I am no neuroscientist, but I know a little about music. It is a proven fact that that music and happiness are linked intimately. Science also shows happiness will actually make your brain work better. Now, neuroscience has come up with the ultimate list of tunes to make you happy.
Note: I have to tip my hat to my old radio pal, Johnny Molson for this. He featured this on: Mike and Molson – The Podcast.
Back in 2015, a music-loving Dutch neurologist did us all a favor. He figured out what makes for the most mood-boosting tunes. The reason for the study came from an unusual source: the British electronic brand Alba. Apparently, they wanted to know what made for a happy song. They reached out to Dr. Jacob Jolij for the answer.
The first thing that Dr. Jolij reminds us is that taste in music is subjective. You may not like what I do and vice versa. “Music appreciation is highly personal and strongly depends on social context, and personal associations. In that respect, the idea of a ‘feel good formula’ is a bit odd,” he commented.
There is something that you can do that can help find the answer. He asked the listening public to submit examples of their favorite feel good tracks. Those tracks were then analyzed for patterns to reveal what characteristics are generally associated with smile-inducing songs. After the analysis, he compiled a list.
He found that the happiest tunes are slightly faster than your average song. They will be between 140 and 150 beats per minute on average. They will also be written in a major key, and either about happy events or complete nonsense. Dr. Jolij combined these factors into a formula for the happiest songs possible. With hat formula, he went searching for existing hits that matched his template.
Based on that template, here are the ten songs that are scientifically proven to make you happy!
10. Walking on Sunshine – Katrina and the Waves
9. I Will Survive – Gloria Gaynor
8. Livin’ on a Prayer – Bon Jovi
7. Girls Just Wanna Have Fun – Cyndi Lauper
6. I’m a Believer – The Monkees
5. Eye of the Tiger – Survivor
4. Uptown Girl – Billy Joel
3. Good Vibrations – The Beach Boys
2. Dancing Queen – Abba
and the number one song that is scientifically proven to make you happy:
1. Don’t Stop Me Now – Queen
Do you agree? Disagree? I’d love to hear your thoughts! Drop them in the comments.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
In 2001, I turned 31. It is a year that I will not forget. It was that year that I found out I was going to be a father for the first time. To say that I was freaking out a little was an understatement. My mom continued to get treatment for breast cancer. There was a time where I prayed that she would be around for my wedding. Now I was praying that she’d be around to meet her first grandchild. My first song was inspired by, coincidentally, a mother with cancer.
It was also the year of the 9/11 attacks. I, of course, was around for the Challenger accident. Many folks called that the “JFK assassination” of my generation. As sad as the Challenger accident was, 9/11 was on an entirely different level. I remember sitting alone wondering about the world we were welcoming our baby into. The event caused many of us to think … more on that shortly.
Train’s Drops of Jupiter came from devastating loss for lead singer Pat Monahan. In a VH1 interview, he revealed that he wrote this song about the death of his mother. Train was were touring in 1988 when Monahan’s mom was dying of lung cancer – she was a heavy smoker. Cell phones had not yet become widely used. This found Monahan making many stops to pay phones on the tour to speak with his mom. It was in December of that year, his mother died.
In early 1999 Train was working on their next album when their record company started pressuring them for a hit. Monahan returned to his childhood home in Pennsylvania, and woke one morning with the words “back in the atmosphere” in his head. Beginning a time of healing, he started to compose the song. Pat said: “Loss of the most important person in my life was heavy on my mind, and the thought of ‘what if no one ever really leaves? What if she’s here but different. The idea was, she’s back here in the atmosphere.”
He recorded a demo of the song and played it for the president of their record company at Columbia. The president loved it and told him it was his Grammy song. He was right: It won Grammys for Best Rock Song and Best Instrumental Arrangement With Accompanying Vocalist. The label had Train record the song quickly. That way they could put it on the album and use it as the title track.
Pat Monahan is quoted as saying, ““It was an obvious connection between me and my mother. ‘Drops of Jupiter’ was as much about me being on a voyage and trying to find out who I am. The best thing we can do about loss of love is find ourselves through it.”
That is SO true.
Drops of Jupiter
I mentioned when I did my list in 1999 that I’ll Be by Edwin McCain is hard to listen to. It was the wedding song my ex and I used. In 2000, Edwin released I Could Not Ask For More, which is a more beautiful song, in my opinion.
This song itself is about spending time with your true love. It is about realizing you do not need anything else in life to make you happy. The song was written by Diane Warren, who has written quite a few songs that I have written about. McCain said that he had to speed the song up to suit his voice. He said, “The tempo of the song was actually half of what it is now. At first, I wasn’t into it. Now it’s a popular wedding song; every night on tour people tell me that it was their wedding song.”
It was in 2001 that country singer Sara Evans covered the song. While not too different from McCain’s version, I love her version more. I have always felt that she has one of the best female voices in country music. She is also one of the most beautiful singers I have met. I loved watching her perform this live.
I Could Not Ask For More
This next song is on my list for one reason and one reason only – the video! I can still remember the first time I watched it and was blown away by Christopher Walken. I had no idea he could dance like this!
Weapon of Choice appeared on Fatboy Slim’s third album and featured Bootsy Collins. Bootsy is, of course, known for his work with Parliament-Funkadelic and Bootsy’s Rubber Band. Boosty co-wrote the song and plays bass on it.
According to Songfacts:
The official music video for “Weapon of Choice” reveals a surprising side of Christopher Walken, known for his intense, often villainous roles in films like Pulp Fiction, The Deer Hunter, and True Romance. What most of us didn’t know until this video appeared is that Walken is a great dancer – he trained at the Washington Dance Studio and appeared in musicals such as 1981’s Pennies from Heaven. In a 2014 interview with Entertainment Weekly, Walken said he accepted the role before he became “too decrepit to dance.”
He choreographed the video with Michael Rooney, son of Mickey Rooney, and performed stunts, including flying across the mezzanine in a harness. Reflecting on the humor and playfulness of the video, Fatboy Slim told Higher Frequency in 2006: “I think it’s full of irony, and to see an actor that I really admire but who’s famous for playing psychopaths, to see him do that silly un-psychopathic dancing made me smile and made everyone else smile.”
The “Weapon of Choice” music video was a huge hit! It won six MTV Video Music Awards in 2001. It won for Breakthrough Video, Best Direction, Best Choreography, Best Art Direction, Best Editing, and Best Cinematography. It also went on to win the Grammy Award for Best Music Video. To top it all off, it was named the greatest music video of all time by VH1 in 2002.
Weapon of Choice
I recently saw where Brian Cranston, Jane Kaczmarek, and Frankie Muniz announced that they will reunite for a reboot of Malcolm in the Middle. The show debuted in 2000 and did very well. I always watched it because I could relate to the constant fighting between the brothers. I also loved the humor of the show.
They Might Be Giants recorded this song specifically for Malcolm in the Middle, and can be found on the show’s soundtrack. The show used other songs from the band throughout the run of the show.
The rumor is that the song is about guitar player John Flansburgh’s brother. I can totally see this. We may not have used the exact phrase growing up, but I know my brother and I often said that the other couldn’t boss the other around. It hits home in that way for me.
Boss of Me
The next song was a triumphant return for Weezer. Their fans were a little worried about the band in the late ’90s. After touring for their 1996 album Pinkerton, they took some time off and went through some lineup changes. It was during this time that Rivers Cuomo was taking classes at Harvard. He enrolled there in 1995 and attended sporadically when it suited his schedule. “Island In The Sun” was welcome relief for fans, showing that the band was back and in a good place. (Cuomo did eventually graduate Harvard, earning a degree in English in 2006.)
Songfacts says, “Unlike many Weezer songs, there’s no trace of pathos and no deeper meaning, making it an easy song to enjoy even if you’re not a big fan of the band. It became one of their most popular songs, although it was never a bit hit, reaching a chart peak of just #111 in the US.”
This is another one of those songs that I remember hearing a lot on the radio. I find it hard to believe that it only reached #111 on the charts. It was obviously good enough for them to play on TV. Weezer played it along with “Hash Pipe,” when they were musical guests on Saturday Night Live, May 19, 2001. It was their only guest appearance on the show.
Sing along…. “Hip. Hip.”
Island in the Sun
What do Neil Diamond, The Monkees and Smash Mouth have in common? One MONSTER hit!
Neil Diamond wrote I’m a Believer in 1966. Don Kirshner was looking for material for the Monkees to record and liked it. Neil was allowed to record it as well as part of their deal and did so in 1967. The Monkees version went to #1in ’66.
Jump ahead 35 years to 2001. Smash Mouth recorded a version of the song for the Dreamworks animated movie, Shrek. The song was picked because it fit the movie’s theme, as it was a sort of fairy tale. The opening line of the song is “I thought love was only true in fairy tales.”
Smash Mouth’s version is a great modern take on the song and still fun to sing along with. When I hear it, I am taken back to watching this movie with my oldest son. He loved Shrek and we watched it MANY times.
I’m a Believer
The next song was one that I often used as a first song at parties and weddings. It was a good one because it was the “kick off” song and literally got the party started.
Songfacts.com says: Get the Party Started was written by Linda Perry of 4 Non Blondes. After the group broke up in the early ’90s, Perry released two solo albums and started writing for other artists. She learned that hits of the ’00s were made digitally. She bought Akai MPC and Korg Triton digital workstations and started experimenting with them. As she was learning how to use them, she came up with the track by adding layer after layer, then she quickly banged out a lyric with every party cliché she could think of, arriving at lines like:
I’m your operator, you can call anytime I’ll be your connection to the party line
It worked: “Get The Party Started” was a huge hit for Pink and launched Perry’s songwriting career. Her next hit was “Beautiful” for Christina Aguilera.
The song is synonymous with Pink, but it was almost offered to another singer. Thankfully, a phone call changed that. Perry initially thought this could be a hit for Madonna. However, Pink happened to call her the week after she wrote the song. Pink was a huge 4 Non Blondes fan. She sought out Perry, who was very surprised to get a call from a pop star. When they met, Perry gave Pink an MP3 copy of the “Get The Party Started.” Pink’s management loved the song and arranged for them to work together on her second album.
Get The Party Started
When an artist’s first single is a ballad, it is usually because the ballad is amazing. Most record labels want uptempo songs. (Honestly, most radio stations want uptempo stuff, too!) There are no shortage of ballads waiting to get airplay!
When it came time to release his first single, Enrique Iglesias fought to get “Hero” released. “Everybody thought first singles at the time had to be uptempo,” he told People. “But I knew that it was one of those songs that when I wrote it it just felt special.” It was, and he was right. Iglesias attributes the success of this song to a combination of good lyrics, melody, and excellent production. He feels those three qualities need to work together to make a timeless hit.
The song took on a whole new meaning shortly after it was released. This song was released on August 14, 2001, just a month before the September 11 attacks on the US. The song doesn’t describe the type first-responder heroes, but the theme of standing by a loved one resonated at this time. The song became quite popular because of that, reaching a chart peak of #3.
One pastor taught a message on husbands and wives. He stated that what a husband wants is to be his wife’s hero. That’s the guy who will take away her pain and be there through thick and thin.
Hero
MercyMe is a contemporary Christian group. They had an Adult Contemporary crossover hit with a song that was written by their lead singer Bart Millard. I Can Only Imagine is simply about imagining what it will be like meeting Jesus for the first time.
In a Songfacts interview, Bart said that he that he wrote the song in about 10 minutes. He said that it was one of just three songs he wrote where he felt like he was “a spectator watching the song being written.”
Regarding the song’s meaning, Millard stated: “When my father died of cancer in 1991, he left me with the assurance that he was headed to a better place. For several years following his death, I would find myself writing the phrase ‘I can only imagine’ on anything I could find. That simple phrase would give me a peace thinking about what my dad was finally experiencing. Years later, in 1999, MercyMe was writing songs for an independent project. I remember coming home from a show and being wide awake on our bus at 2 o’clock in the morning. I was trying to write lyrics in an old notebook of mine, when all of a sudden, I stumbled across that phrase. About ten minutes later, the song was written. Some people say it’s amazing that it was written in ten minutes, when really it had been on my heart for almost ten years.”
This one means a lot to me personally. I am so grateful for my faith and my Savior. It is an amazing thing to imagine….
I Can Only Imagine
I can still vividly remember the morning of 9/11. I was in a meeting with my boss at the radio station when the morning gal came in and told us that a plane had hit the World Trade Center. We went into the newsroom and were shaken to the core when we watched the second plane it the Twin Towers. That would be one of the longest and most emotional days in my radio career.
I worked at a country station at the time. We saw a lot of patriotism come out of those attacks. Songwriters wrote songs about being an American and such, but none of the equaled the contribution made by Alan Jackson.
The 9/11 attacks made a lot of us stop and think about life. We were left with so many questions. We were left shocked and scarred by the images we watched on TV. It was constantly on our minds. Alan Jackson seemed to be on the same page as everyone else, and conveyed it all perfectly in the song Where Were You (When the World Stopped Turning)
He wrote the song alone, with the idea coming to him at 4am in the morning. He explained to The Boot that the lyrics really “came out of nowhere.” “It was just a gift,” he said. “I got up and scribbled it down and put the melody down so I wouldn’t forget it, and the next day I started piecing all those verses together, thoughts I had or visuals I had.”
The song made its debut on the Country Music Association’s annual awards show on November 7, 2001. I still cannot believe that he was able to sing the song without breaking down. Alan considers this to be one of his biggest (if not the biggest) accomplishment. He said in an interview: “I [recently] did a radio interview, and the guy was talking about being at the [CMA] Awards the night I sang ‘Where Were You,'” he explained. “Even though that was a hard performance for me and an emotional time, I still get so many comments about that. Of all the awards, and all that kind of stuff, the music is still what I like. To be able to create a song that really affects people and makes a mark in the music industry, I would have to say that would be a highlight.”
To this day, the song still gives me chills. I’m sure you will never forget where you were when the events of that day unfolded either.
Where Were You
Sorry to wrap up the year on a somber note, but that wraps up my list. How about you? What song from 2001 did I miss that was your favorite. Mention it in the comments.
Next week, we’ll head to 2002. My list features movie music, an in your face patriotic song, a song full of 70’s and 80’s nostalgia, a cover song, an appearance by the Muppets, and the return of the King! I hope you’ll check it out.
Until next week, thanks for listening and for reading!
In 1965, The Beatles’ second feature film, Help! premiered at the London Pavilion Theatre in the West End of London. The musical comedy, which followed the success of A Hard Day’s Night, was a much larger production than its predecessor, finding the band and director Richard Lester shooting in a variety of international locations. The film’s soundtrack doubled as The Beatles’ fifth studio album.
Ok, before I go on, I need to clarify the title of this blog. Just what in the world is NUJV? Originally, the album cover showed The Beatles spelling out the word “Help” using the semaphore system of communicating with flags, which was usually used by ships. The photographer, Robert Freeman, didn’t like the pose because it looked unbalanced. Instead, he had them pose in a more “balanced” way – that in semaphore spells the letters NUJV.
Apparently, only those who knew semaphore saw the issue.
This movie played a big part in the way another group portrayed themselves. Help! was used by The Monkees to prepare for their TV series. The Beatles showed off their individual personalities in their movies, which The Monkees made sure to emulate. By not presenting all members of the band as identical, it made the Beatles even more popular, as many of their fans picked a favorite.
There certainly are some great tracks on the album: Ticket to Ride, Yesterday, The Night Before, Act Naturally, Dizzy Miss Lizzie, You’ve Got To Hide Your Love Away, I’ve Just Seen a Face, and the title track – Help! (Which is what I want to feature today.)
According to Lennon’s cousin and boyhood friend Stanley Parkes, “Help!” was written after Lennon “came in from the studio one night. ‘God,’ he said, ‘they’ve changed the title of the film: it’s going to be called ‘Help!’ now. So I’ve had to write a new song with the title called ‘Help!’.”
Fun Fact: The original title to the title song and the movie was “Eight Arms To Hold You,” and the first copies of the single said it was from the movie “Eight Arms to Hold You.”
Originally, John Lennon wanted this to be a much slower song. He was convinced, however, that by speeding it up, it would sound “more commercial” and would naturally sell more albums.
The song itself runs just 2:18, but packs in 267 words! This makes it one of the most lyrically dense hits of the era. It starts and ends on a vocal, and there are two vocal lines running throughout the song, as John Lennon sings lead while George Harrison and Paul McCartney do backgrounds, singing some of the same phrases either before or after Lennon. There are only a few seconds in the song where somebody isn’t singing.
Lennon admitted that the song truly was a “cry for help!” He has described this time of his life as his “fat Elvis period.” In a 1971 interview with Rolling Stone, Lennon said this is one of his favorite Beatles records, because, “I meant it – it’s real.” He added: “The lyric is as good now as it was then. It is no different, and it makes me feel secure to know that I was that aware of myself then. It was just me singing ‘Help’ and I meant it.” Paul McCartney helped Lennon write the song, but did not realize it was actually John calling for help until years later.
Writer Ian MacDonald describes the song as the first crack in the protective shell Lennon had built around his emotions during the Beatles’ rise to fame, and an important milestone in his songwriting style. In January of 1980, John told Playboy magazine, “The whole Beatles thing was just beyond comprehension. I was subconsciously crying out for help”.
I’m adapting this post from a few years ago because of a couple recent articles on MSN about TV theme songs. I clicked on one about the Top 30 best TV Theme songs, and that lead to MSN offering up many other “TV theme song” articles and lists, naturally. At any rate, back when this blog was in its infancy, I wrote a blog about them and I thought maybe it was time to revisit since I have many new followers.
Today, many shows don’t even bother with a theme song. You see the credits scroll on the screen while the show is in progress. This is sad. To me, a TV theme song kind of sets the mood for the show. Usually, it will be a song with catchy lyrics or a melody that you can hum along with. Using that as my criteria, lets go back and look at some of my favorite theme songs from TV’s past. When we’re done – tell me your favorites that I may have missed.
The 50’s
Two of the earliest themes on my list come from shows considered classics. First, The Andy Griffith Show. This catchy tune is one that you can whistle along with. Even without looking at a screen, whistling it makes you picture Andy and Opie walking with their fishing poles to the lake.
Second, The Dick Van Dyke Show. What’s not to like about this one? You only have to wonder whether or not he’s gonna trip over the ottoman when he walks in the house.
Then there is the Twilight Zone. The haunting guitar part that plays those same four notes over and over is scary as hell! As a kid, I remember freaking out when it was on. Today, as I listen to it, it is perfect for the show. It was the perfect music to play while Rod Serling explained that we were entering another dimension. I can’t tell you how many times something obscure happens and I start humming the theme song!
One of the great 50’s themes is also one of the most recognizable is from the master of suspense, Alfred Hitchcock Presents. He is known for his movies, naturally, but his TV work was right up there with the aforementioned Twilight Zone.
Another one of my favorites was the theme to Perry Mason. It was written by Fred Steiner who said he wanted to capture Perry’s sophistication and toughness. The song is actually called Park Avenue Beat and it is a bluesy “piece of symphonic R&B”. The song was re-recorded for the Perry Mason TV movies and was used by the Blues Brothers band while out touring.
Another theme song that I absolutely love, has a Blues Brothers tie in, too. Peter Gunn is a private eye. The initial base line accompanied by low brass instruments screams sleazy private eye. It’s a great piece. The song actually plays in the first Blues Brothers movie as the brothers are driving through Illinois. They do a fine cover of it.
The 60’s
The shows of the 60’s and 70’s had some of the best theme songs!
The theme to Mission: Impossible is instantly recognizable. It was composed by the great Lalo Schifrin. What’s neat about the song is that it is in 5/4 time. From the opening note – you can see the fuse light up and begin to burn. It’s such a cool piece of music. I was glad that they used it in the movies with Tom Cruise (even though I disliked them).
Wanna sing along with the theme to Batman? You only need to sing the word “Batman” and you got it! Neil Hefti, who was a composer and arranger, composed the theme with it’s simple guitar lick and vocal. It was a hit for Hefti, The Ventures, and the The Marketts.
William Dozier, creator of Batman, also created the Green Hornet. Even though the show didn’t last long, the theme song is memorable for a few reasons. First, it is based on the classical piece, The Flight of the Bumblebee. Second, playing the trumpet on the song is the great Al Hirt! Classic! One that you will hum for days.
Who can forget the theme to the Monkees? “Here we come, walking down the street. We get the funniest looks from, everyone we meet….” Hey! Hey! They’re the Monkees! For this show, they gathered 4 guys with little or no musical experience and made them a band. The show appealed to kids and adults alike. It was fast paced with quick jokes and 4 lovable characters who featured many of their hit songs on the show.
In the 60’s the guitar played a big part in theme songs. Think about this, The Munsters theme had such a catchy lick that was sampled for the song Uma Thurman by Fall Out Boy. It was cool enough to sample for one of today’s hit songs.
One of those great guitar theme songs was to Get Smart. The opening sequence changed a little from season to season, but it always included Don Adams walking through a corridor with sets of doors one right after another until he finally makes it to the payphone that gets him into CONTROL headquarters. Love this song and it never fails, if I am ever walking down a long hallway – I will almost always start to hum this song.
I mentioned the Ventures earlier, and they have one of the coolest theme songs – Hawaii 5-0. It was a huge instrumental hit for the band. It’s a great balance of guitar and horns. The use of the tympani drum and the pyramid effect by the horns in this song is masterful! It’s one of those theme songs you instantly crank up.
Maybe it’s the marching band guy in me, but I always loved a good march. That’s what you get as the theme song for Hogan’s Heroes. We played this in our alumni band one year.
The 70’s
Disco was in and some theme songs were just “funky”. Two examples of this are Barney Miller and it’s spin-off, Fish. The funky bass in the two theme songs is prominent and sets the tone for the them. The guitar melodies blend in and make them two themes that you could listen to over and over. The horns in Barney Miller continue to crescendo to the end of the song itself. It started slow and funky and ends in such a way that when it’s over you are disappointed cause you want more. The Twin Towers stand proudly in the opening scene as well.
It’s funny to listen to the Fish theme song again, because I realize how much it sounds like the theme from Night Court.
Norman Lear was a staple of 70’s TV. He created All In The Family, Maude, The Jeffersons, Sanford and Son, Good Times, and the list of his credits goes on and on. I have featured the Sanford and Son theme as a separate blog before, because it is one of my favorites. Here it is again, just because.
The Jeffersons was a spin-off of All In The Family. George Jefferson is “moving on up” to a bigger and better life and that’s where the theme song sets you up. It tells you the story. The theme song was written by Ja’net Dubois (of Good Times) and Jeff Berry and sung by Dubois and a gospel choir. Her vocal is amazing and so is the song.
How do I describe the theme song from What’s Happening!!? As the show opens, the main characters are running down a sidewalk bouncing a ball. The music kinda sounds like a ball is bouncing and then the soprano sax jumps in. It’s odd, but it’s catchy. It’s also written and composed by one of the most respected men in music – Henry Mancini!
The 70’s introduced us to the superhero Wonder Woman. I do not know a boy alive who did not have a crush on Lynda Carter. Much like the Batman theme, this theme repeats the character’s name a few times, but then expands on how wonderful she is. There is a funky little bass line that drives the song and I can’t really remember much more because I was watching Lynda Carter run ….
Welcome Back, Kotter was the show that introduced us to John Travolta. It was a comedy about a guy (Gabe Kaplan) who goes back to his old neighborhood to teach. The show was originally going to be called Kotter. The title was changed, however, because of the theme song. It was written and recorded by former lead singer of the Lovin’ Spoonful, John Sebastian. The song hit the charts and went all the way up to #1. This song give you the feel of the “folksy” 70’s.
Ok, I have to include the theme from a show that I watched faithfully every week as a kid. I was introduced to many stars and a lot of songs by watching this show. How can I not include The Muppet Show
The 80’s
There are so many great theme songs from the 80’s! Let’s start with Night Court. Night Court’s theme song throws me back to the 70’s because of that funky bass open – even more so now that I have listened to the Fish theme! You also have that soprano sax melody. It’s not a long theme, and when it’s done, you wish that you could find somewhere an “extended club mix”.
I just wrote about this next show for a Blogathon and did an entire blog on it as well. Police Squad only produced 6 episodes and it was cancelled. It starred Leslie Nielson as Lt. Frank Drebin. At the time, the network didn’t think that a show like Police Squad would be something an audience would want to watch (so they could catch all the jokes – remember, this was done by the guys who gave us the movie Airplane!). The theme song was accompanied by a voice over announcer reading the credits. He would also announce tonight’s guest star (who would always die during the credits) and give the name of the episode (which never matched with the title read on the screen). Thankfully, when the Naked Gun movies were made, the kept the theme song.
In 1980, Urban Cowboy hit theaters and country music was all the rage. It only made sense that we’d have a country comedy show on TV. That show was the Dukes of Hazzard. Talk about big name singers – Waylon Jennings sings the theme song, and he was also the show’s narrator. The song was released as a single in August of 1980, and it went to #1 on the Billboard Country Charts! Yee-haw!
The 90’s
It is here that we begin to see the decline in the use of the TV theme song. As a matter of fact, it became a habit to edit them down to 10-30 seconds from the already short 60 seconds. There are some that stand out for me though from this decade.
Tim Allen’s Home Improvement was a show based on his comedy act. His grunts and vocalizations intermingle through the theme song, almost as if they are a part of the musical score. The theme song almost sounds like a “work” song, both in sound and in tempo.
Seinfeld was one of those shows who used a theme song for a while, and used it at the end of the show, but often times especially in the show’s later seasons, it was shortened. The bubbly, poppy, twangy bass, and silly feel will forever be associated with the show about nothing and it’s silly characters.
From the opening guitar of “I’ll Be There for You” by the Rembrandts, you are in New York with Ross, Rachel, Chandler, Joey, Phoebe and Monica. The theme to the show Friends was an international hit. It was a song that was requested on radio and used at wedding receptions to introduce bridal parties. The song is heavily influenced by the Beatles (I Feel Fine) and the Monkees (Pleasant Valley Sunday). It was originally just one minute long, but the band went in an recorded an extended version, which became a radio hit.
Who could forget It’s Garry Shandling’s Show? The show, in itself, was silly. Garry interacts with the cast, but often will interact with the studio audience as well. It was just so weird. The theme song is just as weird. It’s a bouncy song that basically references itself (this is the theme to Garry’s show) and tells you how it came to be (Garry called me up and asked if I would write his theme song) and then asks how you like it (we’re almost halfway finished how do you like it so far?). The melody is so catchy, you can’t help but want to sing (or whistle) along with it.
One that I loved singing along to was the theme to That 70’s Show. The first season’s version was done by Todd Griffin, but from season 2 onward the group Cheap Trick sang the theme song. It rocked a bit more that season one.
2000-2010
There were only a few shows that I really enjoyed watching by this time. One that made me laugh out loud all the time was Arrested Development. This ridiculous silly theme song seemed so out of place, but I loved it
I really loved the show House MD. The theme song is actually a song that has a vocal called “Teardrop” by the group Massive Attack. If you hear the vocal version, you wonder how or why anyone would think to use this as the theme to a medical show…
The medical comedy Scrubs was a very good show which reminded me a lot of MASH. The theme on the show is only like 20 seconds long. However, I found the full version by Lazlo Bane called, “Superman.”
Another really short theme which I loved came from another show that made me laugh. 30 Rock. This cast was so good and the theme conveys the craziness that the characters experience while trying to put on their show. There is a couple full versions of the theme which can be found on the official soundtrack, but here is the TV version.
Wrapping up
I know I’m going to go back over this and think about many others I forgot to mention, but for now, I will stop here. So think about this for a minute:
With the TV theme song becoming more and more absent from TV…what are your thoughts? Which ones did you love growing up? Which ones do you still sing? Which ones did you hate?
Now it’s your turn – I look forward to seeing your comments.
It is time for another round of Turntable Talk, hosted by Dave at A Sound Day. This is the 12th round that I have participated in and it has quickly become one of my favorite “features” to participate in. There has not been a topic that Dave has presented that has not been interesting for me to explore. This round is no exception. If you haven’t already, be sure to check out his site and read the contributions of other music lovers, too!
For this round, Dave’ says, “This time around I’m calling it “First Time’s The Charm.” Let’s look at an artist whose debut really impressed you. It can be one that just knocked you out first time you heard it when it was brand new, or one you went back & discovered later. As long as it showed a band or singer that hit the ground running.“
In talking with one of the other participants this week, I mentioned that with each topic, one choice always seems to hit me immediately. Then I begin to think about other possibilities, and without fail I always seem to come back to the first choice. This time around, I decided not to consider anything else and go with the first thing that came to mind.
It is 1989. In our living room is the shelving unit that contains my dad’s stereo system. One shelf holds the receiver/amplifier while the cassette deck and Sony Mini-disc players sit on top of each other on the shelf above that. Two speakers sit on top of the unit. A turntable sits on a shelf that slides out on the top left of the unit. Under that, on a shelf all by itself is a Sony CD player.
My dad calls me out to the living room and says, “Keith, you’ve gotta hear this!” My dad has certainly played a major role in sharing great music with me. The above phrase was spoken by him to me more times than I can count. Oh, the music he introduced me to! I would have to say that 9 times out of 10, it has always been something that I have really liked. The CD he popped in the player was the debut album from The Kentucky Headhunters.
The group started back in the late 60’s and called themselves “Itchy Brother.” In 1980, the group was almost signed to a record deal at Swan Song Records, which was a small label founded by the band Led Zeppelin. However, Zeppelin drummer John Bonham died that year and the label folded. Itchy Brother disbanded in 1982. In 1985, there was an attempt to reunite the group. This attempt led to a few new members joining while some original members decided not to be a part of the group. Now missing some of the original members, a new name was chosen for the band – The Headhunters. It didn’t take long to find out that there was another band using that name, so “Kentucky” was added to the name.
The group decided to take out a loan to record a demo. That demo included some original songs and some cover songs. They had hoped to press copies of the demo to sell as merchandise at their live shows. It didn’t take long for that demo to get noticed by folks in Nashville. The group was not really interested in signing a record deal, but their manager suggested that they talk with producer Harold Shedd at Mercury Records. They were signed to their deal in 1989 and the demo was released as their debut album “Pickin’ on Nashville.
I hadn’t intended on listening to the whole album that day, but when my dad hit play, I really liked what I heard. While they certainly had a Southern rock sound, it wasn’t really completely Southern rock, if that even makes sense. It is kind of a mixture of country, Southern rock, a bit of blues, classic rock, a little rockabilly, and maybe even a little bit of metal. It was like nothing I had heard in some time. It was a very unique mix of various styles and types of music.
The first cut on the album was a cover of Bill Monroe’s Walk Softly on This Heart of Mine. Bill’s version has a very bluegrass feel to it. The Headhunters had me from the opening guitar lick. Then I was really digging the harmonies of the group. The guitar solo had a rock/B.B. King feel to it, which I just loved. The debut single reached number 25 on the Billboard Hot Country Singles Chart, the first of 4 Top 40 singles for the band.
The second single from the album is probably their best known song, but not quite their biggest hit. It almost didn’t make the album, though. Dumas Walker is a song that is about a Kentucky hangout. The lyrics tell of hanging out there eating a “slawburger, fries, and a bottle of Ski.” Folks in Kentucky knew that a slawburger was a burger with cole slaw on it, and a bottle of Ski is a soda that is a lot like Mountain Dew. The record company wasn’t too keen on it, though.
Producer Harold Shedd felt that the song was too local. He felt like no one outside of Kentucky would connect with the song. He asked band member Richard Young if they would be willing to leave the song off the record. After much discussion, Young says that he convinced Shedd to keep it on the record. He said that Shedd was missing the point – that every place had their own “Dumas Walker’s and they can relate to that!” He was right. The song was a top 20 hit for the band in 1990.
Another thing that helped get the band recognition was CMT (Country Music Television), which was the country version of MTV. The early headhunter videos are a blast to watch. How could anyone possible turn off a video set in a bar with people playing marbles, the lead singer juggling bowling pins, and the drummer banging on his drum kit with no shirt and a coon skin cap on!? Incidentally, the video was nominated for the CMA video of the year in 1990.
Richard Young says that the group had a “magnetism that people just couldn’t resist” and compared it to watching the old Monkees TV show. He said, “People want to be entertained. If you can’t hold their eyes, they will wander.” Watch a few of their videos and you will certainly be entertained.
The third single from the album was another cover song. This time it was a cover of Don Gibson’s “Oh, Lonesome Me.” Gibson’s version is very typical 1960’s country. The Headhunters version kicks it up a notch with a driving beat and video that really fits the “Monkees” description above. This song peaked at number 8 and would be the band’s only Top 10 hit. The fourth and final single from the album was “Rock and Roll Angel,” which is mostly forgettable.
The band enjoyed great success in 1989/1990 because of their debut album. In 1990, they won the Academy of Country Music’s Top New Vocal Duo or Group Award , The Country Music Associations Vocal Group of the Year, and the CMA Album of the Year. They also won a Grammy for Best Country Performance by a Duo or Group that year.
Sadly, their follow up album Electric Barnyard was a major disappointment. It was certified gold, but the singles released to radio didn’t get much airplay. Citing creative differences, Ricky Lee Phelps and Doug Phelps left the group in 1992 to form their own band, Brother Phelps.
The band has continued to tour with a variety of different members and their last album was released in 2021. They never really enjoyed much success after that debut album. That being said, I believe their fresh sound really paved the way for (and had a big influence on) some of the more recent country singers who have a more “rock” sound.
One thing I think is important to mention is that the Kentucky Headhunters hit the scene at a very unique time in country music. In 1989, this new group stood out during a time that also saw country music’s amazing “Class of ’89” hit the scene. They were in the thick of things at the same time that Alan Jackson, Clint Black, Travis Tritt, and a dude by the name of Garth Brooks were getting their debut’s as well. The fact that they made waves amongst those guys is a testament to that first album.
It is hard to say what factored into the decline in popularity. Was it hard to get airplay with all of those other big names taking off? Was the music that followed just not good enough? Did the loss of the Phelps Brothers put the nail in the coffin for the band? Maybe it is a little bit of each of those things. The Kentucky Headhunters recorded 9 studio albums, but you really only need to get their debut, Pickin’ on Nashville. It is as good as it gets.
For our anniversary, my wife and I wanted to plan a little getaway to celebrate. Neither one of us had too much PTO in our “banks” at work, so we decided on a weekend trip. During the planning the destinations changed frequently. Originally, we had hoped to head back for another trip to Florida, but due to the lack of time available, we decided on something a bit closer to home.
There was talk of going to Nashville and maybe catching a show at the Grand Ole Opry. Then there was talk of Gatlinburg, where my mom so often talked about. I think we even chatted about Pennsylvania, too. Eventually, we decided that Chicago was where we wanted to go, but then realized that it was St. Patrick’s Day weekend, and we figured it might be just a tad crazy (although seeing the river turned green would have been cool.
Cleveland??
To be honest, I am not even sure how we decided on Cleveland, Ohio. I had mentioned that my dad had gone to the Rock and Roll Hall of Fame and said it was cool. I started to look at things in Cincinnati. There was a lot to do there, but why wasn’t the Hall of Fame coming up in any of my searches? I knew that Cincy was close to Louisville, KY and thought that we could maybe do something there, too. I had gone as far as to drop a radio buddy a note to say we were gonna be down there and asked for good restaurants to eat at … only to then realize the Hall of Fame was in Cleveland!
Now that we had cleared that up, we were set for Cleveland. Now, I will be the first to admit “Cleveland,Ohio” as the answer to “Where did you and your wife spend your first wedding anniversary?” is not at all romantic. Many people laughed when I told them. Here is the thing about my wife and I, the destination really didn’t matter – it was simply the fact that we were going to be together. To me, this is just one of the reasons I love her. We can be content with just having time with each other, no matter where we are, or what we are doing.
We have made it a tradition to go to restaurants that local wherever we go. If we can go there at home, we’ll go there at home! By doing this, we have really been treated to some amazing food. We always try to find a good steak house or something very unique to the city we are in and we have yet to be disappointed.
The Hall of Fame
Personally, I think Sam loves watching me get excited about stuff like this. We both love museums, but I must have been like a little kid on his birthday during this trip! I had, of course, seen pictures of the Hall of Fame, but it was something else to be standing in front of it. The big red block letters that sit upon the sidewalk read “LONG LIVE ROCK”. As I walked up the steps, there are phoney concert speakers erected by the hand rails. The excitement builds as you walk in.
As you enter, you walk into a huge foyer/lobby. The gift shop is to your right, to the left a cafe/coffee shop, and in front of you there is an escalator to take you down to purchase tickets. After buying our tickets, you get ready to enter and above the doors the perfect AC/DC quote to welcome you: “For those about to rock …”
Walking into the main exhibition hall, the first thing I noticed were pictures of John Lennon and Ray Charles on the wall. The first thing I am drawn to is a glass case containing Bill Haley’s guitar. Bill is often credited as being the singer of the first “rock and roll” song – Rock Around the Clock. There is a picture of him playing it in the case as well. I am not sure why I was so taken in by it, but I was.
The next thing we saw was a line of bass guitars that belong to Geddy Lee of Rush. I didn’t count , but there had to be like a dozen of them. The information said that this was only part of his massive collection.
The Roots
One thing I was thrilled to see here was the fact that the “roots” of Rock and Roll were well represented. Rock really evolved from a combination of Gospel, R&B, Bluegrass, Country, Folk, and Blues music. Each of those genres was represented here. Among my favorite things I saw: a suite belonging to Hank Williams Sr.; Louis Jordan’s music folder with his music and cue sheets; stuff from Muddy Waters, BB King, and Mahalia Jackson; Ray Charles sunglasses; Carl Perkins Guitar; salutes to Johnny Otis, Big Joe Turner, and Sam Cooke and so much more. The roots of rock were so well represented. Without these people and the genres of music, there would be no rock and roll.
Elvis
There is a pretty cool section devoted to Elvis, who was one of the first 10 artists inducted into the Hall of Fame. The Hall has a standing agreement with Graceland in Memphis (which is a museum in itself) and they send memorabilia to them often, so the exhibit changes often. There was a very cool motorcycle that was custom-built for Elvis. His gold sequins suit is there, and a jukebox which was given to him as a gift from RCA Records – it contains only Elvis records. Also on display was a double Gibson guitar which he played in his film Spinout.
The Summer of Love
With the 50th anniversary of the “Summer of Love”, there were some very cool things here. I saw groovy outfits from the Mama’s and the Papa’s, clothing from Jimi Hendrix, and the HUGE mixing board that was used to record some of Jimi’s music.
On thing I really liked to see was the various things that song lyrics were written on. There were quite a few original pieces of paper where the beginnings of songs were scribbled. There were also plenty of hotel pads of paper with lyrics on them. Loved seeing where changes were made to lyrics.
Cities and Sounds
I loved that there was a section of the hall that saluted cities and sounds. There was a section devoted to Memphis, Los Angeles, San Francisco, London and Liverpool, Seattle, and of course, Detroit.
In the Memphis section, there were plenty of neat things from Sun Records. Johnny Cash, Elvis, Jerry Lee Lewis, Carl Perkins and Roy Orbison all recorded there. To stand in front of Roy Orbison’s glasses and guitar was pretty awesome. My earliest musical memories are of my dad playing Roy’s music for me.
A nice tribute to Motown is here with stuff from Barry Gordy, The Supremes (you can see some of their dresses), Smokey Robinson, and the Temptations are all here. They were playing the episode of To Tell The Truth with Barry Gordy as we walked through this section.
The Beatles and the Rolling Stones each have a nice section at the Hall. I thought Mick Jagger of the Stones was taller, but standing by some of his outfits, he’s shorter than I thought. There is the Asher family piano that Paul McCartney donated, some of John Lennon’s outfits, and the handwritten lyrics to “In My Life”. A very cool documentary was playing in their section as well.
I jumped ahead a bit because the next section was London and Liverpool. There were some very neat things from the Yardbirds, Peter and Gordon, Herman’s Hermits and the Zombies too. All in all a nice salute to the British Invasion.
San Fran featured stuff from The Grateful Dead and Janis Joplin, while LA featured stuff from The Eagles, Jackson Brown, Joni Mitchell and Neil Young. One cool thing here was a duffle bag full of hotel keys. I don’t recall, but I think it said it belonged to one of the Eagles. They basically kept the hotel key (and keychain) from every place they stayed while on tour. The bag was stuffed full of some very cool looking keychains!
This section also had tributes to grunge music, punk music and a section called “Rave On” which focused on the “pioneers” of rock. Those pioneers included Fats Domino, Chuck Berry, Little Richard, The Everly Brothers and Buddy Holly. Soul Music was also spotlighted here with some awesome suits from James Brown, stuff from Aretha Franklin, pieces of the wreckage from Otis Redding’s plane crash, and Sam and Dave. Featured in the soul section were two amazing things – guitars from Donald “Duck” Dunn and Steve “The Colonel” Cropper. They played on almost every Atlantic and Stax record. They were members of Booker T and the MG’s, and also played with the Blues Brothers. Very cool to see!!!
Don’t worry metal heads, there was a section for Heavy Metal too. Oh, and a section for Rap, as well.
Protests
When Rock and Roll started to make waves, it wasn’t too popular with folks. We tend to forget the hatred toward the genre, but they had plenty of newscasts about burning records, and protests that happened. It was weird to watch the hatred toward the Beatles and read hate mail to the Rolling Stones. Other artists that were discussed in this section were Frank Zappa and ELO.
On the Radio
As a radio guy, it was cool to be able to walk up to an interactive touch screen and select a region of the US and then listen to old airchecks of DJ’s from different eras. Naturally, I had to listen to some of the Detroit personalities: Dick Purtain, Robin Seymour, and The Electrifying Mojo! There were plenty of familiar names from all over the states and it was nice to get to listen to their stuff too.
The Power of Rock
On the third level, there was a wall with each “class” inducted into the Hall of Fame by year. You could also go to a touch screen and search by class, by year, or by artist, and listen to their music. SO many great songs!!!
The Power of Rock is a short film by Jonathan Demme which features many performances from past Hall of Fame inductions. So many stars and so many great songs were in this film. The theater had a light show and great sound for the film and it was almost like you were watching a concert live. The film ends with Prince’s guitar solo on While My Guitar Gently Weeps – WOW! Forgot how amazing that was! They also had some of the great quotes on the walls of the hallway that you left the theater by. Prince’s outfit from that show and other outfits were there as well.
Rock on TV
It was also very cool to see some of the TV show memorabilia on this level. You could go and record something about your favorite singer or album in special booths. It was pretty cool to stand in front of Dick Clark’s American Bandstand podium! His microphone was in a glass case with other things like the set design for the Beatles appearance on Ed Sullivan. They had TV cameras there, Don Cornelius’ suit from Soul Train, outfits from the Jackson Five and Sonny & Cher and the coat worn by Davy Jones of the Monkees that he wore on The Brady Bunch. There was also some cool musically related stuff from Saturday Night Live, and from various music videos we all watched on MTV. It was neat to see Paul Shaffer’s keyboard that he played for so many years on the Late Show with David Letterman.
On the Radio – LIVE
One thing I didn’t realize was that Sirius XM broadcasts their “Classic Vinyl” station out of the Hall of Fame. Rachel Steele was on air when we went through. There is a glass window that allows you to look into the studio and watch them broadcast. I actually felt bad for her. One thing radio people like is the fact that they can go in to work without really worrying about what to wear, because….who is going to see you!? Whoever is on the air here, really has to “doll up” every day.
Over all, I loved every second of my visit here! Any music lover would enjoy themselves!! If you have never been …. you have to!
Christmas in March
The final stop on the trip was The Christmas Story House. It is the house featured in the holiday classic. They renamed the street “Cleveland Street” in honor of the movie. The Leg Lamp proudly sits in the front window and the Bumpass House is next door.
This is such an inexpensive treat! The house looks a little different on the inside, but they have restored much of it to be exactly like it looks in the film, which took a bit because there were a few owners since the movie.
We were allowed to take as many pictures as we liked. There was a guide who took us through the house and told some stories. You can see the bathroom where Ralphie solves Little Orphan Annie’s secret message, you can see the many plugs the tree was plugged into, pick up the phone that Mrs. Parker calls Flick’s mom on, see the boy’s room, and see the damper in the kitchen that billows black smoke because of the “clinker” furnace.
From the backyard you can see the steel mill (still in operation), which helped Jean Sheppard (the author) pick that particular house for the film. Across the street is a museum with the actual Red Rider BB gun used in the film, outfits from the cast, Darren McGavin’s plaster life mask (used for make up and such), plenty of behind the scenes pictures, and the Old Man’s car. The gift shop is full of great items and yes, you can purchase a pink bunny suit or a leg lamp (in various sizes).
Sam told me she’d buy me a bunny suit, but only if I wore it every Christmas! Incidentally, if you have the $$, you can spend the night in the house or next door at the Bumpass house.
The trip was short, but full of good memories. I love that we were able to do it and I love that we got to spend time with each other. It was the perfect anniversary trip.
Today, Quincy Jones turns 85. He is a legend in the music business. He is a record producer, actor, conductor, composer, musician, TV & film producer, instrumentalist, magazine founder, entertainment company executive and humanitarian. He’s worked with some of the best musicians and produced some of the biggest albums in history. He has worked with everyone from Frank Sinatra to Michael Jackson. Call my crazy, but despite all of the things Quincy Jones is known for – I remember him for one thing – he recorded the Sanford and Son Theme song!
There was just something cool about this theme song. The opening bass line followed by the catchy melody. To this day, I laugh when I see a beat up truck driving around, I will sing the Sanford theme out loud! In an episode of Scrubs, JD and Turk are having a serious discussion, that eventually ends up with them singing and dancing to the Sanford theme! Recently someone did a “mash up” with Robin Thicke’s Blurred Lines and, you guessed it, the theme to Sanford and Son.
Today, many shows don’t even bother with a theme song. You see the credits scroll on the screen while the show is in progress. This is sad. A TV theme song kind of sets the mood for the show. It will be a song with catchy lyrics or a melody that you can hum along with. Today, lets go back and look at some of my favorite theme songs from TV’s past. When we’re done – tell me your favorites that I may have missed.
The 50’s
Two of the earliest themes on my list come from shows considered classics. First, The Andy Griffith Show. This catchy tune is one that you can whistle along with. Even without looking at a screen, whistling it makes you picture Andy and Opie walking with their fishing poles to the lake. Second, The Dick Van Dyke Show. What’s not to like about this one? You only have to wonder whether or not he’s gonna trip over the ottoman when he walks in the house.
Then there is the Twilight Zone. The haunting guitar part that plays those same four notes over and over is scary as hell! As a kid, I remember freaking out when it was on. Today, as I listen to it, it is perfect for the show. It was the perfect music to play while Rod Serling explained that we were entering another dimension. I can’t tell you how many times something obscure happens and I start humming the theme song!
Another one of my favorites was the theme to Perry Mason. It was written by Fred Steiner who said he wanted to capture Perry’s sophistication and toughness. The song is actually called Park Avenue Beat and it is a bluesy “piece of symphonic R&B”. The song was re-recorded for the Perry Mason TV movies and was used by the Blues Brothers band while out touring.
Another theme song that I absolutely love, has a Blues Brothers tie in, too. Peter Gunn is a private eye. The initial base line accompanied by low brass instruments screams sleazy private eye. It’s a great piece. The song actually plays in the first Blues Brothers movie as the brothers are driving through Illinois. They do a fine cover of it.
The 60’s
The shows of the 60’s and 70’s had some of the best theme songs!
The theme to Mission: Impossible is instantly recognizable. It was composed by the great Lalo Schifrin. What’s neat about the song is that it is in 5/4 time. From the opening note – you can see the fuse light up and begin to burn. It’s such a cool piece of music. I was glad that they used it in the movies with Tom Cruise (even though I disliked them).
Wanna sing along with the theme to Batman? You only need to sing the word “Batman” and you got it! Neil Hefti, who was a composer and arranger, composed the theme with it’s simple guitar lick and vocal. It was a hit for Hefti, The Ventures, and the The Marketts.
William Dozier, creator of Batman, also created the Green Hornet. Even though the show didn’t last long, the theme song is memorable for a few reasons. First, it is based on the classical piece, The Flight of the Bumblebee. Second, playing the trumpet on the song is the great Al Hirt! Classic! One that you will hum for days.
Who can forget the theme to the Monkees? “Here we come, walking down the street. We get the funniest looks from, everyone we meet….” Hey! Hey! They’re the Monkees! For this show, they gathered 4 guys with little or no musical experience and made them a band. The show appealed to kids and adults alike. It was fast paced with quick jokes and 4 lovable characters who featured many of their hit songs on the show.
In the 60’s the guitar played a big part in theme songs. Think about this, The Munsters theme had such a catchy lick that was sampled for the song Uma Thurman by Fall Out Boy. It was cool enough to sample for one of today’s hit songs.
One of those great guitar theme songs was to Get Smart. The opening sequence changed a little from season to season, but it always included Don Adams walking through a corridor with sets of doors one right after another until he finally makes it to the payphone that gets him into CONTROL headquarters. Love this song and it never fails, if I am ever walking down a long hallway – I will almost always start to hum this song.
I mentioned the Ventures earlier, and they have one of the coolest theme songs – Hawaii 5-0. It was a huge instrumental hit for the band. It’s a great balance of guitar and horns. The use of the tympani drum and the pyramid effect by the horns in this song is masterful! It’s one of those theme songs you instantly crank up.
The 70’s
Disco was in and some theme songs were just “funky”. Two examples of this are Barney Miller and it’s spin-off, Fish. The funky bass in the two theme songs is prominent and sets the tone for the them. The guitar melodies blend in and make them two themes that you could listen to over and over. The horns in Barney Miller continue to crescendo to the end of the song itself. It started slow and funky and ends in such a way that when it’s over you are disappointed cause you want more.
Norman Lear was a staple of 70’s TV. He created All In The Family, Maude, The Jeffersons, Sanford and Son, Good Times, and the list of his credits goes on and on. The Jeffersons was a spin-off of All In The Family. George Jefferson is “moving on up” to a bigger and better life and that’s where the theme song sets you up. It tells you the story. The theme song was written by Ja’net Dubois (of Good Times) and Jeff Berry and sung by Dubois and a gospel choir. Her vocal is amazing and so is the song.
How do I describe the theme song from What’s Happening!!? As the show opens, the main characters are running down a sidewalk bouncing a ball. The music kinda sounds like a ball is bouncing and then the soprano sax jumps in. It’s odd, but it’s catchy. It’s also written and composed by one of the most respected men in music – Henry Mancini!
The 70’s introduced us to the superhero Wonder Woman. I do not know a boy alive who did not have a crush on Lynda Carter. Much like the Batman theme, this theme repeats the character’s name a few times, but then expands on how wonderful she is. There is a funky little bass line that drives the song and I can’t really remember much more because I was watching Lynda Carter run ….
Welcome Back, Kotter was the show that introduced us to John Travolta. It was a comedy about a guy (Gabe Kaplan) who goes back to his old neighborhood to teach. The show was originally going to be called Kotter. The title was changed, however, because of the theme song. It was written and recorded by former lead singer of the Lovin’ Spoonful, John Sebastian. The song hit the charts and went all the way up to #1. This song give you the feel of the “folksy” 70’s.
The 80’s
There are so many great theme songs from the 80’s! Let’s start with Night Court. Night Court’s theme song throws me back to the 70’s because of that funky bass open. You also have that soprano sax melody. It’s not a long theme, and when it’s done, you wish that you could find somewhere an “extended club mix”.
Police Squad only produced 6 episodes and it was cancelled. It starred Leslie Nielson as Lt. Frank Drebin. At the time, the network didn’t think that a show like Police Squad would be something an audience would want to watch (so they could catch all the jokes – remember, this was done by the guys who gave us the movie Airplane!). The theme song was accompanied by a voice over announcer reading the credits. He would also announce tonight’s guest star (who would always die during the credits) and give the name of the episode (which never matched with the title read on the screen). Thankfully, when the Naked Gun movies were made, the kept the theme song.
In 1980, Urban Cowboy hit theaters and country music was all the rage. It only made sense that we’d have a country comedy show on TV. That show was the Dukes of Hazzard. Talk about big name singers – Waylon Jennings sings the theme song, and he was also the show’s narrator. The song was released as a single in August of 1980, and it went to #1 on the Billboard Country Charts! Yee-haw!
The 90’s
It is here that we begin to see the decline in the use of the TV theme song. As a matter of fact, it became a habit to edit them down to 10-30 seconds from the already short 60 seconds. There are some that stand out for me though from this decade.
Tim Allen’s Home Improvement was a show based on his comedy act. His grunts and vocalizations intermingle through the theme song, almost as if they are a part of the musical score. The theme song almost sounds like a “work” song, both in sound and in tempo.
Seinfeld was one of those shows who used a theme song for a while, and used it at the end of the show, but often times especially in the show’s later seasons, it was shortened. The bubbly, poppy, twangy bass, and silly feel will forever be associated with the show about nothing and it’s silly characters.
From the opening guitar of “I’ll Be There for You” by the Rembrandts, you are in New York with Ross, Rachel, Chandler, Joey, Phoebe and Monica. The theme to the show Friends was an international hit. It was a song that was requested on radio and used at wedding receptions to introduce bridal parties. The song is heavily influenced by the Beatles (I Feel Fine) and the Monkees (Pleasant Valley Sunday). It was originally just one minute long, but the band went in an recorded an extended version, which became a radio hit.
Who could forget It’s Garry Shandling’s Show? The show, in itself, was silly. Garry interacts with the cast, but often will interact with the studio audience as well. It was just so weird. The theme song is just as weird. It’s a bouncy song that basically references itself (this is the theme to Garry’s show) and tells you how it came to be (Garry called me up and asked if I would write his theme song) and then asks how you like it (we’re almost halfway finished how do you like it so far?). The melody is so catchy, you can’t help but want to sing (or whistle) along with it.
Wrapping up
With the TV theme song becoming more and more absent from TV…what are your thoughts? Which ones did you love growing up? Which ones do you still sing? Which ones did you hate?
Now it’s your turn – I look forward to seeing your comments.
Various Ramblings of a Nostalgic Italian 