I was reminded by my friend Eddie Deezen that the Beatles song “Her Majesty” was recorded on this day- July 2, 1969.
Eddie posted:
“Her Majesty” was written by Paul McCartney. It was sung entirely by Paul, with no other Beatles featured. This makes Paul the only Beatle to record two songs completely alone, the other being his classic song “Yesterday” in 1965.
“Her Majesty” is also the shortest song ever released by The Beatles. It clocks in at just 23 seconds. It took Paul just three takes to record it.
As “Her Majesty” is the final song on the album “Abbey Road”, it is, technically, the last song on the last Beatles album.
Today my second oldest son, Dimitri turns 17 years old. When I saw that Tune Tuesday fell on his birthday, I wanted to feature a song that has a connection to him. The one I have selected is probably unknown to you, because it was never a radio hit (although, you can hear it on the Disney Music channel on Sirius XM now).
At first, I thought about the various songs that I used to sing to the kids at bedtime when they were babies/toddlers. Each has one specific song that was unique to them (almost all are from Dean Martin). Then I recalled a Facebook video that recently popped up in the memory feed. Dimitri is probably about 2 or 3 in the video. He is sitting in his car seat and I toss the first line of the song to him and he sings the rest of it. I love that I have this video. If I could figure out how to get it here, I would, but for now, I will let you listen to the original.
Background. Dimitri was born in 2007. That same year, a new cartoon came out on Disney Channel/Disney XD called Phineas and Ferb. It is about two boys and how they spend their summer vacation. Every day, the boys undertake the construction of a grand project, or embark on a spectacular adventure, to make the most of their time on vacation. This annoys their controlling older sister, Candace, who frequently tries to expose their schemes to her and Phineas’s mother. The series follows a standard plot system; running gags occur in every episode. They built a rollercoaster, traveled back in time, created a beach in their back yard, build a pirate ship, have a chariot race through their town, build a mini golf course, and even a haunted house.
The song I chose for today is from the episode entitled, “Flop Starz” in which Phineas and Ferb spend the day writing a “one hit wonder.” Their mom has explained that the one hit wonder should have nonsensical lyrics and a catchy melody. When it becomes a huge hit, the singer should throw a diva-type tantrum that will end their career. Then the song would be featured as elevator music. The singer does one more reunion tour and never sing again. (They have no idea that their mom actually did have a one hit wonder and that was the path of her career, as we see it in a flashback as she explains to them.)
The song that they write, and ultimately perform on stage at the auditions for The Next Super American Pop Teen Idol Star was called “Gitchee Gitchee Goo.” Are you still with me? The more I write, the more I am trying to “edit” this to a simple intro … and cannot. So I will just move on.
This song is what led the creators Dan Povenmire and Jeff “Swampy” Marsh to create an original song in each episode of the show. For the episode, the song only runs for about a minute, but there was an extended version that was included on the Soundtrack for the show. I am not embarrassed to say that I know all the words and will sing along to this. For a cartoon song, I will say it is better than some of the songs that were actual hits!
It is hard to believe that my son is 17 today! There have been a lot of changes in our lives since he was singing Gitchee Gitchee Goo in the backseat of my car! Any time I listen to this song, I picture him singing it. It always makes me smile.
Happy Birthday, Dimitri! Sit back and listen to Phineas and the Ferbtones! I love you, kiddo!
Gitchee Gitchee Goo
Ladies and gentlemen, the Ferbettes I’m Phineas and this is Ferb And we’re gonna sing a song
Bow chika, bow, bow That’s what my baby says Mow, mow, mow and my heart starts pumpin’ Chicka chicka choo wap Never gonna stop Gitchee gitchee goo means that I love you
My baby’s got her own way of talking Whenever she says something sweet And she knows it’s my world she’s a-rockin’ Though my vocabulary’s incomplete And though it may sound confusing Sometimes I wish she’d give it to me straight But I never feel like I’m losing (losing) When I take the time to translate Here’s what I’m talking ’bout
Bow chicka bow wow, that’s what my baby says! Mow, mow, mow and my heart starts pumpin’ Chicka chicka choo wap Never gonna stop Gitchee gitchee goo means that I love you
Well I don’t know what to do (I don’t know what to do) But I think I’m getting through (I think I’m getting through) ‘Cause when I say I love you (when I say I love you) She says “I gitchee gitchee goo you too” Gitchee gitchee goo you too Gitchee gitchee goo you too Gitchee gitchee goo you too Don’t need a dictionary!
Bow chicka, bow, wow, that’s what my baby says! Mow mow mow and my heart starts pumpin’ Chicka chicka choo wap Never gonna stop Gitchee gitchee goo means that I love you
I said bow, chicka, bow-wow That’s what my baby says Mow, mow, mow And my heart starts pumpin’ Chicka, chicka, choo wap Never gonna stop Gitchee gitchee goo means that I love you Gitchee gitchee goo means that I love you Gitchee gitchee goo means that I love you Baby, baby, baby (baby, baby, baby, baby) Gitchee gitchee goo means that I love you
To celebrate the birthday of a living legend, I thought I would choose a song that he’s NOT known for. Sir Paul McCartney is 82 today and while he is known for his work with the Beatles and Wings, he’s had quite a solo career, too.
It’s amazing that he is still out touring at his age, but he still looks and sounds as great as ever. Every review I have read about one of his shows says it is fantastic!
The McCartney song I picked is from an album from 1988 but the song’s roots go back to 1940 and the legendary Duke Ellington. He wrote Don’t Get Around Much Anymore in 1940. Lyrics were added to the song in 1942 by Bob Russell and it became a hit.
The song has been covered by just about everyone! Bing Crosby, The Ink Spots, Micheal Buble’, Willie Nelson, Tony Bennett, Nat King Cole and so many others have offered up their personal take on the song. McCartney’s version is a rocker with some “oomph” to it.
Back in 1988 Paul released what most call “The Russian Album.”. CHOBA B CCCP was his seventh solo studio album. It was originally released in October 1988 exclusively in the Soviet Union. The album consists entirely of live-in-studio recordings of covers, mainly of rock and roll oldies.
I was working at WKSG, Kiss-FM when a bootleg of the album began to circulate. It was pretty big news to have new stuff from McCartney. We were an oldies station, so when we got our hands on Paul’s version of Kansas City from the album, we played the heck out of it.
I don’t remember if I got a copy of the bootleg or the official worldwide release in 1991 but I really loved this album. Don’t Get Around Much Anymore really stuck out to me. Paul must really like it, too, because I’ve seen him do it on talk shows like Letterman.
Give his version a listen and grab the album if you can. I think you’ll like it.
The great Freddy Fender was born today in 1937 in Texas. He got his start in the music business in the 1950’s and had a few hits, but it wasn’t until 1975 when he broke through with the song Before the Next Tear Drop Falls.
His next big hit was Wasted Days and Wasted Nights, but it was not a new song for him. He actually wrote and recorded in back in 1959. He ran into trouble after this when he was arrested for possession of marijuana and convicted in 1960.
The Sir Douglas Quintet, also from Texas and known for the hit She’s About a Mover, actually cut a version of Wasted Days in 1971. But Freddy wasn’t done with the song. After Freddy’s success with Before the Next Teardrop Falls in 1975, he went back in the studio and re-recorded Wasted Days and Wasted Nights and this time it was a hit! It went to number on on the Billboard Country Singles chart and went to number 8 on the Billboard Hot 100 chart.
Freddy passed away at age 69 in 2006.
Wasted Days and Wasted Nights
Wasted days and wasted nights I have left for you behind For you don’t belong to me Your heart belongs to someone else
Why should I keep loving you When I know that you’re not true? And why should I call your name When you’re to blame For making me blue?
Don’t you remember the day That you went away and left me? I was so lonely Prayed for you only My love
Why should I keep loving you When I know that you’re not true? And why should I call your name When you’re to blame For making me blue?
Don’t you remember the day That you went away and left me? I was so lonely Prayed for you only My love
Wasted days and wasted nights I have left for you behind For you don’t belong to me Your heart belongs to someone else
Why should I keep loving you When I know that you’re not true? And why should I call your name When you’re to blame For making me blue?
Having been able to get out and help with my daughter’s T-ball games over the past couple weeks has me in a baseball mood. My Detroit Tigers are not doing as well as I had hoped, but there is a lot of baseball left in the season.
For Tune Tuesday, I picked a great baseball song that is played in stadiums all over the country. “Centerfield” by John Fogerty, who coincidentally turns 79 today.
Fogerty took quite a bit of time off after leaving CCR and two solo albums. When it was time for his comeback, he called the album Centerfield before he’d even written the song. He says the song basically wrote itself. “I was practicing a song, and I came up with that guitar riff that starts the song,” he said. “I went into the studio, playing the guitar with a drumbeat and it just came out.”
The song was the B-side of “Rock and Roll Girls,” and only reached #44 on the charts. However, because of the play it gets at ball games, it certainly has become well known!
In 2010, John Fogerty became the only musician to be celebrated at the Hall of Fame Induction Ceremony when “Centerfield” was honored by the National Baseball Hall of Fame. It is a baseball classic.
Today the great singer, songwriter, and producer Ronald Isley celebrates his 83rd birthday. He was born in Cincinnati, Ohio and like many singers, started singing in the church choir. After he appeared on a TV amateur hour show, he and his brothers decided to move to New York to continue their musical careers.
The Isley Brothers had some success recording some doo-wop songs, but in 1959 they signed with RCA records and released their smash hit “Shout!” They would eventually sign with Motown records, but always felt as though they never got the attention or promotion that other groups on the label received, so the split from Motown and returned to their own label – T-Neck Records, which they started in 1964. This allowed them a lot more control over what they recorded.
In one interview, Ronald Isley says he wrote this song while dropping his daughter off at school one day. He didn’t want to forget the lyrics so he hummed it in his head and rushed straight to his mother’s house to write it out. He sang it for his eldest brother O’Kelly, who thought it to be a hit, so they set up studio time to record it. They were right – it was a hit. It shot straight up to number 2 on the charts (prevented by The Age of Aquarius from hitting number 1).
The song’s success led to some really nasty legal battles. Berry Gordy of Motown Records filed a lawsuit claiming The Isleys were still under contract when they recorded It’s Your Thing. The court case went on for 18 years before a federal judge ruled that The Isley Brothers had recorded it after the Motown contract had lapsed. I have to wonder if Gordy pursued the lawsuit for so long because of the salt that the Isleys rubbed in his open wound. You see, in February of 1970 the Isley Brothers became the first former Motown act to win a Grammy Award for Best R&B Vocal Performance by a Duo or Group.
To me, this song remains one of the “funkiest” songs in history! There are so many great things happening instrumentally in the song, and Ronald’s vocal is fantastic!
Happy Birthday, Mr. Isley!
It’s Your Thing
It’s your thing, do what you wanna do I can’t tell you, who to sock it to It’s your thing, do what you wanna do I can’t tell you, who to sock it to
If you want me to love you, maybe I will Believe me woman, it ain’t no big deal You need love now, just as bad as I do Make’s me no difference now, who you give your thing to
It’s your thing, do what you wanna do I can’t tell you, who to sock it to It’s your thing, do what you wanna do I can’t tell you, who to sock it to
It’s your thing, do what you wanna do I can’t tell you, who to sock it to It’s your thing, do what you wanna do I can’t tell you, who to sock it to
I’m not trying to run your life, I know you wanna do what’s right Give your love now, to whoever you choose How can you lose, with the stuff you use now
It’s your thing, do what you wanna do I can’t tell you, who to sock it to It’s your thing, do what you wanna do Don’t let me tell you, who to sock it to
It’s your thing, I do what I wanna do I can’t tell you, who to sock it to
The amazing Bobby Darin was born May 14, 1936. Bobby was a phenomenal talent. He was a lot like Sammy Davis Jr. in that he was a songwriter, a singer, an actor, and played multiple instruments. He caught the attention of many, including George Burns, with whom he was good friends.
He began his career writing songs for Connie Francis, and eventually recorded his first song, “Splish Splash,” which was a hit in 1958. He followed it with many other hits including “Dream Lover,” “Beyond the Sea,” “If I Were a Carpenter”, “Clementine,” “Things,” and “Mack the Knife.” His music was such a big part of that early rock and roll, however, thanks to Mack the Knife, he also had great success with some pop standards.
With so many great songs to pick from, I decided on one that I just love. The song was not exclusive to Bobby Darin, but his version is one of the best. I am talking about “More.”
“More” was the Theme to a movie called Mondo Cane, which is a documentary. According to Wikipedia, the film “uses a variety of music to accompany various segments. Some melodies are used repeatedly, in different styles, each named for the part of the movie where the music is used. Of the 15 music tracks on the soundtrack album, one melody is presented 6 times, another melody 2 times. The melody which became known as ‘More’ is presented 4 times.”
The song was first heard in the US as a pop instrumental hit by jazz trombone player Kai Winding in 1963. The instrumental version went to #8 on Billboard’s Hot 100 Chart. Bobby cut his version of the song for his album “From Hello Dolly to Goodbye Charlie.”
The song works so well as a ballad, but Bobby’s take on it swings and is so good! I love the lyrics and dedicate this one to my wife …
More
More than the greatest love the world has known This is the love that I give to you alone More than the simple words I try to say I only live to love you more each day
More than you’ll ever know My arms long to hold you so My life will be in your keeping Waking sleeping laughing weeping
Longer than always is a long long time But far beyond forever you’ll be mine I know I’ve never lived before And my heart is very sure, no-one else could love you more
More than the greatest love the world has known This is the love that I give to you alone More than the simple words I try to say I only live to love you more each day
More than you’ll ever know My arms long to hold you so My life will be in your keeping Waking sleeping laughing weeping
Longer than always is a long long long time But far beyond forever you’ll be mine I know I’ve never lived before And my heart is very sure, no-one else could love you more
There are many biographies available about the life of Bobby Darin. His son, Dodd, wrote one entitled Dream Lovers which talks much about his dad and his mom (Sandra Dee). It’s an honest read.
Bobby had health issues throughout his life and his heart already had issues. In 1973, he neglected to take the antibiotics he was prescribed for his heart before a dentist visit. He ended up developing sepsis which spread throughout his body. This made him weak and affected one of the valves in his heart. He checked himself into the hospital for another open heart surgery (he had two heart valves replaced in 1971). After a six hour surgery, he died in the recovery room on December 20, 1973. He never regained consciousness. Bobby Darin was 37 years old.
I’ve played a lot of Motown records in my radio career, and today I want to feature someone who should have been bigger than he was. The great Jimmy Ruffin was born on this day in 1936. I always felt that Jimmy was overshadowed by his younger brother, David Ruffin, who of course was the lead singer for the Temptations.
Jimmy actually sang at Motown records as a session singer in 1961. He was drafted into the army and upon his return to Motown he was offered the chance to join the Temptations to replace singer Elbridge Bryant. As luck would have it, they heard his brother Davis sing and offered him the gig instead.
Jimmy returned to his solo career and didn’t have much success. In 1966, he heard the song “What Becomes of the Brokenhearted.” The song was written by William Weatherspoon, Paul Riser, and James Dean (not the actor), who were Motown writers. They had originally intended the song for The Spinners, another Motown group, but Jimmy persuaded them to let him record it instead. It would go on to become his biggest hit!
Some say that the writers wanted to create a song that expressed the pain and sorrow of losing a loved one. However, they said that they were influenced by the soul music of the time, especially by singers like Otis Redding and Sam Cooke. The song also reflects the social and political turmoil of the 1960s. At the time the US was involved in the Vietnam War and the civil rights movement was facing a lot of resistance.
The song was recorded in Motown’s Studio A and Jimmy was accompanied by the instrumentation of Motown’s in-house studio band, the Funk Brothers, and the joint backing vocals of Motown session singers the Originals and the Andantes. The Originals were a quartet who backed other Motown singers like Marvin Gaye, Stevie Wonder, and Diana Ross. The Andantes were a trio of women who often backed The Four Tops, The Supremes and the Temptations.
The song was released on June 3, 1966 as a single on the Soul label, a subsidiary of Motown. It was also included on Jimmy Ruffin’s album Jimmy Ruffin Sings Top Ten, which was released in 1967. It was a hit in both the US and the UK, reaching No. 7 on the Billboard Hot 100, No. 6 on the Billboard R&B Singles chart, and No. 8 on the UK Singles Chart in 1966.
Jimmy Ruffin continued to record for Motown and had several more hits, but “What Becomes of the Brokenhearted” remains forever connected to him and his biggest hit. Jimmy passed away on November 17, 2014, after a long illness at the age of 78. He is remembered as one of the most soulful singers of Motown.
“What Becomes Of The Brokenhearted”
As I walk this land of broken dreams I have visions of many things But happiness is just an illusion Filled with sadness and confusion
What becomes of the broken hearted Who had love that’s now departed I know I’ve got to find Some kind of peace of mind Maybe
The roots of love grow all around But for me they come a tumblin’ down Every day heartaches grow a little stronger I can’t stand this pain much longer
I walk in shadows searching for light Cold and alone, no comfort in sight Hoping and praying for someone to care Always moving and going nowhere
What becomes of the broken hearted Who had love that’s now departed I know I’ve got to find Some kind of peace of mind Help me
I’m searching though I don’t succeed But someone look, there’s a growing need All is lost, there’s no place for beginning All that’s left is an unhappy ending
Now what becomes of the broken hearted Who had love that’s now departed I know I’ve got to find Some kind of peace of mind
I’ll be searching everywhere Just to find someone to care I’ll be looking everyday I know I’m gonna find a way Nothing’s gonna stop me now I’ll find a way somehow I’ll be searching everywhere…
Bobby Vee was born on this day in 1943. In his career he had quite a few hits under his belt, but had it not been for a tragedy, the world may never have known him.
Anyone familiar with “The Day the Music Died,” remembers that on February 3, 1959, three of the four main headliners of the touring “Winter Dance Party” were killed in an airplane crash. Those three singers were Buddy Holly, Richie Valens, and The Big Bopper. Dion, the fourth headliner, chose not to travel by plane to the next city on the tour. That city was Moorhead, Minnesota.
The show in Moorhead went on as scheduled, but organizers searched for a musical act to fill in for Buddy Holly. Bobby Vee (who was 15 at the time) gathered up some musicians from Fargo (which includes his brother) and they performed that night. This was the jumpstart of his career.
A couple years later, Bobby recorded a tribute album to Buddy. In the liner notes, he recalled Holly’s influence on him and the events surrounding Holly’s death, describing how he had looked forward to attending the concert, how the local radio station put out a call for local talent to fill in after the disaster, and how Vee’s recently organized group, modeled on Holly’s style, had to make up a name (the Shadows) on the spot.
In 1963 Bobby was signed by American Bandstand to headline a tour called Dick Clark’s Caravan of Stars national U.S. tour, scheduled to perform its 15th show on the night of November 22, 1963, at the Memorial Auditorium in Dallas, Texas. The event, however, was cancelled after U.S. President John F. Kennedy was assassinated that afternoon while riding in his motorcade through downtown Dallas.
In 2012, Bobby announced publicly that he had been diagnosed with Alzheimer’s and sadly would have to withdraw from the music business. Four years later, on October 24, 2016, Vee died from complications of the disease at the age of 73.
He had hits with Devil or Angel, Run to Him, Rubber Ball, and hit #1 with Take Good Care of My Baby. My favorite Bobby Vee song is The Night Has a Thousand Eyes. The song came out in December of 1962 and went to #3 on the charts.
I have always liked this song melodically and for all of the little musical things that are happening in the background. Those little string licks that play off his vocal, the drummer’s cymbal rhythm during the chorus, and the syncopated lines at the end of the chorus always sound so good to me!
The Night Has a Thousand Eyes
They say that you’re a runaround lover Though you say it isn’t so But if you put me down for another I’ll know, believe me, I’ll know
Cause the night has a thousand eyes And a thousand eyes can’t help but see if you are true to me So remember when you tell those little white lies That the night has a thousand eyes
You say that you’re at home when you phone me And how much you really care Though you keep telling me that you’re lonely I’ll know if someone is there
Cause the night has a thousand eyes And a thousand eyes can’t help but see if you are true to me So remember when you tell those little white lies That the night has a thousand eyes
One of these days you’re gonna be sorry Cause your game I’m gonna play And you’ll find out without really tryin’ Each time that my kisses stray
Cause the night has a thousand eyes And a thousand eyes will see me too And no matter what I do I could never disguise all my little white lies Cause the night has a thousand eyes
So remember when you tell those little white lies That the night has a thousand eyes
For Tune Tuesday today, we celebrate the birthday of one of the greatest singers of all time. Roy Orbison was born on this day in 1936. A few years ago, I wrote a blog about him and this may or may not be a bit of a rehashing of that.
Roy Orbison is a rock and roll legend. I refuse to debate this. It is a fact. The Beatles and Elvis Presley (both legends in their own right) have stated on record that Roy was a major influence on their music. Roy’s music was different – it had it’s own style and a certain darkness to it. My first exposure to Roy Orbison was when I was about 4 or 5 years old.
I remember my dad had an album of Roy’s Greatest Hits. My favorite song as a kid was Dream Baby. I didn’t know that was the name of it. I know this because when I asked him to play it, I would ask for it by singing the opening bass line: “Daddy, play ‘boom boom boom, bum bum boom.’” I remember the first song on the album was Candy Man, which started with a harmonica. That is the instrument Roy asked for as a kid.
When asked hey wanted for his sixth birthday, Roy told his parents he wanted a harmonica. Luckily for the music industry, his father bought him a guitar instead. While some stories differ, most biographies claim that Roy learned how to play from his father Orbie Lee Orbison. Some sources say that he learned from his Uncle Charlie, Orbie’s brother.
He formed a band while in Wink, Texas called the Wink Westerners and that band played some high school dances. While in college, two friends of his had written a song called “Ooby Dooby.” They began playing that in their shows and because of their success, they got their own radio show on station KMID. In 1955, the band got their own TV show and artists came to play and sing on it. Among them, Elvis Presley and Johnny Cash.
Roy pulled Johnny aside and asked for advice. He wanted to know how to get a record released on the radio. Johnny suggested that he call Sam Phillips over at Sun Records in Memphis. Johnny gave Roy the number and sure enough Roy called. I am sure he was not expecting what happened. Sam Phillips answered the phone and after a brief conversation, Sam hung up on him, but not before telling Roy, “Johnny Cash doesn’t run my record company!”
Roy eventually found a place to record and recorded “Ooby Dooby” with his band, now called the Teen Kings. The song was released in 1956 and Roy took it to a well known record dealer named Cecil “Poppa” Hollifield. He heard the song and immediately called a “connection” he had in Memphis and played him the record over the phone. His connection asked for a copy of the record, and three days later he called Poppa up to tell him he wanted the Teen Kings in Memphis in three days to record in his studio. That connection was none other than Sam Phillips of Sun Records!
That deal got him out on tour with Johnny Cash, Faron Young, Carl Perkins, and Johnny Horton among others. In 1958, Roy was asked to tour with the Everly Brothers. During the tour, the Everly Brothers told Roy they needed a new single and asked if he had any songs. He picked up his guitar and sang the song Claudette. They liked it, and asked him to write down the words and chords. The song was the B-side of All I Have To Do Is Dream. Roy had some of his other songs recorded by artists like Jerry Lee Lewis, Buddy Holly, and even Ricky Nelson.
In 1959, Roy was signed to an independent label called Monument. It was at this label that so many of Roy’s big hits came, starting with Uptown. That was followed by Only The Lonely (which reached #2), Blue Angel, and I’m Hurtin’. What followed was Roy’s first #1 song, Running Scared.
Roy had hoped to change up the “pop” sound and try something different. They recorded the song twice and he was disappointed with the two takes, so they cut it again. Instead of using a falsetto voice, Roy sang the high natural A and nailed it. The accompanying musicians were awestruck and had never heard anything like it. Producer Fred Foster said “Nobody had ever hear anything like it before!”
What followed was four solid years of top 40 hits. Those hits included Crying, Candy Man, Dream Baby, Working for the Man, In Dreams, Pretty Paper, Leah, Blue Bayou, Mean Woman Blues, and Its Over. His success got him a spot opening up for some concerts in England. He was the opening act for a few guys who were known as The Beatles (they had yet to become a big thing in the US). The tour sold out in minutes, and on the first night of the show, they say that Roy played 14 encores before the Beatles ever got on stage!
In 1964, Roy recorded what is probably his biggest hit, Oh Pretty Woman. It would be his last big hit while at Monument records. Touring hurt his personal life, and his wife Claudette began having an affair. One day while writing with songwriter Bill Dees, Claudette entered the room and said that she was going to Nashville. Roy asked her if she had any money, and Dee’s replied, “A pretty woman never needs any money.” With that phrase, and about 40 minutes, they wrote Oh, Pretty Woman, which went to number 1 in almost every country in the world.
In 1966, Claudette was killed when a pickup truck pulled out in front of her and she hit the door. She died instantly. Two years later, Roy was on a tour in England and he received a call that his home had burned down. As if that wasn’t enough bad news, he was also told that his two oldest sons were killed in the fire. He tried to cope by keeping himself busy with work. He starred in the film The Fastest Guitar Alive, which ended up being his only lead role.
Roy changed labels a few times after this and eventually re-signed with Monument. In 1987, Roy Orbison was inducted into the Rock and Roll Hall of Fame. Bruce Springsteen was there to do the honors. A TV special followed. Roy had always wanted to do one and this special included some powerful special guests: Elvis Costello, k.d.Lang, Tom Waits, Bonny Raitt, Jennifer Warrens, Jackson Brown, and Bruce Springsteen. The special was called Roy Orbison and Friends – A Black and White Night Live. It was aired on cable and released on video and became one of Roy’s great concerts.
Jeff Lynne of ELO was busy producing George Harrison’s Cloud Nine album, and was working on Tom Petty’s and Roy’s albums at the same time. This led to them all getting together with Bob Dylan for the Traveling Wilburys project which was a huge success! Handle With Care was a big hit from the album.
In late 1988, Roy put the finishing touches on the Mystery Girl album. It was set for release in 1989. There would be a world tour to support the project. The album would include the smash hit “You Got It”. On December 6, 1988, Roy was complaining of chest pains. Just before midnight, he had a heart attack and collapsed at his mother’s home. Roy Orbison died at the young age of 52.
I was still a senior in high school and I was going to WKSG to rip news and type up stories for the news director. I would stay till 6am and then head to school. I remember going to the AP wire and seeing the “URGENT” breaking news that Roy had died. We were an oldies station and this was big news. I remember when we broke the news. It is one of those moments I will never forget.
You Got It was released after Roy’s death and reached the top 10. One of the coolest tributes to Roy was when the Traveling Wilburys released the song End of the Line. In the video, the group is on a train singing. When Roy’s vocal comes on, the camera is on a rocking chair in which Roy’s guitar is sitting. Next to it, is a framed photo of Roy. Powerful!
Back to the Wilburys for my song choice for this blog. A song that was supposed to be a group song on the album was You’re Not Alone Anymore. After rehearsing it a bit and trying a few things, it was decided that there was really only one voice that could do the song justice, and that was Roy. It is an amazing vocal and an amazing song!
Roy Orbison is a legend. His music was like no one else. His style was like no one else. His vocals were indescribably beautiful, haunting, and amazing. Heaven’s choir is blessed to have him in their baritone section. Happy Birthday, Roy!