Tag: Weird Al Yankovic

The Music of My Life – Decade Extras – The 1980’s Part 2

This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Last week I featured the 80’s. This week 10 more 80’s tunes before we move on to the 90’s. So, let’s check out a few “Decade Extras.”

1980

While I was never a truck driver, we certainly listened to Eddie Rabbitt’s Drivin’ My Life Away a lot while driving my my folks. I’m sure it was one of the songs my dad had recorded on 8-track to listen to on our drives up north.

This song was the first song that really made Eddie a crossover artist. The song went to number 5 on the Billboard Hot 100 charts. I Love A Rainy Night followed and hit #1 on the Hot 100, Country and Adult Contemporary Charts. Step By Step and You and I followed in 1981 and 1982 as crossover hits.

It is one of many Eddie Rabbitt songs I love.

Driving My Life Away

1981

Originally done by Tommy James and the Shondells, Mony Mony was covered by Billy Idol. Billy first released his version as a single in 1981, his first as a solo artist after leaving the band Generation X. His live version of the song went to #1 in 1987.

It was a big song at weddings and schools dances. However, it quickly made many school’s “Do Not Play” list. Why? It became popular for kids to shout “hey, hey, what, get laid, get f–ked” during the instrumental break in the chorus. I found this out the hard way at a school prom. I had a lot of requests for the song and when I played it the kids went crazy. When they shouted out the vulgar chant, it only took seconds for a teacher to come up and tell me to turn it off. Apparently, the chant is still shouted at Billy’s concerts.

Weird Al Yankovic did a parody of Billy’s version called “Alimony” on his Even Worse album in 1988.

Mony Mony

1982

It took two releases for the next song to get noticed. I can still remember going to the record store and buying Built For Speed by the Stray Cats. Rock This Town was such a cool thing to hear on the radio for me. My dad played a lot of Rockabilly stuff for me growing up, so I had to go get this album.

When Stray Cat Strut was first released in August of 1982, it didn’t even crack the Hot 100. I think it stopped at #109. Then Rock This Town was released and the band got noticed. The record company decided to re-release Stray Cat Strut and this time it debuted at #43 and went all the way to #3.

Michigan Trivia: Detroiters may remember that WRIF’s (101 FM) JJ and the Morning Crew a parody of this called “Fat Cat Strut.”

Stray Cat Strut

1983

The Eurythmics are Annie Lennox and Dave Stewart who actually dated for a while. Lennox said in an interview that they wrote this song after the two had a huge fight. Dave came up with a beat, Annie improvised the synthesizer riff, and suddenly they realized they had a potential hit.

In an interview with songfacts.com, Stewart said “We thought we’d made something really special but we had no idea, really, the impact it would have. Neither did the record label, which didn’t even think it was a single.”

Three other songs from the album were released as singles in the UK before their label, RCA, finally issued “Sweet Dreams.” When they did, it took off, climbing to #2.

 Songfacts says about the video:

The video presented Lennox with close-cropped orange hair and a tailored black suit, making it the first popular video presenting an androgynous female. The cow in the video was Dave Stewart’s idea – he was a big fan of surreal artists Salvador Dali and Luis Bunuel. Said Stewart: “A few people were saying, ‘Dave, why the cow? Annie is so good looking.’ Those people should go buy a copy of Purple Cow by Seth Dogin, about how to make your business remarkable. It was written 20 years after I had the purple cow in our video – which certainly did the trick and made my whole life remarkable.”

The cow, while very eye-catching, posed a logistical problem because most studios can’t accommodate them. Eurythmics found a basement studio in London with an elevator big enough to transport the animal. Lennox recalls the shoot with the bovine walking around as being one of the more surreal experiences of her life.

This song used to drive my former sister-in-law crazy. I’m not sure why, but whenever I DJ’s a family party or an event that she was at, I always played this song.

Sweet Dreams Are Made of This

1984

The next song got it’s title from a 1979 movie. Time After Time is the name of a 1979 science fiction movie starring Malcolm McDowell as H.G. Wells, whose time machine is stolen by Jack The Ripper, who uses it to travel from 1893 to 1979. Wells follows him into the future and goes on a quest to stop him from killing.

Cyndi Lauper wrote the song with Rob Hyman of The Hooters. Hyman told Songfacts: “When she saw Time After Time, something clicked. She said, ‘I think I have a title.'”

Once the title was in place, they set about writing the song. Hyman explained: “I was sitting at the piano and just started banging out what would eventually be the chorus, hook, and the way we sing it. It almost had like a reggae feel, it was a little bouncier and a little more upbeat. We started getting off on that chorus, then the verse melodies started to appear.

It’s a deceptively simple song. The verses are just a little repeating three-note motif – almost like a nursery rhyme, a very simple song. Then we started to realize we were on to something. The mood of the lyrics came from both of us. I think Cyndi came in and really started the lyric flow, then all of the sudden we realized it wasn’t such a bouncy song, but it was a little more bittersweet and a little deeper in its feeling and a little more poignant, so the music started to change. We wrote a little bridge section and I think the last thing we really wrote was the chorus. We had ‘Time After Time,’ we just had to get the words that would surround it.”

This song surprised me. Compared to Girls Just Wanna Have Fun and She Bop, this song was kind of deep. This one and True Colors really made me appreciate her talent.

Time After Time

1985

My Detroit Tigers are doing very well so far this season. I hope they keep it up! From 1985, here is a song that I have written about in the past Centerfield.

Centerfield

1986

My dad always played me classics from Elvis, Roy Orbison, Buddy Holly and Little Richard. I remember my dad coming home and saying, “Keith, you gotta hear this Little Richard song.” It was a song that was featured in the movie Down and Out in Beverly Hills with Richard Dreyfus.

Honestly, it sounded like something he could have done in the 50’s. Great Gosh A’Mighty must have been the cleaned up version for the film, because Little Richard also recorded a Great God Almighty version, too.

The song is always one I play on repeat on the iPod.

Great Gosh A’Mighty

1987

Randy Travis was one of the coolest country stars I’ve had the chance to meet. He was so down to earth and friendly. We talked about music, family and faith. It was like talking to an old friend.

I feel Forever and Ever, Amen is right up in the Top 10 best country songs of all time. It was written by two of the best songwriters in Nashville – Paul Overstreet and Don Schlitz. The two had already wrote Randy’s hit “On the Other Hand,” and I love the story of how this one came to be.

Overstreet told Songfacts:

“I had played about 36 holes of golf that day, and Don says, ‘I’ve got this idea we have to write.’ His new fiancée’s little boy was learning the Lord’s Prayer, and he was going around saying ‘forever and ever amen’ after everything. He would say, ‘Mommy, I love you. Forever and ever, amen.’ So Don said, ‘We’ve got to write this.’ I said, ‘How about tomorrow?’ He says, ‘No, now.'”

They got together on Overstreet’s front porch that night and composed the song by candlelight. Confident it was a hit, they recorded a demo the next day and sent it to Travis, who made it the lead single to his second album, Always & Forever. It was indeed a hit, spending three weeks at the top of the Country chart, longer than any other song in 1987.

Forever and Ever, Amen

1988

Another cover song on the list – this time, a cover of Elvis Presley. I remember hearing Cheap Trick’s version of Don’t Be Cruel and loving it! I remember really digging the spots in the song where that running bass line can be heard. The key change was something that stood out for me.

I hate to diss on the King, but I almost love the Cheap Trick version a bit more. There is so much going on that really takes the song to another level – that drum beat, the fake cold ending, the guitar solo and so much more. I played the heck out of this 45

Don’t Be Cruel

1989

The final pick comes from the movie UHF from Weird Al Yankovic. In a recent Turntable Talk feature, I talked about the David Lee Roth video for Just a Gigolo. At the end of it, I wondered if Dave borrowed from the music video for UHF’s title song.

While the video for the song is hilarious and brilliant, the song itself is one of my favorites from Al. It is not a parody, rather an original. It is a song that sounds like something you would hear on the radio in ’89. It has an alternative rock feel to it.

It’s an underrated and often forgotten Al song

UHF

What a way to wrap up the 80’s! I hope you heard some tunes you liked, too. Next week we’ll move on to the 1990’s and see what songs bubbled under my original list. See you then!

Thanks for listening and for reading.

Turntable Talk #37 – Turn It On Again

This was first posted on the A Sound Day blog hosted by Dave Ruch:

Once again, Dave from A Sound Day has invited me to participate in his month Turntable Talk feature. I truly appreciate the fact that he always comes up with great topics. Some of those topics are a bit more difficult to write (like last month), and some are quite easy. This month’s topic falls into the latter category.

Dave is calling this month’s round –Turn it on Again!  His instructions are very easy: “tell us about your favorite music video, or the one which impresses you most, and why you love it.” As a child who grew up with MTV, I had many that came to mind.

At this writing, I don’t know what the other contributors have chosen to write about. Has someone picked Michael Jackson’s Thriller? What about Take on Me from A-Ha or Buddy Holly by Weezer? I also wonder about Fatboy Slim’s Weapon of Choice, Peter Gabriel’s Sledgehammer and Nirvana’s Smells Like Teen Spirit. Each and every one of them stands out and have appeared on many “Best Music Video” lists.

I’m not sure that my pick would be considered my “favorite.” I also wouldn’t say it “impresses” me most, but I do enjoy watching the craziness of it. I suppose readers may be surprised at my choice, as I don’t really write about many “rock” songs. I suppose that this song wouldn’t fit into that category, but the singer qualifies as a rocker (at least most people think so).

“The band as you know it is over!” That is what Eddie Van Halen told Rolling Stone in mid-August 1985. This confirmed the rumors of division in the band with David Lee Roth. Eddie also made sure to add that “Dave left to be a movie star.” With that, Dave went on to explore a solo career. In late 1984, Dave released a cover of the Beach Boy’s California Girls. He followed that with another cover song (medley actually) from the great Louis Prima.

In 1956, Prima took the song Just a Gigolo and paired it up with I Ain’t Got Nobody. He used the song in his 1950’s Las Vegas act with Sam Butera and Keely Smith. The success of that act gained Prima a recording deal with Capitol Record, which hoped to capture on record the atmosphere of his shows. The first album, titled The Wildest! was released in November 1956, and opened with “Just a Gigolo”/”I Ain’t Got Nobody.” It became Prima’s signature number and helped relaunch his career.

Roth’s version is really almost a note for not copy of Prima’s record. By itself, it’s just an ok cover song. However, with an entertaining video that features celebrity look-alikes, beautiful women, and Dave being … Dave, it becomes something much much more.

The video for the song begins with Dave asleep at a news desk as his video for “California Girls” plays behind him on the monitor. The crew calls his name and he wakes up. After his talk, the freaky crew members begin to speak to him. They are right in the camera, so the viewer sees this from Dave’s perspective in this sequence. It’s actually kind of disturbing. The intro to the video is almost two minutes long before the song actually begins.

When it does, Dave is off dancing through the studio. We see him showing up at a talk show, walking through the backstage area among Vegas showgirls, astronauts, pimps, pirates, monsters, cheerleaders, hula dancers, and the police. All of this happens before you really get to the “meat and potatoes” of the video.

It is there that Dave begins parodying videos from Michael Jackson, Cyndi Lauper, Billy Idol, Richard Simmons’s “Sweatin’ to the Oldies” videos (Davercize!), Willie Nelson, and Boy George. As he appears in each of the videos, he winds up wrecking them. It is almost like watching a cartoon. It’s utter chaos, but a fun chaos (unless you count the priest who has a heart attack because of Dave’s dancing.)

The video is like a snapshot of the 80’s. It’s funny to imagine Dave crashing into a Willie Nelson or Cyndi Lauper video. As the “Nostalgic Italian,” I appreciate the nostalgia that the video presents. It is more powerful now than it was in 1985.

Eventually, MTV edited the 2 minute intro out, and just played the song portion of the video in rotation. I think that is how I first saw the video. When I searched for it to post in this blog, I found the full video. I honestly had forgotten all about the intro, but seeing it again was a hoot. Watching Dave do his “over the top” announcer made me think of so many of those DJ’s on the radio who literally puke every thing they say.

Back in one of our first rounds of Turntable Talk, we discussed music videos and whether they hurt radio. To me, I love the fact that a music video can convey the story of a sad song or add a whole lot of fun to another. With this video, Dave pokes fun at other videos, which only makes his more enjoyable to see.

I could be wrong, but it is possible that Weird Al Yankovic looked back to this video as inspiration for his UFH video. In Al’s Video, (in between clips from the movie) he pokes fun at Guns and Roses, Prince, George Michael, Peter Gabriel, ZZ Top, Billy Idol, The Beatles, INXS and the Talking Heads!

Thanks again, Dave for asking me to take part in this feature. I know that I really look forward to your topics and enjoy writing my response to them. I am already looking forward to next month.

Thanks for reading!

Ladies and Gentlemen – Mr. Eddie Deezen!

Eddie Deezen

I have been meaning to do a little interview with Eddie Deezen for a couple of years. I was always afraid to ask. You see, we’ve been friends on Facebook for some time and I’ve found that we share a lot in common. He has shared a lot of great personal stories about his interactions with other Hollywood celebrities, as well as some amazing trivia on just about everything.

I had noticed that he did a few podcasts with other Facebook friends and thought, “Maybe, he’ll allow me to ask him some questions for my blog.” As scared as I was to ask, Eddie said yes almost immediately. What follows in the transcript, if you will, of our chat. My questions are in bold and his answers follow.

Today is Eddie’s birthday, by the way, so what better way to celebrate than sharing a few minutes with him?

Keith: You and I have been Facebook friends now for almost 10 years.  You have a very active social media presence.  For fans like me, it is a wonderful way to connect with you.  Like a true friendship, you share your life with us and you share your laughs with us.  Many celebrities avoid social media or have someone run their page for them.  What is it about social media (Facebook) makes you love it so much?

Eddie Deezen: I love Facebook. I am 100% pure Facebook. I know I could reach more fans and have more followers on other sites, on Facebook I am limited to just 5,000 fans. This is the only thing about Facebook I dislike. The 5,000 friend limit makes no sense to me. I am a compulsive writer and joke writer. I fill up notebook after notebook with my jokes and stuff. With Facebook I have an avenue of people to see my stuff. Before I joined Facebook in 2009, I would write jokes and stories and trivia to a list of about 200 friends. My Facebook friends are wonderful. I love them very much. Also, I get told by people who are not on my Facebook friends list that they read my posts too. So that makes me happy.

One of the things I look forward to on your Facebook posts is your personal stories about your movies, behind the scenes tid-bits, and your interaction with other actors.  Many folks know you as Eugene from Grease.  You have shared so many wonderful stories about John Travolta and Olivia Newton-John (and others).  Do you have a favorite Grease story you love to share?

My favorite Grease story would be how I got Grease in the first place. Ok, I went to my Grease audition in my little suit, with a bow tie and I put Vitalis or some greasy stuff in my hair (The movie was called “Grease”, so I figured Grease in my hair made sense). I went in to Paramount Studios (by the way, Paramount has always been my favorite studio) and the place was packed with guts in leather jackets and girls in poodle skirts and saddle shoes.

I read for Allan Carr the producer), Randal Kleiser (the director) and Joel Thurm ( the casting director). As I was talking to them and reading my two or three lines, I saw them nudging each other. I figured the nudges were a good sign. Anyway, a few days later, my agent calls and tells me I got the part. I was ecstatic, I called my parents and my friends and told them I was going to be in a movie with John Travolta and all.

Then, a few days later, my agent calls me and tells me “Eugene is a small role and the studio decided they’re going to cut out your role from the film”. Of course, I felt like jumping off a cliff. My agent said “We’re going to church to pray”. I swear to God, we go in, my agent gives me a match and tells me to light candies and pray at the alter. I prayed fervently to God. “Please God, let something good happen”. A few days later, the studio calls my agent and tells her they want me back in the movie.

True story. Divine intervention? Or just a lucky break? Who knows? I have wondered about this first 48 years now. You can believe whatever you want, but this really did happen.. 

That is a GREAT story! I’m glad you got back into the film! Speaking of Grease, you worked with comedy legend Sid Caesar.  Did you have any interesting interactions with him?

Well, I was chauffeured home each night with Sid Caesar. I was carefully instructed “Don’t speak to Mr. Caesar unless he speaks to you first”. So I would sit in the back seat and Mr. Caesar would sit in the front seat and I would just sit silently as he spoke to our chauffeur. One day He turned around to me and said “So you’re the water boy, huh?”. I replied sarcastically “ Oh, is it okay if I speak?”. This was very rude of me, but I was a twenty year old kid. Very immature.

Mr. Caesar was a very intelligent man. I would listen to him pontificate about history and religion and stuff. Our chauffeur was named Kirk or Kurt. He was a nice guy.

One of my favorite movies of yours is 1941.  What a cast for that movie!  You had the chance to work with John Belushi. On Facebook, you have shared that Belushi was actually pretty quiet and was very nice to you.  Can you elaborate on that? 

John was always extremely kind and nice to me. I loved him so much. We had met previously in New York. He was at the premiere of my movie “I Wanna Hold Your Hand”. At the party after the premiere I sat with John and we chatted for about 15 minutes. He was serious and thoughtful. No jokes. He spoke earnestly. I loved seeing him on the set of “1941” 

The last time I saw John was around 1980. I was just leaving a really bad audition. I felt bad and who comes walking down the street but John Belushi. He saw I was sad and said “What’s the matter, Eddie?”. I said, “ I just had a terrible audition, John. These guys hated me”. He replied “They’re assholes”. And he just walked away. That was the last time I ever saw John Belushi.

To John’s credit, he was probably right!

I wasn’t going to ask, but I’d kick myself if I didn’t ask you to share a bit about Murray Hamilton and the dummy from the Ferris Wheel scene….

Murray was a wonderful, very nice guy. We had many great talks up on that Ferris wheel. Murray was a big time smoker. He smoked three or four packs a day. So every once in a while he would have trouble breathing up there. Steven had a. Oxygen tank he kept for Murray. If Murray was having trouble breathing, Steven would let us down and Murray would take a few hits of oxygen.

One of my favorite holiday films is the Polar Express.  Your work as the Know It All kid is just wonderful!  How did you and Tom Hanks get along?  Is he as nice as he seems?

Tom has always been my favorite movie star. The first day of the table read, there were a bunch of us all gathered to greet Tom. He was the biggest movie star in the world. He spots me in the bunch, walks up to me first and says, “Hi Eddie. I’m Tom”. No shit Sherlock.

He was a total pro. Never flubbed a line or missed a cue. One day I made a bad mistake. I screwed up a line or some such thing. Our director, Bob Zemeckis, said “cut”. “What happened, Eddie?”, he asked me. Before I could say anything, Tom cut in. “That was my fault”, he said. He took the blame for my mistake. He was like an older brother to me.

After we finished filming “The Polar Express”, he took me to three Dodger games at Dodger Stadium. We sat in his box seats. We sang the National Anthem and “Take Me Out to the Ballgame” together. He was just as cool as you’d expect him to be.

That’s awesome. What an experience for you!

You got to work with Dick Shawn in an episode of Magnum PI. 

He seemed like a pretty unique guy.  His comedy was so different and manic at times.  I don’t think there is anything I’ve seen him do that didn’t intrigue me.  What was it like to work with him?

Dick Shawn was a wonderful, nice, lovely, friendly, terrific, and delightful guy. I loved working with him. My career was pretty much movies, not a whole lot of television. But that “Magnum P.I.” episode I did (“Squeeze Play”) was probably the best thing I ever did on tv. I loved the entire Magnum cast and crew. Dick Shawn was a marvelous comedian and a fantastic straight man too. I loved playing his nephew.

You also shared the screen with two of the hottest gals of the 1980’s: Heather Thomas in Zapped! and Morgan Fairchild in Mob Boss. 

Correct me if I am wrong but don’t you have a story about kissing Morgan Fairchild?

Yes, I did a movie called “ Mob Boss” with Morgan. Ok, we had a scene where the nerdy guy (me) kisses the ultra-sexy woman. We embrace and kiss and my glasses are all steamed up. Well, before we did that scene, Morgan said to me, “Eddie, do you want to rehearse?”. YOU THINK?? So she held me and kissed me at different angles and straight on, Etc. By the way, Morgan was a marvelous kisser. Her lips were so soft. She was also the most lovely lady ever. I loved her so much. She was a fabulous comedienne. Great straight woman too.

It was so much fun to work with Heather Thomas, too. Heather was a doll. She was very cool and incredibly nice. The episode of “The Fall Guy” I did with her was very fun to shoot. I loved all the cast and crew of “The Fall Guy”.

As a voice over actor, you have appeared in countless cartoons and series. 

I always love when I hear your voice on something my kids are watching.  You showed up recently on an episode of Handy Manny and also on Oswald.  Do you find voice acting to be easier than acting on screen or are the about the same?  Do you prefer one over the other?

Well, I have never been great at memorizing lines. Now, on camera stuff, you have to learn your lines by heart. For “The Polar Express”, our director Bob Zemeckis, knew my problem, and he let me read my entire role using cue cards.

I enjoy voiceovers and doing cartoons because you can just read your role from a script, no memorization involved. But as a performer, you get a bigger rush doing a movie, because it’s fun seeing yourself onscreen.

A show that many folks don’t remember is the Weird Al Show from the late 90’s.  Can you tell me how you got to play “Guy Boarded Up in the Wall?”

Yes, Weird Al is a marvelous, very nice guy. He also knew of my problem remembering lines and he wanted me on his show. So he created the “Man in the Wall” character. I was “ on camera” but I was behind a wall, so I could just read my lines. It was a very fun gig.

Your fans are well aware of your love for the Beatles and their music. 

A while back, my blogger friend, Dave from A Sound Day ran a feature. He had some of us bloggers write about the Beatles and if they were still relevant today.  I wrote my piece about songs I would use to introduce the band to someone. So, if YOU had to introduce someone who had never heard of the Beatles or their music, what 5 (or ten if you wish) songs would you play for them?

My favorite Beatles song is “A Hard Day’s Night”, so I would have to include that one. Now, you did not ask first my favorite Beatle songs, however, you asked first five or ten Beatle songs I would use to introduce a new fan to the Beatles. So here are my choices:

  • Love Me Do
  • She Loves You
  • I Want to Hold Your Hand
  • Help!
  • Yesterday
  • In My Life
  • Penny Lane
  • A Day in the Life
  • Strawberry Fields Forever
  • Let It Be

There are so many great Beatles tunes to choose from, and you have some classics there!

You and I share many of the same likes, the Beatles being one of them.  However, you are also as big a Stooge Fan as I am.  I have loved The Three Stooges since my dad introduced me to them as a kid.  You have said often that Curly is your favorite. 

It is hard NOT to like him.  Is there any one thing in particular that makes him your favorite? 

Yes, Curly Howard is my all- time favorite comedian. He was as great as Charlie Chaplin or Buster Keaton physically. Plus, he was a hilarious verbal comedian, something Chaplin and Keaton were not. He made 97 shorts. About 70 or 80 are comedy classics. He was amazingly prolific. He was all finished and retired by the age of 42. 42!!!! He just wore himself out. He was spent and got progressively sicker. The poor guy was gone at the age of 48. 48!!!

You could really see how sick he was in his last few shorts. The world certainly got a lot less “funny” when he passed away. So, do you have a favorite Stooges Short? 

My favorite Three Stooge shorts are “Punch Drunks” and “Micro-Phonies”

Those are both in my top ten Stooges shorts, too. One last question for you, my friend. Do you think Shemp gets a bum rap for following Curly?

Well, yes. Shemp is obviously anticlimactic because he followed Curly. That’s Iike following Elvis or Paul McCartney, anyone would suffer in comparison. That said, Shemp was a fair to good comedian. He was not great. He did not have Curly’s innate sense of humor or timing or sense of what makes a line funny or what makes a gag funny.

He had his great moments, yes, but he has a lot of very unfunny scenes too. Plus, his character was not as original or lovable or magical as Curly’s. I always love what Leonard Martin said about him- Shemp was an indisputably good comedian, but he never had Curly’s “otherworldliness.” A perfect word that captures it all. Curly was otherworldly.

I’d forgotten that you wrote a piece about Shemp for Mental Floss back in 2011. It’s a great piece that readers can see on the Mental Floss Site.

Eddie, thank you for taking the time to answer my questions.  Thank you for your friendship.  I truly hope to meet you in person one day.  Maybe a trip to the Stoogeum in Pennsylvania one day?  I wish you all the best and lots of happiness on your birthday, my friend!  Cheers to another year of friendship and laughs!

Thanks Keith. I’m glad to answer these questions for you. You are a wonderful guy and I am proud to have you as a friend both on Facebook and in my life. That trip to the Stoogeum sounds like a plan on my bucket list, so let’s hope! See you on Facebook!

I need to once again extend a huge thank you to Eddie for taking the time to chat with me. If you are a fan, Eddie also does do personalized messages for birthdays and such on Cameo. I had him do one for my dad a year or so ago! You can check out the information on Eddie’s Cameo Page.

Happy Birthday, Eddie! May your day be filled with laughter and happiness!













The Music of My Life – 2005

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned 35 in 2005. There was plenty going on in my personal life at this time. We were doing various therapies for my son, who had been diagnosed as being on the Autism spectrum. I had settled into my position at 94-5 The Moose in Saginaw as their afternoon guy and music director. I was certainly loving that. And at some point during the year, my mother’s cancer returned.

At the time, My Space was pretty popular. I was blogging a lot on there. Somewhere, I have a Word document with every one of those blogs. I had to contact them to get them. I had stopped posting there after joining Facebook, and at some point they moved content. I was thankful to get those blogs as they covered the time leading up to my wedding, the birth of my sons and the death of my mom.

I posted a lot about new songs we were playing on the radio, too. A few of them make this list. Let’s head into 2005:

The legendary Ray Charles passed away in 2004, but before he did, he recorded an amazing duets album. Genius Loves Company was the best selling recording of Charles’ more than 50-year career. It was a collection of duets with Norah Jones, Natalie Cole, Elton John, B.B. King, Gladys Knight, Diana Krall, Michael McDonald, Johnny Mathis, Van Morrison, Willie Nelson, Bonnie Raitt and James Taylor.

The album entered the Top 10 on the US album chart more than 40 years after Charles’ previous appearance on that same chart. This broke the record held by another act who also made his comeback with a duets album. In 1993 Frank Sinatra’s Duets reached the Top Ten 25 years after his previous Top 10 album.

Here We Go Again was a song that Ray had recorded in 1967. Then in 2004 he re-recorded this as a duet with Norah Jones for Genius Loves Company. She recalled collaborating with Charles on this song in a 2010 interview with Billboard magazine:

“I got a call from Ray asking if I’d be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there.”

This song won Grammy Award for Record of the Year and Best Pop Collaboration in 2005 eight months after Charles passed away. In addition Genius Loves Company was awarded Album of the Year among six other awards, as the American music industry paid lavish tribute to him.

Unlike Frank Sinatra and Willie Nelson, Ray Charles’ voice is as strong as ever on this recording. I felt Sinatra’s voice was weak on his duets albums. Willie is still putting out albums and at times he sounds like he’s just speaking the lyrics. Ray, however, sounds fantastic. I love the blending of these two voices.

Here We Go Again

The next song is an example of a song that I first heard in a polka. You read that right – a polka. Weird Al Yankovic has done quite a few polka medleys on his albums. The medley usually contains a verse or chorus from a pop song done as a polka. When I first heard Beverly Hills by Weezer on the radio, I found I liked it.

Weezer lead singer (Rivers Cuomo) explained in an interview with Rolling Stone magazine that this song is about how he could live in Beverly Hills, but he wouldn’t fit in. “I could live in Beverly Hills, sure,” he says, meaning he could afford it easily. “But I couldn’t belong there.'”

Songfacts explains:

The song comes off as satire, but that wasn’t what Rivers Cuomo had in mind when he wrote it. “I was at the opening of the new Hollywood Bowl and I flipped through the program and I saw a picture of Wilson Phillips,” he said. “And for some reason I just thought how nice it would be to marry, like, an ‘established’ celebrity and live in Beverly Hills and be part of that world. And it was a totally sincere desire. And then I wrote that song, ‘Beverly Hills.’ For some reason, by the time it came out and the video came out, it got twisted around into something that seemed sarcastic. But originally it wasn’t meant to be sarcastic at all.”

The music video was shot at the Playboy mansion. It included appearances by Playboy founder Hugh Hefner and some of the Playboy bunnies. Two of those bunnies were Holly Madison and Bridget Marquardt.

Beverly Hills

When I was music director at the Moose, I spoke with a lot of record people. One of the industry folks knew I loved music from the Rat Pack. She asked me if I had heard of Michael Buble’. I hadn’t. She sent me some MP3’s of his music and I was hooked.

The song could have been sung by just about any artist who tours. The lyrics sound as if they could be autobiographical. It is sung by someone who spends a lot of time on the road with great success. With that success, there is sacrifice. He is missing his home, particularly the woman he loves.

Despite the fact that Home only reached #72 on the Hot 100 chart, it was a breakthrough song for him. The song hit #1 on the Adult Contemporary survey in July 2005. Three years later Blake Shelton reached #1 on the Country chart with his cover of Bublé’s hit.

Bublé and Blake Shelton teamed up in 2012 to record a holiday version of this song for Shelton’s, Cheers, It’s Christmas album. The collaboration happened after Shelton sent Bublé an email saying he hoped to record a yuletide-themed rendering of the tune. “I had the idea of doing a Christmas version of ‘Home,'” he said.

This was the song that proved to folks that Michael was more than a cover artist. His original songs are just as good as the standards he records. He is also more than just a Christmas artist. It bugs me that people pigeon hole him and label him like that. He’s one of my favorites.

Home

My on air name was “Keith Allen.” As a music director, I got to hear all the new music before it went on the air. I popped Play Something Country by Brooks and Dunn in the CD player and loved it. On my first listen, I thought they said my name – Keith Allen. I suppose, in a way, they did. But the lyrics refer to Toby Keith and Alan Jackson:

Said, I’m a whiskey drinking, cowboy chasing, hell of a time
I like Kenny, Keith, Alan and Patsy Cline.

I have to tell you my favorite story about this song. When my program director and I first heard this, we said, “That’s a number one song!” We told our consultant that we wanted to add it. He said he didn’t feel like it was a hit. We were both shocked. We both told him that we felt it would be number one. He fought us.

He fought us for a few weeks on this one. He finally said that if we really felt it was a hit, we should add it. We wound up making a wager. I told him that if it didn’t go to number one, we’d buy him dinner. He said if it did hit number one, he would buy US dinner. The week it hit number one, he called us for our weekly music call. When we answered we started giving him restaurants we could go to!

His issue with the song? The “wolf-like” howl of the chorus.

Play Something Country

The next song is one that everyone jokes about on October 1st every year. “Someone needs to go wake up the guy from Green Day!”

This song reminds me of Fastball’s The Way. I say that because it starts with a simple acoustic guitar behind lead singer Billie Joe Armstrong. Then the song kicks in with drums and the rest of the instrumentation. I love the sound of that.

Green Day’s Billie Joe Armstrong wrote this song about his father, who died of cancer on September 1, 1982. At his father’s funeral, Billie cried, ran home and locked himself in his room. When his mother got home she knocked on the door to Billie’s room. Billie simply said, “Wake me up when September ends,” hence the title.

“My father died in September of ’82, and I purposely, up until that point, never went there,” Armstrong said in an interview. “I think really what I was doing was processing that loss that I had with this person that I never really knew. So I wrote that song for my father and about that loss and how 20 years had passed. I remember right after I wrote it, I felt this huge weight off my shoulders.”

Wake Me Up When September Ends

Another country newcomer makes my list this week. I have actually written about him, and the song. Here is that blog:

Tune Tuesday – Must Be Doin’ Something Right

Must Be Doing Something Right

The next song is  one of the slowest chart climbers in history. It was on the American Hot 100 chart for 23 weeks before it entered the Top 40. KT Tunstall’s “Suddenly I See” was inspired by another artist, Patti Smith. Tunstall said, “The inspiration for the song was Robert Mapplethorpe’s photograph of Patti Smith on the cover of her album Horses. I was staring at it one day thinking it was incredible. It’s everything I love about music – mysterious, inviting, frightening.”

Suddenly I see
This is what I wanna be
Suddenly I see
Why the hell it means so much to me

“The chorus was me thinking, ‘that’s what I want to be,'” Tunstall told The Guardian. “Not a famous pop star with lots of money, but like this woman who’s living her life as an artist. I’d been trying for more than 10 years to be a professional musician. I was just exhausted from trying to persuade other people I was good enough.”

I remember hearing this song shortly after realizing that my first marriage was over. After all I learned and discovered through therapy, the title spoke to me. Suddenly, I saw just what was going on and I realized that I couldn’t do it anymore.

Suddenly I See

There were some really good country songs around this time. There were many new artists and some really distinct sounds that were on the radio. I was impressed with Josh Turner from the first time I heard him. I couldn’t believe the tone of his low voice.

Your Man is a song that I wish I could have written. Here is a guy who has been thinking about his woman all day long. He tells her to lock the door, turn the lights down low, and play some music.

I’ve been thinking about this all day long
Never felt a feeling quite this strong
I can’t believe how much it turns me on
Just to be your man

That’s LOVE right there!!

I love the entire feel of this song. It’s the perfect song to “sway” to.

Your Man

As the “Nostalgic Italian,” I think it is safe to say that I believe in the power of a photograph. The memories that can come from looking at an old picture just amazes me. My Friday Photo Flashback is always fun to do. I think that is because of the stuff that comes to mind with those old pictures.

I know there are plenty of people who hate Nickelback. However, Photograph is a song that I can relate to in so many ways. (From songfacts): This song is about reviewing the memories (missed and forgotten) from the band’s childhood in Hanna, Alberta. The lyrics are a chronicle of real events and personal landmarks lead singer Chad Kroeger recalled as he wrote it.

“It’s just nostalgia, growing up in a small town, and you can’t go back to your childhood. Saying goodbye to friends that you’ve drifted away from, where you grew up, where you went to school, who you hung out with and the dumb stuff you used to do as a kid, the first love – all of those things. Everyone has one or two of those memories that they are fond of, so this song is really just the bridge for all that.”

Someone once said, “If you don’t think photos are important, wait until they are all you have left.” I couldn’t agree more.

The photograph Kroeger is holding in the video is the one that inspired the song: It’s a shot of him and their producer, Joey Moi, at a New Year’s Eve party.

Photograph

We wrap up 2005 with a One Hit Wonder. Defining a “one hit wonder” isn’t really easy. Most feel it is when the artist fails to have their follow up released crack the Top 25. There are certainly many songs that fit into that category.

Daniel Powter’s album was released in America in 2006. Bad Day was released in the UK in 2005. In the fifth season of Americal Idol, the song was played over a video montage of the contestant that was being sent home that week. This helped the song gain popularity.

Powter is from British Columbia who later moved to Los Angeles. “Bad Day” was his first single released on a major label (Warner Bros.), and his only hit. He later described it as “a blessing and a curse.” Powter said:

“I was touring the world and performing for thousands of people, but I felt like the song was starting to define me. I actually found myself getting almost angry about it.”

This was the top-selling digital download of 2006. This was the star of people prefer downloading songs to buying CDs. It was part of a shift toward digital distribution of individual songs. In America, the album sold 500,000, but the single was digitally downloaded over 3 million times!

My mom was doing chemotherapy and radiation for her breast cancer at this time. She found the song to be inspiring. It basically says that even if you have a bad day once in a while, things will get better. My mom always tried to have a positive outlook. She battled cancer for 10 years and by this point she was tired.

My mom had the gift of gab. She was always on the phone. She assigned Bad Day to be the ringtone for her cell phone. I believe it was on there until she passed away. When I hear this song, I am taken back to those final weeks of her life.

Bad Day

What song from 2005 did I miss that was your favorite? Drop it in the comments.

Next week, we’ll focus on 2006. On my list is a song about a steeplechase runner, a song that became a hit because of Grey’s Anatomy, and a song that was a hit on the Adult Contemporary Chart and the Country charts. It also has a great Drifter’s cover song, one that took on a whole new meaning for me when my daughter was born, and a creative way to insinuate profanity without actually using it.

Thanks for reading and for listening! See you next week.

The Music of My Life – 1996

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I suppose it is when you are on the backside of 20, you begin to really understand how fast the years go by. I turned 26 in 1996 and I was told, “30 is just around the corner!” One co-worker told me that every thing starts to fall apart when you turn 30. I learned that he was right!

My first pick from 1996 has a Meatloaf vibe. “I would do anything for love, but I won’t do that. The Gin Blossoms will “follow you down, but not that far.” Follow You Down was their first single from the “Congratulations…I’m Sorry” album. The album got its name because that was what people said to the band finally having hits (Hey, Jealousy & Found Out About You) after struggling to get one for years.

The song was a last minute addition to the album. “We were working on the record, and I’d come home at night to my hotel room, and I had those chords, and finished writing by the time we got home,” guitarist Jesse Valenzuela told songfacts.com. “We’d already finished the record, but I had this great song, so I demoed it up and I sent it to my main A&R man, David Andaly, the great David Andaly, and he said, ‘Why are you hiding this thing? Let’s put it on the record.’ So we went and recorded it right away.”

This is one of those songs that really stuck out to me on the radio. I loved the little harmony on “Anywhere you go.” It was another one of those songs that I would crank up the radi.

Follow You Down

Let it be known that I am not the biggest Celine Dion fan. However, I think Diane Warren is one of the best songwriters ever. Diane wrote the song Because You Loved Me for the movie Up Close & Personal.

From songfacts.com:

Diane Warren explained in the book Chicken Soup For the Soul: The Story Behind The Song how she honors her father in this song. Said Warren: “I saw the film with the director, Jon Avnet, on a Friday. I thought, ‘What would I want to hear at the end of the movie?’ Jon played me a tape of a gospel singer to give me a sense of what he was looking for – something really soulful.

I went into my office on Saturday, the following day, and the chorus came quickly. Michelle Pfeiffer’s character is thanking Robert Redford’s character for believing in her. The song became personal at the same time that it was telling the story of the film. Once I began, it became a way of thanking my dad for everything he did for me and the support he has always given me. He believed in me and my music from the time I was a little girl. When I was 15, he took me around to music publishers. Not only did he support my goals, he supported me financially while I was struggling in the beginning.

I had to wait for months to see if my song would be chosen to use in the film or if they would select one of the other four submissions. Thank goodness I had just started therapy! It got me through it.”

When I was DJing weddings, I would say that 8 out of 10 couples used it as their wedding song. Even Vince Gill and Amy Grant used it for their first dance. Lyrically, it is just spectacular.

On a Billboard podcast, Diane Warren said, “I feel like it was a leap in my craft. I felt that when I wrote that song, it was better than I was at the time, if that makes sense. I was like, ‘Whoa, this is probably my best song.’ There’s something lyrically about it.”

Because You Loved Me

My next pick was actually a hit back in 1973 for BW Stevenson. My Maria was written by Daniel Moore and Stevenson. It is basically Three Dog Night’s Shambala written about a woman.

In 1996, it was covered by Brooks and Dunn and it went straight to number one on the Country Chart. It was also named Country Song of the Year.

This version made Moore happy as it made him more money than any other version. He said, “The original sold 950,000 singles, Brooks & Dunn’s version has sold over 6 million. The original version got about 1,500,000 US radio performances. The Brooks & Dunn version is over 6,500,000 US radio performances and still going.”

It was one of Brooks and Dunn’s biggest hits, but it almost wasn’t recorded. Ronnie Dunn admitted he was reluctant to cut the song when the idea was first presented to him. “I thought, ‘Oh man, it’s just that falsetto thing,'” he remembered. “It’s a rock song, in my opinion. And I was very much wrong.”

Personally, I like the Brooks and Dunn version better than the original. I also have fond memories of a few of the country stations I played this one on.

My Maria

Next is a song that was never released on a Weird Al album. The song Spy Hard was recorded and used as the title song for the Leslie Neilsen movie of the same name.

Anyone who has seen a James Bond film knows the importance of the opening credits. They were all very unique and this song (and video) were a nod to those Bond intros. Spy Hard is unique in that it was recorded with an orchestra (which was conducted by Bill Conti of Rocky fame).

There is a Bond Urban legend that says that for the song Thunderball, Tom Jones held the song’s final note long enough to pass out; in this film, Yankovic holds it long enough to make his head explode. Originally, Yankovic had planned to loop the note to the required length, but in the studio, he discovered he was able to hold the note long enough that no looping was required. What a talent!

As for the movie itself? Let’s just stick with the song ….

Spy Hard

One of the first songs I remember playing when I started at my first country station was by a group called Ricochet. Many of the “older” songs I was playing were new to me at the time and that included Daddy’s Money.

This song was their second single and it was a number one hit for them. I could relate to the song in a way. Whenever the choir at church there, I often found myself staring a a pretty girl singer. The opening lyric:

Can’t concentrate on the preacher preaching
My attention span done turned off
I’m honed in on that angel singing
Up there in the choir loft

I love the line, “My attention span done turned off!” The only thing that makes me chuckle more in this song is the fact that it goes out of the way to make sure you know that she is “a good bass fisher!” Now, what man doesn’t want that in a woman?!

This is on my list because I love singing along to it.

Daddy’s Money

I knew Alanis Morissette from the children’s comedy show You Can’t Do That On Television. When her Jagged Little Pill album was released I was struck by the deep and profound lyrics of many of the songs. Some of the lyrics shocked me, honestly.

At a live show, she explained how the song came about:

“When relationships get healthier and healthier we somehow equate that with not being as passionate or as sexy,” she explained. “I’ve kind of realized that it’s actually sexier when there’s less drama. It’s been better, and I never thought that that would be the case because of the whole clingy, overly dependent roller coaster that often times seemed very passionate and very sexy. And when I wrote ‘Head Over Feet’ about this particular person it was the first time that I actually had a glimpse of what it would be like to be in love and have it be something that was inducing of the heart palpitations, yet at the same time I could spend a couple minutes and actually not think about that person. It was very new to me.”

I was dating a gal in 1996 who was not as vocal about her feelings as me. I have always believed in letting people know how you feel about them. I always thought it was odd for me to say “I Love You” and not hear it back in return.

I had made a cassette tape of love songs for this gal and it had a huge variety of singers. She actually liked it a lot. She told me that she had a song that made her think of me and told me to listen to it. The song was Head Over Feet.

Knowing this gal like I did, it made perfect sense for her to use this song. She was exactly like the gal in this song and I was exactly like the guy. It wasn’t exactly the way I wanted her to express her emotions, but it worked.

Later on, she broke up with me by putting a note on my windshield. That even led me to some pretty dark times.

Head Over Feet

Some of my music blogger friends are familiar with the next song. I love it because it has that 60’s Beatles feel to it. It’s from the imaginary group called The Wonders. That Thing You Do becomes a hit for the group in the movie of the same name.

The song was written by Fountains of Wayne bass player, Adam Schlesinger. He said, “That was 1995 I think I first heard about it, or ’96, and I was just starting out. I had a publishing deal as a writer and they told me about this movie – they said that they were looking for something that sounds like early Beatles. And they knew that that was an era that I liked a lot. So I just took a shot at it and got very lucky and they used the song.”

Adam says he is better known for this song than Fountains of Wayne’s Stacy’s Mom.

I admit that this is a song that I play over a couple of times when it comes up on my music playlist. I just love this one.

That Thing You Do

One of the best interviews I’ve ever done was with Jewel. She promoting a country album when I chatted with her on the air, but I was very familiar with her music. Some folks wanted to write her off as a one hit wonder after her song Who Will Save Your Soul, but You Were Meant For Me stopped that!

Jewel wrote the song during the time she was homeless and living in her car. During that period she started having panic attacks and anxiety, and came up with her own way of coping, using mindfulness exercises to retrain her brain. In an interview with ABC radio, she said the line, “Dreams last for so long even after you’re gone” is about “the love of fantasy versus the actual reality.”

Songfacts.com says, “Jewel wrote the song during the time she was homeless and living in her car. During that period she started having panic attacks and anxiety, and came up with her own way of coping, using mindfulness exercises to retrain her brain. In an interview with ABC radio, she said the line, “Dreams last for so long even after you’re gone” is about “the love of fantasy versus the actual reality.”

At the time, this was the biggest-selling single in the history of Atlantic Records, and Jewel became the label’s first artist to grace the cover of TIME magazine (July 21, 1997). She is such an amazing singer and songwriter.

You Were Meant For Me

Beavis and Butthead were so successful that they got their own movie – Beavis and Butthead Do America. The soundtrack included songs from Ozzy Osbourne, White Zombie, No Doubt, Isaac Hayes, and AC/DC. It also included a cover of the Ohio Players’ song Love Rollercoaster by the Red Hot Chili Peppers!

While the original was a number one song, the Chili Peppers’ version didn’t do much in America. It did go Top 10 in the UK.

It’s not that I love this song, but I do like the more modern take on it by the RHCP. The video is kind of fun to watch too.

Love Rollercoaster

Remember the movie The Mirror Has Two Faces? Me either.

I Finally Found Someone was a hit for Barbra Streisand and Bryan Adams. Streisand initially wrote the love theme with veteran composer Marvin Hamlisch, but her producer, David Foster, envisioned it as a duet. That’s when Bryan Adams and his producer, Mutt Lange, were brought on to the project.

Barbra says, “Bryan played our track and heard me humming and fell in love with this little theme that I wrote, and then he and his producer Mutt Lange wrote a counter melody based on the track that I sent him. And they wrote the lyrics. So that’s how that happened.“

The single gave Streisand her first Top 10 hit on the Billboard Hot 100 since 1981 and was a top ten hit. This was a song that I would often suggest to couples who did not want the most popular wedding songs (like the aforementioned Celine Dion). This was also a song that I mentioned to my wife as a possible “our song.”

Adams and Streisand have two very distinct voices, but they blend well together and this is really a fantastic and underrated love song.

I Finally Found Someone

This year was a difficult one for me to narrow down to ten songs for some reason, so I am sure I left off a few of your favorites. Tell me about yours in the comments.

Next week, we’ll look at 1997. I can see that this was another difficult year to pick ten songs as below the ten I have another nine artists names! The list does lean a bit alternative, but there is also some pop, country and swing!

I mentioned that my breakup of 1996 began some dark times. In 1997, there is a song that ties in way to closely with what I was doing in my personal life … More on that next week.

The Music of My Life – 1992

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

In 1992, I turned 22 and would land a radio gig at WHND, Honey Radio. It was through my old radio partner that I would become all too familiar with karaoke bars. We spent a lot of time pretending to be singers at them. Believe it or not, it was listening to people try to sing that introduced me to many songs. Many of those songs, were ones I normally would have been unfamiliar with.

Let’s jump right into 1992!

The Spin Doctors are often referred to as an alternative band. I tend to think of them as a rock band, though. Two Princes sounds more like a rock song to me. I could easily hear the Stones covering it.

A buddy of mine used to sing this song all the time. From the opening drum kick and guitar lick, I was hooked. The content of the song was influenced by some classic literature. Chris Barron, said:

“I loved The Lord of the Rings and The Hobbit and Sir Gawain and the Green Knight. I was really into fantasy fiction and stuff like that. I wrote that song when I was 19, so I was still coming out of childhood, and as a child I loved wizards and kings and queens and princess and princesses and stuff like that. And I loved Shakespeare – I already was way into Shakespeare. So I gravitated towards that kind of imagery just because I liked books and poems from that period of time.”

Drummer Aaron Comess said that the song was almost a lot faster.  “There are certain songs when you find the right tempo, all of a sudden the lyrics come out, it feels right and I think with ‘Two Princes’ we really lucked out. It’s one of those things, we got in the studio, found a good tempo, we recorded it, everything just really came together. It’s very simple, there’s not a lot of stuff on it, somehow the sound and feel we got, we just lucked out and found the perfect thing.”

Songfacts pointed out that it was songs like this one that were in high demand on radio in 1992-1993. There was an onslaught of hip-hop songs at the time and it was this “sound” that began pushing it back a bit.

Two Princes

Here is another example of how I came to learn of the original because of a parody. I was familiar with the cover of their Nevermind album, but unfamiliar with a lot of their songs. Enter once again, Weird Al.

When Al first heard Nirvana, he was very impressed but thought they wouldn’t catch on. He was thrilled when “Teen Spirit” became a huge hit, since that made the group a parody target.

Al is famous for asking for permission before doing any type of parody. He got permission from Nirvana’s lead singer Kurt Cobain while he was doing an episode of Saturday Night Live. Kurt initially thought the song would be about food. Instead, it was poking fun at how hard it was to understand their lyrics.

The video is a very close parody of Nirvana’s, and got almost as much airplay. For example, the same janitor used in Nirvana’s video also makes an appearance in Weird Al’s. This time donning a tutu and playing a tuba. Al dresses just as Cobain did, complete with wig. He plays a fake blowup guitar and makes fun of the hard-to-understand lyrics by gargling water and singing with marbles in his mouth.

FYI – Dick Van Patten was not in the Nirvana video.

This song is probably the one that really solidified my opinion of Weird Al as a musical genius!

Smells Like Nirvana

For comparison – the original video:

Ok, I admit that the next song was far from a hit. It only peaked at #92 in the US, however in the UK it hit #27. The original, of course, was a number one hit for Elvis Presley in 1957. Personally, I really like Billy Joel’s version of All Shook Up. I think it should have done better on the charts.

The song is one of many Elvis covers from the soundtrack to Honeymoon in Vegas. The movie starred Nicolas Cage, James Caan, and Sarah Jessica Parker. It also featured a whole lot of Elvis impersonators.

What I love about Billy’s version is that it retains the feel of the original, but there is enough “Billy” to make it his song. When I was DJing, I used to put on a cape, an Elvis Wig, Elvis glasses, and grab some random gal out of the audience and “lip synch” this to her. It was ridiculous, but it always got a laugh from the crowd (along with a lot of photos).

All Shook Up

Next, we have the only song that I will fast dance to. I say this, because I believe there is no real dancing necessary. Songfacts explains this perfectly:

House of Pain’s Jump Around earned relentless airplay on MTV and pop radio, and became a huge crowd pleaser in bars and dance clubs. It was great for getting people on the dance floor, as no real dancing is involved – just jumping around.

Exactly. I jump like a fool when this one is on! It’s hard to look bad. It brings the bounce with a steady, throbbing rhythm along with explicit instructions on when to jump. You can’t mess this one up!

Erik “Everlast” Schrody wrote the song. Songfacts explains that the lyrics on this track are very aggressive. It contains lines like “I bust him in the eye, and then I’ll take the punk’s ho.” Everlast was surprised when the song crossed over to a pop audience. He thought it was “too hardcore” to do so. The “pugnacious” lyrics, however, are tempered with comic relief. Listen for lines like “I got more rhymes than there’s cops at a Dunkin’ Donuts shop. ” They make it a lot less threatening.

If the horn flourish that opens this song sounds familiar, it is because it comes from Bob and Earl’s song, “Harlem Shuffle”.

Jump Around

Next a movie song that never made the movie’s soundtrack. In A League of Their Own, Madonna starred with Tom Hanks, Geena Davis and Rosie O’Donnell. The film was based on the true story of an all-women baseball team that was popular during World War II.

The song is about a woman who can’t and let go of her past, with the implication that her present circumstances aren’t so good. The lyrics fit well with the film’s premise, as the now-elderly women reunite and recall their glory days as baseball stars.

To a degree, I can relate to this as I tend to live in my nostalgia and memories, however, my present circumstances are actually good. I find myself thinking of those summers playing ball at our old elementary when I hear this song.

This made me laugh: The video for this song, which shows Madonna singing from the pages of a photo album, bears a strong resemblance to Boy George’s video for his 1987 song “To Be Reborn.” The similarities were not lost on the Culture Club singer, who angrily dubbed it “This Used to Be My Video” in his autobiography.

This Used To Be My Playground

What I love about country music is the honesty of it. There are a handful of songs that I can say really hit home for me. One of them is from Travis Tritt’s third album. For me, I could relate to the lyrics of Lord Have Mercy on the Working Man. After all, I was working on a DJ’s salary!

Truth be told, it doesn’t matter what job you hold, these lyrics hit home. While primarily focusing on the economical injustice to blue collar workers, it fits anyone who struggles financially.

Uncle Sam’s got his hands in my pockets
And he helps himself each time he needs a dime

Why’s the rich man busy dancing
While the poor man pays the band
Oh they’re billing me for killing me
Lord have mercy on the working man

The final verse features Tritt’s friends joining in. Listen for Brooks and Dunn, George Jones, Little Texas, Tanya Tucker, T. Graham Brown and Porter Wagoner.

Lord Have Mercy On The Workin’ Man

MTV’s Unplugged had been around since 1989. It featured Joe Walsh, The Cure, Paul McCartney, Sting, and Mariah Carey. Eric Clapton recorded an Unplugged performance at Bray Studios in London. He rearranged many of his classic songs for the acoustic context.

The resulting Unplugged album went on to become the best selling Unplugged album in the U.S. and worldwide with sales of 10 million in the U.S. and 26 million worldwide. He earned six Grammy Awards for the album. He earned Grammys for Record of the Year, Album of the Year, Song of the Year, Best Male Pop Vocal Performance, Best Rock Male Vocal Performance and Best Rock Song.

I have been a fan of acoustic shows for a long time. I loved when artists came in and played acoustically for us. It is raw and you really feel the song. When I heard the Unplugged version of Layla, I couldn’t get enough of it. I loved the entirely different feel to the song! It was so much more bluesy.

The Unplugged version also helped Eric do his vocal. According to Songfacts, “playing the “Layla” riff while singing is like juggling on a unicycle, so Clapton tries to avoid it. When he does the rock version live, he’ll play the riff until his vocals come in, then let one of his band members take over the riff.” With the slower version, it was a lot easier for him.

Layla (Unplugged)

When it comes to Disney, you cannot deny the amazing songs that have been featured in their films. It is truly hard to picture anyone other than Robin Williams as the Genie in Aladdin. He was just perfect. There were hours of audio that were not used in the film from Robin. If it were ever released to the public, I’d buy it in a heartbeat!

Prior to having children, I was not one to run out and watch a Disney movie. However, knowing that Williams was the Genie in this one, I had to go see it. I was not disappointed.

The Genie’s song, Friend Like Me was written by the amazing composer Alan Menken and lyricist Howard Ashman. Menken and Ashman didn’t write this with Robin Williams in mind, but the actor would make the number his own. Menken told Entertainment Weekly:

“We didn’t know who was going to play the genie when we wrote the song. We were looking at the character as black, a hipster, and I suggested a Fats Waller, Harlem stride-piano style from the ’40s. When Robin Williams was suggested, my first thought was, ‘Can he sing like Fats Waller?’ Robin learned every note. He was working on Hook at the time, and he would come in after being stuck in a harness all day and sit at the piano and learn. When we went into the studio, we got exactly the Fats Waller performance we wanted, and then everyone said, ‘Okay, but now can we let Robin do his thing?’ He was amazing. That trumpet wah-wah-wah was supposed to be from an instrument, and he made it vocal. He took ahold of the creative process, both on that and ‘Prince Ali’ especially. My God, he went crazy on ‘Prince Ali.’ He was doing the Thanksgiving Day Parade, Arab-style.”

One source says that the song was originally written as a Cab Calloway style big band number. Some elements of this concept remain (for instance, when the Genie scats, in typical Calloway moves), but after Robin Williams was cast it was expanded as a more comedic, pop-culture-filled song.

I miss Robin Williams. He could do comedy and drama and do them both well. This is what makes a great actor, in my opinion. He was truly one of the best ad-libbers and I always loved watching him on late night shows.

When we were picking songs for our alumni band one year, I picked this song for us. Not the best song to march to in a parade, but it was fun to play.

Friend Like Me

I was disappointed in the soundtrack version, as it seems like Robin’s vocals are a bit buried.

I just realized that my list has two Elvis covers on it. Technically, they are both movie songs, too.

When ZZ Top released their Greatest Hits album, they included a remake of Viva Las Vegas. ZZ Top took it up a notch. They took Elvis’ song and modernized it and gave it a real driving rock sound.

I remember my dad bringing home the 12 inch single of it and saying, “Keith, you’ve got to hear this!” He put it on the turntable and there was a downward swishy sound effect followed by Elvis saying, “Y’all still want me to come with ya?” Once the guitars kick in, it just jams!

It’s one of my guilty pleasure songs.

Viva Las Vegas

I had a meeting with a bride and groom once. We were going over songs for their wedding. When I asked them what their wedding song was, they told me “If I Had $1,000,000 by Barenaked Ladies.” I must have looked like an idiot. I thought they were joking. “Barenaked Ladies?! Really?!” I had never heard of them.

I had no idea what to expect when I went searching for the song. I’ve had my share of weird songs to play for the bridal dance, so I was ready for anything. I was finally able to get a copy of it, but it wasn’t easy. The couple enjoyed their dance and the crowd loved every second of it.

Even though it’s one of the group’s most popular songs, it was never a hit single in America. It wasn’t a hit in the UK either. A lot of it was timing: The group didn’t break through outside of their native Canada until their 1998 album Stunt. The song was even re-released in 1996, but didn’t chart then either.

This is a very important song for Barenaked Ladies. They have performed it at nearly every live show since 1988. Frontman Ed Robertson told Songfacts:

“It has become its own thing and people sing along and it represents a time and a place for so many people. It’s oddly a song I don’t get bored of. It brings such joy to the room that it’s hard to not enjoy it.”

He goes on to say, “That song, it was about being in love and being maybe a little bit extravagant but not losing hold of what’s important.” Ultimately it’s just about celebrating your good fortune with someone else, and I think I’ve stayed pretty true to that.”

The song was my introduction to the group. I have come to enjoy many of their future songs, too. Perhaps one or two may show up in the years to come.

If I Had $1,000,000

That’s a wrap on 1992. Did I miss one of your favorites? Drop it in the comments.

Next week, as we head to 1993, a few ballads with a lot of personal meaning to me, a couple fun dance songs, a spelling lesson, and more stories behind the songs.

Thanks again for reading!

The Music of My Life – 1988

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

1988 was a very big year for me. It was the year I graduated from high school. It was also the year that I landed my first radio job. As graduation day grew closer, I began counting all of the “lasts.” The last marching band performance. The last band concert. The last final exam. To say that I was an emotional wreck would be an understatement.

After graduation, I had a full time radio gig (making a whopping $12 an hour) and so I gave up thinking about doing anything else. I was that clueless to think that I’d have this radio gig until I retired. Can you imagine? Typical 18 year-old!

I mentioned last week that 1988’s list would present some songs that may or may not seem out of place. I suppose that those who know me well will not be surprised by the songs I picked, and there certainly is a variety! Well, I suppose I should get right into the tunes …

I have to remind myself that it is not Movie Music Monday, because my list includes not one, but two songs from the soundtrack to Tom Cruise’s film, Cocktail. My buddy Steve and I cruised a lot our senior year. He was always bringing new music for me to listen to. I am almost positive that he was the one who told me about the Georgia Satellites’ version of the Hippy Hippy Shake.

The version I was familiar with was done by the Swinging Blue Jeans, and was a song we played at my first radio station. I had no idea that the song was written and recorded first by Chan Romero in 1959. Anyway, when I hear the Satellites’ version really rocks and it was a great song to cruise to.

Hippy Hippy Shake

In 1987, the song La Bamba was a hit again. This time it was Los Lobos from the soundtrack to the hit movie starring Lou Diamond Phillips. It made for the perfect parody song for Weird Al Yankovic. His version was called, Lasagna. Now, what Italian wouldn’t like this song?!

It is on my list because when my dad booked my graduation party, he also gathered up a few of his band friends. He had the sax guy, keyboard guy, and bass guy come. It was either my cousin or my uncle who brought their drum kit, and my dad brought his guitar. No rehearsal, all they had was some lyric sheets with chords on them and they jammed through the whole party. It was awesome!

My dad played so many great blues songs. Everyone seemed to take turns singing something. My dad called me, and my friends Steve and Joe up to the stage and handed us the lyrics to Weird Al’s Lasagna. I’m guessing it didn’t take much coaxing for us to sing, and it was probably awful. However, it is a great memory of me and my pals.

Lasagna

If it ain’t broke, don’t fix it, they say. Robert Palmer had great success with his Addicted to Love video. So he brought back the models from the previous music video for this one. Only this time they’ve multiplied! Five of them do choreographed dance moves, but another eight stand behind Palmer looking bored. It worked, though, as Palmer won the 1988 Grammy Award for Best Rock Vocal Performance, Male for this song. It was the same award he won two years earlier for “Addicted To Love.”

Songfacts.com says: The big, sexy hook in this song is the pause after Palmer sings, “Now I find her.” After some drumbeats, he comes back with “…simply irresistible.” The song was in the works for three years before Palmer came up with this part, making the song complete. “A little thing like that makes the difference between an idea and the complete song,” he wrote in his Addictions: Volume 1 liner notes, adding, “I like the manic military rhythm and the strong counter melody.”

This was yet another song that made it to our “cruising cassettes.” It was another great sing along song for us.

Simply Irresistible

My next song is one that I always thought was very creative. I Hate Myself for Loving You is such a great line. I relate to in in a few ways. As a young punk, I kinda fell for gals pretty hard. I let many of them treat me bad and I just kept hanging on with them. I always felt that I would just keep on loving them through it all. Yeah, I was an idiot. Today, that title makes me smile and makes me think of young Keith, who just wanted to make someone happy.

Thanks to Songfacts, I learned that that wasn’t originally the title: Joan Jett’s producer Kenny Laguna told us that Joan came up with the guitar riff for this song and wrote it as “I Hate Myself Because I Can’t Get Laid.” She took it to the writer/producer Desmond Child, who thought the title would never fly and convinced Joan to change it to something with “Love” in the title. Child, who got a co-writing credit on the song.

I Hate Myself For Loving You

The next song is the only country song on my list. I am guessing that I never really heard this when it was released, and became familiar with it a year or so after when I had my first stint at a country station.

I was familiar with the Oak Ridge Boys, of course. I mean, who wasn’t? Elvira was all over the radio when it was out. They guys had great harmonies and when I first heard Gonna Take a Lot of River, that is what stood out to me. This would have been sometime in 1991, when my girlfriend had broken up with me.

That being said, the lyrics now really hit home. I spent a lot of time at the beach and on the pier watching the waves during that time. So the lines “Because my baby’s long gone and nothings going my way. I’m gonna let this muddy water just wash away my blues.” resonated with me.

Today, when I hear it I just love listening to the harmonies and fumble every time I try to say, “Monongahela.”

Gonna Take a Lot of River

The variety of songs continues …

1988 brought us the only acapella song to go to number one in the United States. It is the second song from the Cocktail soundtrack. Don’t Worry, Be Happy by Bobby McFerrin was unlike anything on the radio at the time. Bobby recorded it using only his body to make all the sounds. The simple message and unusual sound made it a surprise hit.

The inspiration for the song came from a poster that Bobby saw featuring the Indian guru Meher Baba. It simply said, “Don’t Worry, Be Happy.” Bobby says that when he saw it he thought it was “a pretty neat philosophy in four words.” If I had a dollar for every time I heard someone say, Don’t Worry, Be Happy in 1988 alone, I’d be financially set for life.

The video was a silly one and a received lots of airplay on MTV. It featured Robin Williams and the lesser-known comedian Bill Irwin (who plays Mr. Noodle on Sesame Street). It is interesting to note that the video is a bit shorter than the single.

I always think of my best friend, Jeff, when I hear this one. He would always say the line, “I’ll give you my phone number, when you worry, call me, I’ll make you happy.” We found that line hilarious for some reason.

Don’t Worry, Be Happy

The next song was something I heard while cruising with my girlfriend. I’m sure we were listening to that Love Song show (Pillow Talk). It grabbed me from the intro. It was a smooth groove that reminded me of some old Atlantic or Stax soul songs. I was surprised to learn it was Glenn Frey.

Glenn’s Soul Searching album was his third solo album. I picked up the album because of the song True Love. My feelings about the song were justified when I read the liner notes.  Frey wrote of the song “For those of you who have my previous albums, I apologize. I just can’t shake my obsession with this Al Green-Memphis thing. Like Wilson Pickett says, ‘Don’t fight it’.” Cash Box magazine even called the song: “a classic R&B tune replete with hornbreaks and soul-tinged arrangement and production.”

My favorite part of the song is the fake ending. After a second or two, the drum kicks back in and the sax wails away at a solo. Love this song. I wish the video would have started with the song instead of the cheesy acting by the actors … LOL

True Love

Who would have thought that Tom Jones would have a career boost in 1988?! Tom enjoyed great success in the mid 60’s and the 1970’s. He never really stopped making records and was always on tour. In the early 1980s, Jones started to record country music. From 1980 to 1986, he had nine songs in the US country top 40, yet failed to crack the top 100 in the UK or the Billboard Hot 100.

Prince had recorded Kiss in 1986. The song was a big hit and continues to be played in a regular rotation on Adult Contemporary stations all over the country. I know that many will not agree with me when I say that Prince’s version sounds weak compared to the Tom Jones/Art of Noise version. Tom commands the song and I cannot love it more!

According to Songfacts, after his country songs, he “made a left-field decision to cover this song, and in doing so revived his career. He told the Observer Music Monthly December 2008 how this came about: “If I hear a song I like I’ll do it in the show, so when I heard this I sang it (Kiss) in an R&B style. Then I was due to go on Jonathan Ross’s program in 1987 to perform the ballad ‘A Boy From Nowhere,’ and he wanted something upbeat too. My philosophy has always been: when in doubt, do ‘Great Balls of Fire.’ But Jonathan asked if I had anything new. Art of Noise were watching and they asked if I’d do a version with them. When they sent me the finished version I thought: ‘If this isn’t a hit, I’ll bloody well pack it all in.’ It was a busting hit.”

Tom tells a great story about Prince. When he met Prince and thanked him for the song, but didn’t ask what his thought of his version, as he wasn’t sure he would like the answer. “I saw a movie once that Bette Midler did called The Rose,” Jones said in a Songfacts interview. “She goes to see Harry Dean Stanton, a country singer, because she’d recorded one of his songs. She says she’s a big fan of his, and just before she walks out the door he says, ‘Could I say one thing to you? Don’t you ever record one of my songs again. ‘That hit home. I thought, s–t, I’m never going to ask a songwriter what he or she thinks of my version. I’ll leave that to them. That always sticks in my mind. So I just thanked him for writing it.”

Fun fact: Prince and Tom Jones were both born on the same day, the 7th of June (Prince in 1958, Jones in 1940)

Kiss

I am sure that I have talked about the next song before. I am also sure that I talked about the album before. It was truly a monumental event!

From Songfacts: Handle With Care was the first single from The Traveling Wilburys, a supergroup created by George Harrison and Jeff Lynne. Initially an informal grouping with Roy Orbison and Tom Petty, they got together at Bob Dylan’s Santa Monica, California, studio to quickly record an additional track as a B-side for the single release of Harrison’s song “This Is Love.” “Handle With Care” was the song they came up with, which Harrison and his record company immediately realized was too good to be released as merely a B-side. The five superstars decided to form a band and make an entire album, recording nine more songs at Dave Stewart’s (of Eurythmics) house in Los Angeles in a 10-day window when they were all available.

This was the only video that included Roy Orbison. A short time after the album was released, he passed away of a heart attack. I was working at the radio station the morning that news of his passing came across the news wire. I will never forget that.

Handle With Care

When I was DJing parties and weddings, I would often find out about new dance songs from people who made requests. Many of the songs were line dances like the Cupid Shuffle or Cha Cha Slide. Over the years, I was introduced to The Biker Shuffle, The Turbo Hustle, The Dougie and many others that way. I was always surprised at how they would fill the dance floor.

I remember someone asking for a song called Da Butt and I laughed. It was from a Spike Lee movie, but I had never heard of it. That week, I stopped by a DJ supply store and there on one of the many compilation CD’s they made was Da Butt by a group called EU. I bought it, took it home and gave it a listen.

It certainly had a funkiness to it and I could see how this might be something that people could dance to. It didn’t take long to find out because I had a wedding the following weekend. Once I started the song, the crowd screamed and got on the dance floor. Before I knew it, everyone was shaking their rear end. I would use this song a lot over the years.

I always think of one of my college instructors when I hear this because I DJ’d a birthday party for one of her kids and SHE was the one who asked me to play it.

I would often get out on the dance floor with these poster board signs I had made for my gigs. I had one that said “Oh-We-Oh. Whoa-Oh” and I would hold it up for audience participation during that part of the song. While it is not the most family friendly song, it did give me a chance to have some fun at a lot of DJ gigs.

Da Butt

I couldn’t let this year pass without touching on one of the big controversies of the year. In June of 1988, Gail Brewer-Giorgio released a book called “Is Elvis Alive?” Along with the book, there was a cassette tape with alleged phone conversations that Elvis had with someone long after he was supposed to have died.

This played right into the rumor in the music industry was that Elvis had faked his death. In the years following his death, there were many sightings of him (including my home state of Michigan – at a Kalamazoo Burger King), and in late 1988 record label LS Records released “Spelling on the Stone” to capitalize on the popularity of the phenomenon. According to LS Records owner Lee Stoller, who produced the song, his daughter Tammy received the recording in August 1988 from an anonymous man who arrived at the label’s offices in a limousine. After obtaining distribution rights, LS Records released the song on radio by the end of 1988, with the single’s release not crediting an artist. The song’s title refers to the fact that Presley’s middle name, Aron, is misspelled as “Aaron” on his tombstone, which was a common argument against his death at the time. The song features an uncredited vocalist with a delivery similar to Presley’s; it tells a first-person narrative, purportedly from his perspective, to suggest that he had faked his death.

Some people claim that the impersonator is actually a guy named Dan Willis, who recorded at LS Records. Others think it really is Elvis. I say Balderdash …

Bonus Song: Spelling On the Stone

1988 had so many great songs. There have been times I wonder if I should pick 15 instead of 10. I know that in future years, I will struggle to pick 10, so I won’t. What one of your favorite 1988 hits did I miss? Mention it in the comments.

Next week we move to 1989. The list isn’t as all over the place like this one and includes some great songs. Join me next week and we’ll give them a listen….

Turntable Talk #25 – A Novel Idea For a Song

It’s time once again for another submission of Dave Ruch’s Turntable Talk hosted by A Sound Day. Every month he presents our musical blogging community with a musical topic and I have been lucky enough to have participated in every one of them.

This month’s topic was difficult for me, because there were just SO many songs I could choose from. Our instructions for A Novel Idea for a Song were to “pick a novelty record you like. Or else one you love to hate if you don’t have any favorites.  I’ll let you decide what exactly is a “novelty” record but I look forward to seeing your picks and maybe having a laugh or two. And maybe a cringe or two as well!“

I want to say that the first novelty song I remember hearing as a kid was Ahab, the Arab by Ray Stevens. This led to the discovery of an album that had all kinds of silly songs on it. The tracks included Mr. Custer, I’m a Nut, Hello Muddah Hello Faddah, and more. What kid doesn’t love a silly song? I began to search for more silly songs. During my search I was introduced to Stan Freberg and his amazing satires, Weird Al Yankovic and various other novelty song collections.

In the late 1980’s, the Doctor Demento Show aired on a local radio station and he played many novelty songs that were completely new to me. The songs he played were recorded anywhere from the 1920’s to the present. I had no idea that novelty songs were something that went back that far. The Dr. Demento show was where I heard Monty Python for the first time and where I was introduced to another artist – Tom Lehrer.

I read where Tom celebrated his 96th birthday this week (April 9), and that is what led me to my song for Turntable Talk. All in all he only recorded about 50 or so songs, and I could have picked one that may not be so …. controversial, however, of all his songs, it was THE one that stuck out to me. More on that in a minute, but first, here’s a bit about him.

According to Wiki, Tom is “an American musician, singer-songwriter, satirist and mathematician, who later taught mathematics and musical theater. He recorded pithy and humorous songs that became popular in the 1950s and 1960s. His songs often parodied popular musical forms, though they usually had original melodies.” His early stuff featured songs that were kind of dark like “Poisoning Pigeons in the Park” and “I Hold Your Hand In Mine.” His later material was a little more topical.

So what led Tom to record this dark and humorous songs? The story goes that Tom had been playing some of these songs for friends and was convinced to record them. According to Wiki, “he paid $15 (equivalent to $171 in 2023) for some studio time in 1953 to record Songs by Tom Lehrer. The initial pressing was 400 copies. Radio stations would not air his songs because of his controversial subjects, so he sold the album on campus at Harvard for $3 (equivalent to $34 in 2023) while “several stores near the Harvard campus sold it for $3.50, taking only a minimal markup as a kind of community service. Newsstands on campus sold it for the same price.”

This was followed by “More by Tom Lehrer” and a live concert version of those songs on a album called “An Evening Wasted with Tom Lehrer.

In 1960, he basically retired from touring in the US, but he was employed as the resident songwriter for the U.S. edition of That Was The Week That Was. TWTWTW was a satirical TV show and he was responsible for a song per show.

For the show (and the album of the same name), he wrote songs about political and topical events. There were songs about education (New Math), race relations (National Brotherhood Week), the ecology (Pollution), and the military (Send the Marines). What are the two things people aren’t supposed to talk about – politics and religion, right? Naturally, Tom had a funny take on a religious news event.

The Second Vatican Council took place in the early to mid-1960’s. A spoken introduction describes The Vatican Rag as a response to the “Vatican II” council—which, among other things, broadened the range of music that could be used in services. Tom humorously proposes this “rag” as a more accessible alternative to traditional liturgical music of the mass.

Before I go on, I want to say that I was born and raised Catholic. I am a Christian who no longer practices Catholicism (my choice). I did not pick this particular song as one to offend, but it may very well do so. Humor, they say, is subjective. That being said, while the song mocks some of the Catholic rituals (confession, the rosary, and more), it is the fact that it is a rag that makes it so ridiculous. You can imagine, howeverm that many people of that faith considered it blasphemous at the time.

Lehrer never submitted the song to the show That Was the Week That Was, as he felt they would edit all the satire out of the song. Instead, he debuted the song at a California nightclub called the Hungry I. At one performance, actor Ricardo Montalban was in the audience and it is said that he approached Lehrer and told him “I love my religion. I would die for my religion.” Lehrer reportedly responded, “Hey, no problem, as long as you don’t fight for your religion.”

At this point there are a couple of Tom Lehrer quotes I want to share with you before you listen to the song:

“You can’t be satirical and not be offensive to somebody.”

“The people who came to hear me perform or to buy my records were not the type who would be offended (by the song The Vatican Rag). But I gather that there were other people who were offended.”

About the song, he says, “Well, I wasn’t really attacking the religious beliefs, I was attacking the formality of the rituals of the Catholic church; however, people took it wrongly.”

With all of that being said, I hope this one song I picked doesn’t stop you from checking out some of his other stuff. For example, The Elements is a fantastic song that literally just lists all the elements. It is a fan favorite. Lehrer fan Daniel Ratcliff (Harry Potter) actually sang it on The Graham Norton talk show from memory (this is what led Weird Al Yankovic to pursue Ratcliff to play him in his recent movie).

Tom Lehrer’s fans consider The Vatican Rag to be one of his best compositions. So without any further ado, pull up a pew and give it a listen.

Lehrer has said, jokingly, of his musical career: “If, after hearing my songs, just one human being is inspired to say something nasty to a friend, or perhaps to strike a loved one, it will all have been worth the while.” In October 2020, Lehrer transferred the music and lyrics for all songs he had ever written into the public domain.  In November 2022, he formally relinquished the copyright and performing/recording rights on his songs, making all music and lyrics composed by him free for anyone to use, and established a website (https://tomlehrersongs.com) from which all of his recordings and printable copies of all of his songs could be downloaded. His statement releasing all his works into the public domain concludes with this note: “This website will be shut down at some date in the not too distant future, so if you want to download anything, don’t wait too long.”

Thanks again to Dave from A Sound Day for a great Turntable Talk Topic. Hopefully, after my choice, he will invite me back next month. Maybe I should have just went with The Curly Shuffle, instead?

Turntable Talk – “Shock Rock”

Welcome to another edition of Turntable Talk hosted by Dave over at A Sound Day. Check out his site here: https://soundday.wordpress.com/

His topics have ranged from very easy to thought provoking. This time around, I find it truly thought provoking.

Here are the instructions that Dave sent to each of the participants describing what this edition was to be about:

This time around I’m calling it ‘Shock rock’… but wait, it’s not about Marilyn Manson and Megadeath…unless you want it to be.  The subject basically will be pick a record that you love that would surprise people… something that runs afar from your regular favorite listening.  Maybe you like hard rock but love something by the Carpenters. Or are a huge ’60s fan who can’t get enough Bruno Mars. Or maybe it’s a little Tchaikovsky to wind down after a night full of Stones or Springsteen.  Let us know what it is that makes that ‘oddball’ selection so appealing to you.

What Could Possibly “Surprise” You?

I have almost 5000 songs on my iPod. I have a CD collection that fills at least three storage totes, and 4 carrying cases. My external hard drive is loaded up with almost half a terabyte of songs. What ONE song would surprise you? This was my dilemma.

I had three songs immediately jump out at me when I first read Dave’s e-mail. The more I thought on them, I just wasn’t sure which one to pick. As I am writing this, I still question the one that I chose. I will stick with it because it isn’t something I would normally post, and it is more of a personal song. So how in the world did I narrow it down?

Grab my iPod and there is just about every genre of music on there. There is pop music from every decade from the 1930’s to the 2010’s. There is country music – classic and modern. There is a fair amount of R&B, Soul and Motown. I’m not ashamed to admit there are some disco favorites, too. You will also find Big Band and Swing music, Jazz, standards, and plenty of Classical music. There is Christian music and plenty of oldies. There are some favorite Christmas songs on the play list and songs that I played when I was in high school band that I downloaded from YouTube and other sources.

Going through the iPod, there were songs that I thought were “oddball” that I could write about. For example, I have almost every Weird Al Polka Medley on there. I also have music from the Shrek soundtrack, music from The Muppets, and music from the cartoon Phineas and Ferb. There are also plenty of songs that are on there that my kids used to listen to when we would be in the car from some of their favorite kid shows. Oddball, indeed.

All that being said, anyone who knows me or has read my blog before knows that I have a wide range of musical tastes. It would be easy to feature any one of the “oddball” songs mentioned in the above paragraph. Instead, there was one song that stood out for me. It is a song that I never skip when it comes on the iPod (there are only a few of those). It is also a song that I have debated posting on my blog as part of a “music Monday” or some music feature. I kept holding back, probably because it is such a personal song for me. Will you find it “shocking?” I doubt it.

Untitled Hymn – Chris Rice

Readers of my blog know that I am a Christian. While I don’t care for much of the “modern” Christian music, I do like many songs. I cannot recall when I first heard Chris Rice’s “Untitled Hymn,” but it hit me immediately. It was a song that I shared with one of the guys at church, who worked it up and sang it on more than one occasion.

To those who are not of the Christian faith, there will be no connection whatsoever to the song. To me, however, it hits me deep every time I hear it. I am reminded of who I was before and who I am now. It also reminds me that when my life is over – it isn’t over. I am aware that not everyone believes what I do, and that is ok. I’m ok if you just scroll on by this blog.

The song begins with a lone piano and then the vocal. The lyrics of this song speak of the journey of a Christian. From sinner to saved. Singing praise. New life in Christ and life’s struggles and looking to Him in those struggles. Feeling the love and joy that comes in this new life. Finally, the “end” of life on earth for the Christian and the beginning of the afterlife.

The vocal and the piano blend so perfectly. The inflection of the vocal through the dynamics of the song conveys the lyrics exactly how they need to be conveyed. Rice rerecorded the song for “A Collection of Hymns” with a more up-tempo piano and more instrumentation (strings, guitar, etc…) and vocal harmony. Personally, I prefer the original recording over the newer version. I feel it is more powerful.

Here is the original and the lyrics:

Weak and wounded sinner
Lost and left to die
Oh, raise your head for Love is passing by

Come to Jesus
Come to Jesus
Come to Jesus and live

Now your burden’s lifted
And carried far away
And precious blood has washed away the stain

So, sing to Jesus
Sing to Jesus
Sing to Jesus and live

And like a newborn baby
Don’t be afraid to crawl
And remember when you walk sometimes we fall

So, fall on Jesus
Fall on Jesus
Fall on Jesus and live

Sometimes the way is lonely
And steep and filled with pain
So if your sky is dark and pours the rain

Then cry to Jesus
Cry to Jesus
Cry to Jesus and live

Oh and when the love splills over
And music fills the night
And when you can’t contain your joy inside

Then dance for Jesus
Dance for Jesus
Dance for Jesus and live

With your final heartbeat
Kiss the world goodbye
Then go in peace, and laugh on Glory’s side

And fly to Jesus
Fly to Jesus
Fly to Jesus and live

Fly to Jesus
Fly to Jesus
Fly to Jesus and live

In Closing

Does it shock you that I picked this song? I guess it is a bit different than the songs I have posted in the past. Isn’t that what I was supposed to do? At any rate, Dave asked us to explain what makes this song so “appealing.” All I can say is that it appeals to me because I relate to it. Outside of the last verse, I have lived it. It is a song that strikes a chord (pun intended) every time I hear it. Depending on what is going on in my life, I either smile and sing along or cry and sing along. To me, that makes it one powerful song.

Thanks for allowing me to participate, Dave. I look forward to the next edition.

Turntable Talk – Did Video Kill The Radio Star?

This blog is my entry for Dave over at A Sound Day’s “Turntable Talk.” Kudo’s to Dave for picking some fantastic topics, and at the same time letting us participants “run” with it. The following are the instructions we were given:

We were told we ” …don’t have to write literally about the question, but we’re looking for your thoughts on all things music video – how much did MTV change the music of the ’80s? Since there were already British acts making videos regularly in the 70s, do you think it would have taken off in a big way even without the American MTV influence?  Did it kill careers… or make careers that shouldn’t have happened? Do you have favorite ones you still like to watch?  Do you miss the days when MTV (or Much Music in Canada, or European equivalents) ran music videos instead of reality TV and old reruns?   Really, approach it how you like, but I’m curious to get thoughts on the Video Revolution.“

My Conundrum

There have been many people who truly believe that video killed the radio star. As a child of the 70’s and 80’s, I lived through the beginnings of MTV. When I think about music videos, there are so many that I will forever associate with the songs. For example:

  • Take On Me – a-ha
  • Sledgehammer – Peter Gabriel
  • Rhythm Nation – Janet Jackson
  • Bad, Billie Jean, Beat It, Black or White, and of course, Thriller – Michael Jackson
  • Vogue – Madonna
  • Smells Like Teen Spirit – Nirvana
  • Buddy Holly – Weezer
  • Weapon of Choice – Fatboy Slim
  • Dire Straits – Money For Nothing
  • Legs – ZZ Top
  • Land of Confusion – Genesis
  • Hot For Teacher – Van Halen
  • Simply Irresistible – Robert Palmer
  • Girls Just Wanna Have Fun – Cyndi Lauper
  • Run DMC and Aerosmith – Walk This Way
  • California Girls – David Lee Roth
  • Got My Mind Set on You – George Harrison
  • Stuck With You – Huey Lewis and the News
  • Faith – George Michael
  • White Wedding – Billy Idol
  • Opposites Attract – Paula Abdul

The list could go on and on! Those are just the ones that I pulled off the top of my head (and I am probably forgetting some big ones)!

The more I thought about it, I kept coming back to “Video killed the radio star.” Perhaps that is the case (as some proclaim), but I can think of one artist who made videos and it got him mainstream attention.

MTV Welcomes Weird Al Yankovic

According to Wikipedia, the discography of Mr. Yankovic consists of fourteen studio albums, nine compilation albums, eleven videos albums, two extended plays, two box sets, forty-six singles and fifty-four music videos. 

Those fifty-four music videos helped to take Weird Al Yankovic to the mainstream world. Let’s face it, the only place you could hear him on the radio was on the Dr. Demento Show, which was often aired in the worst possible time slot because of the crazy content. When Al ventured into the video realm, more and more viewers wanted to see – and hear – more of him!

Parody songs have been around forever, and very rarely ever got radio play. Novelty records were big in the 50’s and 60’s, and there were a few here and there in the 70’s. When Al comes on the scene in 1983, he took it to a whole new level, using videos.

1983’s “Ricky” is credited as being his first video. It was a parody of Toni Basil’s “Micky.” It was a parody base on the TV show I Love Lucy. The video was shot in black and white and still looks great today.

From there, Al continued to use video to gain exposure on MTV. His next single was “I Love Rocky Road” which parodies Joan Jett’s “I Love Rock and Roll.” Instead of a greaser bar, it is set in … an ice cream parlor.

Al’s next video is really the one that really stands out as the one that moved him to a whole new level. Yes, he is a parody singer, but with the video for “Eat It” (a parody of Michael Jackson’s Beat It), not only is the song parodied, but so is the video. Al’s video is literally a shot for shot remake of Jackson’s. Throughout the video, instead of switchblades there are rubber chickens and kitchen utensils, and gags for almost everything in the Beat It video.

I can’t say whether or not the video is responsible for this, but the song won Al a Grammy Award for Best Comedy Recording in 1984. The video won for Best Male Performance at the 1984 American Video Awards!

From that point on, Al continued to make music videos for his singles. Art Fleming appeared in the “I Lost on Jeopardy” video, non-stop visual gags were plentiful in the “Like a Surgeon” video, and the James Brown “screams and shrieks” in “Living With a Hernia” were all more painful than soulful.

In 1988, Al once again parodied Michael Jackson. If I had to pick a “perfect” Weird Al parody video, it this would be one of two. Al won another Grammy Award for Best Concept Music Video for “Fat.” He even got permission from MJ to use the same set as the original video. Al’s makeup took three hours to apply every day and his fat suit weighed 40 pounds. Every time I hear the line, “Ding Dong, Yo!” I still crack up.

I mentioned that “Fat” is one of two “perfect” videos. The other would have to be the fantastic video for “Smells Like Nirvana” (a parody of Smells Like Teen Spirit). Al famously got permission for this parody from Kurt Cobain himself when he was performing on Saturday Night Live. In this Grammy-nominated video, Al satirizes Nirvana and the grunge movement, shooting on the same set as the original video and using the same actor who played the janitor (Rudy Larosa). Dick Van Patten has a cameo, which for whatever reason is extremely funny to me. Why Dick Van Patten??!! Someone said that Tony Hawk makes an appearance in the video, too. I’m not sure I know where.

Weird Al has certainly used music videos to his advantage. It takes a lot of creativity to write a good parody (I mean, come on, there are a lot of crap ones out there – just look on YouTube), but to take an already funny song and create a video that brings about even more humor, just enhances the song. I’ve said it before, and I will say it again, Weird Al is a musical genius.

There have been many other great videos that have followed. To name a few: Amish Paradise (featuring Florence Henderson), Headline News (featuring The People’s Court’s Doug Llewelyn), Gump (featuring Ruth Buzzi and Pat Boone), The Saga Begins (the fantastic Star Wars tribute), White and Nerdy (featuring Donny Osmond and Seth Green), and so many more.

Yes, video may have killed the radio star, but it certainly helped boost the career of Weird Al Yankovic.