concert)
Let the Good Times Roll – Louis Jordan (Plays on the record player in Elwood’s place)
Anema e core (Until) – Ezio Pinza (The piece is playing the apartment that Tom Malone and Lou Marini used to stay – the “Are you the police?” scene)
Quando, Quando, Quando – Murph and the Magictones (Plays in the Holiday Inn scene)
Just the Way You Are – Muzak version of the Billy Joel song. (Plays in the Holiday Inn scene)
Die Romantiker (The waltz that plays at the Chez Paul restaurant)
Boom Boom – John Lee Hooker (Plays as the Blues Brothers are going to meet Matt “Guitar” Murphy)
Mama Lawdy/Boogie Chillen – John Lee Hooker (Plays when Jake calls Maury Sline and on the way to Bob’s Country Bunker)
Your Cheatin’ Heart – Kitty Wells (Plays as the Blues Brothers enter Bob’s Country Bunker)
Stand By Your Man – The Blues Brothers (Plays at Bob’s Country Bunker)
I’m Walkin’ – Fat’s Domino (Plays as Jake and Elwood and the orphans promote the concert)
Ride of the Valkyries – Richard Wagner (Plays as the Nazis are chasing the Blues Brothers toward the end of the movie)
The Girl from Impanema – Muzak version (Plays, naturally, in an elevator as the Blues Brothers go up the 11th floor with the tax money)
The Blues Brothers may or may not have been the first movie of “mine” that I made my wife watch with me. I’m sure that she made me watch one of her tear jerking chick flicks to get back at me afterward. To me, this movie remains a classic. As far as the sequel – not so much. It did have a decent soundtrack, but that is about it.
I have been wanting to write about this album for a long time and am glad that Dave finally gave me a reason to indulge myself with this blog. I am also excited to see what the rest of the bloggers have chosen for their soundtrack.
I’m already looking forward to next month’s topic! Thanks for reading!
Recently, I was made aware of the NetGalley site (www.netgalley.com), where I could actually read books that had yet to be published. I created an account and began searching for a book to read. It didn’t take long to come across The Blues Brothers by Daniel de Visé. I requested to read it and was granted the opportunity.
I have been a fan of The Blues Brothers since it hit theaters. In my opinion, it remains one of the best movies of the 1980’s. I was aware that the characters were created on Saturday Night Live and that was all I really knew about how the film came to be. Looking back now, I guess I just assumed that it was something that Lorne Michaels gave his blessing to like Wayne’s World or the Coneheads movies. That wasn’t necessarily the case. As a matter of fact, it was quite a fight just to get the characters on the air!
As I dove into this book, I learned the backstories of John Belushi and Dan Aykroyd. It was interesting to walk along side them on the road as they rose to fame. I also loved reading about the other now famous names that they worked with prior to coming together at SNL, how they landed their gigs at 30 Rock, and the idea that eventually became The Blues Brothers.
The book does a fine job of also giving readers a look at the personal lives of Belushi and Aykroyd. It was hard to read about the struggles that Belushi had with drugs. I was unaware of the steps that he had taken to try to break free from them. Sadly, we all know that he eventually succumbed to them.
Making a movie is certainly not an easy thing. Throughout this book, you will learn how an idea led to a huge script that had to be cut down, how the amazing musicians were put together, and how many of the great R&B singers came to be a part of the film.
Blues Brothers fans will love this because of the familiar stories and the ones they haven’t heard. There is a good mixture of both. There were plenty of stories in the book that will make me watch particular scenes in the film a bit more closely because of things it revealed.
I truly enjoyed the book and will be rushing out to get a hard copy of it when it is available March 19, 2024. You can preorder it on Amazon now if you wish.
I want to thank NetGalley for allowing me the opportunity to read this before it was published. I look forward to my next read!
The fantastic blues singer Jimmy Reed was born today in 1925. He was born Mathis James Reed in Mississippi where he learned to play guitar and harmonica. He moved to Chicago in 1943 and was drafted into the Navy. After he was discharged a couple years later, he went back to Mississippi where he married his girlfriend and the moved to Indiana.
By the 1950’s he was a fairly well known musician and was signed to Vee-Jay Records, where he recorded many of his hits. Those hits influenced many artists including Elvis, The Rolling Stones, The Yardbirds, Bob Dylan and more. All of them have recorded covers of Jimmy’s songs.
My dad introduced me to Jimmy when I was working at my first radio job. He asked me to make him a cassette of some songs if they were in the station’s library. A couple of those songs were from Jimmy. He told me stories of how he and my Uncle Tom loved listening to Jimmy Reed and the they even played a couple of those at my high school graduation party.
To me, Jimmy is a blues pioneer. When people talk about the blues, Jimmy’s name comes up. He was posthumously inducted into Rock and Roll Hall of Fame in 1991. His music may not be for everyone, but I really dig it. It will always make me think of my dad and my uncle.
Here are some of my favorites in honor of his birthday!
One of the songs on my dad’s list was “Baby What You Want Me To Do.” Elvis did this at a few of his concerts. I love the groove of this one …
Another one that Elvis covered was Jimmy’s “Big Boss Man”
The guitar lick from Jimmy’s “Shame, Shame, Shame” seems like one that I always heard my dad playing when he was warming up …
The Stones covered this great one – “Ain’t That Lovin’ You Baby”
The Blues Brothers covered Jimmy on one of their albums, doing a cool version of “I Ain’t Got You”
Jimmy died of respiratory failure just 8 days before his 51st birthday on August 29, 1976. He was inducted posthumously to the Blues Hall of Fame in 1980. He was certainly a “Boss Man of the Blues”
Its time for another edition of my Friday Photo Flashback. I stumbled upon a photo that brought back many memories making me happy and sad at the same time. Take a peak:
If I was going to put a date on this, it is probably around 1996 or 1997. It looks like it was taken at a home I lived in with my then girlfriend and future ex. It is a terrible picture of me, as I am obviously caught by surprise here. I still have hair and am still wearing glasses. I’m also sporting one of the T-shirts I had made for my DJ business. But it is not me (or the big honking computer monitor) that catches my attention – it is the stuff I can see in the background.
A lot of it I can make out just by looking at it. However, I viewed it by zooming in and a lot caught my attention. The bookshelves alone are full of fantastic memories! The book shelf on the left side of the picture holds a boat load of VHS tapes. On the top shelf I can make out some Soupy Sales Show videos and some videos we must have recorded off TV (hand made lables). On the shelf below that I can make out the VHS tapes of the Three Stooges shorts, Jack Webb’s Dragnet movie, and the Jack Palance version of Dracula. Each shelf would hold two rows of VHS tapes. So I can only see the front rows of what is on the shelf. It seems like the third shelf down is also holding video tapes, but the three hole punch on top of the computer monitor is blocking it.
This photo is obviously taken after 1994. That is when Honey Radio went off the air. Honey stuff is all over this room! Right above the three hole punch, you can make out a black and gold Honey Radio coffee mug. On the top shelf of the right book case, I can see the the Billboard Top 100 Chart book and Pop Singles book. These were part of the Honey on air studio. Behind me on the wall is a chalk caricature that was drawn of me while I was out doing a remote broadcast. I LOVED that thing, and it is long gone now. (This may be the only photographic evidence of it). Next to that is a wooden sign with the Honey Logo on it. Below that sign are two frames. One contains one of the last Honey Happenings newsletters (which has my picture in it) and the other is a shot of me and my old morning show partner.
On the wall behind me in the photo is a beautiful framed photo of the Three Stooges. I received that for Christmas one year from my parents. Under that is the top of a Blues Brothers concert poster. At one point, I used that when my partner Steve and I would don our Blues Brothers hats when we DJ’d. And right below that are the Three Stooges dolls I wrote about in a previous Friday Photo Flashback. You can see the tag on the Curly just behind my ear.
Heading back to the bookshelves. The bookshelf on the right has SO many books that I wish I still had. There is a book on Bugs Bunny, a book on World War II that I had given my grandpa, a few books with Three Stooges scripts, an amazing biography on Curly, and the wonderful Ted Sennett book on the Art of Hanna Barbera.
On the second shelf, I can make out the Milton Berle Joke books I used when I was on the radio, biographies on Stan Freberg and Jackie Gleason, and books I had forgotten about. One example of this is when Thomas Chastain offered up a new Perry Mason novel –
Another example is the books by William Harrington series with Columbo as the star –
The next shelf contains books about movies and TV shows. I had books on Get Smart, Batman, Perry Mason, The Munsters, and more. The coolest of the TV show books were two with trivia and scripts from Monty Python’s Flying Circus.
There are other little trinkets and treasures on the shelves I can see, but the ones on the top of the book cases are ones I wish I still had. I can see my prom glasses up there (yes, they gave high school kids in 1988 wine glasses!), I had two because I went to prom with a gal in my junior year and then my senior prom.
On the left, you can see the boxes that contained limited edition Blues Brothers dolls. I had both Jake and Elwood.
Also on the top of the shelf are Ralph Kramden and Ed Norton figures – limited editions, as well.
I had no idea there was an Alice figure that went with those two until I was searching for pictures.
Finding the photo with all of these memories was such a treat to me. I am sad to remember so many great books and things that are no longer in my possession, but the memories of them remain.
Slang: a type of language that consists of words and phrases that are regarded as very informal, are more common in speech than writing, and are typically restricted to a particular context or group of people.
I have always loved watching old movies and listening to old radio shows. I have always chuckled at some of the conversations and the slang of the day that is used by the characters. Just recently, a Facebook memory came up from my friend Johnny. He posted a quote from the Jimmy Stewart movie Harvey: “One more peep outta you, weisenheimer, and I’ll butter your necktie.” That cracked me up!
The great Cab Calloway was introduced to me when I saw him in The Blues Brothers. In the film he does his signature song, “Minnie the Moocher.”
Back in the day, he was a band leader who wore Zoot Suits and spoke in “jive.” Today, when people think about “jive,” they think about the movie Airplane! and these two guys…
I learned something today that I was completely unaware of. In 1938, Cab wrote “Cab Calloway’s Hepster’s Dictionary which is an introduction to the slang of musicians working in New York’s Harlem! I learned that Cab was not only a great singer, musician and actor – he was also an author. According to Flashbak: “Cab Calloway’s Hepster’s Dictionary holds the honour of being the first dictionary penned by an African-American. The book became the official reference book of jive slang in the New York Public Library. With this pioneering dictionary, anyone could get ‘hep to the jive’.”
In the 1944 Edition of the book, the forward reads:
Some six years ago I compiled the first glossary of words, expressions, and the general patois employed by musicians and entertainers in New York’s teeming Harlem. That the general public agreed with me is amply evidenced by the fact that the present issue is the sixth edition since 1938 and is the official jive language reference book of the New York Public Library.
“Jive talk” is now an everyday part of the English language. Its usage is now accepted in the movies, on the stage, and in the song products of Tin Pan Alley. It is reasonable to assume that jive will find new avenues in such hitherto remote places as Australia, the South Pacific, North Africa, China, Italy, France, Sicily, and inevitably Germany and wherever our Armed Forces may serve.
I don’t want to lend the impression here that the many words contained in this edition are the figments of my imagination. They were gathered from every conceivable source. Many first saw the light of printer’s ink in Billy Rowe’s widely read column “The Notebook,” in the Pittsburgh Courier.
To the many persons who have contributed to this and the other editions, this volume is respectfully and gratefully dedicated.– Cab Calloway
Do a google search for the dictionary and you can find them for sale – at the hefty price of $4000 a piece!! Dig a little deeper and you can find some sites that list many of the terms. For your enjoyment …. and mine …. here are some of the ones that stood out to me. Notice that some of them are still in use today:
From Cab’s Jive Dictionary
A hummer (n.): exceptionally good. Ex., “Man, that boy is a hummer.”
Beat (adj.): (1) tired, exhausted. Ex., “You look beat” or “I feel beat.” (2) lacking anything. Ex, “I am beat for my cash”, “I am beat to my socks” (lacking everything).
Beat up the chops (or the gums) (v.): to talk, converse, be loquacious.
Bible (n.): the gospel truth. Ex., “It’s the bible!”
Blew their wigs (adj.): excited with enthusiasm, gone crazy.
Blip (n.): something very good. Ex., “That’s a blip”; “She’s a blip.”
Bust your conk (v.): apply yourself diligently, break your neck.
Canary (n.): girl vocalist.
Cat (n.): musician in swing band.
Chime (n.): hour. Ex., “I got in at six chimes.”
Clambake (n.): ad lib session, every man for himself, a jam session not in the groove.
Comes on like gangbusters (or like test pilot) (v.): plays, sings, or dances in a terrific manner, par excellence in any department. Sometimes abbr. to “That singer really comes on!”
Crumb crushers (n.): teeth.
Cut out (v.): to leave, to depart. Ex., “It’s time to cut out”; “I cut out from the joint in early bright.”
Dig (v.): (1) meet. Ex., “I’ll plant you now and dig you later.” (2) look, see. Ex., “Dig the chick on your left duke.” (3) comprehend, understand. Ex., “Do you dig this jive?”
Drape (or Dry Goods) (n.): suit of clothes, dress, costume.
Freeby (n.): no charge, gratis. Ex., “The meal was a freeby.”
Frisking the whiskers (v.): what the cats do when they are warming up for a swing session.
Gabriels (n.): trumpet players.
Gasser (n, adj.): sensational. Ex., “When it comes to dancing, she’s a gasser.”
Got your boots on: you know what it is all about, you are a hep cat, you are wise.
Got your glasses on: you are ritzy or snooty, you fail to recognize your friends, you are up-stage.
Ground grippers (n.): new shoes.
Guzzlin’ foam (v.): drinking beer.
Hard (adj.): fine, good. Ex., “That’s a hard tie you’re wearing.”
Hep cat (n.): a guy who knows all the answers, understands jive.
Hide-beater (n.): a drummer (see skin-beater).
Hip (adj.): wise, sophisticated, anyone with boots on. Ex., “She’s a hip chick.”
Hot (adj.): musically torrid; before swing, tunes were hot or bands were hot.
In the groove (adj.): perfect, no deviation, down the alley.
Jack (n.): name for all male friends (also gate; pops).
Jam ((1)n, (2)v.): (1) improvised swing music. Ex., “That’s swell jam.” (2) to play such music. Ex., “That cat surely can jam.”
Jelly (n.): anything free, on the house.
Jitterbug (n.): a swing fan.
Jive (n.): Harlemese speech.
Joint is jumping: the place is lively, the club is leaping with fun.
Knock (v.): give. Ex., “Knock me a kiss.”
Kopasetic (adj.): absolutely okay, the tops.
Lay your racket (v.): to jive, to sell an idea, to promote a proposition.
Licks (n.): hot musical phrases.
Line (n.): cost, price, money. Ex., “What is the line on this drape” (how much does this suit cost)? “Have you got the line in the mouse” (do you have the cash in your pocket)? Also, in replying, all figures are doubled. Ex., “This drape is line forty” (this suit costs twenty dollars).
Lock up: to acquire something exclusively. Ex., “He’s got that chick locked up”; “I’m gonna lock up that deal.”
Main on the hitch (n.): husband.
Main queen (n.): favorite girl friend, sweetheart.
Mess (n.): something good. Ex., “That last drink was a mess.”
Mezz (n.): anything supreme, genuine. Ex., “this is really the mezz.”
Mitt pounding (n.): applause.
Muggin’ (v.): making ’em laugh, putting on the jive. “Muggin’ lightly,” light staccato swing; “muggin’ heavy,” heavy staccato swing.
Nix out (v.): to eliminate, get rid of. Ex., “I nixed that chick out last week”; “I nixed my garments” (undressed).
Pigeon (n.): a young girl.
Pounders (n.): policemen.
Ride (v.): to swing, to keep perfect tempo in playing or singing.
Riff (n.): hot lick, musical phrase.
Righteous (adj.): splendid, okay. Ex., “That was a righteous queen I dug you with.”
Rug cutter (n.): a very good dancer, an active jitterbug.
Salty (adj.): angry, ill-tempered.
Send (v.): to arouse the emotions. (joyful). Ex., “That sends me!”
Sharp (adj.): neat, smart, tricky. Ex., “That hat is sharp as a tack.”
Skin-beater (n.): drummer (see hide-beater).
So help me: it’s the truth, that’s a fact.
Square (n.): an unhep person.
The man (n.): the law.
Threads (n.): suit, dress or costume (see drape; dry-goods).
Tick (n.): minute, moment. Ex., “I’ll dig you in a few ticks.”
Too much (adj.): term of highest praise. Ex., “You are too much!”
Truck (v.): to go somewhere. Ex., “I think I’ll truck on down to the ginmill (bar).”
What’s your story?: What do you want? What have you got to say for yourself? How are tricks? What excuse can you offer? Ex., “I don’t know what his story is.”
Wrong riff: the wrong thing said or done. Ex., “You’re coming up on the wrong riff.”
Yarddog (n.): uncouth, badly attired, unattractive male or female.
Yeah, man: an exclamation of assent.
Zoot (adj.): exaggerated
Zoot suit (n.): the ultimate in clothes. The only totally and truly American civilian suit.
Thanks for the music and the vocabulary lesson, Cab!
Various Ramblings of a Nostalgic Italian 