Tune Tuesday – Jerome Kern

Born on this day 141 years ago, one of the great contributors to the Great American Songbook – Jerome Kern. He was born January 27, 1885.

Jerome Kern was one of the most important American theatre composers of the early 20th century. He wrote more than 700 songs that were used in over 100 stage works.

Wikipedia states:

A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejected, earlier musical theatre tradition. He and his collaborators also employed his melodies to further the action or develop characterization to a greater extent than in the other musicals of his day, creating the model for later musicals. Although dozens of Kern’s musicals and musical films were hits, only Show Boat is now regularly revived. Songs from his other shows, however, are still frequently performed and adapted. Many of Kern’s songs have been adapted by jazz musicians to become standard tunes.

Among the songs he wrote were: Look For the Silver Lining, Ol’ Man River, The Last Time I Saw Paris, I Won’t Dance, and All The Things You Are. To celebrate his birthday, I’d like to present some of my favorite Jerome Kern compositions and my favorite versions of them.

First, written for the 1933 musical comedy “Roberta,” here are The Platters with Smoke Gets In Your Eyes:

From the 1936 film Swing Time, here is Frank Sinatra with The Way You Look Tonight:

Again from the 1933 musical comedy Roberta, here are Jane Monheit and Michael Buble’ with I Won’t Dance:

You cannot go wrong with Ella Fitzgerald. Here is Can’t Help Lovin’ Dat Man:

Happy Birthday, Mr. Kern! Thanks for the music!

Movie Music Monday – The Girl Can’t Help It.

It was on this day in 1956 that “The Girl Can’t Help It” starring Jayne Mansfield, Tom Ewell and Edmund O’Brien opened in theaters.

The movie was originally conceived as a way to build Mansfield’s celebrity, but it took on a life of its own and became a rallying point for young people, helping propel rock and roll into its unofficial “first Golden Age.” The unintended result has been called the “most potent” celebration of rock music ever captured on film. No doubt the cameos by Fats Domino, The Platters, Gene Vincent, Eddie Cochran, Julie London and Ray Anthony helped with that.

The film was based on “Do Re Mi”, a short story by Garson Kanin. After seeing the adapted screenplay, Kanin did not approve of the new take on his story and requested his name be removed from the credits. Subsequently, director Frank Tashlin came up with the new title, The Girl Can’t Help It.

FUN FACT: The film the heavily inspired young, pre-Beatle John Lennon to be a rocker. The impact was so significant that, 12 years later, the Beatles took a break from recording “Birthday” to watch the film premiere on British television (Lennon had seen it in theaters).

The Girl Can’t Help It is the title song to the film, and was written by Bobby Troup. Little Richard recorded it and it was released in 1956. Fats Domino was originally supposed to record the song for the film, but the sessions fell through. The song has been covered by The Everly Brothers, The Animals, Led Zeppelin, and many others.

In the US, the song peaked at No. 49 on the Billboard Top 100 singles chart and No. 7 on the R&B Best Sellers Chart.

Songfacts.com sums up the song in this way:

“The Girl Can’t Help It” is about a young woman so attractive that she unwittingly captures the attention of every guy she passes. In addition to her siren-like sex appeal, there’s a distinctly incendiary element to her superpowers. She turns bread to toast with a wink of an eye and makes “beefsteak become well done” with a smile. She can’t be held responsible for the potentially dangerous effects of her fiery presence. The poor girl just can’t help it.

Accompanied by scenes from the film: