It is time for another edition of Turntable Talk hosted by Dave from A Sound Day. This is round #35, which means next month I’ll have been contributing to this feature for 3 years! Wow. As long as Dave keeps coming up with interesting topics, I’ll keep writing.
This time around, Dave says that “we’re going Sans Sophomore Slump. We all remember the triumphant debuts to the scene by The Knack, Meat Loaf, the Ramones…but how many recall, let alone listen to ‘But the Little Girls Understand’, ‘Dead Ringer’s or ‘Leave Home’… the follow-ups for them? This month, pick a SECOND album by a group or singer you thought was a standout and at least as good as the first.
When I worked in country radio we often referred to the “Class of ’89.” This was a group of four guys who all stormed onto the scene in 1989. Those guys were Clint Black, Travis Tritt, Alan Jackson, and Garth Brooks.
The four of them were so popular that the brought an entire new group of listeners to the genre. Much of their music focused on storytelling, which also made for some amazing music videos. They helped to make Country music more popular than ever.
Garth Brooks’ self titled album was released in April of 1989. It peaked at #13 on the Billboard 200 and went to #2 on the Top Country Albums chart. From the album, there were four singles, two of them went on to become number 1 hits.
Much To Young (To Feel This Damn Old) went to #8 on the charts for Garth. Not Counting You also went top 10, and was the first hit that Garth completely wrote himself. The Dance and If Tomorrow Never Comes were both #1 smashes! Today, they have reached “classic” status. If Tomorrow Never Comes was so big that it won the Academy of Country Music’s Song of the Year in 1990.
So how do you follow that kind of success? If you are Garth Brooks, you release your sophomore album and watch in amazement.
Like the other members of the class of 1989, fans wanted more of their music! Garth released No Fences in August of 1990 and it was just HUGE! It went to #1 on the Billboard Top Country Albums chart. It went to #3 on the Billboard 200 and stayed in the top 40 on that chart for a whopping 126 weeks!
As for the singles from the album, they have gone on to become Garth classics (just like the ones from album #1). All four singles from the album went to #1 on the Country chart!
The Thunder Rolls not only went to #1, but won the CMA Video of the Year for 1991. The video is a powerful one. When Garth plays the song at live shows he adds another verse where the cheater gets what’s coming to him.
Two of a Kind, Working On a Full House, Unanswered Prayers, and Friends in Low Places also all reached #1. Friends in Low Places also won the Academy of Country Music’s Single of the Year for 1990.
That song is familiar to country music fans and non-fans alike. It still plays everywhere. It was always on the Mobile Beat Top 200 songs for mobile DJs. It plays at parties, weddings and even sporting events. I’d love to see the money that this one song alone makes for Garth Brooks.
Garth’s Sophomore album, No Fences, helped to pave the way into super stardom for him. A simple search of “Awards won by Garth Brooks” will show you just how popular and successful Garth went on to be. One has to wonder what might have happened if No Fences bombed.
Thanks again to Dave for hosting this edition of Turntable Talk. I appreciate him reaching out and including me in such an amazing feature. As always, I look forward to the next topic.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
In 1993, I turned 23 and was still coping with the fact that my girlfriend had broken up with me. It wasn’t until a year later that I began going out with a buddy and hitting the Karaoke bars. It was while we sat and waited for our turn to sing that I heard many songs that were new to me. The first was by Expose.
Expose had success with dance/pop music. When they crossed over and had a #1 song with Seasons Change, they decided to go in a different direction. Their focus was shifted to more mature audiences. The label picked some great songs for their third album, including the Diane Warren song “I’ll Never Get Over You Getting Over Me.”
When one of the gals we hung out with at Karaoke got up and sang this, I watched the words on the screen. The heartache was still pretty fresh and it actually choked me up. It was the break up that I really never saw coming and the fact that she moved on so quickly rubbed salt in my wound.
Today, I appreciate the song for the powerful lyrics, the beautiful arrangement, and the lovely vocals.
I’ll Never Get Over You Getting Over Me
Elvis Presley recorded two songs called “Trouble”. The first was back in 1958. The second was in 1975, but that time he spelled it out. The latter was written by Jerry Chesnut. Travis Tritt covered it on his third album and it was the title track.
Tritt’s version went to #13 on the charts and got some positive reviews. Geoffrey Himes, of Billboard magazine, reviewed the song favorably, saying that Tritt transforms it with “boogie-woogie piano, slide guitar and super-fast tempo into a bar romp reminiscent of (the band) Little Feat.”
Not to diss on Elvis, but Tritt’s version is superior.
T-R-O-U-B-L-E
I’m not the biggest Rod Stewart fan. I can’t give you a reason for that. However, there are a few songs that I feel he does a really good job with. One example of this is from his 1993 Unplugged performance – Have I Told You Lately.
The song was originally done by Van Morrison. According to songfacts.com, the song is widely considered to be about Van Morrison’s relationship with God and religious convictions. Although we’ve never heard him speak specifically about the song, he does acknowledge a spiritual element in his music.
In 1993, during his Unplugged show, Rod dedicates the song to his wife Rachel Hunter (They divorced in 1999). You can really hear the emotion as he sings this, and when you watch the video, those emotions are more apparent.
The song was a huge hit, reaching #5 in both the US and the UK. It remains one of the most popular bridal dance songs.
Have I Told You Lately
Every once in a while, there a song that just pops out of the radio at me. That was the case for Every Little Thing by Carlene Carter. From the opening guitar strums and the drum that kicks into the beat, I was hooked.
Carlene is the daughter of June Carter Cash and her first husband Cal Smith. I’d never heard of her prior to this song, but she’d been recording and writing for some time. As a matter of fact, the album Little Love Letters was actually her seventh album!
To me, this was one of those songs that just made me feel good. It’s happy. It’s uptempo. It’s about a gal who loves her man so much everything reminds her of him. Isn’t that what we all want? Someone who loves us like that?
Every Little Thing
The next song was another one that hit me in the emotional gut. The song could be taken a few ways I suppose. I think you can look at a variety of situations and wonder, “What Might Have Been”. Our lives are full of “What ifs” and such.
When I heard this song, I thought about my ex girlfriend and wondered what our lives would be like if we had stayed together. Depression makes you dive deep into those hurtful thoughts. In hindsight now, I am glad to be where I am and realize that things happened the way they did to get me where I am today. At the time, though, this one ripped me apart.
It’s a truly beautiful song by Little Texas.
What Might Have Been
The early 90’s was a great time for dance music. There were some really awesome songs that kept folks out on the dance floor. As opposed to years later, I never really had to struggle to find a good follow up song back then.
One of my go-to songs was from the German group Real McCoy. The group was a dance trio formed in Berlin in 1993. They were made up of 2 female dance singers and a male rapper. This quickly became a huge hit in European dance clubs, and hit #2 UK. It went to #3 in the US.
It featured a good beat and the signature 90’s synthesizer. The song caught the attention of Clive Davis, who worked a deal with the band and the song took off!
Another Night
The next song was written before the band who sang it was ever created. Blind Melon’s bass player, Brad Smith, was not exactly feeling great. That’s when he wrote No Rain. He says, “The song is about not being able to get out of bed and find excuses to face the day when you have really, in a way, nothing.”
At the time, Brad was dating a girl who was going through depression (she would sleep through sunny days and complain when it didn’t rain), and for a while he told himself that he was writing the song from her perspective. He later realized that he was also writing about it himself.
He once said, “A lot of my songs come from a darker place. And if you just met me walking down the street, you’d say, ‘Oh, you’re such a happy guy, Brad. Why the dark songs?’ I’m like, ‘I don’t know.’ For me, it just has more meaning if you can get inside someone’s soul and identify with them on a heavier level and try to connect with them on that level. Because when you’re sad and you’re down, you’re the most vulnerable, and you feel the most alone.”
This is one of those songs where I really got lost in the lyrics. I felt like there was something more to them, and I couldn’t figure it out.
No Rain
The next one is another one of those songs I heard at the karaoke bar. Sadly, many of the people who tried to sing it were awful!
Linda Perry, the front woman for 4 Non Blondes, said, “There are times when we just need to take a deep breath and scream from the top of our lungs, ‘What’s going on!?'” On a podcast, she said that was the way she felt when she wrote the very cathartic song, “What’s Up”. “It’s like, ‘Why does it always seem like either I’m struggling, or there’s some f–king political mess happening? Why is this all happening in the world?'”
Fun fact: After the “And I scream at the top of my lungs, what’s going on?” line in the chorus, Linda Perry sings, “Hey hey hey hey…” She put this part in as filler, planning to insert lyrics, but the song sounded so good that way she left it in.
The song is sort of an anthem I suppose. I tend to agree with Linda. There are plenty of times where I wonder exactly what’s going on ….
What’s Up
The next one reminds me of my former sister-in-law. She always made me laugh and there are plenty of songs that make me think of her. This one is no exception. She loved Jim Carrey and this song was featured on the soundtrack. It is Boom-Shack-A-Lak by Apache Indian.
I can’t recite any of the lyrics except the chorus. and all I know is that it had a bouncy feel to it and was loaded with wacky sound effects. It is actually kind of silly.
Larry Flick of Billboard magazine described the song as “a wacky blend of guttural toasting and retro-pop shuffle beats.” He felt that “the hook has the potential to take up permanent residence in your brain, while the fun array of sound effects are sure to get those shoulders shakin’ out of control.” He also encouraged, “Seek it out and give it a whirl.”
I can hear my former sister-in-law laughing at this as I type…
Boom-Shack-A-Lak
The final song for this week is one that really didn’t mean much to me in 1993, but it sure did in 1999. When my mom was diagnosed with breast cancer, there was a lot of uncertainty. I recall many times wondering about how long she was going to be around. She was in and out of remission so many times.
When I got engaged to my ex wife, there was a lot of talk about whether or not she’d make it to see us get married. Her battle was a long one and she struggled so much with the chemo and radiation. It was through this time that I realized just how strong she was!
She would battle that disease and fight like no one’s business. So when it came time to choose a song to dance with my mom for the mother/son song, I thought long and hard about it. With every passing day, I realized just how much of a hero my mom was to me. She was stronger than I could have ever imagined. So, I chose Mariah Carey’s Hero.
I remember walking out to the dance floor and meeting her there. I remember her telling me how much she loved me and how handsome I looked. I told her how amazing she was and how much I loved her. We both shed tears and it is four minutes of my life that I wish I could revisit every day. I miss her terribly.
Hero
So what song from 1993 was your favorite? What did I miss? Drop it in the comments.
Next week, we visit 1994. There are a couple cover songs, but no Elvis covers. There’s a tribute to a Rock and Roll legend. There’s a bit of country and a bit of alternative music. I’ll share a great story about a singer who appreciates the veterans of our country, and feature my favorite “last song of the night” at weddings and parties.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
In 1992, I turned 22 and would land a radio gig at WHND, Honey Radio. It was through my old radio partner that I would become all too familiar with karaoke bars. We spent a lot of time pretending to be singers at them. Believe it or not, it was listening to people try to sing that introduced me to many songs. Many of those songs, were ones I normally would have been unfamiliar with.
Let’s jump right into 1992!
The Spin Doctors are often referred to as an alternative band. I tend to think of them as a rock band, though. Two Princes sounds more like a rock song to me. I could easily hear the Stones covering it.
A buddy of mine used to sing this song all the time. From the opening drum kick and guitar lick, I was hooked. The content of the song was influenced by some classic literature. Chris Barron, said:
“I loved The Lord of the Rings and The Hobbit and Sir Gawain and the Green Knight. I was really into fantasy fiction and stuff like that. I wrote that song when I was 19, so I was still coming out of childhood, and as a child I loved wizards and kings and queens and princess and princesses and stuff like that. And I loved Shakespeare – I already was way into Shakespeare. So I gravitated towards that kind of imagery just because I liked books and poems from that period of time.”
Drummer Aaron Comess said that the song was almost a lot faster. “There are certain songs when you find the right tempo, all of a sudden the lyrics come out, it feels right and I think with ‘Two Princes’ we really lucked out. It’s one of those things, we got in the studio, found a good tempo, we recorded it, everything just really came together. It’s very simple, there’s not a lot of stuff on it, somehow the sound and feel we got, we just lucked out and found the perfect thing.”
Songfacts pointed out that it was songs like this one that were in high demand on radio in 1992-1993. There was an onslaught of hip-hop songs at the time and it was this “sound” that began pushing it back a bit.
Two Princes
Here is another example of how I came to learn of the original because of a parody. I was familiar with the cover of their Nevermind album, but unfamiliar with a lot of their songs. Enter once again, Weird Al.
When Al first heard Nirvana, he was very impressed but thought they wouldn’t catch on. He was thrilled when “Teen Spirit” became a huge hit, since that made the group a parody target.
Al is famous for asking for permission before doing any type of parody. He got permission from Nirvana’s lead singer Kurt Cobain while he was doing an episode of Saturday Night Live. Kurt initially thought the song would be about food. Instead, it was poking fun at how hard it was to understand their lyrics.
The video is a very close parody of Nirvana’s, and got almost as much airplay. For example, the same janitor used in Nirvana’s video also makes an appearance in Weird Al’s. This time donning a tutu and playing a tuba. Al dresses just as Cobain did, complete with wig. He plays a fake blowup guitar and makes fun of the hard-to-understand lyrics by gargling water and singing with marbles in his mouth.
FYI – Dick Van Patten was not in the Nirvana video.
This song is probably the one that really solidified my opinion of Weird Al as a musical genius!
Smells Like Nirvana
For comparison – the original video:
Ok, I admit that the next song was far from a hit. It only peaked at #92 in the US, however in the UK it hit #27. The original, of course, was a number one hit for Elvis Presley in 1957. Personally, I really like Billy Joel’s version of All Shook Up. I think it should have done better on the charts.
The song is one of many Elvis covers from the soundtrack to Honeymoon in Vegas. The movie starred Nicolas Cage, James Caan, and Sarah Jessica Parker. It also featured a whole lot of Elvis impersonators.
What I love about Billy’s version is that it retains the feel of the original, but there is enough “Billy” to make it his song. When I was DJing, I used to put on a cape, an Elvis Wig, Elvis glasses, and grab some random gal out of the audience and “lip synch” this to her. It was ridiculous, but it always got a laugh from the crowd (along with a lot of photos).
All Shook Up
Next, we have the only song that I will fast dance to. I say this, because I believe there is no real dancing necessary. Songfacts explains this perfectly:
House of Pain’s Jump Around earned relentless airplay on MTV and pop radio, and became a huge crowd pleaser in bars and dance clubs. It was great for getting people on the dance floor, as no real dancing is involved – just jumping around.
Exactly. I jump like a fool when this one is on! It’s hard to look bad. It brings the bounce with a steady, throbbing rhythm along with explicit instructions on when to jump. You can’t mess this one up!
Erik “Everlast” Schrody wrote the song. Songfacts explains that the lyrics on this track are very aggressive. It contains lines like “I bust him in the eye, and then I’ll take the punk’s ho.” Everlast was surprised when the song crossed over to a pop audience. He thought it was “too hardcore” to do so. The “pugnacious” lyrics, however, are tempered with comic relief. Listen for lines like “I got more rhymes than there’s cops at a Dunkin’ Donuts shop. ” They make it a lot less threatening.
If the horn flourish that opens this song sounds familiar, it is because it comes from Bob and Earl’s song, “Harlem Shuffle”.
Jump Around
Next a movie song that never made the movie’s soundtrack. In A League of Their Own, Madonna starred with Tom Hanks, Geena Davis and Rosie O’Donnell. The film was based on the true story of an all-women baseball team that was popular during World War II.
The song is about a woman who can’t and let go of her past, with the implication that her present circumstances aren’t so good. The lyrics fit well with the film’s premise, as the now-elderly women reunite and recall their glory days as baseball stars.
To a degree, I can relate to this as I tend to live in my nostalgia and memories, however, my present circumstances are actually good. I find myself thinking of those summers playing ball at our old elementary when I hear this song.
This made me laugh: The video for this song, which shows Madonna singing from the pages of a photo album, bears a strong resemblance to Boy George’s video for his 1987 song “To Be Reborn.” The similarities were not lost on the Culture Club singer, who angrily dubbed it “This Used to Be My Video” in his autobiography.
This Used To Be My Playground
What I love about country music is the honesty of it. There are a handful of songs that I can say really hit home for me. One of them is from Travis Tritt’s third album. For me, I could relate to the lyrics of Lord Have Mercy on the Working Man. After all, I was working on a DJ’s salary!
Truth be told, it doesn’t matter what job you hold, these lyrics hit home. While primarily focusing on the economical injustice to blue collar workers, it fits anyone who struggles financially.
Uncle Sam’s got his hands in my pockets And he helps himself each time he needs a dime
Why’s the rich man busy dancing While the poor man pays the band Oh they’re billing me for killing me Lord have mercy on the working man
The final verse features Tritt’s friends joining in. Listen for Brooks and Dunn, George Jones, Little Texas, Tanya Tucker, T. Graham Brown and Porter Wagoner.
Lord Have Mercy On The Workin’ Man
MTV’s Unplugged had been around since 1989. It featured Joe Walsh, The Cure, Paul McCartney, Sting, and Mariah Carey. Eric Clapton recorded an Unplugged performance at Bray Studios in London. He rearranged many of his classic songs for the acoustic context.
The resulting Unplugged album went on to become the best selling Unplugged album in the U.S. and worldwide with sales of 10 million in the U.S. and 26 million worldwide. He earned six Grammy Awards for the album. He earned Grammys for Record of the Year, Album of the Year, Song of the Year, Best Male Pop Vocal Performance, Best Rock Male Vocal Performance and Best Rock Song.
I have been a fan of acoustic shows for a long time. I loved when artists came in and played acoustically for us. It is raw and you really feel the song. When I heard the Unplugged version of Layla, I couldn’t get enough of it. I loved the entirely different feel to the song! It was so much more bluesy.
The Unplugged version also helped Eric do his vocal. According to Songfacts, “playing the “Layla” riff while singing is like juggling on a unicycle, so Clapton tries to avoid it. When he does the rock version live, he’ll play the riff until his vocals come in, then let one of his band members take over the riff.” With the slower version, it was a lot easier for him.
Layla (Unplugged)
When it comes to Disney, you cannot deny the amazing songs that have been featured in their films. It is truly hard to picture anyone other than Robin Williams as the Genie in Aladdin. He was just perfect. There were hours of audio that were not used in the film from Robin. If it were ever released to the public, I’d buy it in a heartbeat!
Prior to having children, I was not one to run out and watch a Disney movie. However, knowing that Williams was the Genie in this one, I had to go see it. I was not disappointed.
The Genie’s song, Friend Like Me was written by the amazing composer Alan Menken and lyricist Howard Ashman. Menken and Ashman didn’t write this with Robin Williams in mind, but the actor would make the number his own. Menken told Entertainment Weekly:
“We didn’t know who was going to play the genie when we wrote the song. We were looking at the character as black, a hipster, and I suggested a Fats Waller, Harlem stride-piano style from the ’40s. When Robin Williams was suggested, my first thought was, ‘Can he sing like Fats Waller?’ Robin learned every note. He was working on Hook at the time, and he would come in after being stuck in a harness all day and sit at the piano and learn. When we went into the studio, we got exactly the Fats Waller performance we wanted, and then everyone said, ‘Okay, but now can we let Robin do his thing?’ He was amazing. That trumpet wah-wah-wah was supposed to be from an instrument, and he made it vocal. He took ahold of the creative process, both on that and ‘Prince Ali’ especially. My God, he went crazy on ‘Prince Ali.’ He was doing the Thanksgiving Day Parade, Arab-style.”
One source says that the song was originally written as a Cab Calloway style big band number. Some elements of this concept remain (for instance, when the Genie scats, in typical Calloway moves), but after Robin Williams was cast it was expanded as a more comedic, pop-culture-filled song.
I miss Robin Williams. He could do comedy and drama and do them both well. This is what makes a great actor, in my opinion. He was truly one of the best ad-libbers and I always loved watching him on late night shows.
When we were picking songs for our alumni band one year, I picked this song for us. Not the best song to march to in a parade, but it was fun to play.
Friend Like Me
I was disappointed in the soundtrack version, as it seems like Robin’s vocals are a bit buried.
I just realized that my list has two Elvis covers on it. Technically, they are both movie songs, too.
When ZZ Top released their Greatest Hits album, they included a remake of Viva Las Vegas. ZZ Top took it up a notch. They took Elvis’ song and modernized it and gave it a real driving rock sound.
I remember my dad bringing home the 12 inch single of it and saying, “Keith, you’ve got to hear this!” He put it on the turntable and there was a downward swishy sound effect followed by Elvis saying, “Y’all still want me to come with ya?” Once the guitars kick in, it just jams!
It’s one of my guilty pleasure songs.
Viva Las Vegas
I had a meeting with a bride and groom once. We were going over songs for their wedding. When I asked them what their wedding song was, they told me “If I Had $1,000,000 by Barenaked Ladies.” I must have looked like an idiot. I thought they were joking. “Barenaked Ladies?! Really?!” I had never heard of them.
I had no idea what to expect when I went searching for the song. I’ve had my share of weird songs to play for the bridal dance, so I was ready for anything. I was finally able to get a copy of it, but it wasn’t easy. The couple enjoyed their dance and the crowd loved every second of it.
Even though it’s one of the group’s most popular songs, it was never a hit single in America. It wasn’t a hit in the UK either. A lot of it was timing: The group didn’t break through outside of their native Canada until their 1998 album Stunt. The song was even re-released in 1996, but didn’t chart then either.
This is a very important song for Barenaked Ladies. They have performed it at nearly every live show since 1988. Frontman Ed Robertson told Songfacts:
“It has become its own thing and people sing along and it represents a time and a place for so many people. It’s oddly a song I don’t get bored of. It brings such joy to the room that it’s hard to not enjoy it.”
He goes on to say, “That song, it was about being in love and being maybe a little bit extravagant but not losing hold of what’s important.” Ultimately it’s just about celebrating your good fortune with someone else, and I think I’ve stayed pretty true to that.”
The song was my introduction to the group. I have come to enjoy many of their future songs, too. Perhaps one or two may show up in the years to come.
If I Had $1,000,000
That’s a wrap on 1992. Did I miss one of your favorites? Drop it in the comments.
Next week, as we head to 1993, a few ballads with a lot of personal meaning to me, a couple fun dance songs, a spelling lesson, and more stories behind the songs.
It is time for another round of Turntable Talk, hosted by Dave at A Sound Day. This is the 12th round that I have participated in and it has quickly become one of my favorite “features” to participate in. There has not been a topic that Dave has presented that has not been interesting for me to explore. This round is no exception. If you haven’t already, be sure to check out his site and read the contributions of other music lovers, too!
For this round, Dave’ says, “This time around I’m calling it “First Time’s The Charm.” Let’s look at an artist whose debut really impressed you. It can be one that just knocked you out first time you heard it when it was brand new, or one you went back & discovered later. As long as it showed a band or singer that hit the ground running.“
In talking with one of the other participants this week, I mentioned that with each topic, one choice always seems to hit me immediately. Then I begin to think about other possibilities, and without fail I always seem to come back to the first choice. This time around, I decided not to consider anything else and go with the first thing that came to mind.
It is 1989. In our living room is the shelving unit that contains my dad’s stereo system. One shelf holds the receiver/amplifier while the cassette deck and Sony Mini-disc players sit on top of each other on the shelf above that. Two speakers sit on top of the unit. A turntable sits on a shelf that slides out on the top left of the unit. Under that, on a shelf all by itself is a Sony CD player.
My dad calls me out to the living room and says, “Keith, you’ve gotta hear this!” My dad has certainly played a major role in sharing great music with me. The above phrase was spoken by him to me more times than I can count. Oh, the music he introduced me to! I would have to say that 9 times out of 10, it has always been something that I have really liked. The CD he popped in the player was the debut album from The Kentucky Headhunters.
The group started back in the late 60’s and called themselves “Itchy Brother.” In 1980, the group was almost signed to a record deal at Swan Song Records, which was a small label founded by the band Led Zeppelin. However, Zeppelin drummer John Bonham died that year and the label folded. Itchy Brother disbanded in 1982. In 1985, there was an attempt to reunite the group. This attempt led to a few new members joining while some original members decided not to be a part of the group. Now missing some of the original members, a new name was chosen for the band – The Headhunters. It didn’t take long to find out that there was another band using that name, so “Kentucky” was added to the name.
The group decided to take out a loan to record a demo. That demo included some original songs and some cover songs. They had hoped to press copies of the demo to sell as merchandise at their live shows. It didn’t take long for that demo to get noticed by folks in Nashville. The group was not really interested in signing a record deal, but their manager suggested that they talk with producer Harold Shedd at Mercury Records. They were signed to their deal in 1989 and the demo was released as their debut album “Pickin’ on Nashville.
I hadn’t intended on listening to the whole album that day, but when my dad hit play, I really liked what I heard. While they certainly had a Southern rock sound, it wasn’t really completely Southern rock, if that even makes sense. It is kind of a mixture of country, Southern rock, a bit of blues, classic rock, a little rockabilly, and maybe even a little bit of metal. It was like nothing I had heard in some time. It was a very unique mix of various styles and types of music.
The first cut on the album was a cover of Bill Monroe’s Walk Softly on This Heart of Mine. Bill’s version has a very bluegrass feel to it. The Headhunters had me from the opening guitar lick. Then I was really digging the harmonies of the group. The guitar solo had a rock/B.B. King feel to it, which I just loved. The debut single reached number 25 on the Billboard Hot Country Singles Chart, the first of 4 Top 40 singles for the band.
The second single from the album is probably their best known song, but not quite their biggest hit. It almost didn’t make the album, though. Dumas Walker is a song that is about a Kentucky hangout. The lyrics tell of hanging out there eating a “slawburger, fries, and a bottle of Ski.” Folks in Kentucky knew that a slawburger was a burger with cole slaw on it, and a bottle of Ski is a soda that is a lot like Mountain Dew. The record company wasn’t too keen on it, though.
Producer Harold Shedd felt that the song was too local. He felt like no one outside of Kentucky would connect with the song. He asked band member Richard Young if they would be willing to leave the song off the record. After much discussion, Young says that he convinced Shedd to keep it on the record. He said that Shedd was missing the point – that every place had their own “Dumas Walker’s and they can relate to that!” He was right. The song was a top 20 hit for the band in 1990.
Another thing that helped get the band recognition was CMT (Country Music Television), which was the country version of MTV. The early headhunter videos are a blast to watch. How could anyone possible turn off a video set in a bar with people playing marbles, the lead singer juggling bowling pins, and the drummer banging on his drum kit with no shirt and a coon skin cap on!? Incidentally, the video was nominated for the CMA video of the year in 1990.
Richard Young says that the group had a “magnetism that people just couldn’t resist” and compared it to watching the old Monkees TV show. He said, “People want to be entertained. If you can’t hold their eyes, they will wander.” Watch a few of their videos and you will certainly be entertained.
The third single from the album was another cover song. This time it was a cover of Don Gibson’s “Oh, Lonesome Me.” Gibson’s version is very typical 1960’s country. The Headhunters version kicks it up a notch with a driving beat and video that really fits the “Monkees” description above. This song peaked at number 8 and would be the band’s only Top 10 hit. The fourth and final single from the album was “Rock and Roll Angel,” which is mostly forgettable.
The band enjoyed great success in 1989/1990 because of their debut album. In 1990, they won the Academy of Country Music’s Top New Vocal Duo or Group Award , The Country Music Associations Vocal Group of the Year, and the CMA Album of the Year. They also won a Grammy for Best Country Performance by a Duo or Group that year.
Sadly, their follow up album Electric Barnyard was a major disappointment. It was certified gold, but the singles released to radio didn’t get much airplay. Citing creative differences, Ricky Lee Phelps and Doug Phelps left the group in 1992 to form their own band, Brother Phelps.
The band has continued to tour with a variety of different members and their last album was released in 2021. They never really enjoyed much success after that debut album. That being said, I believe their fresh sound really paved the way for (and had a big influence on) some of the more recent country singers who have a more “rock” sound.
One thing I think is important to mention is that the Kentucky Headhunters hit the scene at a very unique time in country music. In 1989, this new group stood out during a time that also saw country music’s amazing “Class of ’89” hit the scene. They were in the thick of things at the same time that Alan Jackson, Clint Black, Travis Tritt, and a dude by the name of Garth Brooks were getting their debut’s as well. The fact that they made waves amongst those guys is a testament to that first album.
It is hard to say what factored into the decline in popularity. Was it hard to get airplay with all of those other big names taking off? Was the music that followed just not good enough? Did the loss of the Phelps Brothers put the nail in the coffin for the band? Maybe it is a little bit of each of those things. The Kentucky Headhunters recorded 9 studio albums, but you really only need to get their debut, Pickin’ on Nashville. It is as good as it gets.
Various Ramblings of a Nostalgic Italian 