Movie Music Monday – The Sting

American composer and conductor Marvin Hamlish was born on this day in 1944. He is one of a handful of people to win the “EGOT” (Emmy, Grammy, Oscar, and Tony awards).

Marvin’s first film score was in 1968 for The Swimmer. He also wrote the score for The Way We Were, the theme music to Good Morning America, and the score of the Broadway Musical A Chorus Line. He was also conductor for symphony orchestras in San Diego, Buffalo, Dallas and Pittsburgh. It is obvious to say that he was musically busy.

He may be best known for adapting the music of Scott Joplin for the movie The Sting in 1973.

The Entertainer is a rag that was composed by Scott Joplin, the first classically trained black composer to become a household name in America. The piece was copyrighted December 29, 1902; copies were received by the Copyright Office, January 8, 1903.

Joplin died in April 1917; although his place in the history of contemporary music was already secured, he predicted that he would not receive the recognition he deserved until 25 years after his death. He had no Idea that his music would go on to chart success over 50 years later!

Marvin Hamlisch on adapting Joplin’s tunes for The Sting:

“From the beginning, [director] George Roy Hill’s idea had always been to use the ragtime music of Scott Joplin. I was well aware that there were other musicians who knew the music of Scott Joplin far more intimately than I, men who had popularized Joplin’s famous piano ‘rags.’ But I knew how to write for film, marrying music to the length of each scene, and I could also play the piano ‘rags’ – those Juilliard piano lessons were about to pay off.

The real fun came for me when we started recording the soundtrack. We didn’t have a full-size orchestra, as with The Way We Were, but we had eight or nine great musicians, with yours truly at the keyboard. We spent hours making ragtime; the piano player in me had found a long-lost brother in Scott Joplin.”

Hamlisch’s rendition peaked at #3 on the Hot 100 in May 1974. It hit #1 on the Adult Contemporary charts.

Happy Birthday, Marvin Hamlish!

Turntable Talk #23 – The Soundtrack of Our Lives

Once again, Dave Ruch from A Sound Day has offered up a gem of a topic for his monthly Turntable Talk feature! This month it is a topic that I have been hoping he’d get around to. Per his instructions:

“This time around, let’s look for THE SOUNDTRACK OF OUR LIVES ! Pick a great movie soundtrack and talk a bit about it. It can be from a great movie or a dog of one (or anything in between), one made specifically for the film or one assembled from existing tunes as long as it’s one that works for you!“

There are certainly many fantastic soundtracks to choose from. Movies that are known for being a great film and also their great soundtracks include American Graffiti, Smokey and the Bandit, The Wedding Singer, The Sting, and Forrest Gump. Those aren’t even considered “musicals!” When I think about musicals, wow, that list is a long one.

Plenty of movie (and TV) soundtracks can be found in my collection. When I worked in radio, I would often buy soundtracks so I could uses some instrumental tracks as voiceover beds (music that plays underneath your voice as you are doing a bit or talking to a listener). I used a variety of cuts from Napoleon Dynamite, Stripes, The Three Amigos, Dragnet, and movies that were box office bombs! My pick comes from a movie that was far from a bomb. It was one of the biggest films of the 1980’s.

The one soundtrack that has always been a favorite for me (and it doesn’t even contain all the songs featured in the film) is The Blues Brothers. It has some fantastic cuts from Belushi and Aykroyd as well as musical legends like Ray Charles, Aretha Franklin, and Cab Calloway.

I had this soundtrack on vinyl and I played the heck out of it. Many of the songs were featured on my “driving mix tapes” when I had my first car! While the album contains 11 great tracks, the film included many other classics that I wound up searching for to add to my collection. The music doesn’t follow their chronological appearance in the film for some reason.

She Caught the Katy

The album opens with this Taj Mahal song. The Blues Brothers version has a lot more sound to it. It is so much fuller with the horns and guitars of the band. It is the song that the starring credits roll under. The opening guitar lick leads to the first big horn stab (and we see Belushi) then you have another horn stab (and we see Aykroyd) and the third big horn stab hits as we see the movie’s title card.

Belushi’s vocal on this is perfect. I like his vocal on this cut more than any other song on the album.

Peter Gunn Theme

This is the first of two TV themes on the album. This instrumental plays as the Blues Brothers are driving back to Elwood’s place. There are some really great shots of the city of Chicago in this scene. As you listen to this one, you can hear the talents of Tom “Bones” Malone, “Blue” Lou Marini, and “Mr. Fabulous” Alan Rubin. If I had a dollar for every time I used this as background music to introduce a wedding party I could fly to Italy!

Gimme Some Lovin’

Best known for being a hit for the Spencer Davis Group (and a young Steve Winwood), the soundtrack features the full song. In the film, the band begins to play this song at Bob’s Country Bunker (a country bar) and the owner shuts the lights off on them. If I had to choose between the two, I’d pick the Spencer Davis version over this one, but it is still a great jam.

Shake a Tail Feather

Originally done by the Five Du-Tones of Chicago in 1963, James and Bobby Purify had a bigger hit with it in 1967. This version tops them because of one man – the great Ray Charles. In the film, he owns a music shop and the band is buying new instruments. Ray is asked about a keyboard and Murphy Dunn tells him that the “action” of the keys is not that great. Ray sits down and says, “I don’t see anything wrong with the action on this piano” and launches into this song.

As Ray plays, a crowd gathers outside the store and dances along with the song doing all the dances mentioned in it (the monkey, the jerk, the boogaloo, etc…). This song is fantastic.

Everybody Needs Somebody To Love

The song was written by Solomon Burke and recorded by him in 1964. Wilson Pickett’s 1966 cover is probably the best known version. This song is featured at the Blues Brothers’ big concert toward the end of the film. Over the intro, Elwood (Aykroyd) speaks to the audience and thanks “the members of Illinois law enforcement” who are present and waiting to arrest them. We get to hear a big more of Aykroyd on this track.

The Old Landmark

When you mention the Blues Brothers to someone, they will often quote “We’re on a mission from God.” This song is performed by the Godfather of Soul, James Brown who plays a preacher. Jake and Elwood are attending this church service and it is a pivotal moment in the film (and what sets them off on their “mission from God.”

The Old Landmark is a gospel song written by Dr. William Herbert Brewster Sr. back in 1949. It has been recorded by the Staple Singers, Aretha Franklin, Dionne Warwick and many others. James Brown takes this to a whole new level. It’s hard to imagine anyone performing this. He performed/recorded this one live on set.

Think

The Queen of Soul, Aretha Franklin, performs this one as she is telling off her husband Matt “Guitar” Murphy. The song was a hit for Aretha in 1968. For the film, they bump up the tempo and add some dancers. This track is SO good! ”Blue” Lou Marini grabs his sax midway through the number and really jams through the end.

This was one of the harder songs to do in the film. Aretha had recorded the song and found it difficult to lip synch to her vocals as they filmed. It was a scene that needed many takes to do. This version is far superior to her original version.

Theme From Rawhide

The second TV theme on the album takes place in that country bar. After the lights go out they band has to figure out something that the audience will like. They wind up performing this one. Aykroyd’s vocal is just awesome here not to mention the “call and answer” between him and Belushi. Add in a whip and you have a real country hit on your hands!

This scene always makes me laugh because they perform on a stage surrounded by chicken wire. Why? Because the crowd gets so excited they throw beer bottles at them!

Minnie The Moocher

This was a song that Cab Calloway had been singing for decades! He was the “Hi-De-Ho Man.” I just love this version of the song. The rumor is that Cab wanted to do the disco version of the song that he had recorded in the past. They insisted that it needed to be the jazz/big band sound.

The song itself send you right back to the 1940’s. The full sound of the band, the horn section, and the amazing trumpet solos by Alan Rubin. Without a visual, it is still fantastic. Watching it in the film only enhances the experience.

They band is on stage waiting for Jake and Elwood to arrive. The crowd is getting antsy. The band is dressed in street clothes and look sort of shabby. Cab asks if they know the song and the band says they do. He yells, “Hit it!” and the curtain opens. Out struts Cab in a white tuxedo backed by the band, wearing black tuxes and looking sharp. The stage now has an backdrop of famous 40’s places with neon signs and a sweet looking band stand.

As a trumpet player, I can’t NOT mention the spectacular trumpet playing of Alan Rubin on this one!

Cab was a scat singer and his call and answer with the audience is just priceless. I’m not sure how old he was here, but his vocals are right on! He was a legend!

Sweet Home Chicago

This is the longest track on the soundtrack. The original version was done by Robert Johnson in 1936. This is the second song the band plays at their big concert (and the one where they make their escape, hence the long instrumental ending). As they intro it, they dedicate it to the late, great Magic Sam (who was from Chicago) who recorded it in 1967.

This is such a fun song to listen to and to watch in the film. The looks that they give John Candy’s character and the other folks who have been chasing them always make me smile. The song serves as the background music as we transition from night to day and the ultimate finale of the movie.

Jailhouse Rock

Movie Spoiler: The entire Blues Brothers Band gets arrested at the end of the movie. Naturally, the final song of the movie is Jailhouse Rock, originally done by Elvis Presley. Trivia: In the film, the first “prisoner” to jump up on the tables and dance is Joe Walsh!

On the soundtrack, the song is a bit different than in the film. You have a complete cut on the album, while in the movie each band member has a little solo as their name appears in the credits. In the film version you also get a line or two sung by James Brown, Cab Calloway, Aretha Franklin, Ray Charles and more. It’s a perfect capstone to wrap the soundtrack.

I have played the songs on this album over and over again on vinyl, cassette, on my iPod, and YouTube. It remains one of my favorite soundtracks of all time! What disappoints me is the many songs that were featured in the film that didn’t make the soundtrack. They are worth finding and checking out!

Of course, I can’t tease those without listing them, so here goes:

Somebody Loan Me a Dime – Fenton Robinson (Plays while Jake is escorted from his prison cell)
Shake Your Moneymaker – Elmore James (Plays while Jake and Elwood visit with Curtis at the orphanage)
Soothe Me/Hold On, I’m Comin’ – Sam and Dave (Plays on the 8 track in the Bluesmobile while Jake and Elwood are driving and get pulled over)
I Can’t Turn You Loose – The Blues Brothers – Originally done by Otis Redding (Plays while they drive through the mall and as they take the stage at the Palace Hotel Ballroom concert)
Let the Good Times Roll – Louis Jordan (Plays on the record player in Elwood’s place)
Anema e core (Until) – Ezio Pinza (The piece is playing the apartment that Tom Malone and Lou Marini used to stay – the “Are you the police?” scene)
Quando, Quando, Quando – Murph and the Magictones (Plays in the Holiday Inn scene)
Just the Way You Are – Muzak version of the Billy Joel song. (Plays in the Holiday Inn scene)
Die Romantiker (The waltz that plays at the Chez Paul restaurant)
Boom Boom – John Lee Hooker (Plays as the Blues Brothers are going to meet Matt “Guitar” Murphy)
Mama Lawdy/Boogie Chillen – John Lee Hooker (Plays when Jake calls Maury Sline and on the way to Bob’s Country Bunker)
Your Cheatin’ Heart – Kitty Wells (Plays as the Blues Brothers enter Bob’s Country Bunker)
Stand By Your Man – The Blues Brothers (Plays at Bob’s Country Bunker)
I’m Walkin’ – Fat’s Domino (Plays as Jake and Elwood and the orphans promote the concert)
Ride of the Valkyries – Richard Wagner (Plays as the Nazis are chasing the Blues Brothers toward the end of the movie)
The Girl from Impanema – Muzak version (Plays, naturally, in an elevator as the Blues Brothers go up the 11th floor with the tax money)

The Blues Brothers may or may not have been the first movie of “mine” that I made my wife watch with me. I’m sure that she made me watch one of her tear jerking chick flicks to get back at me afterward. To me, this movie remains a classic. As far as the sequel – not so much. It did have a decent soundtrack, but that is about it.

I have been wanting to write about this album for a long time and am glad that Dave finally gave me a reason to indulge myself with this blog. I am also excited to see what the rest of the bloggers have chosen for their soundtrack.

I’m already looking forward to next month’s topic! Thanks for reading!

Favorite Film – The 70’s

I guess I saw this on Facebook some time ago. Somebody had the idea to post a list of your favorite films. The list was to consist of your favorites from each year of your life. So, you start with your birth year and move ahead year by year and list all the films from each year. I am SURE I have this idea written down in my notebook of “blog ideas”. A post from the Avocado site came up in my “Reader” list of blogs that had the same principle, but with one exception – you can only pick one movie from each year. You can read that blog here:

https://wordpress.com/read/feeds/73828787/posts/2442817483

I am going to say that narrowing down just one film from each year will be next to impossible for me. I am going to attempt to do it. I have a feeling that I will go back in a day, a month, or year from now and think, “No, I should have picked _____ instead!” At any rate, some of these will be easy to pick, and some I will have to “eenie meanie miney moe” to pick just one. Maybe this is a topic I revisit each year? I don’t know.

I am going to break it down by “decade”, so each post will include 10 films. Deep breath. Here we go – back to the year I was born:

Of the 1970 films that made my personal favorite list, many have “war” themes: M*A*S*H, Kelly’s Heroes, and Tora! Tora! Tora! Other films include Dean Martin in Airport! and the Mel Brooks comedy The 12 Chairs. Of all of the films from the year of my birth, if I had to pick my absolute favorite, it would be the classic biopic, Patton.

George C. Scott is brilliant as Patton! He won the Oscar for Best Actor for his role. The film won seven Academy Awards including Best Picture and Best Director. It’s an amazing film.

1971 was the year that George Lucas would release his film THX 1138, Gene Wilder starred in the classic Willie Wonka and the Chocolate Factory, and Clint Eastwood starred in the film that scares all radio DJs – Play Misty for Me. But it is another Clint Eastwood film that gets my vote for my favorite film of 1971, Dirty Harry.

There are so many good Clint Eastwood films! It doesn’t take long for Eastwood to establish what kind of character Dirty Harry is! Come on, you know the quote:

“I know what you’re thinking: “Did he fire six shots or only five?” Well, to tell you the truth, in all this excitement, I’ve kinda lost track myself. But being this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you’ve got to ask yourself one question: ‘Do I feel lucky?’ Well, do you, punk?”

1972 was the year we saw Burt Reynolds in Deliverance, Charles Bronson in The Mechanic, and the all star cast of the Poseiden Adventure that included Gene Hackman, Shelley Winters, Ernest Borgnine, Red Buttons and others! It was also the year that introduced many to two of the best known adult films, Behind the Green Door and Deep Throat. 1972 is probably the easiest year to pick a hands down favorite for me – no doubt about it – Mario Puzo & Francis Ford Coppola’s The Godfather.

The novel is amazing. The movie is just as powerful! The cast (many unknown at the time) is just perfect! It is hard to imagine anyone else as these characters. Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Abe Vigoda, Richard Conte, Alex Rocco, and so many others star in this superb film about family and power. I don’t think a week goes by without me quoting this film! The film won the Best Picture Oscar and Brando won (and refused) the Oscar for Best Actor.

While 1973 had some good films, in going through my list, they all are just “ok” to me. In other words, there is no real “WOW” movie for me. Charlton Heston is good in Soylent Green, Al Pacino is good in Serpico, The Sting had Paul Newman and Robert Redford (and the tune The Entertainer), Clint Eastwood is back for a Dirty Harry sequel called Magnum Force, and then there was the Exorcist. I guess if I HAD to pick a favorite, it would be American Graffiti – because of two things (1) the music and (2) Wolfman Jack!

1974 was a bit more difficult to narrow down to just one film. The reason for this is that I have some classic favorites that were released in ’74 and “how do I just pick one?” Two of my favorite Charles Bronson films, Mr. Majestyk and Death Wish, came out this year. Also, two of my favorite Mel Brooks films were also released – Young Frankenstein (“That’s Frahn-kun-steen”) and Blazing Saddles! It did, however, become clear that the one film that had to be at the top for 1974 was The Godfather Part II.

The first time I saw it, I hated it! I can’t lie about that. I was confused by the shifts from past to present. However, it became very clear with a second and third watch that the shifting from past to present is what makes this movie SO amazing. If you really must see it all in order, you can rent the Godfather DVD and watch it chronologically. This movie is where you really see the genius of Francis Ford Coppola. Robert Deniro is just amazing as Vito and Al Pacino’s portrayal of Michael is about as perfect as it can get.

1975 was the year that had us doing the Time Warp, thanks to the Rocky Horror Picture Show. The Sunshine Boys was supposed to star Walter Matthau and Jack Benny (there are clips of screen test shots on YouTube somewhere), but when Benny died, George Burns stepped in. Jack Nicholson is “crazy” good in One Flew Over the Cuckoo’s Nest, and Dean Martin starred in a forgotten favorite, Mr. Ricco. The one movie that really stands out for me from 1975 is based on the Peter Benchley novel – Jaws!

Like many, I couldn’t swim at the beach for some time after seeing it! Now, they actually show it on a screen while people float in rafts and tubes on a lake in the summer time! And who can forget the Jaws theme?

In 1976, America celebrated it’s bicentennial year. It was a very patriotic year and there were some good films in theaters. The Watergate Scandal was the focus of All The President’s Men. Clint Eastwood returned in another Dirty Harry sequel, The Enforcer and the western The Outlaw Josey Wales. The wonderful Barbara Harris was featured in both Freaky Friday and Hitchcock’s Family Plot (two very opposite roles!). Mel Brooks offered up Silent Movie, while an all-star cast (Charlton Heston, Robert Mitchum, Glenn Ford, Henry Fonda, James Coburn, and Cliff Robertson) appeared in the war film, Midway. We were first introduced to Sylvester Stallone’s Rocky Balboa in Rocky and Gene Wilder and Richard Pryor were first teamed together in Silver Streak. There are many reasons I could pick any one of these as a favorite, but I am going to go with one I already featured as my favorite – Murder By Death. You can read that blog here:

https://wordpress.com/post/nostalgicitalian.com/856

It’s such a fun film and I revisit it often.

1977 was a year of great films! There was Woody Allen’s Annie Hall. Then George Burns first took on the role of God in Oh, God. John Travolta danced to the Bee Gees in Saturday Night Fever. We were introduced to the comedy of the Zucker brothers with Kentucky Fried Movie. Mel Brooks saluted Alfred Hitchcock in High Anxiety. The “other” space movie, Close Encounters of the Third Kind, hit theaters, too. From here, I was able to narrow things down to two faves, but as I said, I can only pick one for the year. While Star Wars could easily be the top pick for 1977, I am going with Smokey and the Bandit.

Burt Reynolds, Jerry Reed, Sally Field, and Jackie Gleason took us on a wild ride and this remains my favorite for a number of reasons. First, it’s just funny. Second, there are some very cool stunts. Third, “East Bound and Down”. Last, there are so many great quotes!

Smokey JUST beats out Star Wars, probably because it’s a comedy. Don’t get me wrong, Star Wars is a CLASSIC, and at some point I really need to blog about the influence of that film on me as a 7 year old kid!

In 1978, we first meet Michael Myers in John Carpenter’s Halloween. Peter Falk appears in the “sorta” sequel to Murder By Death in The Cheap Detective. Robert Deniro and Christopher Walken star in The Deer Hunter. Cheech and Chong go Up in Smoke. Christopher Reeve first donned the cape in Superman. Burt Reynolds starred as a stuntman in Hooper and tried to kill himself in The End. We got chills that multiplied as we sang along with John Travolta and Olivia Newton-John in Grease. I’m honored to have Eddie Deezen (who plays Eugene in the film) as a friend on Facebook and he often shares cool stories about the film. Time to pick my favorite from 1978. It is yet another very quotable movie – a comedy – National Lampoon’s Animal House.

Kent Dorfman. Flounder. Pinto. Bluto. D-Day. Otter. Animal House remains as funny to me today, as the first time I saw it. John Belushi is just awesome in this film. I have said before that Belushi can emote more with just his eyebrows than any other actor. I also love John Vernon as Dean Wormer – he is such a great actor! It’s amazing that “Shout” from Otis Day and the Knights is still requested at weddings 40+ years later. One of my most quoted movies!

“Zero. Point. Zero.”

Closing out the decade, I see my list of favorites for each year growing more and more. In 1979, Sigourney Weaver appeared in the first (of many) Alien films. George Hamilton’s comedic take on Dracula was in Love at First Bite. Sylvester Stallone appeared for his second “round” as Rocky in Rocky II. Star Trek became relevant again, as it appeared on the big screen for the first time (with the original cast members) with Star Trek: The Motion Picture. Steve Martin brought The Jerk to life. Alan Arkin and Peter Falk are great together in The In-Laws. Robert Stack, Eddie Deezen, John Belushi, Dan Aykroyd, and so many others appeared in 1941 (It didn’t do all that well at the box office, but I still love this silly film). To me, my favorite of 1979 goes to the genius of Jim Henson – The Muppet Movie. I STILL marvel at this one!

This was such a breakthrough film. For the first time we saw Muppets walking! We saw them riding bikes! The technological stuff that was achieved in this movie is still awesome to me. This movie had tons of big cameos (including Edgar Bergan’s last film role) and just wonderful music. I blogged about the music previously and you can read that here:

https://wordpress.com/post/nostalgicitalian.com/1218

What a “groovy” and “far out” list, huh? I will have to move on into the 80’s next time. I can tell you, it will be much more difficult to pick just one for every year in THAT decade!