The Music of My Life – 1975

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned five in ’75, so let’s give a listen together…

Why not start off with a song that soared to number one? Shining Star was released by Earth, Wind and Fire in January of 1975. Maurice White was taking a late night walk while recording the album That’s the Way of the World and was inspired by the stars in the sky. He took the idea back to other members of the band and wrote the song.

The song was inducted into the Grammy Hall of Fame in 2008 and still sounds great today! One music critic called the song, “sweaty funk” … So let’s get funky!

Shining Star

Honestly, I wasn’t really into KISS when I was five. I suppose I was in my teens when I came to appreciate some of their songs. We played one or two at the first oldies station I worked at and I heard them a lot when me and my buddies would go play pool together. One that always played was Rock and Roll All Night.

Originally released on their Dresses to Kill album, the studio version only went to number 69 on the singles chart. Later, the live version would go all the way to number 12. I would guess that it has become their “theme” song. It has been the song that the group has used as a closing concert tune in almost every show since 1976.

The song was written by Paul Stanley and Gene Simmons in Los Angeles, but on January 26, 1976, Stanley told an audience at Cobo Hall in Detroit that the song was written in and for Detroit! I like that, so I’ll go with it…

Rock and Roll All Night

(Studio version)

(Live version)

Speaking of Detroit, the next song comes from hometown hero Bob Seger. Bob released his Beautiful Loser album in ’75 and Katmandu was a cut from it. Katmandu wasn’t a huge hit, but it has always been one of my favorite Seger tunes. It was later featured on his Live Bullet album.

Seger says that the song was written at a time in his life where he wasn’t sure if he was going to make it. He said, “It’s an exasperated song. It’s like: ‘I’m never gonna make it, I’m just gonna go to Katmandu.'”

He says that Glenn Frey and Don Henley pulled him aside and “told me that the Beautiful Loser album was the first little step in the right direction for me. Then the next step after that was Live Bullet, which was a huge step. And the next step was Night Moves, which was an even huger step. By 1980 both records were at six million, and they kept selling continuously. Beautiful Loser was a transitional album, and in the song “Katmandu” I still had some of that defeatist mentality and you can hear it in there.”

Katmandu

The next song was released one day before my fifth birthday. Low Rider appeared on War’s Why Can’t We Be Friends album.

From song facts.com:

The group’s sax player, Charles Miller, came up with the idea for the song. Harold Brown told Songfacts: “What happened on ‘Low Rider’ was in the studio, we were jamming, and I was supposed to have been on the downbeat. But all of the sudden I was on the upbeat. And I said, ‘Oh, boy. I got the beat turned around.’ I didn’t panic. I said, ‘Wait a minute. Stay there. Don’t change it. Stay.’ Because as long as you keep doing it over and over and over, it won’t be a mistake.

We were just messing around, you know. Then the next thing I know, Charles started just singing, ‘Low ri-der drives a little slower. The low…’ he was just pumping it. And then the next thing I know Lee’s over there putting that harmonica on, because Lee is a melody man all the time. And then – boom.

If you’d hear the original version of it, all with that jam, that would be worth a million right there. When we finished it, all of us looked at it, ‘That’s a hit.’ We didn’t know that it was going to be an icon.

Low Rider

In June of ’75, Bad Company released a classic. Did you know that Feel Like Makin’ Love is actually a combination of two separate songs?

Several years after Paul Rodgers wrote the song, he played it to Bad Company guitarist Mick Ralphs, who came up with some big chords for the chorus. Ralphs recalled:

“I came up with the riff, and I suggested we put the two together to create a song. I think that’s the feel of the song, the verses are very appealing to the ladies, probably more than the men; and then the riff comes in which is all bloody macho. It’s a big chorus and it worked out really well.”

It reached number 10 on the Hot 100 Chart.

Feel Like Makin’ Love

Despite being a song of their second album, Orleans scored their first Top 40 hit with “Dance With Me.” The song was released in July of ’75. It was written by group member John Hall and his then wife Johanna. John told Songfacts.com:

“I started playing it on acoustic guitar and developed it, just jamming by myself in the living room. The whole song – the verses, the bridge, the ending – was all complete coming out of my acoustic guitar. Johanna yelled from the other room, ‘That sounds like ‘Dance With Me.” And I went, ‘Can’t we come up with something a little bit more unusual than that?” And she said, “I don’t know, it really sounds like ‘Dance With Me.”

She couldn’t get past that and I couldn’t get past that any further, so I played the instrumental version for Larry Hoppen and he said, ‘Boy, you really need to finish that, that sounds like a hit song.’

So coming back from a show in Ithaca, New York, on the western part of the state, through the Woodstock area again, Johanna and I were riding in the car, and suddenly she says, ‘Pick the beat up and kick your feet up.’ She starts scribbling on another one of those envelopes, and by the time we got home, we had kicked the ideas back and forth and finished the lyric.

I love the guitar work and harmonies in it.

Dance With Me

I was probably about 4 years away from my introduction to Willie Nelson in 1975. When I was finally introduced to him, it was thanks to my dad and my grandfather. They had a cassette of Willie’s Stardust album and they played the heck out of it. It drove us kids crazy! After my grandfather passed away in 1981, I began to listen to more and more from Willie and came to really love his music.

Willie is a fantastic song writer, having written hits like “Crazy,” “Hello Walls,” and so many others, but he did NOT write Blue Eyes Crying in the Rain. It was written by Fred Rose in the late 1940’s. It was recorded by Roy Acuff, Hank Williams Sr., Ferlin Husky, Bill Anderson and Conway Twitty all before Willie recorded it in 1975 for his Red-Headed Stranger album.

In October 1975, the song became Willie’s first Number 1 hit as a singer, and at year’s end, was the third-biggest song of 1975 on the Billboard Hot Country Singles chart. It got Top 40 airplay, too, reaching number 21 on the Hot 100 Chart. At the 18th Annual Grammy Awards, the song won Willie a Grammy for Best Male Country Vocal Performance.

Fun (but sad) Fact: Elvis Presley recorded a version of the song in the Jungle Room at Graceland in 1976. The song would be the last one he played before he died. In the early morning of August 16, 1977, he played it on his piano in Graceland. Later that day, he died.

Blue Eyes Crying In The Rain

Earlier I mentioned playing pool with some my friends in my teens and many of the songs I mention will be ones that played on the jukebox while we were there. One of those songs was Tush by ZZ Top. Before the song’s release in 1975, they were well known in Texas, but Tush became their first nationwide hit.

According to Dusty Hill, the song was written in under ten minutes during a soundcheck in Alabama. Billy Gibbons said “We were in Florence, Alabama, playing in a rodeo arena with a dirt floor. We decided to play a bit in the afternoon. I hit that opening lick, and Dave Blayney, our lighting director, gave us the hand [twirls a finger in the air]: ‘Keep it going.’ I leaned over to Dusty and said, ‘Call it ‘Tush.’

So what does it mean? In a 1985 interview with Spin magazine, bass player Dusty Hill explained: “Tush, where I grew up, had two meanings. It meant what it means in New York. Tush is also like plush, very lavish, very luxurious. So it depended on how you used it. If somebody said, “That’s a tush car,’ you knew they weren’t talking about the rear and of the car. That’s like saying, ‘That’s a cherry short.’ But tush as in ‘That’s a nice tush on that girl,’ that’s definitely the same as the Yiddish word. I don’t know how we got it in Dallas. All it could have took was one guy moving down from New York.”

Tush

The next song is one that comes from my family’s infamous red 8 track tape. It was one of the first things I blogged about when I started this site. You can read that blog here:

The Red 8 Track Tape

Songfacts.com says: In the DVD Hell Freezes Over, the Eagles discussed this song’s origins. When they were a struggling band in Los Angeles, they saw a lot of beautiful women around Hollywood who were married to wealthy, successful men, and wondered if they were unhappy. One night they were drinking in a bar (their favorite watering hole: Dan Tana’s) when they spotted this stunning young woman; two steps behind her was a much older, fat, rich guy. As they were half laughing at them, Glenn Frey commented, “Look at her, she can’t even hide those lyin eyes!”

Realizing they had a song title, the band members began grabbing for cocktail napkins to write down lyrics to go with that great observation.

The song reached number 2 on the Hot 100 Chart.

Lyin’ Eyes

In 1975, Capitol Records couldn’t seem to make up their mind about which song to release first from Linda Ronstadt’s Heart Like a Wheel album. It was a toss up between You’re No Good and When Will I Be Loved and the prior won out. Linda’s Everly Brothers cover would be the second single, released in March of ’75.

Both the Everly’s and Linda had top ten hits with the song, but Linda’s went to number 2 while the Everly Bros peaked at number 8. Linda’s version also went to number 1 on the country chart. Singing with Linda on this single are Kenny Edwards (from her band the Stone Poneys) and Andrew Gold (Who later had success with Thank You For Being a Friend). I absolutely love the harmonies on this one.

And there are my picks for 1975! What did I miss?

Next week, I’m sure there will be a shiny disco ball hanging over the dance floor as we head to 1976! See you then.

The Music of My Life – 1974

Bob Marley wrote I Shot the Sheriff and recorded it in 1973. Eric Clapton covered in for his 461 Ocean Boulevard album. Billboard magazine called his version a “catchy goof of a winner.” Clapton softens up the reggae a bit and it went straight to the top spot on the Hot 100 Chart.

I Shot the Sheriff

June of 1974 was a hot month for music releases as the next five songs all hit the radio in that month. First, we have a soul hit from the Three Degrees – When Will I See You Again.

Before I go on, let me explain why it is on my list. I was dating my prom date, Karen, and we often spent evenings driving around and listening to the radio. There was a “love song” show called Pillow Talk that aired at night. It always seemed to play on that show and throughout the day on the Adult Contemporary stations.

I think we both thought the name of the song was “Precious Moments” for some reason. All I can recall is that we both laughed at the “Hoo” and “Hah” at the beginning. I don’t know about her, but every time I hear it, I think of her and us laughing at that song.

The lead singer on the song, Sheila Ferguson, hated it the first time she heard the demo. She said she’d never sing it because she felt it was insulting to be given a song that “took no talent to sing.” Her thoughts obviously changed after the song’s success, and the group had a #2 hit!

When Will I See You Again

Canadian singer Andy Kim hadn’t had a hit record since 1971 and has lost his record deal in 1973. He never gave up and created his own label (Ice Records) and used his own money to record Rock Me Gently.

The song was released in June and hit #1 in September of 1974. The B-side was an instrumental version of the song and some stations played that, too. Rock Me Gently was the last Top Ten hit for him.

Rock Me Gently

Long before I was a radio DJ, I was introduced to Wolfman Jack by the Guess Who. The Guess Who’s Burton Cummings explained that the song began as a jam and was originally called “Clap For Napoleon.” As they were appearing on NBC’s Midnight Special a few times in 1973 (they hosted the show in ’74), they changed the lyric as a tribute to the show’s host, the late Wolfman Jack. The Wolfman can be heard throughout the song.

In his autobiography Have Mercy!: Confessions of the Original Rock ‘n Roll Animal, Wolfman Jack singles out Burton Cummings for adding his name to the song and taking him on tour to promote it. According to the Toronto Sun, the Wolfman quit his job at WNBC (where he enjoyed “$350,000 – plus a secretary, a chauffeured limousine, a bodyguard, and a well-ventilated private room at Rockefeller Center for the smoking of dope in”) to go on tour with The Guess Who.

Clap For The Wolfman

You would think that if someone wrote a song called Sweet Home Alabama, they’d be from there, right? Nope. None of the writers hailed from that state. Ronnie Van Zant and Gary Rossington were from Florida and Ed King was from California.

Lynyrd Skynyrd enjoyed a top 10 Hit with the song that will forever be recognized by that wonderful guitar intro. Gary Rossington explained the writing process: “I had this little riff. It’s the little picking part and I kept playing it over and over when we were waiting on everyone to arrive for rehearsal. Ronnie and I were sitting there, and he kept saying, ‘play that again’. Then Ronnie wrote the lyrics and Ed and I wrote the music.”

Sweet Home Alabama

You can blame my mother for the next entry on the list. She loved listening to “easy listening” stuff and this was one that she always sang along with (when she remembered the words).

Annie’s Song was written by John Denver for his wife, Annie. She explained, “It was written after John and I had gone through a pretty intense time together and things were pretty good for us. He left to go skiing and he got on the Ajax chair on Aspen mountain and the song just came to him. He skied down and came home and wrote it down… “

The song was on his album Back Home Again and was his second number-one song in the US, occupying that spot for two weeks in July 1974.

Annie’s Song

Everlasting Love was originally a hit in 1967 by Robert Knight and there are plenty of cover versions. My favorite version has to be by Carl Carlton.

Carl himself chose to record the song as he liked David Ruffin’s version from 1969. It was originally released as a B-side in 1973, but it was remixed with a disco beat and released as a single in 1974. It was a disco staple at discotheques all across the country.

Everlasting Love

In 1964, Chuck Berry wrote Promised Land basing it on the melody for Wabash Cannonball. He wrote the song while he was in prison. He borrowed an atlas from the prison library and he plotted out all the stops from Norfolk to California.

In 1974, it was Elvis who recorded a version of this great story song that is faster and makes even the hardships experienced by the “poor boy” sound fun. It became the title track for Elvis’ 1975 album.

Promised Land

I certainly cannot imagine the next song as a country song, but believe it or not, that was the intention. In 1953 Peter Radcliffe wrote You’re the First, My Last, My In-Between but it was never recorded. That is until Barry White rewrote the lyrics in 1974 and recorded it with a disco beat as You’re the First, My Last, My Everything.

Most of the lyrical changes came to Barry during a rough recording session when it didn’t seem like the song was going to pan out. “I went into the studio and made up my own melody all the way through. Half of the words in it I changed right in front of the microphone.” When Peter Radcliffe heard the final result, he cried. The song went to #2 on the charts.

I always loved how Barry always seemed to have some sort of seductive talk before he sang. One morning we discussed this on our radio show. My partner dismissed it by saying, “Hey, there ain’t nothing better than two minutes and forty two seconds of Barry White saying cool things!”

You’re the First, My Last, My Everything

My final song from 1974 comes from Michigan’s own Grand Funk Railroad. This would be a bigger hit in 1975 because it wasn’t released until December of 1974. It actually went on to become the sixth biggest hit of 1975.

Some Kind of Wonderful was originally recorded by the Soul Brother Six in 1967, but it barely cracked the Top 100, only reaching 91. Grand Funk recorded it for their album All the Girls in the World, Beware! It would reach #3 on the charts.

Grand Funk drummer Don Brewer explained, “We used to listen to a station called WAMM, which was a black station in Flint (Michigan). We all grew up on R&B, gospel and soul music, and they used to play the Soul Brothers Six version of that song all the time on WAMM radio in the ’60s. When we were traveling around the country, I used to start singing that song in the back of the car a cappella, and everybody would just kind of jump in and sing along with me – ‘I don’t need a whole lots of money, I don’t need a big fine car.’ We’d kind of shear off on the choruses and stuff, and our manager said, ‘That’s a great song, why don’t you record it,’ so we recorded the song and it became a huge hit.”

I love stories like that!

Some Kind of Wonderful

That wraps it up for 1974. Did I miss one of your favorites? Tell me about it in the comments.

See you next week in 1975.

The Music of My Life – 1973

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned three in 1973, so let’s see what music had some influence on me ….

In January of 1973, The Four Tops released their second song on the ABC label. They had left Motown the year before and this song became their biggest post-Motown hit. Ain’t No Woman (Like The One I’ve Got) was originally recorded by Hamilton, Joe Frank, and Reynolds in 1972. It’s hard for me to hear anyone else but Levi Stubbs on the vocal. It reached #4 on the Billboard Hot 100.

Ain’t No Woman (Like The One I’ve Got)

In March of 1973, Elvis released one of my favorite live cuts – Steamroller Blues. I did a piece on the song for Tune Tuesday a few months back. You can read that here:

https://nostalgicitalian.com/2024/03/12/tune-tuesday-steamroller/

Elvis added the song to his concert set list and this recording was from his Aloha From Hawaii show. It reached #17 on the charts.

Steamroller Blues

In April of 1973, Gerry Rafferty and Joe Egan’s song about a music industry party was released by their band The Stealer’s Wheel. “Well, I don’t know why I came here tonight” is the opening line of Stuck in the Middle and it makes you want to hear the rest of the story.

It was a top ten hit for the group, reaching #6 on the charts. The band was surprised at the success of the song, especially since Gerry’s vocal was meant to sound like a funny Bob Dylan. Many people thought it actually was Bob Dylan singing!

Stuck in the Middle

Also released in April of 1973, the last Top 40 hit for a singing barber. This song actually seems out of place on my list, but I have a reason it’s here.

Don McLean wrote And I Love You So for his debut album in 1970. It was the B-side of his single Castles in the Air. Crooner Perry Como used it as the title song for his 1973 album. It would peak at #29 on the charts.

I include it here because when my old morning show partner and I would go out and sing karaoke, he used to sing this one. I had never heard it before then and I loved the lyrics and melody.

And I Love You So

Another great opening line for a song was from Paul Simon. “When I think back on all the crap I learned in high school….” Kodachrome was released in May of 1973. The song was originally written as “Going Home,” but he didn’t think it worked. Kodachrome sounded similar and he went with that.

It has been said that the song is a sort of admiration for all the things that brighten the world. After his lamenting about high school, his world becomes alive with memories.

Kodachrome

Also released in May of 1973, a song that is based on real events and has one of the greatest opening riffs of all time. Smoke on the Water is the story of how Deep Purple was getting to record in a mobile studio they rented from the Rolling Stones. The night before they were set to record, someone fired a flare gun during Frank Zappa’s song King Kong and set the casino venue on fire that destroyed it. Deep Purple watched the fire from their hotel room and the smoke from the fire across the water led to the song’s title.

The opening riff which was written by guitarist Richie Blackmore, was inspired by “an interpretation of inversion” of Beethoven’s Fifth Symphony. That intro remains something I love hearing, especially in headphones. The guitar riff by itself, then the hi-hat cymbal, snare drum kicks, bass guitar and finally the vocal. SO cool.

Smoke on the Water

The next song has an interesting story. It has it’s origins in a song that I almost picked for my list. From Songfacts.com: In February 1973, Stevenson released the song “Shambala” which was written by the composer Daniel Moore. Two weeks later, Three Dog Night released their version of the song, which became the much bigger hit, charting at US #3 while Stevenson’s version stalled at #66. Stevenson and Moore then got together and re-wrote “Shambala” as “My Maria,” changing the lyrics so the song became an ode to a beautiful woman. The ploy worked, and Stevenson had by far his biggest hit. (It went to #9 on the Billboard Hot 100.)

Brooks and Dunn enjoyed a number one country song with their cover of the song in 1996.

My Maria

Another song that was inspired by real events was from Jim Croce. In 1970, Jim Croce wrote Time in a Bottle the night that he found out his wife, Ingrid, was pregnant. Songfacts.com says: The couple had been married for five years, and Ingrid found out she was pregnant when she went to a fertility specialist. She recalls a mix of terror and delight in Jim’s reaction when she told him the news. The child was a boy named Adrian, who grew up to become the singer-songwriter A.J. Croce.

The song was released in November of 1973, and it hit #1 in America 14 weeks after Croce was killed in a plane crash in September.

For the record, I have never been to a whorehouse. The next song is a classic rock standard about the aforementioned establishment. The boys of ZZ Top based La Grange on John Lee Hooker’s Boogie Chillin’, and there is even a vocal tribute to Hooker as Billy Gibbons sings “Ho Ho Ho Ho!”

Again from Songfacts.com: The place in this song is the subject of the 1982 movie The Best Little Whorehouse In Texas, starring Dolly Parton and Burt Reynolds, which was adapted from a 1978 Broadway play. In a 1985 interview with Spin magazine, ZZ Top bass player Dusty Hill explained: “Did you ever see the movie, The Best Little Whorehouse in Texas? That’s what it’s about. I went there when I was 13. A lot of boys in Texas, when it’s time to be a guy, went there and had it done. Fathers took their sons there.

La Grange

We wrap 1973 with another great classic rock song. “I was cutting a rug down at a place called the Jug with a girl named Linda Lou…” the story begins and right from the get go trouble is brewing! Lynyrd Skynyrd released Gimme Three Steps in November of 1973.

From Songfacts.com: This song is based on a true story. As Skynyrd guitarist Gary Rossington tells it, lead singer Ronnie Van Zant, who was about 18 at the time, used a fake ID to get in a bar while his younger bandmates Rossington and Allen Collins waited for him in a truck. Van Zant danced with a girl named Linda, whose boyfriend, who was not too happy about it, came up to Ronnie and reached for something in his boot. Figuring he was going for a gun, Van Zant told him: “If you’re going to shoot me it’s going to be in the ass or the elbows… just gimme a few steps and I’ll be gone.” He ran to the truck, and he, Rossington, and Collins wrote this song that night.

This was one of the few songs Skynyrd released as a single. It was their first major-label release, and it didn’t chart, which simply amazes me. It is a song that has truly become a party classic. I think I got more requests for this one than Sweet Home Alabama at weddings. Maybe it wasn’t a hit, but I have certainly heard this a lot throughout my life, and I always sing along!

Gimme Three Steps

That wraps up 1973 for me. Did you have any favorites from that year? Next week, we move on to 1974. See you there!

The Music of My Life – 1972

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned two in 1972, so what songs were influencing my tiny ears? Let’s find out.

By March of 1972, Badfinger was enjoying the success of their fourth album, Straight Up. Baby Blue was their last top 20 single. It reached number 14 on the charts. Todd Rundgren produced the song. Younger folks remember this song from the 2013 series finale of Breaking Bad.

Baby Blue

In April of 1972, the Hollies had a hit that was a film noir story set to music. Long Cool Woman in a Black Dress features an FBI agent, a bar filled with criminals and a 5’9″ beauty. Songfacts.com says: This tale of a government agent and a femme fatale contains one of the classic indecipherable lyrics in rock history. The part after “she was a long cool woman in a black dress” is “just a 5′ 9″ beautiful tall.”

The song should have been a number one, but Alone Again Naturally by Gilbert O’Sullivan prevented it from grabbing the top spot.

Long Cool Woman in a Black Dress

One of the biggest films of the year was The Godfather. The Love Theme from The Godfather is instantly recognizable. The music was composed by Nino Rota and most folks are familiar with the instrumental version. A lyricist named Larry Kusik actually wrote words to the song and it was recorded by Andy Williams under the title Speak Softly Love.

While it only reached number 34 on the charts, personally, I found the arrangement of this simply beautiful. Andy’s vocal is great, but give it a listen and just focus on the instrumentation of the orchestra.

Speak Softly Love

Three days after my second birthday, The Looking Glass released Brandy (You’re a Fine Girl). The story of the barmaid who serves the many sailors was from the band’s debut album and the song went to number one. The song was so popular that the US Social Security Administration saw a large increase in baby girls with that name in 1973.

This was not typical of the band’s sound, which caused a problem at concerts. While audiences expected pop songs like this one, the Looking Glass played rock, which left the crowds disappointed. The band broke up less than two years later.

Brandy (You’re a Fine Girl)

Also in May of 1972, the world was introduced to a little band known as The Eagles. The story behind their debut single Take it Easy is a great one. Here is the short version from Songfacts.com:

Jackson Browne started writing “Take It Easy” for his first album, but he didn’t know how to finish it. At the time, he was living in an apartment in the Echo Park section of Los Angeles, and his upstairs neighbor was Glenn Frey, who needed songs for his new band – the Eagles.

Frey heard Browne working on the song (he says that he learned a lot about songwriting by listening to his downstairs neighbor work), and told Jackson he thought it was great. Browne said he was having trouble completing the track, and played what he had of it. When he got to the second verse, Frey came up with a key lyric: “It’s a girl, my lord, in a flatbed Ford, slowing down to take a look at me.”

Browne turned the song over to Frey, who finished writing it and recorded it with the Eagles, who used it as the first song on their first album, and also their first single. Frey says Browne did most of the work on the song and was very generous in sharing the writing credit. He described the unfinished version of the song as a “package without the ribbon.”

Take It Easy

1972 introduced us to another new artist – Jim Croce. “You Don’t Mess Around With Jim” was his first single. After several years struggling for success and battling music industry politics, the song got the promotion it deserved when a rep at ABC/Dunhill named Matty Singer visited radio stations in the Philadelphia area to promote the song. It got solid airplay and national attention, which was followed by lots of positive press for the album. You Don’t Mess Around With Jim wasn’t released until nine months after it had been recorded, so Croce and his musical partner Maury Muehleisen had perfected the songs in performance, earning rave reviews.

You Don’t Mess Around With Jim

Here’s a story for you – The King of Rock and Roll was actually prevented from hitting the number one spot in 1972 by the Granddaddy of Rock and Roll. Yep, Burning Love reached number two on the charts while Chuck Berry held the number one spot with “My Ding-A-Ling!” Urgh!

Burning Love was the final Top 10 hit in the American Hot 100 or pop charts for Elvis. The electric guitar opening and riffs were overdubbed and played by Dennis Linde, the writer of the song. He performed the song in the concert movie Elvis on Tour, and because the song was still new to him, you can see him holding a sheet of paper with the lyrics on it.

Burning Love

In October of 1972, Motown’s of Stevie Wonder released on of my all time favorite songs. When some music bloggers were doing a “Song Draft” I actually picked Superstition as one of my songs. You can read that blog here:

Song Draft 2021 – Round 10 – Final Pick – Superstition – Stevie Wonder

Superstition

In September of 1972, Johnny Rivers released a cover of Huey “Piano” Smith’s 1957 song, Rockin’ Pneumonia and the Boogie Woogie Flu. In the late 50’s the country was hit with the Asian Flu, also called the “walking pneumonia.” The title of the song is a play on this. Johnny’s version did much better than Huey’s version. Huey didn’t even get into the top 40 (it peaked at 52), while Johnny had a top ten (peaking at 6). Playing piano on Johnny’s version was none other than the Wrecking Crew’s Larry Knechtel.

Rockin’ Pneumonia and the Boogie Woogie Flu

My final song from 1972 is a funky jam. There is so much that I love about Use Me by Bill Withers. The song was released on his Still Bill album. It has such a neat syncopated percussion line that interplays with the rest of the instruments and Bill’s vocal. Again, there is a great story about the writing of the song. It seems a lot of women were telling him he was just “too nice” and he wanted to change that. Bill said in an interview:

That’s fun stuff. That’s just talkin’ trash. That’s just a song about being a little playful, a little arrogant and a little cool. Unless you were one of those people that were born popular, I was a chronic stutterer until I was twenty-eight. I avoided the phone. So I wasn’t this popular guy. I remember being young and I would have girls tell me, “You’re too nice.” I didn’t understand that.

What kind of twisted world are we in? Women like bad boys, I guess. There is no more confusing form of rejection than for somebody to tell you that you’re not interesting to them because you’re too nice.

So over the course of time, you say okay, you wanna play, okay, let’s play? Use Me taps into that. I tried to be nice, now let’s get nasty. That song came quick. I was working in McDonnell Douglas out in Long Beach and the noise of the factory, they had some women working there. I crossed that line there thinking, “You all want a nasty boy? Well here I come.” [laughs]

Use Me

I hope you enjoyed my picks. What 1972 tunes were your favorites?

Next week – 1973! See you then

The Music of My Life – 1971

Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise).

The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. Now, without any further ado, let’s head to 1971.

1971

In January of 1971, Tom Jones had his fifth (and final) Billboard Top 10 Hit with a Paul Anka song that Paul had released a year earlier – She’s a Lady.

Tom and Paul actually sang this as a duet on a 2013 Paul Anka album. Paul changed the lyrics a bit because he felt like it was a bit chauvinistic.

I only knew a few of Tom’s hits until my old radio pal, Rob, introduced me to more of them. I came to appreciate his music a lot after that.

She’s a Lady

Also released in January of 1971 was a cover version that gave new life to a song that remains a wedding reception classic.

Creedence Clearwater Revival never had a number one record, however, Proud Mary made it to number two. Ike and Tina Turner’s version took the song in an entirely new direction and it became one of Tina’s signature songs.

The song starts as a slow groove with Tina talking over Ike singing the lyrics. When the tempo picks up, there’s no stopping it! The horns kick in, the Ikettes join in, and Tina blows the roof of the place!

Proud Mary

I suppose it would be wrong not to include the number one song for the entire year of 1971 on this list, even if the members of the group how recorded it called it a “kid’s song” and a “silly song.” I can see that, especially when the lyric is about a frog named Jeremiah.

Legendary songwriter Hoyt Axton wrote “Joy to the World” and it was a monster hit for Three Dog Night. The song was released in February of 1971, and by April it had sold a million copies. Believe it or not, the first line of the song was supposed to be, “Jeremiah was a prophet,” but no one really cared for that. When Axton played it for the band, two of the three members (Danny Hutton and Cory Wells) didn’t like it. It was Chuck Negron who felt the band needed to do something like this “silly song.” Negron said in an interview that the song “wasn’t even close to our best record, but it might have been one of our most honest.” It is hard to believe that this song was almost never recorded!

Joy To The World

I’ve never claimed to be a huge fan of The Doors, but I do acknowledge that Jim Morrison was a one of a kind talent. His legacy lives on to this day. One of my favorite Doors songs was released in March of 1971. It was the first single from their LA Woman album – Love Her Madly.

The story goes that Doors guitarist Robby Krieger was messing around on a twelve string guitar and while doing so he came up with the music and melody for the song. He turned to real life for the lyrical story. He wrote the lyrics based on his troubles and fights with his then-girlfriend and later-wife Lynn.

The song peaked at number 11 on my first birthday – May 15, 1971.

Love Her Madly

As you listen to this next selection, imagine Elvis Presley singing it. Why? Well, it was supposedly written with him in mind to sing it. Take it a step further and imagine the Grass Roots doing it, because it was pitched to them, too, and they passed on it. Luckily, a new trio got a shot at it and Hamilton, Joe Frank and Reynolds had a top five hit with “Don’t Pull Your Love.”

The story of how they came to the song and their record deal is a cool one. “Joe Frank Carollo would recall how he and his fellow band members Dan Hamilton and Tommy Reynolds were performing a Creedence Clearwater Revival medley to audition for ABC-Dunhill when Steve Barri stopped the trio to play them the demo of “Don’t Pull Your Love” two or three times until the trio themselves could sing it for Barri, who resultantly arranged for Hamilton, Joe Frank & Reynolds to be signed to ABC-Dunhill that same day.”

The song was released in April of 1971.

Don’t Pull Your Love

I would bet that Carole King’s Tapestry album has influenced almost every female singer today. It is considered to be one of the best albums in music and it spent nearly six years on the album charts. Talk about a legendary songwriter, Carole has written over 100 songs that have appeared on the Billboard Hot 100 charts. For my next selection, I’m choosing half of a two-sided hit.

In April of 1971, Carole King released I Feel The Earth Move/It’s Too Late. I Feel The Earth Move is such a great song for so many reasons. Do a search for the song on Google and there are countless quotes about it. For example, Rolling Stone magazine praised King’s voice on this track, saying it “negotiates turns from “raunchy” to “bluesy” to “harsh” to “soothing”, with the last echoing the development of the song’s melody into its chorus.” Cash Box described the song as a “forceful ‘earthquake song'” and considered its pairing with “It’s Too Late” as a single to be “double dynamite.”

I love the song because of the way the piano and the vocal intermingle with each other. There is great syncopation in the way that she delivers the lyrics as well. Her version of the song peaked at number 1 on the Billboard Hot 100 chart in June of 1971. It remained there for five consecutive weeks.

I Feel The Earth Move

Willie Nelson once sang, “You just can’t play a sad song on the banjo.” The banjo is prominent in my next song which is a tribute to a Canadian city. The lyric even says, The banjo and me, we got a feel for singing.” So what do you do when your band doesn’t have a banjo player?

The Canadian rock band The Stampeders, released Sweet City Woman in May of 1971. According to songfacts.com: “Sweet City Woman is one of the most famous banjo-driven hits in rock history, but the band didn’t have a banjo player. Rich Dodson wrote that lick on guitar and played it on that instrument while they were working it out during live shows. When it came time to record the song, he decided a banjo might give it an interesting texture, so he borrowed one and played it in guitar tuning. It was a propitious choice: The banjo gave the song a back-porch feel that makes it lively and oh-so singable. The woman is a metaphor for the big city, Toronto in particular. The lyric was inspired by the city, where the group had been living for about five years. They’re from Calgary, which isn’t exactly the sticks, but Toronto is much bigger and more metropolitan.“

The song went to Number One in Canada and it was a Top Ten in the States.

Sweet City Woman

In July of 1971, Bill Wither’s released his first hit song – Ain’t No Sunshine. It appears on his debut album Just As I Am. I have written about this one in more detail in the past for Tune Tuesday. You can read about it here:

Tune Tuesday – Ain’t No Sunshine

Ain’t No Sunshine

A tragedy that involved the death of three early rock and rollers inspired the monster hit that was released in October of 1971. It seems that we always refer to plane crash that took the lives of Buddy Holly, Richie Valens and The Big Bopper on February 3, 1959 as “The Day the Music Died.” You can thank Don McLean for that.

American Pie was the title track of McLean’s 1971 album. The track on the album clocks in at 8:42. When it was released as a single, the song was split up with Part 1 on the A side (4:11) and Part 2 on the B-side (4:31). This month’s edition of Turntable Talk was about music and Max at the PowerPop blog chose this as his song. You can read about it more here:

May 17 – Turntable Talk 26 : The Single That Was More Like A Home Run

American Pie

My final song from 1971 is one that can mean many things to many people, both now and when it was released. This one is the second “sunny” song on my list – Sunshine by Jonathan Edwards.

Edwards has said that he has received many letters stating what people think the song means, or what it means to them personally. When asked by Songfacts.com what he had in mind when he wrote it, he states that the song “has left me with is the wisdom to not answer the question, because everyone’s interpretation is way more creative and interesting than my original impetus for the song. So you go with it.”

The song was almost not recorded. Fate stepped in, however, when an engineer accidentally erased the master of a track called “Please Find Me” near the end of sessions for the album, and “Sunshine” was recorded to take the place of the erased song.

The song was released in November of 1971 and was a Top 5 record for him. Regarding its success, Edwards stated, “It was just at the time of the Vietnam War and Nixon. It was looking bad out there. That song meant a lot to a lot of people during that time–especially me.”

Sunshine

Thanks for reading and listening! See you in 1972!

The Music of My Life – 1970

As I celebrate birthday 54, I am borrowing (ok, stealing) an idea from another blogger. I have altered the idea a bit, and may decide to change it up after a few posts …

I am calling the feature “The Music of My Life.” I plan on starting with the year I was born and picking 10 favorites from that year. I will move on through the years one by one. I doubt I will go too deep in the more modern years, so I’m not sure how long this will go on.

Right now, I am hoping to do this once a week. That’s a bit adventurous of me, but I am really hoping to be able to work ahead on these.

So what sources am I using to choose my songs? First, I am looking at the Billboard Year-End Top 100. This can be a problem as some of the songs from the list may have been released the year before. Next, I am looking a lists from various sources with all the songs released as singles for each year. Finally, my buddy Max (who may or may not be the blogger I stole this idea from), gave me a cool website to check out. It is acclaimedmusic.net

With that being said, let’s take a look at some of my favorites from the year I was born…

1970

I may as well start with the song that was number one on my birthday – American Woman by The Guess Who. It was released in January of 1970 and was the third biggest song of the year. A cool thing about this song – the whole thing was improvised on stage during a concert after Randy Bachman was tuning his guitar after breaking a string!

American Woman – The Guess Who

Next, a group that never had a number one song. That has always baffled me. CCR had a few hits in 1970. Travelin’ Band was released in January of 1970 and has a very 1950’s sort of sound to it. John Fogerty has been said to have channeled a bit of Little Richard in the vocal delivery of this song. Coincidentally, CCR was sued by the publishing company that had the rights to Little Richard’s “Good Golly Miss Molly,” because they sounded so much alike. The case was settled out of court.

Travelin’ Band – CCR

I always loved the sound of Dave Edmunds I Hear You Knocking. In 1970, he was getting ready to cut a version of Wilbert Harrison’s Let’s Work Together, when he heard that the group Canned Heat had just cut it. As he was driving in his car, a radio station played the Smiley Lewis’ 1955 version of I Hear You Knocking. He realized just how similar it was to Let’s Work Together and knew he wouldn’t have to change much and recorded it. He played all the instruments on the song (except maybe the bass guitar).

I Hear You Knockin’ – Dave Edmunds

Another group I have always liked is Badfinger. The song was recorded in May of 1970 and released in October. The band loved this song, but some of the folks at Apple records had no interest in releasing it. In August, the American director at Apple in New York heard the tape and liked it. The song was remixed and released as a single. It was a Top 10 single.

No Matter What – Badfinger

Released in January of 1970, Norman Greenbaum had a Top 5 Hit with Spirit in the Sky. Jesus is mentioned many times throughout the song, so I remember being surprised to read that Norman was Jewish! In a 2006 interview, he said that he was inspired to write the song after watching country singer Porter Wagoner singing a gospel song on TV. He said that he thought, “I can do that,” and wrote “my own gospel song.”

As far as the unique sound of the opening guitar lick? Normal used a Fender Telecaster with a fuzz-tone circuit built into the body to generate the song’s characteristic guitar sound. Because of the song’s length and religious tone of the lyrics, the record company was initially reluctant to issue the song. They came to their senses and finally released as a single after two other singles from the album had poor sales. The rest … is history.

Spirit in the Sky – Norman Greenbaum

Edwin Starr is one of my favorite Motown singers. In 1970, he released a song co-written by another Motown artist, Barrett Strong. The song is basically a protest song as the Vietnam War was still going on. The song was recorded originally with the Temptations singing it, however, the label decided to withhold the Temptations’ version from single release so as not to alienate that group’s more conservative fans, and had Edwin Starr record and release it.

War – Edwin Starr

By the time I was born, the Beatles were getting ready to call it quits. However, in March of 1970, they released Let It Be. At the time, the song became the highest debut ever on the Billboard Hot 100 chart. It entered the chart at number 6 and went straight to the top. This was the final single released before Paul announced he was leaving the band.

Let It Be – The Beatles

One of the great song intros in classic rock belongs to All Right Now by Free. The song was recorded in January of 1970 and released on my birthday in the UK (May 15). Drummer Simon Kirke said: “‘All Right Now’ was created after a bad gig in Durham. We finished our show and walked off the stage to the sound of our own footsteps. The applause had died before I had even left the drum riser. It was obvious that we needed a rocker to close our shows. All of a sudden the inspiration struck (Bass Player Andy) Fraser and he started bopping around singing ‘All Right Now’. He sat down and wrote it right there in the dressing room. It couldn’t have taken more than ten minutes.” It’s a great jam!

All Right Now – Free

This song fits exactly what many blogger friends and I do often – Turn Back the Hands of Time through music, movies, and nostalgia. One of R&B’s greatest was released in February of 1970 by Tyrone Davis. The song was Davis’ second big hit. It went to number one on the Billboard R&B Chart and went to number three on the Pop Singles Chart.

I’ve always loved the way the intro starts with drum and bass, then adds guitar and keyboard (xylophone?) and finally the strings before Tyrone’s smooth vocal. And who doesn’t sing along with the background singers when they come in? I know I do.

Turn Back the Hands of Time – Tyrone Davis

Finally, we grab a cut from Van Morrison’s 1970 album, Moondance. Into the Mystic is just such a cool song. I guess this would fall into the category of “Yacht Rock” today. It has a spiritual feel to it. One article compared it to Yesterday by the Beatles describing it as “another song where the music and the words seem to have been born together, at the same time, to make one perfectly formed, complete artistic element.”

Van said the use of homophones really lent the song to have alternate meanings. He states: “Originally I wrote it as ‘Into the Misty’. But later I thought that it had something of an ethereal feeling to it so I called it ‘Into the Mystic’. That song is kind of funny because when it came time to send the lyrics in WB Music, I couldn’t figure out what to send them. Because really the song has two sets of lyrics. For example, there’s ‘I was born before the wind’ and ‘I was borne before the wind’, and also ‘Also younger than the sun, Ere the bonny boat was one’ and ‘All so younger than the son, Ere the bonny boat was won’ … I guess the song is just about being part of the universe.”

Into the Mystic – Van Morrison

I hope you enjoyed giving these songs a listen. Picking just 10 was harder than I thought. What about your favorites from 1970??

Up next – 1971….