I know that this may step on the toes of Dave over at A Sound Day as his feature Turntable Talk this month will feature write ups about “Spooky Hits.” What follows is a piece I wrote about DJing Halloween Parties and the “must have” songs.
It shouldn’t ruin Dave’s feature much, as all I am doing is listing songs. So be sure to be on the lookout for Dave’s Spooky edition of Turntable Talk starting today.
(This post was originally from October of 2022.)
I have DJ’d countless Halloween parties. This year I had to turn down one of my favorite ones. For the past few years a local daycare throws a big party and kids and their parents dress up in costumes and it is always a blast. Due to my current work schedule, I was just not able to be there this year.
I always had to have a variety of “haunted” hits to play at these parties. In case you are looking for musical ideas for your Halloween party, here is a starter list.
As much as I hate this record, you have to play Bobby “Boris” Pickett
You’ve also gotta play Michael Jackson’s Thriller. (Love Vincent Price’s narration in this!)
A personal favorite is from the Classics IV – Spooky
I always loved Jumpin’ Gene Simmons version of Haunted House
A favorite of the kids – This Is Halloween from The Nightmare Before Christmas
Speaking of nightmares, DJ Jazzy Jeff and The Fresh Prince offer up Nightmare on My Street
A great one from The Eagles – Witchy Woman
Kid Rock sampled this one for All Summer Long – Werewolves of London from Warren Zevon
You gotta play Clap for the Wolfman from the Guess Who
How about the silly song called The Blob by The Five Blobs?
The Hocus Pocus movie brought this one back, but the original is the best version – I Put a Spell On You by Screaming Jay Hawkins
How about some Rockwell? Somebody’s Watching Me
Be careful who you run around with …. Van Halen – Runnin’ With the Devil
Another favorite of mine – Santana – Black Magic Woman
It’s a very rare occurrence to have a full moon on Halloween, but this song works all year round. Bad Moon Rising – CCR
The moon causes the Shadows in the Night – Pat Benatar
Beware of the walking dead …. Zombie by the Cranberries
Another overplayed Halloween Song – The Purple People Eater – Sheb Wooley
I suppose you have to play Ray Parker Jr. – Ghostbusters
Going back to the 50’s for a couple crazy songs …
The Mummy from Bob McFadden and Dor
From Chipmunk creator David Seville – The Witch Doctor
Grab a bite with a vampire – Dinner With Drac from John Zacherle
Three Devilish songs now –
Devil with the Blue Dress – Mitch Ryder and the Detroit Wheels
Sympathy for the Devil – The Rolling Stones
A classic from The Charlie Daniels Band – The Devil Went Down to Georgia
Alice Cooper did this one in Wayne’s World – Feed My Frankenstein
Speaking of Frankenstein – how about the Edgar Winter classic instrumental..
Need some cowbell?? Don’t Fear The Reaper – Blue Oyster Cult
A song I have blogged about in the past – Superstition – Stevie Wonder
Demons – Imagine Dragons
Trick or Treat … I Want Candy – Bow Wow Wow
Another 80’s flashback … Dead Man’s Party – Oingo Boingo
Lots of requests for Enter Sandman – Metallica
All good lists need a cut from Frank Sinatra – Witchcraft
I’ve never really understood how this is a Halloween song, but everyone wants to do the Time Warp from the Rocky Horror Picture Show
From another film (Rain Man) The Delta Rhythm Boys -sing about Dem Bones
Now, some kid favorites which had me searching YouTube a lot ….
Spooky Scary Skeletons
I sang this in music class when I was in elementary school and kids are still singing it today – Witches Brew
Then you can fill in with various Theme songs from films and TV …
Scooby Doo
Tales From The Crypt
The Twilight Zone
The Munsters
The Addams Family
The X-Files
Whew!!
Watch for my Turntable Talk pick in the days ahead on Dave’s sight (and eventually here). It is a song that I don’t mention in this blog!
I have always loved her music. I’ve had the chance to meet her on a couple occasions as well as interview her on the air. She is witty and has a great sense of humor. She was a lot of fun to talk to.
I decided to go with a song that would probably be familiar to you. One of Terri’s early hits was a remake of “Poor Poor Pitiful Me”
Written and originally recorded by Warren Zevon, it first appeared on his self-titled album in 1976. It became a hit when Linda Ronstadt covered it the next year.
Ronstadt shared her thoughts on this song in a 1978 interview with Sounds: “To me that song seemed like the purest expression of male vanity. Step on you, be insensitive, be unkind and give you a hard time, saying can’t ya take it, can’t ya take it. Then if you tease men in the slightest bit, they’ll just walk off with their feelings hurt, stomp off in a corner and pout. I mean that’s the way men are, I swear. I thought the verse turned around to a female point of view was just perfect. The gender change works perfectly.”
Terri’s version was released in September 1996 as the lead single from her second album, 1996’s Just the Same. Clark told Billboard magazine that she heard Linda Ronstadt’s version of the song in a local gymnasium while she was exercising. She said “and I thought, what a cool song. What a great country record that could make. I started doing it live, and it worked.”
“Poor Poor Pitiful Me” debuted at number 47 on the U.S. Billboard Hot Country Singles & Tracks for the week of October 12, 1996. Clark’s version was a number one hit on the Canadian RPM country charts, and a number five hit on the country charts in the U.S.
The video comprises black-and-white tour footage interspersed with Clark being approached by a series of men while her car is being fixed at a full service gas station. Eventually, she realizes the man fixing her car is the one for her. She starts to drive off, before calling him over to get in. The two drive off together, leaving the other two co-workers at the shop surprised.
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.
1991 saw big changes for me. In April, a former coworker called to ask if I wanted a full time radio job at his station. It was a small market on the west side of the state (In Ludington). My girlfriend at the time and I had just had a big argument and I figured “Why not?!”
I was all by myself, in a place where I really only knew one person, at a job that decided to pay less than what I was told when I moved. It was lonely and I struggled a lot. The day I turned 21, I went to the store to buy beer and they never even carded me!
That summer would be one of my favorite summers. Michigan’s West side is just beautiful. I had never seen sunsets like those before! They were breathtaking.
Musically, there were some powerful tunes released in 1991. Some of them wouldn’t play into the events of my life for a few years, but when they did …
The first pick from ’91 is a song that I have found people either love or hate. I’m not sure why. Personally, I love the guitar sound and the harmonies in it, and I love the lyrics.
More Than Words is a song that was written by Gary Cherone and Nuno Bettencourt of Extreme. Nuno says, “The word ‘love’ itself gets really diluted, so we just wanted to say, ‘It’s not really about saying it,’ because everybody gets really worked up when somebody says that to each other. They say, ‘I love you,’ and everybody goes, ‘Oh my God! It must be serious. It must be heavy.’ It’s like, ‘Eh… it’s easy to say that.’ It’s really about showing it constantly and continuously in a relationship. We knew that was the message.”
The song was a huge hit for them. People who rushed out to buy their albums were quite surprised when they heard that the band primarily played Rock music. The band has called the song “both a blessing and a curse.”
More Than Words
R.E.M. had released the very thought provoking Losing My Religion from their Out of Time album as their first single. Their follow up was a song that could not be more different! That song was Shiny Happy People.
Michael Stipe calls this “A really fruity, kind of bubblegum song.” In an interview with The Quietus, he said that he was a bit embarrassed when it became a big hit, but it’s an important song because it shows a different side of him. Said Stipe:
“Many people’s idea of R.E.M, and me in particular, is very serious, with me being a very serious kind of poet. But I’m also actually quite funny – hey, my bandmates think so, my family thinks so, my boyfriend thinks so, so I must be – but that doesn’t always come through in the music! People have this idea of who I am probably because when I talk on camera, I’m working so hard to articulate my thoughts that I come across as very intense.”
Kate Pierson from the B-52s sang backup. She was in demand for her distinctive vocals after the B-52s achieved mainstream success with Love Shack.
In 1999, R.E.M. performed this on Sesame Street as “Furry Happy Monsters.” Kate Pierson’s part was performed by a Muppet that looked like her, voiced by Stephanie D’Abruzzo, a Muppeteer who was also a huge fan of the band.
Guitarist Peter Buck has two daughters who were big fans of the show. “You just looked around,” he recalled to Mojo in 2016, “going, Man this is a weird way to make a living.”
I had heard the song on the radio but it wasn’t until I was sitting at home watching Sesame Street with my oldest that I gained an appreciation for it.
Shiny Happy People
My next one had been on my iPod for years before the lyrics really hit me. My ex and I were at a point where all we did was argue. It was a very unhappy situation.
It was after an argument that I was in the car and heard Mariah Carey’s “I Don’t Wanna Cry.” Those lyrics were something I could have wrote;
Once again we sit in silence After all is said and done Only emptiness inside us Baby look what we’ve become We can make a million promises But we still won’t change It isn’t right to stay together When we only bring each other pain
It stung, but it was true. The end was upon us.
This was Mariah’s fourth consecutive #1 hit on the Hot 100, making her the first solo artist and female artist in Billboard history to have their first four singles top the chart.
I love her vocal and the guitar work in this one
I Don’t Want to Cry
Long before I stood next to a very drunk Hank Williams Jr at a urinal in Nashville, he had put out an album in ’91 entitled Pure Hank.
One of the singles that was released was If It Will It Will. It’s very easy for us to get caught up in worry, but worry isn’t good for us. Hank’s simple advice is something we should all remember,
“If it will, it will. If it won’t, it won’t.”
The weirdest thing about this song is the video. Right at the beginning, Little Richard shows up. To me, he’s out of place and isn’t utilized very well. Even when he does sing along, you can barely hear him. The song, however, is a favorite. It starts off with a bluesy vocal/introduction and then kicks.
If It Will, It Will
As I compile these lists for each year, I always seem to stumble on one that could be used for another feature. The next song would certainly work for my Movie Music Monday feature. It was a big hit from the Robin Hood: Prince of Thieves soundtrack.
(Everything I Do) I Do It For You was written to order for the movie. It was initially written by American film composer Michael Kamen. The middle eight, break, outro and arrangement added by Bryan Adams and producer Mutt Lange. Adams used a line in the movie, “I do it for you…” as the basis for the song, and they had it written in about an hour.
The song didn’t meet with Hollywood approval. The film company wanted the song to have an instrumentation that was in line with the film’s era. Can you imagine the song featuring lutes, mandolins, and the like? The film company eventually relented, but still buried the song midway through the credits. They were obviously unaware of the huge hit they had on their hands.
The reason it made my list is because of an ex-girlfriend. It is not because it was “our song” or anything like that. She asked me if I knew the song. Naturally, I did. It was a big bridal dance song. She told me to listen to it again, but to listen to it as if God was speaking the words (making changes to tense and such).
You can’t tell me it’s (your) not worth dying for You know it’s true Everything I do (did) I do (did) it for you
I had never thought of it that way before. I always remember that conversation when I hear the song.
(Everything I Do) I Do It For You
I love Bonnie Raitt. I love listening to her sing and watching her play. She is blues. She is country. She is pop. She is folk. She is something!
She was no stranger to the music scene. Her first album came out in 1971! She also did some session work. She’s collaborated with artists like John Prine, Jackson Brown, The Pointer Sisters, Warren Zevon and Leon Russell. She finally had some success in 1989 with her award winning album Nick of Time.
The first time I heard Something To Talk About on the radio, it stuck out to me. It was so different. As a blues fan, I could hear that blues influence and I feel in love with the song. The song would go on to be her biggest chart hit in the United States, rising to #5.
She was never a singles act, but after her four Grammy wins for the album Nick Of Time, her songs started getting radio play. With radio play, they began showing up on the chart. “Something to Talk About” was the lead single to her next album, Luck of the Draw. Because of her prior success, the song was highly anticipated and radio jumped on it. The song won a Grammy Award for Best Female Pop Vocal Performance. Bonnie beat out Oleta Adams, Mariah Carey, Amy Grant and Whitney Houston.
Sadly, it is also a karaoke favorite that is destroyed by many a “wanna be” singer in pubs everywhere! I’ll take the original, thank you.
Something To Talk About
The next song is on the list not because of the content, but the title. “Things That Make You Go Hmmm” became a sort of catch phrase. Arsenio Hall used it on his show all the time. I still hear people using it today!
C+C Music Factory was a dance floor staple when I was DJing. “Gonna Make You Sweat” is still one that I hear when I go to weddings. “Things That Make You Go Hmmm” was a huge dance song when it came out. It had a cool dance beat and some catchy lyrics.
Songfacts says this:
In the early ’90s, before gangsta rap took hold, rap songs were often lighthearted and clever, telling self-deprecating stories over dance grooves. Examples of this would be “Bust a Move” and “Funky Cold Medina.”
I think that is why that early 90s rap is still popular today. They really were very clever. They were also light on profanity. It isn’t odd to see “MF” and other profane words right in the titles as time goes on. That always made me laugh because how can anyone like a song where 75% of the lyrics are bleeped out? I guess that’s one of those … Things That Make You Go Hmmm….
Things That Make You Go Hmmm
The next song was one that was never released as a single. I became familiar with it after my grandfather passed away in 1994. I was extremely close to my grandpa and was heart broken when he passed. I received Reba McEntire’s For My Broken Heart album from my dear friend Allyson.
We both have birthdays in May and when life wasn’t so complicated, we’d meet for coffee or lunch to celebrate. She gave me this CD as a gift. She mentioned that she knew I was still grieving the death of my grandpa. She told me she thought of me when she heard the song, If I Had Only Known.
Quick background on the album. Reba recorded this album after losing many members of her touring band in an airplane crash. In her liner notes she says the album is “a form of healing for all our broken hearts.”
When I listened to this song for the first time, I thought about my grandpa (as Allyson had suggested). It moved me to tears. A decade later, I would hear it and think of my mom, too.
The lesson of the song? If we were aware that we were experiencing the “last” of something, we’d live life a bit differently.
If I Had Only Known
I always love to hear stories about how a song almost didn’t happen. That was the case for I Can’t Dance by Genesis. It came from a mix of a Jam session and writing session.
The lyrics are made up of bits that Phil Collins improvised in the studio. When they started working on it, they decided to just write spontaneously to keep from over-thinking it. Mike Rutherford first created the main riff of the song he called “Heavy A Flat.” Which led Phil to suddenly improvise the basic concept for “I Can’t Dance”. The riff was actually inspired by a Levi Strauss & Co. television commercial.
Originally, the band did not think of it as anything more than a joke recording that would be discarded quickly. They felt this way because the song was too simple, too bluesy, and unlike Genesis’ style. Tony Banks said, “It was one of those bits you thought was going to go nowhere. It sounded fun but wasn’t really special.”
When Banks decided to add keyboard sound effects to complement Rutherford’s playing, “I Can’t Dance” took on an entirely different feeling. The band came to appreciate the sly humor inherent in the song and chose to not only record it properly, but to put it on the album as a single.
The video created a lasting image thanks to the “silly walk” the three band members did. This walk was something Phil Collins did from time to time. He got the idea for it when he attended drama school and noticed that the worst dancers would always lead with the hand and foot on the same side. The dance has become sort of iconic.
I think that I relate to this song in that I can’t really dance. I sway when slow dancing. Fast dancing? HA! Forget it. I can’t. When I try, I look like Elaine from Seinfeld.
I Can’t Dance
When I was DJing at the local VFW, line dancing was a pretty big thing. There were all kinds of country line dances. At one point I had to make a list so I knew what dances people were doing to certain songs.
“Can you play Moo Moo Land?”
That was what someone came up and asked me one day. Moo Moo Land? What in the world was that!? Naturally, my dad knew it because there was a dance they did to it. It was called “Justified and Ancient” by the KLF and featured Tammy Wynette! What a weird pairing!
But it gets weirder! According to Songfacts:
The title “Justified & Ancient” refers to the KLF’s pseudonym and earlier incarnation, “The Justified Ancients of Mu Mu” (The JAMs). The JAMs took their name from Robert Shea and Robert Anton Wilson’s sci-fi tinged, conspiracy theory-laden Illuminatus! Book series in which The Justified Ancients Of Mu Mu are a fictional subversive cult who have been around since pre-history. The song lyrics describe the Justified Ancients making their way to Mu Mu Land in an ice cream van.
Huh?!
Even Tammy was unsure about it. She originally thought the song was called “Justified and ANXIOUS.” She said, “As it was, I didn’t understand what some of the words meant. I know about ice cream vans, but I’d never heard of a 99 before,” she added. “Bill explained it to me and now it makes perfectly good sense. I’m still not sure about Justified and Ancient though.” (A 99 is an ice cream with a flake in it).
Really, it is a great dance record. It’s neat to hear Tammy Wynette on it and it really revitalized her career.
Justified and Ancient
Last week I threw in that crazy Bingo Boys song at the end of my list. This week, I have to throw in another totally ridiculous song at you. Again, it is one that my best friend Jeff and I laughed about – a lot.
The group 2nu (pronounced “two – new”) was a pop group out of Seattle, Washington. When they first hit the scene, they has yet to come up with a name. A radio DJ said that the band was still too new to have a name, and they decided that worked. They have only released three albums, the first in 1991. What makes them unique (if that is the right word) is that their songs consist of sound effects, rhythmic beats, and a spoken word lyric. Their first single was “This is Ponderous.”
The song is more bizarre than ponderous. My buddy and I used to laugh at the “language the narrator doesn’t understand.”
Feel free to file this in the “What the heck was that?” folder…
This Is Ponderous
And with that silliness, we wrap up 1991. I mentioned that I can’t dance this week. Next week, as we dive into 1992, it contains the only fast song that I will dance to. It is an interesting list. It includes three cover songs, one parody song, three movie songs, a song about a royal feud, a song for the hard workers, and a song for the poor. I think you’ll enjoy it.
Did I forget one one your favorites from 1991? Drop it in the comments. I’d love to see if it was one that was on my radar.
I truly hope you are enjoying this series. Thanks for reading!
Welcome back to The Music of My Life, where I feature ten songs from each year of my life. In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year. I turned 8 years old in ’78 and much like in ’77, there is an interesting mix of tunes.
In January of 1978, Kansas released a song that was what Steve Walsh said, “defies the basic formulas that most (rock) groups try to follow,” and it paid off in spades! Dust in the Wind has one of the greatest guitar intros! The story of how it came to be is fantastic.
Kerry Livgren devised what would be the guitar line for “Dust in the Wind” as a finger exercise for learning “fingerpicking.” His wife, Vicci, heard what he was doing, remarked that the melody was nice, and encouraged him to write lyrics for it. Livgren was unsure whether his fellow band members would like it, after all, it was a departure from their signature style. After Kansas had rehearsed all the songs intended for the band’s recording sessions of June and July 1976, Livgren played “Dust in the Wind” for his bandmates, who after a moment’s “stunned silence” asked: “Kerry, where has this been? That is our next single!”
Dust in the Wind
In February of 1978, a song that will forever be associated with a geriatric sitcom was released. Even though Andrew Gold’s version was not the version used as the Theme to the Golden Girls, the song was (A jingle singer named Cynthia Fee sang the TV version). It is one of my ten picks because there are so many female friends that love the show. My wife is a big fan of the show as well, so here it is.
Andrew Gold says that the song was “just this little throwaway thing” that took him “about an hour to write.” Writing is was obviously a breeze, however, recording it was a different story. They recorded 40 different takes of the song, finally releasing take number 40!
If you listen closely, you can hear sleigh bells in the instrumentation of the song.
Thank You For Being a Friend
In March of 1978, the great Warren Zevon released what some call a Halloween classic, even though it was intended to inspire a dance craze. Phil Everly of the Everly Brothers had seen the 1935 film, Werewolf of London on TV and joked to Zevon that he should adapt the title for a song and new dance. He played with the idea with his band members, who wrote the song together in about 15 minutes, all contributing lyrics that were transcribed by Zevon’s wife Crystal. However, none of them took the song seriously.
The song had been written long before it was recorded. It finally appeared on Warren’s third album, Excitable Boy, which was produced by Jackson Browne (who had already been performing the song at shows.) Although 59 takes were recorded, Browne and Zevon selected the second take for the final mix. The record label really pushed for Werewolves to be a single, but Zevon liked a couple other songs. The label released it and it became Warren’s only top 40 hit.
Werewolves of London
Three of my picks from 1978, all were released in my birthday month of May. The first one is by a group that was lucky enough to get a radio station to play a demo of one of their songs on air – and have it lead to a record deal. As a former radio guy, let me tell you, that just does not happen! It did, however, for the Cars.
Just What I Needed was written by Ric Ocasek. The band recorded a two track demo of the song and My Best Friend’s Girl. In Boston, in 1977, DJ Maxanne Sartori, who was given the tapes of these songs by Ocasek, recalled, “I began playing the demos of ‘Just What I Needed’ and ‘My Best Friend’s Girl’ in March during my weekday slot, from 2 to 6 p.m. Calls poured in with positive comments.” With a song on the radio in a major market, The Cars were a surefire success and had their pick of record labels. They went with Elektra, who had them re-record the song and released it as their first single.
Benjamin Orr sang lead on the song and it was a top 30 hit for the band.
Just What I Needed
The next May release is a song that will always remind me of shooting pool with my best friend, Jeff. He always picked songs for the jukebox and Life’s Been Good by Joe Walsh was always a pick. We always laughed at the lyrics. Even Walsh says the song was meant to be a humorous look at fame and fortune.
In a 1981 interview with the BBC, Walsh explained: “I wanted to make a statement involving satire and humor, kind of poking fun at the incredibly silly lifestyle that someone in my position is faced with – in other words, I do have a really nice house, but I’m on the road so much that when I come home from a tour, it’s really hard to feel that I even live here. It’s not necessarily me, I think it paraphrases anyone in my position, and I think that’s why a lot of people related to it, but basically, that’s the story of any rock star – I say that humbly – anyone in my position. I thought that was a valid statement, because it is a strange lifestyle – I’ve been around the world in concerts, and people say ‘What was Japan like?’, but I don’t know. It’s got a nice airport, you know… so it was kind of an overall statement.”
The song first appeared on the soundtrack to the movie FM and later on Walsh’s But Seriously, Folks album. The album version is over 8 minutes long, but the radio single clocked in at about 4 and a half minutes. Made after Walsh had joined the Eagles, “Life’s Been Good” was incorporated into that group’s concert repertoire, appearing in shows at the time as well as reunion tours.
Life’s Been Good
The last May 1978 song on my list was one that three years later would hit me a bit more personally – not because of the content of the song, but because of the title. Only the Good Die Young was a top 30 hit for Billy Joel, and as controversial as it was, the attempts to censor the song (or have it banned from radio) only helped it to gain spins and popularity.
Virginia, as mentioned in the first line is a real person. Virginia Callaghan was a girl Billy had a crush on when he first started playing in a band. She didn’t even know he existed until she saw him at a gig, but 13 years later he used her as the main character in this song about a Catholic girl who won’t have premarital sex. In a 2008 interview, Joel also pointed out one part of the lyrics that virtually all the song’s critics missed – the boy in the song failed to get anywhere with the girl, and she kept her chastity.
In 2023, Joel said of the song “It’s occurred to me recently that I’m trying to talk some poor innocent woman into losing her virginity because of my lust. It’s kind of a selfish song – like, who cares what happens to you? What about what I want?… But on the other hand, it was of its time.
In 1981, my grandfather died suddenly of a heart attack. He was only 58. It was the first time I ever experienced death. At the funeral, I would hear people saying nice thing about him, and I often heard, “He was too young,” or “He was a good man.” Yes, he was, and only the good die young …
Only the Good Die Young
Earlier I mentioned how Dust in the Wind was a totally different sound for Kansas, and my next song also was very different for the artist who recorded it. The Commodores were really known for being a funk band, but when Lionel Richie brought them Three Times a Lady, they knew it was going to be a hit.
This was a breakthrough song for the Commodores and for Lionel Richie as a songwriter. It crossed over to pop, easy listening and even country formats, setting the stage for further Commodores hits and Richie’s massive solo success. In a Blues & Soul interview, Richie said: “The song has given me so much personal satisfaction. I think it is every songwriter’s dream to be totally accepted. And from the masses of awards that the song has won, it seems that the whole world really does love that song. It’s a great feeling.”
It entered the Billboard Hot 100 chart on June 18, 1978, at number 73. Eight weeks later, it reached number 1, where it remained for two weeks. It became the Commodores first number one on this chart.
There are two reasons I have this on my list. First, it was one of those songs that was on my mother’s famous red 8-track tape. Lastly, it always reminds me of the first time I saw Eddie Murphy on SNL. He was doing a phony commercial for an album called “Buckwheat Sings” as Buckwheat from the Little Rascals. “Unce. Tice. Fee Tines a Mady!”
Three Times a Lady
For readers of this blog, you know that I have blogged about Willie Nelson’s Stardust album many times. Making a long story short, my grandparent’s place didn’t have a TV at first, so we listened to the radio and two cassette tapes. One of those was Stardust.
In July of 1978, released the song Blue Skies from that album. The song was written by Irving Berlin way back in 1926 and has been covered by many great singers. Those singers include Bobby Darin, Al Jolson, Bing Crosby and Danny Kaye, Johnny Rivers and the great Ella Fitzgerald. Willie Nelson took the song to the top of the Billboard Country Chart and crossed over to the Adult Contemporary chart, too (where it peaked at 32).
Blue Skies
In October of 1978, a group of guys released a song that would go on to be named the 7th Greatest Dance Song of the 20th Century by VH1. It is a song that was inducted into the Grammy Hall of Fame in 2020 and was selected by the Library of Congress for preservation in the National Recording Registry for being “culturally, historically, or aesthetically significant.” Believe it or not, that song was Y.M.C.A. by the Village People.
There is only one reason why it is on my Music of My Life list. If I had a dollar for every time I have played this at a wedding or DJ event, I could probably retire! I am probably on about 100 Facebook pages where videos of me, a groom and his groomsmen are dressed up as the Village People leading the crowd in the dance. It is totally ridiculous, but true.
The song went to number one in countries all over the world, but it only reached number 2 here in the US. It continues to be played at parties and sporting events throughout the world.
Y. M. C. A.
I certainly do not want to wrap the year on that song, so instead, I will end with another party classic. I’ll also end with a “feel good song.” How can you NOT love September by Earth, Wind and Fire? The song has a tendency to make people happy when they hear it. Allee Willis, who wrote the song with Maurice White and Al McKay from Earth, Wind & Fire, describes it as “Joyful Music.”
Every year, on September 21st, you will hear this song all over the radio! There are many theories as to the significance of the “21st night of September” in the opening lyrics, and until 2018, even the song’s co-writer was in the dark – Maurice White told her it had no real significance and was chosen because it sang well phonetically. White died in 2016; two years later, Willis was having lunch with his widow, Marilyn, who told her that September 21 was the due date for their son, Kahbran, and that Maurice put that specific date into the song as a secret message. Kahbran ended up being born early on August 1, which definitely wouldn’t have the same ring to it as a lyric.
Although many people hear the first words in the chorus as “Party On,” it’s really “Bah-dee-Ya.” Allee Willis explained in a Songfacts interview: “I absolutely could not deal with lyrics that were nonsensical, or lines that weren’t complete sentences. And I’m exceedingly happy that I lost that attitude. I went, ‘You cannot leave bada-ya in the chorus, that has to mean something.’ Maurice said, ‘No, that feels great. That’s what people are going to remember. We’re leaving it.’ We did try other stuff, and it always sounded clunky – thank God.” She went on to say, “The main lesson I learned from Earth, Wind & Fire, especially Maurice White, was never let a lyric get in the way of a groove,” she added. “Ultimately it’s the feel that is the most important, and someone will feel what you’re saying if those words fit in there right.”
The first appearance of the song was on The Best of Earth, Wind and Fire – Volume 1. It is a great groove that still fills the dance floor!
Next week, we’ll take a look at the final year of the 70’s. 1979 promises to be a good mixture of genres and will feature one of my first television heroes, who starred in a couple TV shows, many movies, and is still popular today.
I have DJ’d countless Halloween parties. This year I had to turn down one of my favorite ones. For the past few years a local daycare throws a big party and kids and their parents dress up in costumes and it is always a blast. Due to my current work schedule, I was just not able to be there this year.
I always had to have a variety of “haunted” hits to play at these parties. In case you are looking for musical ideas for your Halloween party, here is a starter list.
As much as I hate this record, you have to play Bobby “Boris” Pickett
You’ve also gotta play Michael Jackson’s Thriller. (Love Vincent Price’s narration in this!)
A personal favorite is from the Classics IV – Spooky
I always loved Jumpin’ Gene Simmons version of Haunted House
A favorite of the kids – This Is Halloween from The Nightmare Before Christmas
Speaking of nightmares, DJ Jazzy Jeff and The Fresh Prince offer up Nightmare on My Street
A great one from The Eagles – Witchy Woman
Kid Rock sampled this one for All Summer Long – Werewolves of London from Warren Zevon
You gotta play Clap for the Wolfman from the Guess Who
How about the silly song called The Blob by The Five Blobs?
The Hocus Pocus movie brought this one back, but the original is the best version – I Put a Spell On You by Screaming Jay Hawkins
How about some Rockwell? Somebody’s Watching Me
Be careful who you run around with …. Van Halen – Runnin’ With the Devil
Another favorite of mine – Santana – Black Magic Woman
It’s a very rare occurrence to have a full moon on Halloween, but this song works all year round. Bad Moon Rising – CCR
The moon causes the Shadows in the Night – Pat Benatar
Beware of the walking dead …. Zombie by the Cranberries
Another overplayed Halloween Song – The Purple People Eater – Sheb Wooley
I suppose you have to play Ray Parker Jr. – Ghostbusters
Going back to the 50’s for a couple crazy songs …
The Mummy from Bob McFadden and Dor
From Chipmunk creator David Seville – The Witch Doctor
Grab a bite with a vampire – Dinner With Drac from John Zacherle
Three Devilish songs now –
Devil with the Blue Dress – Mitch Ryder and the Detroit Wheels
Sympathy for the Devil – The Rolling Stones
A classic from The Charlie Daniels Band – The Devil Went Down to Georgia
Alice Cooper did this one in Wayne’s World – Feed My Frankenstein
Speaking of Frankenstein – how about the Edgar Winter classic instrumental..
Need some cowbell?? Don’t Fear The Reaper – Blue Oyster Cult
A song I have blogged about in the past – Superstition – Stevie Wonder
Demons – Imagine Dragons
Trick or Treat … I Want Candy – Bow Wow Wow
Another 80’s flashback … Dead Man’s Party – Oingo Boingo
Lots of requests for Enter Sandman – Metallica
All good lists need a cut from Frank Sinatra – Witchcraft
I’ve never really understood how this is a Halloween song, but everyone wants to do the Time Warp from the Rocky Horror Picture Show
From another film (Rain Man) The Delta Rhythm Boys -sing about Dem Bones
Now, some kid favorites which had me searching YouTube a lot ….
Spooky Scary Skeletons
I sang this in music class when I was in elementary school and kids are still singing it today – Witches Brew
Then you can fill in with various Theme songs from films and TV …