I know that this may step on the toes of Dave over at A Sound Day as his feature Turntable Talk this month will feature write ups about “Spooky Hits.” What follows is a piece I wrote about DJing Halloween Parties and the “must have” songs.
It shouldn’t ruin Dave’s feature much, as all I am doing is listing songs. So be sure to be on the lookout for Dave’s Spooky edition of Turntable Talk starting today.
(This post was originally from October of 2022.)
I have DJ’d countless Halloween parties. This year I had to turn down one of my favorite ones. For the past few years a local daycare throws a big party and kids and their parents dress up in costumes and it is always a blast. Due to my current work schedule, I was just not able to be there this year.
I always had to have a variety of “haunted” hits to play at these parties. In case you are looking for musical ideas for your Halloween party, here is a starter list.
As much as I hate this record, you have to play Bobby “Boris” Pickett
You’ve also gotta play Michael Jackson’s Thriller. (Love Vincent Price’s narration in this!)
A personal favorite is from the Classics IV – Spooky
I always loved Jumpin’ Gene Simmons version of Haunted House
A favorite of the kids – This Is Halloween from The Nightmare Before Christmas
Speaking of nightmares, DJ Jazzy Jeff and The Fresh Prince offer up Nightmare on My Street
A great one from The Eagles – Witchy Woman
Kid Rock sampled this one for All Summer Long – Werewolves of London from Warren Zevon
You gotta play Clap for the Wolfman from the Guess Who
How about the silly song called The Blob by The Five Blobs?
The Hocus Pocus movie brought this one back, but the original is the best version – I Put a Spell On You by Screaming Jay Hawkins
How about some Rockwell? Somebody’s Watching Me
Be careful who you run around with …. Van Halen – Runnin’ With the Devil
Another favorite of mine – Santana – Black Magic Woman
It’s a very rare occurrence to have a full moon on Halloween, but this song works all year round. Bad Moon Rising – CCR
The moon causes the Shadows in the Night – Pat Benatar
Beware of the walking dead …. Zombie by the Cranberries
Another overplayed Halloween Song – The Purple People Eater – Sheb Wooley
I suppose you have to play Ray Parker Jr. – Ghostbusters
Going back to the 50’s for a couple crazy songs …
The Mummy from Bob McFadden and Dor
From Chipmunk creator David Seville – The Witch Doctor
Grab a bite with a vampire – Dinner With Drac from John Zacherle
Three Devilish songs now –
Devil with the Blue Dress – Mitch Ryder and the Detroit Wheels
Sympathy for the Devil – The Rolling Stones
A classic from The Charlie Daniels Band – The Devil Went Down to Georgia
Alice Cooper did this one in Wayne’s World – Feed My Frankenstein
Speaking of Frankenstein – how about the Edgar Winter classic instrumental..
Need some cowbell?? Don’t Fear The Reaper – Blue Oyster Cult
A song I have blogged about in the past – Superstition – Stevie Wonder
Demons – Imagine Dragons
Trick or Treat … I Want Candy – Bow Wow Wow
Another 80’s flashback … Dead Man’s Party – Oingo Boingo
Lots of requests for Enter Sandman – Metallica
All good lists need a cut from Frank Sinatra – Witchcraft
I’ve never really understood how this is a Halloween song, but everyone wants to do the Time Warp from the Rocky Horror Picture Show
From another film (Rain Man) The Delta Rhythm Boys -sing about Dem Bones
Now, some kid favorites which had me searching YouTube a lot ….
Spooky Scary Skeletons
I sang this in music class when I was in elementary school and kids are still singing it today – Witches Brew
Then you can fill in with various Theme songs from films and TV …
Scooby Doo
Tales From The Crypt
The Twilight Zone
The Munsters
The Addams Family
The X-Files
Whew!!
Watch for my Turntable Talk pick in the days ahead on Dave’s sight (and eventually here). It is a song that I don’t mention in this blog!
Preston was a keyboardist, singer, and songwriter whose work encompassed many genres of music. He was R&B, rock, soul, funk, and even gospel.
Preston started off at the age of 10 playing keyboards for gospel legend Mahalia Jackson. Later he joined Ray Charles’ touring band before recording with The Beatles on several of their tracks including “Get Back” and “Let It Be” (The Beatles considered him to be the fifth Beatle). He also played on a number of Sly & The Family Stone recordings and went on to have a successful solo career with five Top 10 US hits.
He was a top session keyboardist in the 1960s, backing artists like Little Richard, Sam Cooke, the Everly Brothers, the Rolling Stones! He also made a name for himself as a solo artist. Today let’s look at two of his hits.
Will It Go Round in Circles
This funky soul number was Billy Preston’s first #1 solo single. The virtuoso keyboardist, who was credited on the Beatles’ “Get Back” and joined them for their iconic 1966 rooftop concert, was briefly signed to the Fab Four’s Apple Records but found success with a switch to A&M Records. Music Is My Life was Preston’s second album on the LA-based label; his first, I Wrote A Simple Song, yielded the Grammy Award-winning instrumental “Outa-Space, which narrowly missed the #1 slot.
This was born out of a joke Preston made to his songwriting partner, Bruce Fisher, about having a song but no melody. The comment inspired the opening refrain, “I got a song that ain’t got no melody, I’m gonna sing it to my friends,” and set up similar proclamations, such as having a story with no moral and having a dance with no steps.
Nothing From Nothing
Billy Preston started writing this one night in the dressing room of an Atlanta nightclub where he was performing. He wanted to write a song based on the saying, “Nothing from nothing leaves nothing,” a variation on Bob Dylan line: “When you’ve got nothing, you’ve got nothing to lose.”
“The saloon piano gave it character,” Preston explained, “and I had a feeling it would be a hit because it was a singalong kind of thing.”
Bruce Fisher, who was Preston’s songwriting partner (he co-wrote “Will It Go Round In Circles”), added a second verse.
Fun Fact: The B-side of the single was another song Preston wrote with Fisher: “You Are So Beautiful,” which was later a hit for Joe Cocker.
Bonus Fun Fact: “Nothing From Nothing” was the first song performed on Saturday Night Live. Preston and Janis Ian were the musical guests on the October 11, 1975 debut of the show.
The later years of his life were plagued by substance abuse, health issues and legal issues. In 1997 he was sent to prison on drug charges. He suffered from kidney disease and hypertension. In 2005, he voluntarily entered a drug rehab center where pericarditis led to respiratory failure. He was in a coma from November of 2004 until he died in June of 2006 at age 59.
Today’s tune comes from the Between The Button’s album from the Rolling Stones.
It was on this day in 1967 that the Stones took Ruby Tuesday to #1. It was their fourth chart topper in the US.
Songfacts.com says that Keith Richards said of “Ruby Tuesday”:
“That’s one of those things – some chick you’ve broken up with. And all you’ve got left is the piano and the guitar and a pair of panties. And it’s goodbye you know. And so it just comes out of that. And after that you just build on it. It’s one of those songs that are easiest to write because you’re really right there and you really sort of mean it. And for a songwriter, hey break his heart and he’ll come up with a good song.”
Mick Jagger told Rolling Stone in 1995:
“‘Ruby Tuesday’ is good. I think that’s a wonderful song. It’s just a nice melody, really. And a lovely lyric. Neither of which I wrote, but I always enjoy singing it.”
This was supposed to be the B-side of “Let’s Spend The Night Together” but many radio stations shied away from that one due to the sexual implications, so they played “Ruby Tuesday” instead, helping make it a hit. It’s funny how pale in comparison the sexual implications of this song is compared to what actually gets played on the radio today!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
This week, we look at 2011. I turned 41 that year. I was still working on the radio and I was still DJing a lot. I was surprised as I looked ahead to see that there was still some good tunes to choose from. The closer we get to 2025, I am not so sure.
When the song Safe and Sound was written, the band wasn’t even known as Capital Cities yet. “It started as a little idea we came up with – it wasn’t a fully fleshed-out song, per se,” Ryan Merchant told Billboard magazine. “We noticed that, when we showed it to people, there was this unanimous feeling that there was something special about this music, and we started to develop it. It took 10 different versions before we finally came to what you hear on the radio now, where we decided to add a trumpet for the main bridge part, which I think was one of our best decisions on the song. And we brought out this vintage keyboard that provides the foundation for the song. So the song really took a long time to get right, because we knew it was such an important song for us.”
What exactly does the song mean? Merchant says, “It seems like every generation feels like it’s living in the worst of times, and of course there are horrible things happening, but the average person is better off now than he or she was 50 years ago. In some ways ‘Safe and Sound’ is an antidote to the human tendency to think in apocalyptic terms and not really look at the logic of the world around us. Things are getting better and there’s a lot to be positive about.”
For me, I can still remember the first time I played it. I remember thinking how good it sounded in my headphones.
Safe and Sound
Someone Like You from Adele is about getting over an ex, hoping to find another who can bring back those feelings that made it so special. Not everyone can do that. As a matter of fact, I couldn’t do that! However, I was able to find someone who brought feelings that I had never experienced and a love that means more to me than anything.
It was a feeling that inspired Adele to write the song, “I was trying to remember how it was I felt at the beginning of a relationship,” she said. “Because as bad as a break up can be, as bitter and horrible and messy as it can be, that feeling when you first fall for someone is the best feeling on earth, and I am addicted to that feeling.”
This album runs the gamut of emotions. It is no wonder that so many of the songs were hits and won awards. Adele said, “The experience of writing this record was quite exhausting, because I would go from being a bitch to being completely on my knees.”
Someone Like You
Next a song I just like. Tonight Tonight starts with the line, “It’s been a really really rough week…” Who can’t relate to that? However, as the song gets going, it’s more of a feel good sound. I loved watching the high school kids dance and jump around when this one played.
The band was formed in Nashville and took their name from their first “dedicated fan.” Her name? Chelle Rae.
Tonight Tonight
I was programming a Classic Rock station when the next song came out. It got me in trouble. Maybe I am wrong, but I felt that if a classic rock band released a song that I felt “fit” the format, the listeners would want to hear it. So when the Cars released Sad Song, I added it.
The song played a few times before a VP of Programming called to ask why I was playing it. I told him, “It sounds like a classic Cars song, why wouldn’t I play it?” I was told to stop playing it and that is where the matter ended. It is also why most terrestrial radio sucks today.
Take a listen and tell me that this doesn’t fit a classic rock station …
Sad Song
Another great dance song that sounded good on the radio and worked well at dances was Moves Like Jagger. Now anyone familiar with the Rolling Stones can conjure up a visual of some sort of Mick Jagger dance. Mick was a master mover and his moves were something else. He was just fun to watch.
Adam Levine told MTV News why he likes to move like the veteran Stones’ frontman: “I’ve been a student at the Jagger School of Interesting Movement for 17 years. I’m graduating next fall, with honors,” he said. “[His moves are] a very carefully calculated, but slightly spastic, incredible rhythmic experience, in which all of your limbs and every bone in your body is moving at completely different times, and it’s impossible to re-create. Nobody has moves like Jagger, that’s kind of the point. That’s why the song is so fun, it’s fun to try.”
Fun Trivia: When this song climbed to #1 on the Hot 100, Mick Jagger became the first artist to have both topped the Hot 100 (as lead singer of the Rolling Stones) and be name-checked in the title of a #1 by another act.
Moves Like Jagger
The next song was one that I played at the Adult Contemporary station. It has such a unique sound to it that it really stuck out to me. I remember getting a call from the program director after the first time I played Somebody That I Used To Know because I had destroyed the artist’s name.
It is not “Got-Yee.” It is much classier – “Go-tee-ya”
The song was a number one in the states, in the UK, and other places world wide. American Songwriter magazine asked Gotye why he thought the song has proved so successful? He replied:
“I think it’s the kind of slow build and drama that it has, the two-part story, and the multiple perspective aspect that has struck people. It’s written openly enough that it expresses that confusion you can have after a broken relationship, and the way you can feel emotionally quite up and down.
You can feel nostalgic and rosily melancholy, in a way. But sometimes we often feel quite bitter about things, when you have nothing to do with that relationship or maybe with that person anymore, at least not actively. It can be quite a confusing feeling. So maybe the way the song expresses those feelings appears to strike people as quite true, and quite relevant with their experiences.”
Somebody That I Used To Know
Call Me Maybe by Carly Rae Jepsen was all over the radio in 2001. The song was huge. Other singers loved it, too. Justin Bieber tweeted: “‘Call Me Maybe’ by Carly Rae Jepsen is possibly the catchiest song I’ve ever heard lol,” and his then-girlfriend Selena Gomez added, “This smile is because of Carly Rae Jepsen. We have not stopped listening to your song girl!”
The singer explained that when she and her guitarist Tavish Crowe are on the road together, during downtown she’ll sing out ideas whilst he plays off some chords on an acoustic guitar. “Actually, the chorus lyrics came out really easily,” she added, “the entire thing: [singing] ‘Hey I just met you, and this is crazy.’ We thought it was a nice little pre-chorus or something. We brought the idea to Josh and he was like, ‘That’s your chorus right there, keep that, that’s it.’ After a little while of production and just working together we had the song done. It was really easy to write.”
Carly was asked by NPR whether guys ever use this song’s lyrics as a pickup line. The Canadian songstress replied: “It’s happened a few times, yes. And they usually think that they’re the first person to do it. Some guys start with, ‘Hey, I just met you and this is crazy…’ It’s not very original.”
I have used some bad pick up lines in my day, but never this one.
Call Me Maybe
One Direction didn’t want to be known as another boy band. Songwriter Carl Falk wrote What Makes You Beautiful for them. I love his story.
“It was the first song we did for One Direction. It was hard at first for us to be convinced that a boy band like One Direction would work. How do you do this without sounding outdated or copying someone else? What we thought and what was clear about ‘What Makes You Beautiful’ was we had a vision of going back to the ’90s, and bringing a little bit of that sound from 1999 — like the sound choices and instruments — and just do an updated version of that.
If you look at the One Direction fans who are between 10 and 14 years old,” he added, “they haven’t grown up listening to music that I did when I was growing up, like’I Want It That Way’ [from the Backstreet Boys] or ‘Bye Bye Bye’ [from N Sync]. So we started to experiment with sounds and riff and everything. It didn’t take long.
The title was done already. We all loved it. It’s kind of cool to say, “You don’t know you’re beautiful. That’s what makes you beautiful.” That takes it from being a beautiful title to a really smart concept. So everything just clicked.
I tell my wife she is beautiful all the time, but she always tells me I need my eyes checked. I wish she could see the beauty that I see.
What Makes You Beautiful
I have never seen the Twilight movies and I have never read the books. However, they inspired a beautiful song from Christina Perri. A Thousand Years was that song.
SHewrote the song based on the emotions that she felt reading about the star-crossed love affair between Edward and Bella throughout Stephenie Meyer’s series. “When we went to watch the screening, they told us to see where there was temporary music added and just jump into those scenes a little harder,” she explained to MTV News. “But I’m fortunately a fan of the movie and the characters, and I feel like, by reading these books, I can step into that feeling that Edward and Bella have for each other. So [songwriter] David Hodges and I sat down, and it just came out in one afternoon. I feel like it was all meant to happen; I feel like it was all waiting inside me, waiting to come out.”
Knowing now that Twilight’s vampires inspired the song, all of a sudden one of the lines makes sense: “I have loved you for a thousand years, I’ll love you for a thousand more.” Because, you know, vampires are supposed to be immortal and all.
A Thousand Years
Another song that popped out of the radio at me in 2011 was Adele’s Rumour Has It. At first, it bugged me because I felt like that was all she sang. But as I went back and listened, I could tell that she wrote this from personal experience.
Songfacts says, The song sounds like it could be about the famous folks who show up in the tabloids, but it’s not. Adele says the inspiration was a lot closer to home.
After being away from home for about 18 months, she returned to the UK and reconnected with her old friends, meeting up for lunch and going out at night. She was shocked when her friends asked her about rumors that they had heard about Adele. “My own friends were gossiping about me and believing stuff that they’d hear,” she said. “I was mortified, really. I had to set the record straight with my own girlfriends who know and love me.”
She wrote the song with OneRepublic’s Ryan Tedder. He told the US breakfast show Today that this song was inspired by Adele’s frustration at false speculation about her love life. He recalled how an angry Adele stormed into one of their recording sessions exclaiming: “People in London, my friends are saying, ‘Rumour has it that Adele has gone off and done this with this guy and she’s done this with another guy,’ and I didn’t do any of it, it’s a rumour!'”
Tedder responded: “There it is. We’re gonna write a song called Rumour Has It.”
Rumour Has It
With that, we wrap up 2011. Did I miss any of your favorites? Tell me about it in the comments.
Next week, we move on to 2012. My list includes one of the dumbest dances ever to hit the dance floor, a motivational song about getting through rough times, a non-sleepy song, and a song that we often shouted at work during some rough times. I hope to see you then.
I thought about ways to tie this post into Movie Music Monday, but I really couldn’t find a way to do it. That being said, the feature will return next week. I decided to revisit one of the first topics I blogged about, as there are many new followers since 2018.
As a kid, we lived for Saturday mornings! We never slept in because we knew that all morning long we had our choice of back to back cartoons! There was Scooby-Doo, Bugs Bunny, Daffy Duck, Hong Kong Phooey, Blue Falcon & Dynomutt, The Laff-O-Lympics, The Flilntstones, The Pink Panther and many more! It was great! We’d sit and watch these shows all morning long with a big ole bowl of cereal and laugh away!
Saturday mornings, while full of explosions, anvils, and slapstick silliness, was also educational at times. I know this for a fact because one of the things that helped me in school was School House Rock. These little three minute musical features helped me learn multiplication, history, and English. I cannot tell you how many times I found myself singing those songs in school!
Schoolhouse Rock made its debut on this day in 1973. It remained a Saturday morning staple through 1985. The story of how it came about is much like that of today’s Internet sensation Miss Rachel. A caring parent wanted to help their child.
The series was the idea of David McCall, an advertising executive of McCaffrey and McCall, who noticed his young son was struggling with learning multiplication tables. He noted that his son had no issues remembering lyrics to Rolling Stones songs and thought music might help. He hired musician Bob Dorough to write a song that would teach multiplication. The song would became “Three Is a Magic Number.”
Tom Yohe, an illustrator at McCaffrey and McCall, heard the song and created visuals to accompany it. That led to Radford Stone, producer and writer at the ABC network. He suggested they pitch it as a television series, which caught the attention of Michael Eisner, then the senior vice president in charge of programming and development at ABC, and cartoon director Chuck Jones.
The first season was Multiplication Rock. Learning the times table is one of those things that ALL kids absolutely hate! God, I hated those 60 second tests where you had to write the answers to as many problems as you could. The stress of that was awful for an elementary student. School House Rock helped!
“Three is a Magic Number” was the first to air. If it truly is a magic number, what better way to illustrate it than with a magician?
Counting by twos was illustrated by Noah and the ark. The biblical account talks of Noah bringing all the animals on the ark in pairs. So throughout this number, Noah answers his son’s question of how many animals were on the ark by counting the animals two by two as the exit the boat.
What child didn’t do a bit of daydreaming in school? To remember how to multiply 8, all we had to do is think about the little school girl who daydreamed she was a figure skater. She skates her figure 8 and the song told us how.
The most memorable one for me was counting by fives. I remember when I had to help my son learn his times tables, I sang the “ready or not, here I come” song which helped you count by 5. This little song centered around a game of hide and seek, and they had to count to 100 by fives while the rest of the kids hid. To this day, when I have to count by fives – I think of this song!
The next season was called Grammar Rock. It focused on the parts of speech. Before they taught me about nouns and verbs in school, I was ahead of the game because i’d already heard of them on Schoolhouse Rock.
English was one of my best subjects. I remember being in 5th or 6th grade and going to something called the Academic Olympics. Schools within the district had these little game show like contests with teams for Math, Science, English, and History. I was chosen to be on the English team. I certainly never had an issue with the parts of speech because of Schoolhouse Rock.
Yep! Thanks to SHR, the little girl and her dog – we knew a noun was “a person, place or thing”!
What’s happening? Verb! That’s what’s happening! The coolest “action” hero? Well, I don’t know about that, but a verb shows action….and I always remember him!
Why do I remember this? Because the music was cool. The character was cool. We didn’t even know they were trying to teach us something!!! We were learning and it was cool!
And what about describing a noun? Well all you had to do was unpack some adjectives…but watch out for the scary, hairy bear!
Adjectives and adverbs were so hard for some kids to get. I could not ever understand why. I got it pretty quickly … because of a little girl and her trip. You see, her friends ask her to describe her camping trip. She said that all she had to do was unpack some adjectives.
Schoolhouse Rock’s song about adverbs was memorable because it was just a fun little song that takes place in (where else?) an adverb store! Need an adverb – shop at Lolly’s! The brilliance of this song is it is like a commercial for the store…and they really sell it! If I really needed to go buy and adverb – I would shop at Lolly’s!! After all … they are family owned!
I still remember learning about interjections for the first time. I also learned about the punctuation that followed it. This song was full of characters – the kid with the flu who needed a shot, the gal getting asked out on a date, the fans at the football game, and others who were all full of interjections!
While all of these are memorable, probably the most memorable Grammar Rock song is about three small words and a small little train conductor. The bluesy swing song with the repetitive refrain and the amazing vocal talents of Jack Sheldon makes Conjunction Junction one of the all time BEST sing a longs. Jack is one of the most memorable voices from the series.
Ask any child of the 70’s to give you a conjunction and they will spout off “and”, “but”, and “or” immediately! That’s a sure bet!!
As America headed into the Bicentennial celebration in 1976, the series created a season called America Rock. This focused on aspects of the American government and important moments in American history. Some of the biggest events in US history were brought to life in 3 minutes of musical perfection!
Interest in American History is still abounding today. A few years ago, there was an AMC series called Turn! which was about the Revolutionary War and George Washington’s spies. Then there was an HBO series on John Adams and the role he played in the Independence of America. Let’s start around there …
No More Kings was a silly little song about the colonists coming to America and being taxed for everything. This leads to the Boston Tea Party and America wanting no part of King George (who can see what’s happening through his telescope).
What followed was the Revolutionary War. Which got it’s own song called The Shot Heard Round the World, which of course is then followed by the Declaration of Independence, which got it’s own little song … and Fireworks.
Thanks to Schoolhouse Rock, today I can still recite:
“We hold these truths to be self-evident, That all men are created equal And that they are endowed by their creator With certain inalienable rights. That among these are life, liberty, and the pursuit of happiness.”
Then, of course, after we declared our independence, we had to have a Constitution. Memorizing the Preamble of the Constitution was no problem for me in school … I had it set to music!
There have been many Amendments to the Constitution, and the 19th was a biggie! It allowed women to vote! It is hard to imagine that they didn’t have that right until 1920!! The right was referred to as Women’s Suffrage. School House Rock Tackled this historic occasion with the song “Sufferin’ Until Suffrage”.
Women were American’s too. They wanted the right to vote. The video for this song is part cartoon and part black and white pictures of women throughout history. It’s a rocking number that gets the point across and you can here the “victory” in her voice in this “gospel”-ish song.
Oh, we were suffering until suffrage, Not a woman here could vote, no matter what age, Then the 19th Amendment struck down that restrictive rule.
As I stated earlier, people are still interested in history. A couple years ago, there was a movie about the battle over AC/DC current between Thomas Edison and George Westinghouse as electricity was gaining use throughout the country. I am currently reading a book about that battle. This point ties in with the next song.
Throughout history, we’ve seen many inventions that have made our world a better place. “Mother Necessity” was the character who is in this song and the “mother” of the inventors of these wonderful things. We hear of the Wright Brothers and their airplane, Thomas Edison and the light bulb, Eli Whitney and the cotton gin, Samuel Morse and the telegraph, Alexander Graham Bell and the telephone and a few others.
“Mother Necessity where would we be indeed!”
Finally, the School House Rock showed me how the legislation process happens…with our friend, Bill. Bill is just that – a bill.
How does a bill become a law? I learned how with this song. Performed again by Jack Sheldon (Conjunction Junction) perfectly, you learn about the whole process and lengths a bill goes through to be a law. Naturally, we all feel great when he finally becomes a law at the end!
In 1985, Schoolhouse Rock left the air. It was a few years later that some new songs and new seasons came out. In 1993, two new songs were made for Grammar Rock. One was about prepositions.
Then, in 1995 an entire new series called Money Rock aired until 1996. In 2003, the creators began work on two more songs to include in the 30th anniversary collection. They were about the Electoral College and How the President is elected. Finally, in 2009, a direct to DVD collection called Schoolhouse Rock: Earth was released in response to climate change.
I hope you have enjoyed this look back at one of my fondest childhood memories. Thank you School House Rock for helping me and many other children learn so much about so many things! Now, to end with an interjection….
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
I have found it interesting to do this feature every week. First, I am reminded about the things that were going on in my life at the time. Second, I find it funny how an old song can apply to my future life events. This feature has been like therapy for me. I don’t always write down everything that these songs bring to mind, but I am made aware of them. I appreciate you letting me indulge myself by sharing these songs.
I would turn 27 in 1997. I had gone through a break up that hurt me bad. I was spending a lot of time at the karaoke bars and drinking much more than I should. I felt lost and alone. Alcohol numbed a lot of the pain. It was a very dark time.
When I wasn’t singing karaoke, I was hosting it or DJing a wedding or party. I enjoyed doing that because it was almost like being in radio again. There was interaction with people and that was something that I desperately needed.
1997 was a decent year for music. Many of the songs on my list were first heard while I was driving for EDS. I would play many of these songs while DJing. Some of them bring back memories of bad times, but most of them have a good memory attached to them.
I will stop rambling now and jump right into 1997 –
I like the next song because it was so different from what people were used to hearing from them. Green Day was known for some pretty heavy sounding songs that were “in your face.” So an acoustic song from them comes from out of left field. Believe it or not, the song could have been on their first album, but wasn’t.
Songfacts.com explains: “Billie Joe Armstrong wrote this song in 1993 and submitted it for the band’s first major-label album, Dookie, which was released in 1994. Both the band and their label felt it was a great song but didn’t fit on the album, which was loaded with punk blasters. The song was held back and didn’t make their next album, Insomniac (1995) either. It was finally included on the Nimrod album in 1997.
In 2010, Armstrong told Spin Magazine, “That was really the first time we attempted a ballad. The first time we ever played that song was during an encore in New Jersey – I had to pound a beer backstage to get up the courage. I knew we were gonna take a tomato to the face.” A very poignant song, this is quite popular at graduations and weddings despite the kiss-off title “Good Riddance.” Billie Joe Armstrong wrote it about a very specific event in his life, but he’s thrilled when others relate it to their own experience.
This song was played over a montage of clips in a “look back” Seinfeld special. The special aired before the finale of the show. I would have never expected that this song would work for something like that. But it certainly did.
This song is very poignant and gives me chills when I hear it. The blending of the guitar, the strings, and his voice is just beautiful to me.
Good Riddance
In Good Riddance, Green Day sings about the “photographs and still frames in your mind.” Believe it or not, that kind of fits how the next song was described by one of the members.
You either like or dislike Hanson. That like or dislike probably comes from the song MMMbop. Why? It is one of those songs that sticks in your head forever after you hear it. It is very catchy and the lyrics make you think. But just what in the world is this song all about?
Drummer Zac Hanson says, “What that song talks about is, you’ve got to hold on to the things that really matter. MMMBop represents a frame of time or the futility of life. Things are going to be gone, whether it’s your age and your youth, or maybe the money you have, and all that’s going to be left are the people you’ve nurtured and have really built to be your backbone and your support system.”
Zac tells the story of how the song happened, “That song started out as the background part for another song,” he said. “We were making our first independent album and we were trying to come up with a background part. We started singing a slightly different incarnation of what is now the chorus of ‘MMMBop.’ That sort of stuck in our heads but never really worked as a background part. Over a couple of years, we really crafted the rest of the song – the verses and bridge and so on. It was something we almost stumbled upon.”
Zac made me laugh when I read that because the song even got stuck in THEIR heads!
What is truly amazing to me is that the song was released as their first single in 1997. At the time, Isaac Hanson was 16 years old, Taylor was 13, and Zac was 11. The song quickly became a huge worldwide hit. It was getting constant airplay on radio stations and MTV, and going to #1 in 27 countries.
It is on my list because I was DJing a high school dance once and a student asked for it. He was very shy and didn’t dance much. He may have had autism, I am not sure. When I played it, this boy came out of his shell and danced like crazy! The students formed a circle around him as he danced. It was one of those things I will always remember.
Mmmbop
Before you listen to the next song, I need you to hear this. I had no idea that this song was sampled for the 1997 hit.
I had never heard of the Andrew Oldham Orchestra. I had no idea that there was an instrumental album of Rolling Stones songs. The Verve did, however, and sampled it for the song Bittersweet Symphony.
The Verve took the sample and added vocals, strings, guitar and percussion. This led to trouble. After a lawsuit by the Rolling Stones’ former manager, Allen Klein, the Verve had to relinquish all royalties from the song. Rolling Stones members Mick Jagger and Keith Richards were added to the songwriting credits. Things worked out in 2019. After Klein died, Jagger, Richards, and Klein’s son ceded the rights to the Verve songwriter, Richard Ashcroft.
If I had to put why I like this song into words, I would find it hard to do. There is something about it. It is mesmerizing to me. MTV’s Gil Kaufman wrote “Bitter Sweet Symphony” was “built on a slow-rolling fat beat, a pomp and circumstance violin loop. And (was like an) … elliptical, snake-swallowing-its-tail lyrics” Rolling Stone magazine wrote that it “intertwines baroque strings worthy of Pachelbel with sedated vocals and shimmering guitar lines”.
The song is built around one simple chord.
Bittersweet Symphony
Much like Bittersweet Symphony, I was hooked on the next song as soon as I heard the intro. Again, the intro was “borrowed” from another song. This time it was from Perrey and Kingley. They were considered pioneers of electronic music. They were together from 1965-1967. Smash Mouth interpolates the keyboard line from their 1966 single, Swan’s Splashdown. You don’t need to listen to but 15 seconds of the song to know the Smash Mouth song …
Smash Mouth’s guitar player Greg Camp wrote Walkin’ on the Sun. He said, “The song was basically a social and racial battle cry. It was a sort of ‘Can’t we all get along?’ song for the time when I wrote it. It was just about all the things that were going on around me as a young person. And I’m, like, God, what is going on? I don’t understand why this is happening. It’s like we might as well be walking around a planet on fire.”
The songs has a 1960’s sound to it, which made the song stick out on the radio. It was their first hit song. The song itself was never sold in stores as a single, so it never made the Hot 100 chart. However, it went to #1 on the Modern Rock chart and #2 on the Airplay chart. Because it was not released as a single, the album Fush Yu Mang sold over 2 million copies. The album was the only way to get it.
I was one of those 2 million people who bought the album.
Walking On the Sun
Kevin Sharp’s story is a moving one. He was born in 1970, the same year as me. In school, her performed in musicals and was an active musician. When he was 19, he started to feel tired and dizzy. This led to a diagnosis of a rare form of bone cancer. His chance of recovering was not good.
Through the Make-A-Wish Foundation, which grants wishes to children with life-threatening illnesses, Kevin met the record producer David Foster. They became friends fast. He went through two years of chemo and radiation therapy, which caused him to lose his hair permanently.
While in remission, he recorded a demo that wound up in the hands of his friend David Foster. Thanks to him, Kevin was signed to a record deal in 1996. His first album was Measure of a Man. The first single was a cover of Tony Rich’s Nobody Knows, which went to #1 on the Country Charts. His next two singles were both top ten hits for him.
He would go on to became a motivational speaker and spokesperson for the Make-A-Wish Foundation. He was awarded the foundation’s Wish Granter of the Year award, in 1997. Sharp wrote a book, Tragedy’s Gift, and published it in 2004. Despite releasing two more albums, he never ever matched the success of his first album. He died at age 43 of complications from stomach surgeries and digestive issues in 2014.
If You Love Somebody is one of his three top 10 songs. Deborah Evans Price, of Billboard magazine reviewed the song favorably. She said that the record grabs the listener immediately and doesn’t let go thanks to the “energetic percussion that opens this track and gives way to a spree of sassy fiddle lines.” She goes on to say that the song is a fine example of the “vibrancy and passion he can bring to a great uptempo cut.”
The song is a fun love song that speaks of all the things you would do because you love someone.
If You Love Somebody
In 1997, there were still music videos being made – and played on MTV. While I love the next song, it is the video that really stands out. More on that in a second.
The Backstreet Boys were very big in Europe. When they returned to the US, no one really knew them. In 1997, they released their first album in the states. Everybody (Backstreet’s Back) was the band’s choice for a single. However, because they had been in Europe, the record label felt that the song wouldn’t make sense to audiences and it wasn’t even on the US release.
The song was the first single from the international release. It started gaining steam on Canadian and nearby US stations. The label finally added the song to the US album after a million units had already been produced. It was released as the fourth single.
Joseph Kahn was approached to do the music video for the song. When he met with BSB and saw their smooth dance moves, he thought they were more like “little Michael Jacksons.” This led to him thinking about the Thriller video which had the singer leading a choreographed dance with zombies. Kahn developed a similar concept for the Backstreet Boys.
In the video, the boy band’s tour bus breaks down near a spooky mansion. It is where they’re forced to spend a harrowing night. The haunted manor has a transformative effect on the boys, and each one changes. (Brian Littrell changes into a werewolf; AJ McLean into Erik, The Phantom Of The Opera recluse; Kevin Richardson into the two-faced Dr. Jekyll & Hyde; Howie D into Dracula; and Nick Carter into a mummy.) They converge in the ballroom and bust out “Thriller”-esque moves with a group of dancers. At the end, they’re relieved to discover the whole experience was just a nightmare – that is until their driver turns out to be a monster. The driver? Antonio Fargas, who was known for his role as Huggy Bear on the ’70s cop show Starsky & Hutch.
Everybody (Backstreet’s Back)
Up next, a group who got its name from a story created by one of the members. In the story, the men were Chumbas and the women were Wambas. Tubthumping was the first single from Chumbawamba’s eighth album – Tubthumper.
I suppose it is important to point out a few “vocabulary” words here. In England, a tubthumper is a politician. Here in the US, tubthumping is like “campaigning.” “Pissing” has a very different meaning in the UK. “Pissing the night away” would translate to “Drinking alcoholic beverages all night.” To be pissed in England is to be drunk, while in the US it is to be angry.
Whenever we played this song DJing, we’d go out on the floor and do a dance that we made up. It was basically an easy thing that matched the lyrics. “I get knocked down (crouch down), but I get up again (jump up) you’re never gonna keep me down (stand shaking our heads and wagging our finger side to side). Easy and no instruction needed because of the lyrics.
We had empty booze bottles that we’d pretend to swig when the band said, “He takes a whiskey drink, he takes a vodka drink”. It was silly and stupid, but it always got a laugh from the crowd.
At 54, I doubt that I could crouch down and jump up again like I did when I was 27!
Tubthumping
The next song was the debut single for the group Everclear. Everything to Everyone is true of many of us. I remember when I was with my ex, that I would do things that I didn’t necessarily want to do because I wanted to please her. I spent a lot of time in my life trying to please people and never really standing up for myself. It’s like the Sheryl Crow song – “If it makes you happy….”
In an interview with Songfacts, lead singer Art Alexakis says:
“It’s kind of an angry song. That person is within everybody, I think everybody has this ability to try and be everything to everyone, to try to please. I think there are 2 aspects of it – there’s the pleaser, who doesn’t always show his true self, always plays nice and as time goes on shows more and more of himself, but there’s also the people who are everything to everyone who are manipulators and users.”
When asked if the song had “anything to do with the record business”, Alexakis replied, “Oh yeah. Anything in the entertainment business you’ll find people who are slimy.”
I believe that you will not only find them in the entertainment business, but in much more than that!
Everything to Everyone
You cannot say that country music doesn’t have some great song titles! Take the next song on my list. Did I Shave My Legs For This?
Deana Carter’s father was a songwriter. The legendary Dean Martin recorded one of his songs, and perhaps as a thank you, named her Deana. Another legend, Willie Nelson, heard one of her demo tapes and invited her to play Farm Aid in 1994. That same tape, led to her being signed to Capitol Records.
Did I Shave My Legs For This is also the title track of the album. The album gave Deana three #1 songs (Strawberry Wine, We Danced Anyway and How Do I Get There?). The title track was the fourth single released from the album. It didn’t fair as well as the previous songs as it only went to #25 on the Country Charts.
I have learned from DJing and hosting karaoke that just because a song wasn’t a hit, doesn’t mean it isn’t liked. I always got requests for this song and people were always singing it. At weddings or parties, groups of women would sing along at the top of their lungs to it. It reminded me of what people did when Friends in Low Places would play.
Back in the day, we used to play Karaoke Roulette. This was where a friend would pick a song for you to sing. You wouldn’t know what song until you got to the microphone. My friends always made me sing songs like “I Am Woman,” “I Touch Myself,” and such. This was one they gave me one night and I nailed it! I knew the song and hammed it up all the way through it.
Did I Shave My Legs For This?
My final song is one that brought back a genre of music that overtook the nation in the 1930’s and 1940’s. I grew up listening to Benny Goodman, Harry James, and other swing bands. It was almost mind blowing to hear swing music on the radio in 1997.
The 1996 movie Swingers and t he Cherry Poppin’ Daddies are credited with the “Swing Revival.” Other groups like Big Bad Voodoo Daddy and The Brian Setzer Orchestra had success in the genre, too. The BSO’s version of Jump, Jive and Wail turned the revival into what songfacts called “a full-fledged craze!”
Zoot Suit Riot was a song that was inspired by real events. Songfacts explains:
The Zoot Suit Riots began in Los Angeles in 1943, triggered by conflict between the American servicemen stationed in Southern California and the Los Angeles Mexican-American community. Tensions had been building since the 1942 murder of a Latino man named Jose Diaz, a case referred to as the Sleepy Lagoon murder case.
The riots took place when swing music was the hot sound and everyone was doing the jitterbug. Lead singer Steve Perry says, “I wrote it inspired by the Zoot Suit Riots. I guess it seemed like a Pachuco rallying cry that could double as a dance anthem for those of us interested in swing music and culture at a time when nobody else was. It was an expression of a proud marginalism. That’s not that deep, but there you go.”
It wasn’t odd around this time to have a bride and groom request a swing song as their first dance. Most had taken a dance class and had a routine for that dance. It was always cool to watch that.
One day, I hope to get around to seeing Setzer, Big Bad Voodoo Daddy, or any swing band live. I love the energy that they put out as they play.
Zoot Suit Riot
That’s it for 1997. There were many songs that didn’t make my cut, maybe your favorite is one of them? Let me know what your picks are in the comments.
1998 is on the horizon and we’ll check out my tunes from that year next week. They include a song that I almost picked for this month’s Turntable Talk Topic (songs based on historical events or people), a song that is often played as the last song of the night at DJ gigs, a song I mentioned in this week’s post, and a great song I can barely listen to anymore. Find out why next week
If you made a list of bands that helped define the 60’s and 70’s, the Rolling Stones would surely be on that list. From the moment they hit the scene, they continued to make records and tour and did so for decades afterward.
On this day in 2012, they released GRRR! another hits compilation album. It was intended to commemorate the band’s 50th anniversary. The album features two new songs titled One More Shot and Doom and Gloom. Both new songs were released as singles.
When Doom and Gloom was recorded, it marked the first time that Mick Jagger, Ronnie Wood, Charlie Watts, and Keith Richards had been in the studio together for seven years, since 2005. It didn’t exactly burn up the charts, but it did do well in some parts of the world.
Despite poor chart performance, Billboard magazine named “Doom and Gloom” the eighteenth best song of 2012.
In an interview with Esquire magazine Keith Richards said this was laid down very quickly. “I don’t think the Stones have ever cut a track so fast,” he said. “It was like three takes and – boom! We were like looking at each other and going, ‘Got anything else?’ It was amazingly quick. The Stones are amazing that way, their chemistry and their energy when they get together. The hard bit with the Stones is getting them together.”
He went on to say, “At first I said, Hey Mick, ‘Doom and Gloom’ is a kind of weird title for a 50-year celebration, you know? But you know what the Stones are like, it’s always against the grain. But he came up with it and it’s a great track and a really quite ‘funny’ song, actually – there are some great lyrics.”
For me, this sounds like a classic Stones song. Jagger is actually playing the guitar lick on it.
The fantastic blues singer Jimmy Reed was born today in 1925. He was born Mathis James Reed in Mississippi where he learned to play guitar and harmonica. He moved to Chicago in 1943 and was drafted into the Navy. After he was discharged a couple years later, he went back to Mississippi where he married his girlfriend and the moved to Indiana.
By the 1950’s he was a fairly well known musician and was signed to Vee-Jay Records, where he recorded many of his hits. Those hits influenced many artists including Elvis, The Rolling Stones, The Yardbirds, Bob Dylan and more. All of them have recorded covers of Jimmy’s songs.
My dad introduced me to Jimmy when I was working at my first radio job. He asked me to make him a cassette of some songs if they were in the station’s library. A couple of those songs were from Jimmy. He told me stories of how he and my Uncle Tom loved listening to Jimmy Reed and the they even played a couple of those at my high school graduation party.
To me, Jimmy is a blues pioneer. When people talk about the blues, Jimmy’s name comes up. He was posthumously inducted into Rock and Roll Hall of Fame in 1991. His music may not be for everyone, but I really dig it. It will always make me think of my dad and my uncle.
Here are some of my favorites in honor of his birthday!
One of the songs on my dad’s list was “Baby What You Want Me To Do.” Elvis did this at a few of his concerts. I love the groove of this one …
Another one that Elvis covered was Jimmy’s “Big Boss Man”
The guitar lick from Jimmy’s “Shame, Shame, Shame” seems like one that I always heard my dad playing when he was warming up …
The Stones covered this great one – “Ain’t That Lovin’ You Baby”
The Blues Brothers covered Jimmy on one of their albums, doing a cool version of “I Ain’t Got You”
Jimmy died of respiratory failure just 8 days before his 51st birthday on August 29, 1976. He was inducted posthumously to the Blues Hall of Fame in 1980. He was certainly a “Boss Man of the Blues”
I was approached by my blogger buddy, Max, from the PowerPop Blog recently and asked to contribute something for his “Beatles Week” feature. In truth, it will probably go longer than a week as there are many talented writers participating with me. I think his original thought was to have each of us write about a favorite Beatles song, but then he allowed us to pursue something “Beatle themed.”
I think I have mentioned in the past that it would be extremely difficult for me to pick one favorite Beatles song. There are just too many great ones to choose from. I could spend hours talking about the fantastic harmonies of the group or the amazing songwriting contributions of Lennon and McCartney. I could also examine the way George Harrison’s guitar playing matured as the group got older. Instead, I chose to focus on the Beatle that I connected with as a young fan discovering the band – Ringo Starr.
As a kid, I discovered the Beatles through their cartoon series (as well as albums that my dad had). While the boys didn’t voice the characters themselves, it featured many of their songs and put them in silly situations. Ringo always seemed to be the goofball and I guess I found him to be the funniest.
As I began to buy Beatles albums on my own, I often found that the “Ringo” cut of each album tended to really stand out as a favorite. Let me be clear, it is not that I disliked the other guys, the opposite was true. I loved them! However, the “Ringo” cut just really had a different sound to it.
As many know, Ringo was not the original drummer for the band. Pete Best was the guy. The rumors were that he was pretty good looking and a fan favorite, so they got rid of him. How true that is, I don’t know. The boys recruited Ringo from another band (Rory Storm and the Hurricanes). Once the group got their recording contract and started sessions with George Martin, Ringo was dissed a bit. Martin felt that he was not a good enough drummer to do studio work. Eventually, Martin came around and not only was he in the recording sessions, he occasionally got to sing on a song or two.
In total, Ringo Starr sang lead vocals on 11 Beatles songs. The first was “Boys,” which was a cover of a Shirelles song. The song was one that the Beatles had been playing in their live shows for some time. Pete Best used to sing it in shows. Ringo knew the song and had performed it many times with his previous group. When the band was in the studio cutting the 1963 album “Please Please Me” he sang it in one take.
The group had been playing “Boys” for years before it was ever recorded. It was the only song that Ringo sang lead on and his loyal fans wanted to hear more. John, Paul, and George were getting tired of the song and when it was time to record their second album, Lennon and McCartney worked together to write a song for Ringo that would replace “Boys.” The song would be “I Wanna Be Your Man.”
Before they went into the studio, another British group approached Lennon and McCartney and asked if they had a song that they might record. They decided to give them “I Wanna Be Your Man.” That song became the first “hit” for Mick Jagger and The Rolling Stones!
Carl Perkins was responsible for Ringo’s next two vocal songs. First, was “Matchbox” which Perkins had a hit with in 1957. This song (and his next vocal) was responsible for the association of Ringo with rockabilly/country music. Word is that Perkins was in the studio while the Beatles recorded his songs.
For the 1964 album “Beatles For Sale,” Ringo contributed the lead vocal to Perkins’ “Honey Don’t.” Carl Perkins influenced a lot of Liverpool bands and Ringo was playing this one in his prior group before joining the Beatles. It was another song that Pete Best sang lead on in early live performances. John Lennon began singing it after Best left, but the band agreed that it was a perfect Ringo song for the album.
Ringo had decided that he wanted to have a bit more input in the songs that he was to sing. During the recording sessions for “Help” in 1965, he came upon the Buck Owens song “Act Naturally.” He brought it to the band and said he felt it would be a great song for him. They all agreed and cut it. This would mark the first Beatles cover song that they had not already been playing at live shows.
Ringo, while not best known for his song writing, did write a few for the band. By this time, John, Paul and George were all churning out songs. The three seemed to be doing everything and Ringo felt like he was being left out and maybe even someone who could easily be replaced. He went to the group and voiced his concerns. This led to his first song writing credit on a Beatles song. The song was What Goes On. The song was not all Ringo, as it was actually a song that John had originally written and Ringo tweaked and contributed to.
Yellow Submarine appeared on the 1966 Revolver album. It was a big song for Ringo as it went to #1 in the UK and #2 in the US. In Alan Clayson’s book, “Ringo Starr: Straight Man or Joker,” he says that the song was “conceived as a song that would appeal primarily to children, while recalling the band’s roots in Liverpool.” The song was written mostly by Paul McCartney and it is said that Donovan also helped (while being uncredited).
If you had to pick a “signature” song for Ringo, it would be “With a Little Help from My Friends.” The song is the second track on the Sgt. Pepper Album. The album itself was sort of a concept album where the band is playing … well, another band. In the album’s opening track, the character of Billy Shears is introduced. Even Ringo has stated that for the cut he is “taking on” the character of Shears to sing the song. The song was one that was written specifically for Ringo by John and Paul.
Ringo’s next vocal feature was one that he wrote. “Don’t Pass Me By” was one that came to him while sitting at the piano. He claims to only know a few chords on the piano and guitar. He says that while he plays around, if a melody comes to him or some words, he just keeps playing around. This is supposedly how “Don’t Pass Me By” came to be. There is some confusion as to when exactly the song was written, and while it may have been written as early as 1964, it was never recorded and released until 1968 on the White Album.
Alan Clayson says in his book that Ringo had unknowingly plagiarized music from a Jerry Lee Lewis song. It was only when George Martin was experimenting with different effects and orchestration that the song was able to be released (now sounding very musically different from it’s original version).
The song “Good Night” from the White Album was written by John Lennon. He wrote it for his five year old son, Julian. Lennon was very insistent that the song be sung by Ringo. What is interesting is that Ringo is the only Beatle who performs on the song. The music is provided by classical session musicians under the direction of producer George Martin.
Ringo’s last songwriting credit for the band appears on the 1969 album, Abbey Road. Many compare “Octopus’s Garden” to “Yellow Submarine.” Other’s compare it to an amazing and peaceful under-the sea world. This song, however, was written by Ringo at a time when things were less than peaceful with the group.
The story goes that Ringo was so angry that he walked out of a recording session because he was angry at Paul McCartney. Paul had reportedly been making comments about Ringo’s drumming, and so he left. He spent time relaxing on the Italian island of Sardinia. While there, he became fascinated by the ocean and sea life. This led to him writing the song.
When Ringo returned to the Abbey Road studios, he found that the rest of the band had decorated his drum set with flowers and found a gift from John, Paul and George as an apology. He showed the song to them and George Harrison worked with him to get the song ready to record.
After the Beatles broke up, each went on to have solo hits. Ringo enjoyed success with “Back off Boogaloo,” “Photograph,” “You’re Sixteen,” “The No No Song,” and “It Don’t Come Easy.” He continues to tour with his All-Starr Band and sells out venues.
“Peace and Love” – Ringo Starr
Perhaps if world leaders, politicians, and people in general listened to Ringo, the world would be a better place.
Once again, Dave from A Sound Day has asked some of us music lovers to participate in another round of Turntable Talk. This time around was a bit of a challenge for me. Dave’s e-mail stated:
“Put your thinking caps on and go through your stacks of records (or scroll thru that I-pod) and … come up with what you think the best year for music was. A tough call of course, thankfully there have been more than a few good ones! I’m interested in what you pick and don’t worry if yours duplicates someone else’s , you still have your reasons which might be different.” He goes on to say, “I think I have a guess on a couple of years that might come up more than once, but we’ll wait and see.”
This particular blog will be one of the last ones to be featured and I do not know if my year will be or has been featured. I plan on writing this KNOWING that the year I have chosen very well may be one that comes up in another post. Before I tell you the year I picked, let me tell you that I had a very difficult time narrowing it down.
My first thought was to go with 1956/1957 because those years were always so unique. You had the birth of rock and roll mixing with pop standards. When I worked at Honey Radio, I loved doing the Top 12 at 12 show when those years popped up because there was such a big variety in what was played. You could go from Elvis or Jerry Lee Lewis to Pat Boone or Nelson Riddle. When I looked at the list of songs, however, were they really the BEST? No.
The same thing can be said for some of the years in the 70’s decades. I looked through many lists and while there were many great songs, there were also a lot of really crappy songs! I just couldn’t really come up with the conviction to pick a year in that decade as the BEST.
One year kept coming up every time I started thinking about it – 1964.
I want you to know before I continue that I was dead set AGAINST 1964 when I read Dave’s e-mail. Why? Well, I felt that it would just be too Beatle heavy and loaded with British Invasion stuff. And it is. On the Top 100 Chart, The Fab Four nabbed 9 spots. 18 spots were held by other British Invasion acts. In total 27% of the Top 100 were British acts. When I really looked at the chart, the more and more I felt like this WAS the year.
1964 really was the year of the Beatles, so let’s discuss them first. They were present almost right from the start as their “Introducing The Beatles” album was released in America on January 10th of that year.
This album preceded Capitol Records “Meet the Beatles” by 10 days and there was a lawsuit surrounding that whole issue. Capitol Records won an injunction and Vee-jay Records was not allowed to put out any more Beatles recordings.
In February of 1964, the Beatles arrived in the US and appeared on Ed Sullivan’s show three times (2/9, 2/16, and 2/23). In March of 64, Billboard magazine stated that the Beatles were responsible for 60% of all single record sales! In a feat that has yet to be matched, on April 4, 1964, the Beatles held the Top 5 spots on the Billboard chart!
A week later, the boys held 14 spots on the Hot 100 Chart! That broke the previous record of 9 spots held by Elvis Presley in 1956.
In May, The Beatles Second Album was released and in July, they would release A Hard Day’s Night in theaters. “I Want to Hold Your Hand” wound up being the #1 song for the whole year of 64 (“She Loves You” was #2) To say that they played a small part in the music of 1964 would be a huge understatement.
Among the other artists that came over from “across the pond” in 64 were Manfred Mann (Do Wah Diddy Diddy), Billy J. Kramer and the Dakotas (Little Children and Bad to Me), The Dave Clark Five (Glad All Over, Because, Do You Love Me), Peter and Gordon (A World Without Love), The Animals (House of the Rising Son), The Honeycombs (Have I The Right), Dusty Springfield (Wishin’ and Hopin’), Gerry & The Pacemakers (Don’t Let the Sun Catch You Crying and How Do You Do It), Chad and Jeremy (A Summer Song), The Kinks (You Really Got Me), and the Searchers (Don’t Throw Your Love Away and Needles and Pins). It is interesting to note that the Rolling Stones debut album was released this year, but no songs appear in the Top 100 for the year.
Once you move away from the British artists, the chart has a nice variety of pop, rock, folk, country, soul, and even a few novelty songs. I think that is what made me ultimately choose this particular year.
It was nice to look over the Top 100 and see Motown represented with some classics. The Supremes hold two of the six Motown songs (Where Did Our Love Go and Baby Love), Motown was female heavy as Mary Wells (My Guy) and Martha and the Vandellas (Dancin’ In The Street) grabbed the next two spots, and the male gender was represented by The Four Tops (Baby I Need Your Loving) and The Temptations (The Way You Do The Things You Do).
While they were not “oldies” at the time, there were some classic songs that are still in hot rotation today on the oldies stations across the country. Roy Orbison had a smash with Pretty Woman in 64, and also had a hit with It’s Over. Frankie Valli and the Four Seasons grabbed three of the Top 100 with Rag Doll, Dawn and Ronnie. The Beach Boys only entry in the Top 100 was I Get Around.
1964 brought us classics like The Drifters Under The Boardwalk, Chapel of Love by the Dixie Cups, Suspicion by Terry Stafford, It Hurts to Be In Love from gene Pitney and Come A Little Bit Closer by Jay and the Americans. Johnny Rivers had a hit with Chuck Berry’s Memphis, Bobby Freeman invited us to C’mon and Swim, Detroit’s Reflections offered up Just Like Romeo and Juliet and the Shangri-Las told us the story of the Leader of the Pack.
Car songs were well represented in 64! Ronny and the Daytonas had GTO, while the Rip Chords sang Hey Little Cobra, and the Hondells had Little Honda. Jan and Dean told us the stories of The Little Old Lady from Pasadena and Dead Man’s Curve, while J. Frank Wilson and the Cavaliers told us the tragic story of a Last Kiss.
Soul music is represented by The Impressions (I’m So Proud and Keep on Pushing), Joe Hinton (Funny How Time Slips Away), The Tams (What Kind of Fool Do You Think I Am), Jimmy Hughes (Steal Away) and Nancy Wilson (How Glad Am I). If you throw Blues into the “Soul” mix, the great Tommy Tucker song “Hi Heel Sneakers” was out in 1964.
Instrumentally, Al Hirt had a monster hit with Java, The Ventures had Walk Don’t Run 1964, The Marketts had The Outer Limits, and Robert Maxwell had the incredibly cheesy lounge version of Shangri-la. While novelty songs included Jumpin’ Gene Simmons (Haunted House), The Trashmen (Surfin’ Bird) and Roger Miller (Chug-a-Lug).
While Rock was dominant in 1964, there were still some pop (and even folk) songs that made the Top 100 – one of them, doing the “impossible.” Two of the biggest pop hits of the year couldn’t be more different from each other. The third biggest hit of the year belonged to Louis “Satchmo” Armstrong and his Dixieland hit “Hello, Dolly!” Barbra Streisand (who won Album of the year at the 1964 Grammy Awards) had the 11th biggest hit of the year with “People.”
Pop/Folk was also represented by Gale Garnett (We’ll Sing in the Sunshine), The Ray Charles Singers (Love Me With All Your Heart), Dionne Warwick (Walk On By), Al Martino (I Love You More and More Every Day), and Andy Williams (A Fool Never Learns). But the biggest surprise came from an artist who hadn’t had a top 40 record since 1958!
Dean Martin didn’t care for Rock and Roll. With the British Invasion in full swing, there was very little chance of him ever having another hit. His kids loved the new artists. His son, Dean Paul, loved the Beatles. Dean told his boy, “I’m gonna knock your pallies off the charts!” On August 15, 1964 – he did just that with a song that became his NEW theme song, “Everybody Loves Somebody.” (It replaced That’s Amore as his theme song)
The song knocked the beloved Beatles A Hard Day’s Night out of the number 1 spot! It went on to stay at #1 on the Pop Standards Singles Chart for 8 weeks. It also became the theme to his weekly television show in 1965.
I picked 1964 for a few reasons. Despite my initial worry about it being British act heavy, it was the year that introduced us to the Beatles (who changed the music scene forever!). It is also the year that one act held the top 5 spots on the charts (a record that remains in place). It is also the year that my favorite singer of all time bumped the biggest group in music out of the top spot.
It is also a year that encompasses such a vast variety of music. While there may be better songs that appeared before and after 1964, it truly represents a unique time in history. America was still recovering from the loss of a beloved president, there were still Civil Rights issues, and a war in Vietnam. The music of 1964 was a welcome escape from so many things.
Was it all good? No, and that is true of every year. However, as I look at the 100 biggest songs of the year, there are a lot of great songs that have gone on to become classics. There are so many songs that are still looked at as pivotal in the music scene. The fact that many of these songs are still getting airplay today is a statement to just how good they are.
Thanks again to Dave at a Sound Day for allowing me to be a part of this feature. I can only hope that my contribution is worthy of an invite to participate in the next round.
Various Ramblings of a Nostalgic Italian 