I know that this may step on the toes of Dave over at A Sound Day as his feature Turntable Talk this month will feature write ups about “Spooky Hits.” What follows is a piece I wrote about DJing Halloween Parties and the “must have” songs.
It shouldn’t ruin Dave’s feature much, as all I am doing is listing songs. So be sure to be on the lookout for Dave’s Spooky edition of Turntable Talk starting today.
(This post was originally from October of 2022.)
I have DJ’d countless Halloween parties. This year I had to turn down one of my favorite ones. For the past few years a local daycare throws a big party and kids and their parents dress up in costumes and it is always a blast. Due to my current work schedule, I was just not able to be there this year.
I always had to have a variety of “haunted” hits to play at these parties. In case you are looking for musical ideas for your Halloween party, here is a starter list.
As much as I hate this record, you have to play Bobby “Boris” Pickett
You’ve also gotta play Michael Jackson’s Thriller. (Love Vincent Price’s narration in this!)
A personal favorite is from the Classics IV – Spooky
I always loved Jumpin’ Gene Simmons version of Haunted House
A favorite of the kids – This Is Halloween from The Nightmare Before Christmas
Speaking of nightmares, DJ Jazzy Jeff and The Fresh Prince offer up Nightmare on My Street
A great one from The Eagles – Witchy Woman
Kid Rock sampled this one for All Summer Long – Werewolves of London from Warren Zevon
You gotta play Clap for the Wolfman from the Guess Who
How about the silly song called The Blob by The Five Blobs?
The Hocus Pocus movie brought this one back, but the original is the best version – I Put a Spell On You by Screaming Jay Hawkins
How about some Rockwell? Somebody’s Watching Me
Be careful who you run around with …. Van Halen – Runnin’ With the Devil
Another favorite of mine – Santana – Black Magic Woman
It’s a very rare occurrence to have a full moon on Halloween, but this song works all year round. Bad Moon Rising – CCR
The moon causes the Shadows in the Night – Pat Benatar
Beware of the walking dead …. Zombie by the Cranberries
Another overplayed Halloween Song – The Purple People Eater – Sheb Wooley
I suppose you have to play Ray Parker Jr. – Ghostbusters
Going back to the 50’s for a couple crazy songs …
The Mummy from Bob McFadden and Dor
From Chipmunk creator David Seville – The Witch Doctor
Grab a bite with a vampire – Dinner With Drac from John Zacherle
Three Devilish songs now –
Devil with the Blue Dress – Mitch Ryder and the Detroit Wheels
Sympathy for the Devil – The Rolling Stones
A classic from The Charlie Daniels Band – The Devil Went Down to Georgia
Alice Cooper did this one in Wayne’s World – Feed My Frankenstein
Speaking of Frankenstein – how about the Edgar Winter classic instrumental..
Need some cowbell?? Don’t Fear The Reaper – Blue Oyster Cult
A song I have blogged about in the past – Superstition – Stevie Wonder
Demons – Imagine Dragons
Trick or Treat … I Want Candy – Bow Wow Wow
Another 80’s flashback … Dead Man’s Party – Oingo Boingo
Lots of requests for Enter Sandman – Metallica
All good lists need a cut from Frank Sinatra – Witchcraft
I’ve never really understood how this is a Halloween song, but everyone wants to do the Time Warp from the Rocky Horror Picture Show
From another film (Rain Man) The Delta Rhythm Boys -sing about Dem Bones
Now, some kid favorites which had me searching YouTube a lot ….
Spooky Scary Skeletons
I sang this in music class when I was in elementary school and kids are still singing it today – Witches Brew
Then you can fill in with various Theme songs from films and TV …
Scooby Doo
Tales From The Crypt
The Twilight Zone
The Munsters
The Addams Family
The X-Files
Whew!!
Watch for my Turntable Talk pick in the days ahead on Dave’s sight (and eventually here). It is a song that I don’t mention in this blog!
It was on this day in 1978 that “FM” premiered in theaters. As a former radio DJ, I knew it was just a matter of time before this movie would pop up in this feature. I’m surprised that it hasn’t come up already, as it has one of the best movie soundtracks!
Version 1.0.0
The film starred Michael Brandon, Eileen Brennan, Alex Karras, Cleavon Little, Martin Mull, Linda Ronstadt, Jimmy Buffett, and REO Speedwagon (just to name a few). Despite what they say, this film was not the inspiration for WKRP in Cincinnati (which was in the works at the same time).
Honestly, it’s really not that great of a movie. It’s billed as a comedy, but it’s not something you’ll be belly laughing at. It also has some serious moments that are a bit forced. Then there is the lackluster “feelgood” ending that feels more fake than good. Thank goodness for the amazing soundtrack!
The soundtrack is like a snapshot of 1978 rock radio and is loaded with hits. It is so difficult to choose just one song to play here, as there are so many to choose from. Bob Seger, Steve Miller Band, Tom Petty, Foreigner, The Eagles, Boz Scaggs, Linda Ronstadt, Jimmy Buffett, Billy Joel, Joe Walsh, and even Queen! I decided to choose a band that I haven’t featured on the blog before – Steely Dan.
I suppose that it makes sense to pick the movie’s title song, FM (No Static At All). Walter Becker and Donald Fagen wrote this song specifically for the film. Fagen told American Songwriter magazine: “There was a film called FM and we were asked to do the title song,” he said. “And I said, ‘Does it have to have any specific words?’ And they said, ‘No, it just has to be about FM radio.’ We wrote that very quickly, I remember, in one or two days. And we also recorded it very quickly, too. Johnny Mandel came in and did the string chart. It was fun to meet Johnny Mandel.”
The song sold a ton of records and was actually much more popular than the movie. Fagen felt the song could have been a bigger hit if the movie had been more successful. “The song was a hit, but I think we should have seen the movie before we committed ourselves,” he said in 2007. “As you know, it wasn’t a very successful movie.”
As a piece of music, it has a lot going on. Look it up on Wikipedia and the description sounds like a music theory class! You have an overture to start, arpeggios, tonal chords, thirds and fifths, a string section, major chords and minor chords, and all kinds of key changes. It’s actually cool to hear in headphones.
When the movie came out, FM radio listening was on the rise. As the song says, it had less static than AM radio. What made FM radio stations popular was their ability to take chances by playing lesser known bands and album cuts. Listeners couldn’t get enough of it.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
Late 2006 and most of 2007 was a blur to me. The loss of my mother hit me hard. I distanced myself from so many people, including my wife at the time. That wasn’t good because the weekend we buried my mom, we found out we were expecting our second son. I was there, but I was not there.
Life goes on, however, and I was still working and DJing. In between all of that, I was seeing a grief counselor, which helped a little. But not much. All that being said, music found a way to get me through the tough times. Let’s look at my 2007 picks.
One of the things that has always remained constant is that people love to dance. Line dances like the Hustle, the Madison, and the Stroll have been getting people on the dance floor for years.
The Cupid Shuffle has been compared many times to the Cha Cha Slide from 2000. They are two very different songs, but they both have easy to follow line dances. Those songs became a staple of DJ gigs, dance clubs, and a night at the bar. It remains one of those songs that people of all ages can dance to. Folks still get excited when there here it play.
Nothing makes a DJ happier than a full dance floor. This one always filled them.
Cupid Shuffle
Honestly, I had forgotten that Michael Buble’ dated Emily Blunt. It seems like she and John Krasinski have been together forever. Michael was her boyfriend before she met and married John. Buble’ wrote the song Everything for Emily when they were still together. He explained:
“I wrote that song about the great happiness of real love, but at the same time I was making a statement about the world. We’re living in really crazy times, and I wanted to say that no matter what’s happening, this person in my life is what really makes it worthwhile.”
In 2009, after Buble’ and Blunt broke up, an Australian newspaper asked him about the song. He explained:
“I can sing ‘Everything’ because I’m OK now. But straight after, well, I didn’t want to listen to music. Forget about my music. I couldn’t do anything. The only good thing I did do was I went and got a therapist. I felt bad for everybody involved. It’s definitely worse cause it’s all done publicly. You go to the grocery store and it’s in every magazine. It’s the same thing that’s happened in my other break-ups. It’s always tough. You grow attached to someone and they become your best friend. You lose a friend – that’s one of the most difficult parts. I’m a sentimental person.”
This one didn’t mean much to me until after Sam and I got together. She is my everything without a doubt.
Everything
There was something about Colbie Caillat for me. I still don’t know whether it is her voice or the words of her songs. I really connected to her music. I remember hearing Bubbly for the first time and trying to figure out just what (or who) it is about. I found out, it isn’t about anyone or anything specific. According to songfacts, Colbie says,
“It’s about the feelings you get when you have a crush on someone and they make you make smile all the time; they give you butterflies and you just adore everything they do.” She added that the inspiration for the song came in the summer of 2006 when she was realizing that, “I didn’t have a crush on anyone, and its always fun to have a crush. So I was just thinking about missing those feelings and wanting them.”
She comes from a musical family. Her father, Ken Caillat produced Fleetwood Mac’s Rumours and Tusk albums!
Colbie Caillat explained the album title to MTV. “Coco is my nickname,” she said. “My parents called me it since I was a baby. And then my friends called me that, now my producer calls me it. So I just, I don’t know, I figured that would be a cool name for the album.”
She is a beautiful lady with a beautiful voice.
Bubbly
Sara Bareilles signed with Epic Records in 2005 and recorded the album Little Voice. Prior to this, she released a lot of demos. Things changed in a heartbeat thanks to iTunes.
“Love Song” was featured as the free single of the week on iTunes between June 19th and 26th June 2007. People then began to check out her album. Little Voice became the most downloaded album on the iTunes store between July 8th and 17th. Because of this, her music gained a lot of fans. She went from having a relatively small following to national exposure within a very short space of time. In an interview with Songwriter Universe, she commented on the popularity of the song:
“Honestly, I don’t know what it is about ‘Love Song’ that’s catching on with everyone. I think it’s just a cool and sassy uptempo tune and people are ready for a female artist in that range.”
What many people don’t know is that an artist doesn’t always have a lot of control of their music. Many times, they are asked to record something that the label feels is what the public wants. That was sort of the case with Love Song. Sara says,
“‘Love Song’ came out of my own frustration about trying to please somebody else with my music. I really put an unseen pressure on myself and got way too caught up in what other people wanted. That is not why I write songs. No one was really excited about the material I turned in. ‘Love Song’ came on a day where I was like, ‘God, just let me write something – anything – just for me.’ The label had no idea I was writing about them.”
I guess I like this because it does have a “feel” to it. It is as cool and sassy as she says.
Love Song
One of the absolute coolest artists I have ever met is James Otto. When I worked at the Moose he dropped by to play us some tunes and blew us away. One of the songs was “Just Got Started Lovin’ You.” My program director, Jim Johnson, and I looked at each other when he was done playing it and asked if we could start playing it on the air that day!
It was the ultimate smooth love song. When you get married, it’s easy to say I will love you forever. However, when you say, “Hold on to your seat, because I just got started loving you!” In other words, “You ain’t seen nothing yet!”
James wrote this with Jim Femino and D. Vincent Williams. In an AOL interview, he said,
“We sat down to write and I said, ‘I have got this hook – just got started loving you.’ D. Vincent had this melody line, which turned out to be completely hooky. The feel of that melody and that hook just sounds sexy, but I had no idea it was going to do what it did.”
In regard to the song itself, he says,
“This song is kind of a real groovy, R&B-feeling song. Like if Ray Charles was doing a modern Country record. It would have that R&B-feel to it, that kind of groove to it. It seems to be appealing to more women than men, which is not a bad thing. Actually the key demographic in Country music is women and all men want to reach women. That’s why we play music and buy nice cars and buy nice things, because we want to meet women in the first place. So, I guess it’s just a groovy song, it’s got a unique feel and kind of a sexy thing and hopefully it reaches them on all those levels.”
The song reached #1 in May of 2008. We were thrilled for him and were glad to see him on more than one occasion when he came through town. He and I are friends on Facebook and chat every so often. Over the past year or so he’s been working on rebuilding a late 60’s early 70’s Chevelle. It’s been fun to watch.
Side note: The first time he shook my hand, I thought he’d crush it! His hands were HUGE!
Just Got Started Loving You
The next song is about murder. I don’t promote it and I don’t think it is right. However, anyone who watches the First 48 or any of those cop shows knows that cheating is often a motive for murder.
My introduction to Wake Up Call by Maroon 5 was via video. The video was edited in the style of a NC-17 movie trailer. Naturally, lead singer Adam Levine as the main character. At the end of the video, Levine is arrested and dies in the electric chair. It was one of those videos that I thought was very well done. I like when a video lines up with the content in the song.
Despite the content of the song, I love the song.
Wake Up Call
New Eagles music?! Yes, please! That was my reaction when the song How Long hit my desk. I was working at a country station at the time. There were many people who did not want to play it, but I was super excited to add it. It was so fresh and so “Eagles!” Those harmonies were still fantastic!
From songfacts: “How Long,” was recorded with Don Henley and Glenn Frey sharing lead vocals. The song sounds especially familiar, like it could have come from the 1970s. That’s because it did.
The song was written by the band’s longtime friend J.D. Souther in 1969. Souther wrote many songs for the band (Best of My Love, Heartache Tonight, etc…). The Eagles used to perform it live in the early ’70s, but never recorded it. Souther put it on his first solo album in 1972. At the time, if one member or a cohort released a song, the Eagles wouldn’t do it themselves. However, 35 years separated them from Souther’s version. So they had no problem adding it to the Long Road Out Of Eden album.
We have YouTube to thank for the Eagles recording this song. Glenn Frey’s kids were online watching videos. They came across footage of the Eagles performing “How Long” in 1974 on a Dutch TV show called Pop Gala. They showed it to their dad and had a good laugh. Glenn’s wife suggested he record it with the Eagles. He took the idea to the band and they all got on board.
The album was the band’s first studio album in 28 years. The single didn’t even crack the Hot 100, peaking at #101. That didn’t matter, the song won the Grammy Award for Best Country Performance by a Duo or Group With Vocals.
I just love this song!
How Long
I’m not the biggest Kenny Chesney fan. I know that will not go over well with some people. I felt that there was a time when he could record a piece of trash song and people would play it. Why? Because he is Kenny Chesney. There were songs that were much better than some of his tunes that never got airplay because stations only played established acts.
With all of that being said, he did have some great songs! Don’t Blink is one of those. It basically says what I have said over and over on this blog – Time flies! Life goes faster than you can imagine.
From songfacts: “Don’t Blink” is a reflective song where Kenny Chesney sings of a TV news story where a 102-year-old man is asked about the secret to his longevity. The man’s response is “don’t blink,” which inspired the song’s message about slowing down and cherishing every moment. So very true!
For me, having children sped up the clock of time. It just goes faster when you have children. Before you know it, you blink and they go from toddlers to high school graduates.
Don’t Blink
Leona Lewis is one of those artists who appeared on a reality singing show. She won The X-Factor in February of 2008. She waited almost a year before putting out this song. Songfacts says, the 22-year-old from Islington took her time over the follow up and accompanying album. She didn’t want to rush out a record that might disappoint all her fans who supported her on the show. It was worth the wait. In its debut week “the single “Bleeding Love” sold 218,000 copies, the biggest total for any UK single since “A Moment Like This.” In it’s debut week it outsold the rest of the UK top five put together.
“Bleeding Love” was originally intended for Jesse McCartney’s third album, Departure. However record label boss Clive Davis heard the song and wanted it for Leona Lewis, who he was championing. McCartney said: “We originally wrote the song for my record and then I guess Clive Davis heard it, called up and said, ‘We really wanna use it for her album.'” Jesse co-wrote the song with OneRepublic frontman Ryan Tedder.
Jesse McCartney revealed that his songwriting inspiration for this song was the pain of a long distance relationship (specifically actress Katie Cassidy, daughter of singer David Cassidy). He said: “I kept thinking about being in love so much that it hurts. I was away from my girlfriend for four months at the time and I really wanted to throw in the towel (quit) and fly home. I was so in love that it was painful. It was like bleeding, it cut me open. That’s how my head was and that idea just really fit the song.”
Bleeding Love
When Taylor Swift first came out, I was impressed with her stuff. There were some really deep songs for a gal that young. I suppose I knew when they started remixing her songs for pop radio that she’d wind up leaving behind the format that made her famous.
There were some great songs from that debut album, and Our Song is no exception. AOL asked her if there was a true story behind this song. She replied:
“I wrote this song in my freshman year of high school for my ninth grade talent show. I was sitting there thinking, ‘I’ve gotta write an upbeat song that’s gonna relate to everyone.’ And at that time, I was dating a guy and we didn’t have a song. So I wrote us one, and I played it at the show. Months later, people would come up to me and say, ‘I loved that song that you played.’ And then they’d start singing lines of it back to me. They’d only heard it once, so I thought, ‘There must be something here!'”
Her debut album went Platinum on June 7, 2007. This made the 17-year-old Swift the first female solo artist to write or co-write every song on a Platinum-selling debut album. The album eventually went 7x Platinum.
When this reached #1 on the Billboard Hot Country Songs chart, Swift became the youngest performer ever to write and sing a chart-topping Country single.
This made my list because of my wife and me. We’ll be married 7 years in March. Would you believe we do not have a song?!
Our Song
So that wraps up 2007. What songs did I miss that are on your list? List them in the comments.
Next week, we’ll move into 2008. My list includes two fantastic parent songs, a counting song, a couple songs that make you ponder, a song with a great sample, one that I came to love because of the Rock Band video game, and a song for the guys. I thank you for listening and reading!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. In the final year of the 70’s, I turned 9 years old.
1979 is a year where I was surprised to find many of the songs that wound up on my mom’s ballad 8-track tape. I could easily have posted all of those songs in this blog, but then you would fall asleep listening to them, just like my brother and I did on our way up north. Instead, I will list them at the end of this blog, and if you wish, you can search them on YouTube.
So let’s begin with the first of two “out of place” or “odd” songs….
The first song is part of the soundtrack of my summer of 1979. The song seemed to be playing in a very hot rotation and was always on the radio when we were up at my grandparents place.
Frank Mills wrote and recorded “Music Box Dancer” in 1974, but it did not become a Canadian single until December 1978. By Christmas of that year, it was in the top ten of many European and Asian pop music charts. It was released as a single in the United States in January 1979 and got up to number three on the Billboard Hot 100 Chart.
In 1974, Mills released an album that featured the song, but it was not initially a hit. When he re-signed with Polydor Records Canada in 1978, the label released a new song as a single, with “Music Box Dancer” on the B-side. Because of a mistake, a single of “Music Box Dancer” found its way into the hands of a pop station in Ottawa – the single was only supposed to go out to adult contemporary stations. The station’s program director listened to the A-side and wondered why it was sent to him. He played the B-side and liked what he heard anyway and began airing it in rotation. Next thing you know, the album’s gone gold in Canada.
Music Box Dancer
The next song makes the list because it was on the iPod of my ex. My oldest son used to take it and listen to it all the time and I can still hear him in his toddler voice singing the chorus of this one.
Hot Stuff is a single that was on Donna Summer’s 7th studio album, Bad Girls. The song is unique in that while many consider it disco, many others consider it rock. As a matter of fact, when the Best Female Rock Vocal Performance category was added at the Grammy Awards in 1980, Donna Summer won for “Hot Stuff.”
The song has ties to other music as well. It was written by Pete Bellotte, Harold Faltermeyer and Keith Forsey. Bellotte co-wrote a few other hits for Summer, including “Love To Love You Baby” and ” Heaven Knows.” Faltermeyer had a solo hit in 1984 with the theme from Beverly Hills Cop, “Axel F” and Forsey’s credits include “Don’t You Forget About Me” for Simple Minds and “Shakedown” for Bob Seger.
This was Summer’s second #1 hit on the Hot 100; her first was her disco cover of “MacArthur Park.”
Hot Stuff
Here is a song that is missing one of the things the band is known for. Don’t Bring Me Down was the first ELO song that did not use strings. According to Songfacts, after recording it, they fired their string section, leaving four members in the band.
ELO leader Jeff Lynne wrote this song late in the sessions for the “Discovery” album. He came up with the track by looping the drums from a song he recorded earlier in the session, then coming up with more music on the piano. The words came last, as Lynne put together some lyrics about a girl who thinks she’s too good for the guy she’s with.
Here’s a fun fact: Wanna know why Jeff Lynne repeatedly sings the word “groose” after the song’s title line? Apparently it was a made-up place-keeper word to fill a gap in the vocals when he was improvising the lyrics. When the German engineer Reinhold Mack heard the ELO frontman’s demo, he asked Lynne how he knew “gruss” means “greetings” in his country’s language. Upon learning the German meaning, Lynne decided to leave it in.
Don’t Bring Me Down
“Hey Ringo, play something hot!”
Those are the words that Rodney Dangerfield’s character in Caddyshack says to the band at the snobbish country club as he throws money at them. As the money falls, the band plays the opening 5 note stings from Boogie Wonderland from Earth Wind and Fire (With the Emotions). I’ve always loved that song because of the movie connection.
The song, while it is upbeat and happy sounding, it really isn’t. Songfacts calls it one of the more complex and misinterpreted songs of the disco era. Written by Jon Lind and Allee Willis, it was inspired by the movie Looking For Mr. Goodbar, which stars Diane Keaton as a lost soul who goes to clubs every night to dance away her misery.
Willis says, “When I saw Mr. Goodbar, I got kind of fascinated with people who did go to clubs every night, whose life was kind of falling apart, but they lived for the night life, though it didn’t seem to be advancing them as humans in the end. So if you really look at the lyrics of ‘Boogie Wonderland,’ unlike ‘September,’ it’s not a happy song at all. It’s really about someone on the brink of self destruction who goes to these clubs to try and find more, but is at least aware of the fact that if there’s something like true love, that is something that could kind of drag them out of the abyss. So ‘Boogie Wonderland’ for us was this state of mind that you entered when you were around music and when you danced, but hopefully it was an aware enough state of mind that you would want to feel as good during the day as you did at night.”
Boogie Wonderland
The second “out of place” or “odd” song is also a movie song. It may seem like a very simple kid song, but if you listen to what the songwriter says about it, the song is deeper than you can imagine.
This was written by songwriters Paul Williams and Kenny Ascher for The Muppet Movie, which came out in 1979. In the film, it is sung by Kermit The Frog as the Muppets set out to find adventure. In a interview Williams said: “Rainbow Connection was the first number in The Muppet Movie. It’s the one that establishes the lead character. We find Kermit sitting in the middle of the swamp. Kenny Ascher and I sat down to write these songs, and we thought… Kermit, he’s like ‘every frog.’ He’s the Jimmy Stewart of frogs. So how do we show that he’s a thinking frog, and that he has an introspective soul, and all that good stuff? We looked at his environment, and his environment is water and air – and light. And it just seemed like it would be a place where he would see a rainbow. But we also wanted to show that he would be on this spiritual path, examining life, and the meaning of life.
It tells you that he’s been exposed to culture: ‘Why are there so many songs about rainbows?’ Which means, obviously, he’s heard a lot of songs. This is a frog that’s been exposed to culture, whether it’s movies, or records, or whatever. And I also like the fact that it starts out with the negative: ‘Rainbows are only illusions, rainbows have nothing to hide.’ So the song actually starts out as if he’s going to pooh-pooh the whole idea, and then it turns: ‘So we’ve been told, and some choose to believe it. I know they’re wrong, wait and see.’ And again, he doesn’t have the answer: ‘Someday we’ll find it.'”
Now, with that in mind, give this masterpiece a listen!
Rainbow Connection
Next is my “go-to” Karaoke song. I’ve always loved the line, “You had me down 21 to zip, the smile of Judas on your lip.” What a great line. Bad Case of Loving you was written by Moon Martin who released the original version on his 1978 album Shots From a Cold Nightmare. Martin is a singer/guitarist/songwriter with his band Southwind. When the group broke up in 1971, he took on studio work. He paired up with Linda Ronstadt, and played on her self-titled album. He nearly joined some of Ronstadt’s other backing musicians in a little band called the Eagles, but ended up a solo artist and signed a deal with Capitol Records.
Martin’s album got some good reviews but went nowhere on the charts. A song called “Hot Nite In Dallas” was chosen as a single, but “Bad Case Of Loving You” was only given limited release in Europe. Enter Robert Palmer. He heard the song when he was being driven to one of his shows by a rep from his label, who played it for him. Palmer included it in his set and got a great response, so he recorded it for his Secrets album.
Bad Case of Loving You (Doctor, Doctor)
In 1989, Palmer released a remix of this song for his Addictions: Volume 1 greatest hits album. “Looking back at the 1978 original the performance was there but someone was asleep at the mixing desk,” he wrote in the liner notes. “The original mix in comparison sounded like a band rehearsing in a garage and this sounds like the finished song.” I can’t listen to the original cut much anymore. The remix is SO MUCH better!
I LOVE good harmonies. This song kicks right off with a cold open and the amazing a cappella harmony of The Little River Band. Most of the band’s hits were written by founding members Graham Goble, Beeb Birtles or Glenn Shorrock, but “Lonesome Loser” was written by guitarist David Briggs, who joined in 1976 after the band’s second album.
The lyric uses a lot of gambling imagery to tell the story of the lonesome loser, who staked his heart and lost. His adversary is the “Queen of Hearts,” who will always win this game of love. The same year this song was released (1979), Dave Edmunds had a UK hit with a song called “Queen of Hearts” that used the same metaphor. That song, of course, became an American hit when Juice Newton covered it in 1981.
Lonesome Loser
Speaking of great harmonies and the Eagles, the next song features both. Heartache Tonight was written by Don Henley and Glenn Frey with Bob Seger and J.D. Souther. Songfacts says: When Frey was a 19-year-old in Detroit, Seger took him under his wing and got his music career started. Souther, who is sometimes considered an “Unofficial Eagle,” was the first person Frey met when he moved to Los Angeles in the late-’60s. J.D. Souther, told us how this song started: “Glenn Frey and I had been listening to Sam Cooke records at my house. So we were just walking around clapping our hands and snapping fingers and singing the verses to those songs. The melody sounds very much like those Sam Cooke shuffles. There’s not much to it. I mean, it’s really just two long verses. But it felt really good.”
Bob Seger’s contribution to this song was the chorus. JD Souther says, “We didn’t get to a chorus that we liked within the first few days, and I think Glenn was on the phone with Seger, and he said, ‘I wanna run something by you,’ and sang it to him, and Seger just came right in with the chorus, just sang it and it was so good. Glen called me and said, ‘Is four writers okay on this?’ And I said, ‘Sure, if it’s good.’ And he said, ‘Yeah, it’s great. Seger just sang this to me,’ and he sang it to me and I said, ‘That’s fantastic.'”
According to Seger, he was in the room with Glenn Frey when he came up with the chorus. He told Entertainment Weekly: “Glenn had the verse: ‘Somebody’s gonna hurt someone before the night is through.’ We hadn’t been sitting down for more that five minutes and I just blurted out, ‘There’s gonna be a heartache tonight!’ His eyes lit up huge.”
Heartache Tonight
The next song is one that I used to hear on the way home from elementary school. I had a buddy who got a ride home every day and his mom would often give me a lift, too. Keep in mind the ride home was 5 to 7 minutes tops, but it always seemed to be on the radio when we were in the car.
Freddie Mercury wrote Crazy Little Thing Called Love while Queen was recording The Game in Germany. He wrote it while taking a bubble bath in his room at the Munich Hilton. Peter Hince, the head of Queen’s road crew, recalled to Mojo magazine September 2009: “The idea for the song came to him while he was in the bath. He emerged, wrapped in a towel, I handed him the guitar and he worked out the chords there and then. Fred had this knack of knowing a great pop song.”
Freddie acknowledged that perhaps his limited talent on the guitar helped shape the song:
On stage, this was an important part of the show. Brian May often used three different guitars during the song: the first verse was played by Freddie alone with his guitar, then Brian joined with another Ovation Acoustic; before the third verse he had already switched to a Telecaster on which he performed the solo. During the singalong part (famous for its “ready Freddie” line) Brian again changed instruments to his homemade Red Special. From 1984 onwards Mercury replaced the acoustic with another Telecaster.
Crazy Little Thing Called Love
The final selection comes from a band who was formed on Valentines Day of 1977 in Detroit. That is what inspired their name – the Romantics.
Believe it or not, the band have only two US Top 40 hits, and “What I Like About You,” now their best-known song, isn’t one of them. ( Their two Top 40 hits were “Talking In Your Sleep” and “One In A Million”). It attracted little attention and was only a minor hit when first released in 1980 on their debut album. This song’s resurgence had a lot to do with MTV. The band made a simple performance video for the song that MTV put in rotation when they launched in 1981. It fit the criteria the network was looking for: American band, rock, catchy song, acceptable production quality. Since few American artists made videos at the time, MTV made do with lots of European imports when they started.
Since then the song has also become a fixture at sporting events, bars and nightclubs, and parties and celebrations of all kinds, and has taken its place as one of the most popular rock anthems of all time. It’s nice to wrap up the last year of the decade with an uptempo, fun song!
What I Like About You
I’m sure I have missed a few favorites, and the more I look ahead, the more I wonder if I need to expand to more than ten songs. I’ll tackle that issue if I have to later on.
Next week, we ring in a new decade – 1980! The 80’s sound certainly can be heard in some of these late 70’s songs and from here on out, the sound progresses quickly!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned 8 years old in ’78 and much like in ’77, there is an interesting mix of tunes.
In January of 1978, Kansas released a song that was what Steve Walsh said, “defies the basic formulas that most (rock) groups try to follow,” and it paid off in spades! Dust in the Wind has one of the greatest guitar intros! The story of how it came to be is fantastic.
Kerry Livgren devised what would be the guitar line for “Dust in the Wind” as a finger exercise for learning “fingerpicking.” His wife, Vicci, heard what he was doing, remarked that the melody was nice, and encouraged him to write lyrics for it. Livgren was unsure whether his fellow band members would like it, after all, it was a departure from their signature style. After Kansas had rehearsed all the songs intended for the band’s recording sessions of June and July 1976, Livgren played “Dust in the Wind” for his bandmates, who after a moment’s “stunned silence” asked: “Kerry, where has this been? That is our next single!”
Dust in the Wind
In February of 1978, a song that will forever be associated with a geriatric sitcom was released. Even though Andrew Gold’s version was not the version used as the Theme to the Golden Girls, the song was (A jingle singer named Cynthia Fee sang the TV version). It is one of my ten picks because there are so many female friends that love the show. My wife is a big fan of the show as well, so here it is.
Andrew Gold says that the song was “just this little throwaway thing” that took him “about an hour to write.” Writing is was obviously a breeze, however, recording it was a different story. They recorded 40 different takes of the song, finally releasing take number 40!
If you listen closely, you can hear sleigh bells in the instrumentation of the song.
Thank You For Being a Friend
In March of 1978, the great Warren Zevon released what some call a Halloween classic, even though it was intended to inspire a dance craze. Phil Everly of the Everly Brothers had seen the 1935 film, Werewolf of London on TV and joked to Zevon that he should adapt the title for a song and new dance. He played with the idea with his band members, who wrote the song together in about 15 minutes, all contributing lyrics that were transcribed by Zevon’s wife Crystal. However, none of them took the song seriously.
The song had been written long before it was recorded. It finally appeared on Warren’s third album, Excitable Boy, which was produced by Jackson Browne (who had already been performing the song at shows.) Although 59 takes were recorded, Browne and Zevon selected the second take for the final mix. The record label really pushed for Werewolves to be a single, but Zevon liked a couple other songs. The label released it and it became Warren’s only top 40 hit.
Werewolves of London
Three of my picks from 1978, all were released in my birthday month of May. The first one is by a group that was lucky enough to get a radio station to play a demo of one of their songs on air – and have it lead to a record deal. As a former radio guy, let me tell you, that just does not happen! It did, however, for the Cars.
Just What I Needed was written by Ric Ocasek. The band recorded a two track demo of the song and My Best Friend’s Girl. In Boston, in 1977, DJ Maxanne Sartori, who was given the tapes of these songs by Ocasek, recalled, “I began playing the demos of ‘Just What I Needed’ and ‘My Best Friend’s Girl’ in March during my weekday slot, from 2 to 6 p.m. Calls poured in with positive comments.” With a song on the radio in a major market, The Cars were a surefire success and had their pick of record labels. They went with Elektra, who had them re-record the song and released it as their first single.
Benjamin Orr sang lead on the song and it was a top 30 hit for the band.
Just What I Needed
The next May release is a song that will always remind me of shooting pool with my best friend, Jeff. He always picked songs for the jukebox and Life’s Been Good by Joe Walsh was always a pick. We always laughed at the lyrics. Even Walsh says the song was meant to be a humorous look at fame and fortune.
In a 1981 interview with the BBC, Walsh explained: “I wanted to make a statement involving satire and humor, kind of poking fun at the incredibly silly lifestyle that someone in my position is faced with – in other words, I do have a really nice house, but I’m on the road so much that when I come home from a tour, it’s really hard to feel that I even live here. It’s not necessarily me, I think it paraphrases anyone in my position, and I think that’s why a lot of people related to it, but basically, that’s the story of any rock star – I say that humbly – anyone in my position. I thought that was a valid statement, because it is a strange lifestyle – I’ve been around the world in concerts, and people say ‘What was Japan like?’, but I don’t know. It’s got a nice airport, you know… so it was kind of an overall statement.”
The song first appeared on the soundtrack to the movie FM and later on Walsh’s But Seriously, Folks album. The album version is over 8 minutes long, but the radio single clocked in at about 4 and a half minutes. Made after Walsh had joined the Eagles, “Life’s Been Good” was incorporated into that group’s concert repertoire, appearing in shows at the time as well as reunion tours.
Life’s Been Good
The last May 1978 song on my list was one that three years later would hit me a bit more personally – not because of the content of the song, but because of the title. Only the Good Die Young was a top 30 hit for Billy Joel, and as controversial as it was, the attempts to censor the song (or have it banned from radio) only helped it to gain spins and popularity.
Virginia, as mentioned in the first line is a real person. Virginia Callaghan was a girl Billy had a crush on when he first started playing in a band. She didn’t even know he existed until she saw him at a gig, but 13 years later he used her as the main character in this song about a Catholic girl who won’t have premarital sex. In a 2008 interview, Joel also pointed out one part of the lyrics that virtually all the song’s critics missed – the boy in the song failed to get anywhere with the girl, and she kept her chastity.
In 2023, Joel said of the song “It’s occurred to me recently that I’m trying to talk some poor innocent woman into losing her virginity because of my lust. It’s kind of a selfish song – like, who cares what happens to you? What about what I want?… But on the other hand, it was of its time.
In 1981, my grandfather died suddenly of a heart attack. He was only 58. It was the first time I ever experienced death. At the funeral, I would hear people saying nice thing about him, and I often heard, “He was too young,” or “He was a good man.” Yes, he was, and only the good die young …
Only the Good Die Young
Earlier I mentioned how Dust in the Wind was a totally different sound for Kansas, and my next song also was very different for the artist who recorded it. The Commodores were really known for being a funk band, but when Lionel Richie brought them Three Times a Lady, they knew it was going to be a hit.
This was a breakthrough song for the Commodores and for Lionel Richie as a songwriter. It crossed over to pop, easy listening and even country formats, setting the stage for further Commodores hits and Richie’s massive solo success. In a Blues & Soul interview, Richie said: “The song has given me so much personal satisfaction. I think it is every songwriter’s dream to be totally accepted. And from the masses of awards that the song has won, it seems that the whole world really does love that song. It’s a great feeling.”
It entered the Billboard Hot 100 chart on June 18, 1978, at number 73. Eight weeks later, it reached number 1, where it remained for two weeks. It became the Commodores first number one on this chart.
There are two reasons I have this on my list. First, it was one of those songs that was on my mother’s famous red 8-track tape. Lastly, it always reminds me of the first time I saw Eddie Murphy on SNL. He was doing a phony commercial for an album called “Buckwheat Sings” as Buckwheat from the Little Rascals. “Unce. Tice. Fee Tines a Mady!”
Three Times a Lady
For readers of this blog, you know that I have blogged about Willie Nelson’s Stardust album many times. Making a long story short, my grandparent’s place didn’t have a TV at first, so we listened to the radio and two cassette tapes. One of those was Stardust.
In July of 1978, released the song Blue Skies from that album. The song was written by Irving Berlin way back in 1926 and has been covered by many great singers. Those singers include Bobby Darin, Al Jolson, Bing Crosby and Danny Kaye, Johnny Rivers and the great Ella Fitzgerald. Willie Nelson took the song to the top of the Billboard Country Chart and crossed over to the Adult Contemporary chart, too (where it peaked at 32).
Blue Skies
In October of 1978, a group of guys released a song that would go on to be named the 7th Greatest Dance Song of the 20th Century by VH1. It is a song that was inducted into the Grammy Hall of Fame in 2020 and was selected by the Library of Congress for preservation in the National Recording Registry for being “culturally, historically, or aesthetically significant.” Believe it or not, that song was Y.M.C.A. by the Village People.
There is only one reason why it is on my Music of My Life list. If I had a dollar for every time I have played this at a wedding or DJ event, I could probably retire! I am probably on about 100 Facebook pages where videos of me, a groom and his groomsmen are dressed up as the Village People leading the crowd in the dance. It is totally ridiculous, but true.
The song went to number one in countries all over the world, but it only reached number 2 here in the US. It continues to be played at parties and sporting events throughout the world.
Y. M. C. A.
I certainly do not want to wrap the year on that song, so instead, I will end with another party classic. I’ll also end with a “feel good song.” How can you NOT love September by Earth, Wind and Fire? The song has a tendency to make people happy when they hear it. Allee Willis, who wrote the song with Maurice White and Al McKay from Earth, Wind & Fire, describes it as “Joyful Music.”
Every year, on September 21st, you will hear this song all over the radio! There are many theories as to the significance of the “21st night of September” in the opening lyrics, and until 2018, even the song’s co-writer was in the dark – Maurice White told her it had no real significance and was chosen because it sang well phonetically. White died in 2016; two years later, Willis was having lunch with his widow, Marilyn, who told her that September 21 was the due date for their son, Kahbran, and that Maurice put that specific date into the song as a secret message. Kahbran ended up being born early on August 1, which definitely wouldn’t have the same ring to it as a lyric.
Although many people hear the first words in the chorus as “Party On,” it’s really “Bah-dee-Ya.” Allee Willis explained in a Songfacts interview: “I absolutely could not deal with lyrics that were nonsensical, or lines that weren’t complete sentences. And I’m exceedingly happy that I lost that attitude. I went, ‘You cannot leave bada-ya in the chorus, that has to mean something.’ Maurice said, ‘No, that feels great. That’s what people are going to remember. We’re leaving it.’ We did try other stuff, and it always sounded clunky – thank God.” She went on to say, “The main lesson I learned from Earth, Wind & Fire, especially Maurice White, was never let a lyric get in the way of a groove,” she added. “Ultimately it’s the feel that is the most important, and someone will feel what you’re saying if those words fit in there right.”
The first appearance of the song was on The Best of Earth, Wind and Fire – Volume 1. It is a great groove that still fills the dance floor!
Next week, we’ll take a look at the final year of the 70’s. 1979 promises to be a good mixture of genres and will feature one of my first television heroes, who starred in a couple TV shows, many movies, and is still popular today.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned five in ’75, so let’s give a listen together…
Why not start off with a song that soared to number one? Shining Star was released by Earth, Wind and Fire in January of 1975. Maurice White was taking a late night walk while recording the album That’s the Way of the World and was inspired by the stars in the sky. He took the idea back to other members of the band and wrote the song.
The song was inducted into the Grammy Hall of Fame in 2008 and still sounds great today! One music critic called the song, “sweaty funk” … So let’s get funky!
Shining Star
Honestly, I wasn’t really into KISS when I was five. I suppose I was in my teens when I came to appreciate some of their songs. We played one or two at the first oldies station I worked at and I heard them a lot when me and my buddies would go play pool together. One that always played was Rock and Roll All Night.
Originally released on their Dresses to Kill album, the studio version only went to number 69 on the singles chart. Later, the live version would go all the way to number 12. I would guess that it has become their “theme” song. It has been the song that the group has used as a closing concert tune in almost every show since 1976.
The song was written by Paul Stanley and Gene Simmons in Los Angeles, but on January 26, 1976, Stanley told an audience at Cobo Hall in Detroit that the song was written in and for Detroit! I like that, so I’ll go with it…
Rock and Roll All Night
(Studio version)
(Live version)
Speaking of Detroit, the next song comes from hometown hero Bob Seger. Bob released his Beautiful Loser album in ’75 and Katmandu was a cut from it. Katmandu wasn’t a huge hit, but it has always been one of my favorite Seger tunes. It was later featured on his Live Bullet album.
Seger says that the song was written at a time in his life where he wasn’t sure if he was going to make it. He said, “It’s an exasperated song. It’s like: ‘I’m never gonna make it, I’m just gonna go to Katmandu.'”
He says that Glenn Frey and Don Henley pulled him aside and “told me that the Beautiful Loser album was the first little step in the right direction for me. Then the next step after that was Live Bullet, which was a huge step. And the next step was Night Moves, which was an even huger step. By 1980 both records were at six million, and they kept selling continuously. Beautiful Loser was a transitional album, and in the song “Katmandu” I still had some of that defeatist mentality and you can hear it in there.”
Katmandu
The next song was released one day before my fifth birthday. Low Rider appeared on War’s Why Can’t We Be Friends album.
From song facts.com:
The group’s sax player, Charles Miller, came up with the idea for the song. Harold Brown told Songfacts: “What happened on ‘Low Rider’ was in the studio, we were jamming, and I was supposed to have been on the downbeat. But all of the sudden I was on the upbeat. And I said, ‘Oh, boy. I got the beat turned around.’ I didn’t panic. I said, ‘Wait a minute. Stay there. Don’t change it. Stay.’ Because as long as you keep doing it over and over and over, it won’t be a mistake.
We were just messing around, you know. Then the next thing I know, Charles started just singing, ‘Low ri-der drives a little slower. The low…’ he was just pumping it. And then the next thing I know Lee’s over there putting that harmonica on, because Lee is a melody man all the time. And then – boom.
If you’d hear the original version of it, all with that jam, that would be worth a million right there. When we finished it, all of us looked at it, ‘That’s a hit.’ We didn’t know that it was going to be an icon.
Low Rider
In June of ’75, Bad Company released a classic. Did you know that Feel Like Makin’ Love is actually a combination of two separate songs?
Several years after Paul Rodgers wrote the song, he played it to Bad Company guitarist Mick Ralphs, who came up with some big chords for the chorus. Ralphs recalled:
“I came up with the riff, and I suggested we put the two together to create a song. I think that’s the feel of the song, the verses are very appealing to the ladies, probably more than the men; and then the riff comes in which is all bloody macho. It’s a big chorus and it worked out really well.”
It reached number 10 on the Hot 100 Chart.
Feel Like Makin’ Love
Despite being a song of their second album, Orleans scored their first Top 40 hit with “Dance With Me.” The song was released in July of ’75. It was written by group member John Hall and his then wife Johanna. John told Songfacts.com:
“I started playing it on acoustic guitar and developed it, just jamming by myself in the living room. The whole song – the verses, the bridge, the ending – was all complete coming out of my acoustic guitar. Johanna yelled from the other room, ‘That sounds like ‘Dance With Me.” And I went, ‘Can’t we come up with something a little bit more unusual than that?” And she said, “I don’t know, it really sounds like ‘Dance With Me.”
She couldn’t get past that and I couldn’t get past that any further, so I played the instrumental version for Larry Hoppen and he said, ‘Boy, you really need to finish that, that sounds like a hit song.’
So coming back from a show in Ithaca, New York, on the western part of the state, through the Woodstock area again, Johanna and I were riding in the car, and suddenly she says, ‘Pick the beat up and kick your feet up.’ She starts scribbling on another one of those envelopes, and by the time we got home, we had kicked the ideas back and forth and finished the lyric.
I love the guitar work and harmonies in it.
Dance With Me
I was probably about 4 years away from my introduction to Willie Nelson in 1975. When I was finally introduced to him, it was thanks to my dad and my grandfather. They had a cassette of Willie’s Stardust album and they played the heck out of it. It drove us kids crazy! After my grandfather passed away in 1981, I began to listen to more and more from Willie and came to really love his music.
Willie is a fantastic song writer, having written hits like “Crazy,” “Hello Walls,” and so many others, but he did NOT write Blue Eyes Crying in the Rain. It was written by Fred Rose in the late 1940’s. It was recorded by Roy Acuff, Hank Williams Sr., Ferlin Husky, Bill Anderson and Conway Twitty all before Willie recorded it in 1975 for his Red-Headed Stranger album.
In October 1975, the song became Willie’s first Number 1 hit as a singer, and at year’s end, was the third-biggest song of 1975 on the Billboard Hot Country Singles chart. It got Top 40 airplay, too, reaching number 21 on the Hot 100 Chart. At the 18th Annual Grammy Awards, the song won Willie a Grammy for Best Male Country Vocal Performance.
Fun (but sad) Fact: Elvis Presley recorded a version of the song in the Jungle Room at Graceland in 1976. The song would be the last one he played before he died. In the early morning of August 16, 1977, he played it on his piano in Graceland. Later that day, he died.
Blue Eyes Crying In The Rain
Earlier I mentioned playing pool with some my friends in my teens and many of the songs I mention will be ones that played on the jukebox while we were there. One of those songs was Tush by ZZ Top. Before the song’s release in 1975, they were well known in Texas, but Tush became their first nationwide hit.
According to Dusty Hill, the song was written in under ten minutes during a soundcheck in Alabama. Billy Gibbons said “We were in Florence, Alabama, playing in a rodeo arena with a dirt floor. We decided to play a bit in the afternoon. I hit that opening lick, and Dave Blayney, our lighting director, gave us the hand [twirls a finger in the air]: ‘Keep it going.’ I leaned over to Dusty and said, ‘Call it ‘Tush.’
So what does it mean? In a 1985 interview with Spin magazine, bass player Dusty Hill explained: “Tush, where I grew up, had two meanings. It meant what it means in New York. Tush is also like plush, very lavish, very luxurious. So it depended on how you used it. If somebody said, “That’s a tush car,’ you knew they weren’t talking about the rear and of the car. That’s like saying, ‘That’s a cherry short.’ But tush as in ‘That’s a nice tush on that girl,’ that’s definitely the same as the Yiddish word. I don’t know how we got it in Dallas. All it could have took was one guy moving down from New York.”
Tush
The next song is one that comes from my family’s infamous red 8 track tape. It was one of the first things I blogged about when I started this site. You can read that blog here:
Songfacts.com says: In the DVD Hell Freezes Over, the Eagles discussed this song’s origins. When they were a struggling band in Los Angeles, they saw a lot of beautiful women around Hollywood who were married to wealthy, successful men, and wondered if they were unhappy. One night they were drinking in a bar (their favorite watering hole: Dan Tana’s) when they spotted this stunning young woman; two steps behind her was a much older, fat, rich guy. As they were half laughing at them, Glenn Frey commented, “Look at her, she can’t even hide those lyin eyes!”
Realizing they had a song title, the band members began grabbing for cocktail napkins to write down lyrics to go with that great observation.
The song reached number 2 on the Hot 100 Chart.
Lyin’ Eyes
In 1975, Capitol Records couldn’t seem to make up their mind about which song to release first from Linda Ronstadt’s Heart Like a Wheel album. It was a toss up between You’re No Good and When Will I Be Loved and the prior won out. Linda’s Everly Brothers cover would be the second single, released in March of ’75.
Both the Everly’s and Linda had top ten hits with the song, but Linda’s went to number 2 while the Everly Bros peaked at number 8. Linda’s version also went to number 1 on the country chart. Singing with Linda on this single are Kenny Edwards (from her band the Stone Poneys) and Andrew Gold (Who later had success with Thank You For Being a Friend). I absolutely love the harmonies on this one.
And there are my picks for 1975! What did I miss?
Next week, I’m sure there will be a shiny disco ball hanging over the dance floor as we head to 1976! See you then.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned two in 1972, so what songs were influencing my tiny ears? Let’s find out.
By March of 1972, Badfinger was enjoying the success of their fourth album, Straight Up. Baby Blue was their last top 20 single. It reached number 14 on the charts. Todd Rundgren produced the song. Younger folks remember this song from the 2013 series finale of Breaking Bad.
Baby Blue
In April of 1972, the Hollies had a hit that was a film noir story set to music. Long Cool Woman in a Black Dress features an FBI agent, a bar filled with criminals and a 5’9″ beauty. Songfacts.com says: This tale of a government agent and a femme fatale contains one of the classic indecipherable lyrics in rock history. The part after “she was a long cool woman in a black dress” is “just a 5′ 9″ beautiful tall.”
The song should have been a number one, but Alone Again Naturally by Gilbert O’Sullivan prevented it from grabbing the top spot.
Long Cool Woman in a Black Dress
One of the biggest films of the year was The Godfather. The Love Theme from The Godfather is instantly recognizable. The music was composed by Nino Rota and most folks are familiar with the instrumental version. A lyricist named Larry Kusik actually wrote words to the song and it was recorded by Andy Williams under the title Speak Softly Love.
While it only reached number 34 on the charts, personally, I found the arrangement of this simply beautiful. Andy’s vocal is great, but give it a listen and just focus on the instrumentation of the orchestra.
Speak Softly Love
Three days after my second birthday, The Looking Glass released Brandy (You’re a Fine Girl). The story of the barmaid who serves the many sailors was from the band’s debut album and the song went to number one. The song was so popular that the US Social Security Administration saw a large increase in baby girls with that name in 1973.
This was not typical of the band’s sound, which caused a problem at concerts. While audiences expected pop songs like this one, the Looking Glass played rock, which left the crowds disappointed. The band broke up less than two years later.
Brandy (You’re a Fine Girl)
Also in May of 1972, the world was introduced to a little band known as The Eagles. The story behind their debut single Take it Easy is a great one. Here is the short version from Songfacts.com:
Jackson Browne started writing “Take It Easy” for his first album, but he didn’t know how to finish it. At the time, he was living in an apartment in the Echo Park section of Los Angeles, and his upstairs neighbor was Glenn Frey, who needed songs for his new band – the Eagles.
Frey heard Browne working on the song (he says that he learned a lot about songwriting by listening to his downstairs neighbor work), and told Jackson he thought it was great. Browne said he was having trouble completing the track, and played what he had of it. When he got to the second verse, Frey came up with a key lyric: “It’s a girl, my lord, in a flatbed Ford, slowing down to take a look at me.”
Browne turned the song over to Frey, who finished writing it and recorded it with the Eagles, who used it as the first song on their first album, and also their first single. Frey says Browne did most of the work on the song and was very generous in sharing the writing credit. He described the unfinished version of the song as a “package without the ribbon.”
Take It Easy
1972 introduced us to another new artist – Jim Croce. “You Don’t Mess Around With Jim” was his first single. After several years struggling for success and battling music industry politics, the song got the promotion it deserved when a rep at ABC/Dunhill named Matty Singer visited radio stations in the Philadelphia area to promote the song. It got solid airplay and national attention, which was followed by lots of positive press for the album. You Don’t Mess Around With Jim wasn’t released until nine months after it had been recorded, so Croce and his musical partner Maury Muehleisen had perfected the songs in performance, earning rave reviews.
You Don’t Mess Around With Jim
Here’s a story for you – The King of Rock and Roll was actually prevented from hitting the number one spot in 1972 by the Granddaddy of Rock and Roll. Yep, Burning Love reached number two on the charts while Chuck Berry held the number one spot with “My Ding-A-Ling!” Urgh!
Burning Love was the final Top 10 hit in the American Hot 100 or pop charts for Elvis. The electric guitar opening and riffs were overdubbed and played by Dennis Linde, the writer of the song. He performed the song in the concert movie Elvis on Tour, and because the song was still new to him, you can see him holding a sheet of paper with the lyrics on it.
Burning Love
In October of 1972, Motown’s of Stevie Wonder released on of my all time favorite songs. When some music bloggers were doing a “Song Draft” I actually picked Superstition as one of my songs. You can read that blog here:
In September of 1972, Johnny Rivers released a cover of Huey “Piano” Smith’s 1957 song, Rockin’ Pneumonia and the Boogie Woogie Flu. In the late 50’s the country was hit with the Asian Flu, also called the “walking pneumonia.” The title of the song is a play on this. Johnny’s version did much better than Huey’s version. Huey didn’t even get into the top 40 (it peaked at 52), while Johnny had a top ten (peaking at 6). Playing piano on Johnny’s version was none other than the Wrecking Crew’s Larry Knechtel.
Rockin’ Pneumonia and the Boogie Woogie Flu
My final song from 1972 is a funky jam. There is so much that I love about Use Me by Bill Withers. The song was released on his Still Bill album. It has such a neat syncopated percussion line that interplays with the rest of the instruments and Bill’s vocal. Again, there is a great story about the writing of the song. It seems a lot of women were telling him he was just “too nice” and he wanted to change that. Bill said in an interview:
That’s fun stuff. That’s just talkin’ trash. That’s just a song about being a little playful, a little arrogant and a little cool. Unless you were one of those people that were born popular, I was a chronic stutterer until I was twenty-eight. I avoided the phone. So I wasn’t this popular guy. I remember being young and I would have girls tell me, “You’re too nice.” I didn’t understand that.
What kind of twisted world are we in? Women like bad boys, I guess. There is no more confusing form of rejection than for somebody to tell you that you’re not interesting to them because you’re too nice.
So over the course of time, you say okay, you wanna play, okay, let’s play? Use Me taps into that. I tried to be nice, now let’s get nasty. That song came quick. I was working in McDonnell Douglas out in Long Beach and the noise of the factory, they had some women working there. I crossed that line there thinking, “You all want a nasty boy? Well here I come.” [laughs]
Use Me
I hope you enjoyed my picks. What 1972 tunes were your favorites?
I have DJ’d countless Halloween parties. This year I had to turn down one of my favorite ones. For the past few years a local daycare throws a big party and kids and their parents dress up in costumes and it is always a blast. Due to my current work schedule, I was just not able to be there this year.
I always had to have a variety of “haunted” hits to play at these parties. In case you are looking for musical ideas for your Halloween party, here is a starter list.
As much as I hate this record, you have to play Bobby “Boris” Pickett
You’ve also gotta play Michael Jackson’s Thriller. (Love Vincent Price’s narration in this!)
A personal favorite is from the Classics IV – Spooky
I always loved Jumpin’ Gene Simmons version of Haunted House
A favorite of the kids – This Is Halloween from The Nightmare Before Christmas
Speaking of nightmares, DJ Jazzy Jeff and The Fresh Prince offer up Nightmare on My Street
A great one from The Eagles – Witchy Woman
Kid Rock sampled this one for All Summer Long – Werewolves of London from Warren Zevon
You gotta play Clap for the Wolfman from the Guess Who
How about the silly song called The Blob by The Five Blobs?
The Hocus Pocus movie brought this one back, but the original is the best version – I Put a Spell On You by Screaming Jay Hawkins
How about some Rockwell? Somebody’s Watching Me
Be careful who you run around with …. Van Halen – Runnin’ With the Devil
Another favorite of mine – Santana – Black Magic Woman
It’s a very rare occurrence to have a full moon on Halloween, but this song works all year round. Bad Moon Rising – CCR
The moon causes the Shadows in the Night – Pat Benatar
Beware of the walking dead …. Zombie by the Cranberries
Another overplayed Halloween Song – The Purple People Eater – Sheb Wooley
I suppose you have to play Ray Parker Jr. – Ghostbusters
Going back to the 50’s for a couple crazy songs …
The Mummy from Bob McFadden and Dor
From Chipmunk creator David Seville – The Witch Doctor
Grab a bite with a vampire – Dinner With Drac from John Zacherle
Three Devilish songs now –
Devil with the Blue Dress – Mitch Ryder and the Detroit Wheels
Sympathy for the Devil – The Rolling Stones
A classic from The Charlie Daniels Band – The Devil Went Down to Georgia
Alice Cooper did this one in Wayne’s World – Feed My Frankenstein
Speaking of Frankenstein – how about the Edgar Winter classic instrumental..
Need some cowbell?? Don’t Fear The Reaper – Blue Oyster Cult
A song I have blogged about in the past – Superstition – Stevie Wonder
Demons – Imagine Dragons
Trick or Treat … I Want Candy – Bow Wow Wow
Another 80’s flashback … Dead Man’s Party – Oingo Boingo
Lots of requests for Enter Sandman – Metallica
All good lists need a cut from Frank Sinatra – Witchcraft
I’ve never really understood how this is a Halloween song, but everyone wants to do the Time Warp from the Rocky Horror Picture Show
From another film (Rain Man) The Delta Rhythm Boys -sing about Dem Bones
Now, some kid favorites which had me searching YouTube a lot ….
Spooky Scary Skeletons
I sang this in music class when I was in elementary school and kids are still singing it today – Witches Brew
Then you can fill in with various Theme songs from films and TV …
If you are like me, you have songs that when you hear them on your MP3 player, or your iPod, as soon as they end, you play them again. I have quite a few of them. I would wager a guess that these songs will end up here in future Tune Tuesday blogs. Today’s song is definitely one that I play at least twice.
I was working in country radio when this song hit my desk. I knew that the Eagles, whose last studio album had been 28 years earlier, had recorded a new album. I was surprised that this song was shipped to our station as a song that could possibly make the playlist. While the Eagles certainly had a “southern” sound, I wasn’t sure what to expect.
I popped it into the CD player and began to listen to it. I remember liking the opening guitar lick. I remember thinking that the vocals were strong and then the chorus hit. Those amazing Eagles harmonies were there and sounded amazing! Solid Eagles. I fell in love with it and when I talked to my program director, he thought the same thing. It stood out amongst the other songs, and we were ok with that.
What’s neat about the song is that The Eagles had been performing it at concerts in the early 70’s. The song was written by JD Souther, and he wanted to record it for his own album, so the Eagles never recorded it. Souther and the Eagles were good friends, and JD co-wrote some of their hits (New Kid In Town, Heartache Tonight, and The Best of My Love). He released his version of the song on his 1972 Album, John David Souther.
Fast forward to 2007. Glenn Frey said that his kids were watching a clip of the Eagles on a special called Pop Gala (in Holland) from 1974. As his kids laughed at how long his hair was, the band was playing How Long. Glenn’s wife told him that the band should record the song stating that it was “classic Eagles.” He agreed that it would fit right in with what they were recording for their album Long Road Out of Eden.
In 2008, the song won a Grammy Award for “Best Country Performance by a Duo or Group with Vocal”. It was the group’s first Grammy since 1979. 1979 was also when they had recorded their last studio album.
Like a blue bird with his heart removed, lonely as a train
I’ve run just as far as I can run
If I never see the good old days shinin’ in the sun
I’ll be doin’ fine and then some
How long, how long
Woman will you weep
How long, how long
Rock yourself to sleep
Well I been doin’ time in lonesome prison, where the sun don’t shine
Just outside, the freedom river runs
Out there in that shiny night, with blood hounds on your mind
Don’t you know it’s the same sad situation?
How long, how long
Woman will you weep
How long, how long
Rock yourself to sleep
Everybody feels alright you know, I heard some poor fool say (somebody ooh)
Everyone is out there on the loose
Well I wish I lived in the land of fools, no one knew my name
But what you get is not quite what you choose
Tell me, how long, how long
Woman will you weep
How long, how long
Rock yourself to sleep
How long, how long
Muddy River runs so deep
How long, how long
Good night baby, rock yourself to sleep
Sleep tight baby, rock yourself to sleep
B-b-b, bye bye baby, rock yourself to sleep
For our anniversary, my wife and I wanted to plan a little getaway to celebrate. Neither one of us had too much PTO in our “banks” at work, so we decided on a weekend trip. During the planning the destinations changed frequently. Originally, we had hoped to head back for another trip to Florida, but due to the lack of time available, we decided on something a bit closer to home.
There was talk of going to Nashville and maybe catching a show at the Grand Ole Opry. Then there was talk of Gatlinburg, where my mom so often talked about. I think we even chatted about Pennsylvania, too. Eventually, we decided that Chicago was where we wanted to go, but then realized that it was St. Patrick’s Day weekend, and we figured it might be just a tad crazy (although seeing the river turned green would have been cool.
Cleveland??
To be honest, I am not even sure how we decided on Cleveland, Ohio. I had mentioned that my dad had gone to the Rock and Roll Hall of Fame and said it was cool. I started to look at things in Cincinnati. There was a lot to do there, but why wasn’t the Hall of Fame coming up in any of my searches? I knew that Cincy was close to Louisville, KY and thought that we could maybe do something there, too. I had gone as far as to drop a radio buddy a note to say we were gonna be down there and asked for good restaurants to eat at … only to then realize the Hall of Fame was in Cleveland!
Now that we had cleared that up, we were set for Cleveland. Now, I will be the first to admit “Cleveland,Ohio” as the answer to “Where did you and your wife spend your first wedding anniversary?” is not at all romantic. Many people laughed when I told them. Here is the thing about my wife and I, the destination really didn’t matter – it was simply the fact that we were going to be together. To me, this is just one of the reasons I love her. We can be content with just having time with each other, no matter where we are, or what we are doing.
We have made it a tradition to go to restaurants that local wherever we go. If we can go there at home, we’ll go there at home! By doing this, we have really been treated to some amazing food. We always try to find a good steak house or something very unique to the city we are in and we have yet to be disappointed.
The Hall of Fame
Personally, I think Sam loves watching me get excited about stuff like this. We both love museums, but I must have been like a little kid on his birthday during this trip! I had, of course, seen pictures of the Hall of Fame, but it was something else to be standing in front of it. The big red block letters that sit upon the sidewalk read “LONG LIVE ROCK”. As I walked up the steps, there are phoney concert speakers erected by the hand rails. The excitement builds as you walk in.
As you enter, you walk into a huge foyer/lobby. The gift shop is to your right, to the left a cafe/coffee shop, and in front of you there is an escalator to take you down to purchase tickets. After buying our tickets, you get ready to enter and above the doors the perfect AC/DC quote to welcome you: “For those about to rock …”
Walking into the main exhibition hall, the first thing I noticed were pictures of John Lennon and Ray Charles on the wall. The first thing I am drawn to is a glass case containing Bill Haley’s guitar. Bill is often credited as being the singer of the first “rock and roll” song – Rock Around the Clock. There is a picture of him playing it in the case as well. I am not sure why I was so taken in by it, but I was.
The next thing we saw was a line of bass guitars that belong to Geddy Lee of Rush. I didn’t count , but there had to be like a dozen of them. The information said that this was only part of his massive collection.
The Roots
One thing I was thrilled to see here was the fact that the “roots” of Rock and Roll were well represented. Rock really evolved from a combination of Gospel, R&B, Bluegrass, Country, Folk, and Blues music. Each of those genres was represented here. Among my favorite things I saw: a suite belonging to Hank Williams Sr.; Louis Jordan’s music folder with his music and cue sheets; stuff from Muddy Waters, BB King, and Mahalia Jackson; Ray Charles sunglasses; Carl Perkins Guitar; salutes to Johnny Otis, Big Joe Turner, and Sam Cooke and so much more. The roots of rock were so well represented. Without these people and the genres of music, there would be no rock and roll.
Elvis
There is a pretty cool section devoted to Elvis, who was one of the first 10 artists inducted into the Hall of Fame. The Hall has a standing agreement with Graceland in Memphis (which is a museum in itself) and they send memorabilia to them often, so the exhibit changes often. There was a very cool motorcycle that was custom-built for Elvis. His gold sequins suit is there, and a jukebox which was given to him as a gift from RCA Records – it contains only Elvis records. Also on display was a double Gibson guitar which he played in his film Spinout.
The Summer of Love
With the 50th anniversary of the “Summer of Love”, there were some very cool things here. I saw groovy outfits from the Mama’s and the Papa’s, clothing from Jimi Hendrix, and the HUGE mixing board that was used to record some of Jimi’s music.
On thing I really liked to see was the various things that song lyrics were written on. There were quite a few original pieces of paper where the beginnings of songs were scribbled. There were also plenty of hotel pads of paper with lyrics on them. Loved seeing where changes were made to lyrics.
Cities and Sounds
I loved that there was a section of the hall that saluted cities and sounds. There was a section devoted to Memphis, Los Angeles, San Francisco, London and Liverpool, Seattle, and of course, Detroit.
In the Memphis section, there were plenty of neat things from Sun Records. Johnny Cash, Elvis, Jerry Lee Lewis, Carl Perkins and Roy Orbison all recorded there. To stand in front of Roy Orbison’s glasses and guitar was pretty awesome. My earliest musical memories are of my dad playing Roy’s music for me.
A nice tribute to Motown is here with stuff from Barry Gordy, The Supremes (you can see some of their dresses), Smokey Robinson, and the Temptations are all here. They were playing the episode of To Tell The Truth with Barry Gordy as we walked through this section.
The Beatles and the Rolling Stones each have a nice section at the Hall. I thought Mick Jagger of the Stones was taller, but standing by some of his outfits, he’s shorter than I thought. There is the Asher family piano that Paul McCartney donated, some of John Lennon’s outfits, and the handwritten lyrics to “In My Life”. A very cool documentary was playing in their section as well.
I jumped ahead a bit because the next section was London and Liverpool. There were some very neat things from the Yardbirds, Peter and Gordon, Herman’s Hermits and the Zombies too. All in all a nice salute to the British Invasion.
San Fran featured stuff from The Grateful Dead and Janis Joplin, while LA featured stuff from The Eagles, Jackson Brown, Joni Mitchell and Neil Young. One cool thing here was a duffle bag full of hotel keys. I don’t recall, but I think it said it belonged to one of the Eagles. They basically kept the hotel key (and keychain) from every place they stayed while on tour. The bag was stuffed full of some very cool looking keychains!
This section also had tributes to grunge music, punk music and a section called “Rave On” which focused on the “pioneers” of rock. Those pioneers included Fats Domino, Chuck Berry, Little Richard, The Everly Brothers and Buddy Holly. Soul Music was also spotlighted here with some awesome suits from James Brown, stuff from Aretha Franklin, pieces of the wreckage from Otis Redding’s plane crash, and Sam and Dave. Featured in the soul section were two amazing things – guitars from Donald “Duck” Dunn and Steve “The Colonel” Cropper. They played on almost every Atlantic and Stax record. They were members of Booker T and the MG’s, and also played with the Blues Brothers. Very cool to see!!!
Don’t worry metal heads, there was a section for Heavy Metal too. Oh, and a section for Rap, as well.
Protests
When Rock and Roll started to make waves, it wasn’t too popular with folks. We tend to forget the hatred toward the genre, but they had plenty of newscasts about burning records, and protests that happened. It was weird to watch the hatred toward the Beatles and read hate mail to the Rolling Stones. Other artists that were discussed in this section were Frank Zappa and ELO.
On the Radio
As a radio guy, it was cool to be able to walk up to an interactive touch screen and select a region of the US and then listen to old airchecks of DJ’s from different eras. Naturally, I had to listen to some of the Detroit personalities: Dick Purtain, Robin Seymour, and The Electrifying Mojo! There were plenty of familiar names from all over the states and it was nice to get to listen to their stuff too.
The Power of Rock
On the third level, there was a wall with each “class” inducted into the Hall of Fame by year. You could also go to a touch screen and search by class, by year, or by artist, and listen to their music. SO many great songs!!!
The Power of Rock is a short film by Jonathan Demme which features many performances from past Hall of Fame inductions. So many stars and so many great songs were in this film. The theater had a light show and great sound for the film and it was almost like you were watching a concert live. The film ends with Prince’s guitar solo on While My Guitar Gently Weeps – WOW! Forgot how amazing that was! They also had some of the great quotes on the walls of the hallway that you left the theater by. Prince’s outfit from that show and other outfits were there as well.
Rock on TV
It was also very cool to see some of the TV show memorabilia on this level. You could go and record something about your favorite singer or album in special booths. It was pretty cool to stand in front of Dick Clark’s American Bandstand podium! His microphone was in a glass case with other things like the set design for the Beatles appearance on Ed Sullivan. They had TV cameras there, Don Cornelius’ suit from Soul Train, outfits from the Jackson Five and Sonny & Cher and the coat worn by Davy Jones of the Monkees that he wore on The Brady Bunch. There was also some cool musically related stuff from Saturday Night Live, and from various music videos we all watched on MTV. It was neat to see Paul Shaffer’s keyboard that he played for so many years on the Late Show with David Letterman.
On the Radio – LIVE
One thing I didn’t realize was that Sirius XM broadcasts their “Classic Vinyl” station out of the Hall of Fame. Rachel Steele was on air when we went through. There is a glass window that allows you to look into the studio and watch them broadcast. I actually felt bad for her. One thing radio people like is the fact that they can go in to work without really worrying about what to wear, because….who is going to see you!? Whoever is on the air here, really has to “doll up” every day.
Over all, I loved every second of my visit here! Any music lover would enjoy themselves!! If you have never been …. you have to!
Christmas in March
The final stop on the trip was The Christmas Story House. It is the house featured in the holiday classic. They renamed the street “Cleveland Street” in honor of the movie. The Leg Lamp proudly sits in the front window and the Bumpass House is next door.
This is such an inexpensive treat! The house looks a little different on the inside, but they have restored much of it to be exactly like it looks in the film, which took a bit because there were a few owners since the movie.
We were allowed to take as many pictures as we liked. There was a guide who took us through the house and told some stories. You can see the bathroom where Ralphie solves Little Orphan Annie’s secret message, you can see the many plugs the tree was plugged into, pick up the phone that Mrs. Parker calls Flick’s mom on, see the boy’s room, and see the damper in the kitchen that billows black smoke because of the “clinker” furnace.
From the backyard you can see the steel mill (still in operation), which helped Jean Sheppard (the author) pick that particular house for the film. Across the street is a museum with the actual Red Rider BB gun used in the film, outfits from the cast, Darren McGavin’s plaster life mask (used for make up and such), plenty of behind the scenes pictures, and the Old Man’s car. The gift shop is full of great items and yes, you can purchase a pink bunny suit or a leg lamp (in various sizes).
Sam told me she’d buy me a bunny suit, but only if I wore it every Christmas! Incidentally, if you have the $$, you can spend the night in the house or next door at the Bumpass house.
The trip was short, but full of good memories. I love that we were able to do it and I love that we got to spend time with each other. It was the perfect anniversary trip.
Various Ramblings of a Nostalgic Italian 