30 Years Ago – The Final Week of Honey Radio Began

While surfing Facebook today, someone posted that it was Lorna Luft’s Birthday. Why did that strike a chord with me? As soon as I read it, I could hear my old morning show partner saying her name in his Elvis voice. We were talking about her birthday on the air and it jogged the memory. 30 years ago today – it was the beginning of the end.

What follows is an update of the blog I wrote five years ago:

Monday, November 21, 1994.  6:00 AM.

My partner Rob Main and I walked into the studio of WHND to begin what would be the last week of live broadcasts from Honey Radio.  We had heard the news weeks prior to this that the radio station was going off the air in favor of Spanish programming.  When the station was not broadcasting from our studios, we were airing satellite programming from the Cool Gold Network, which was no longer going to providing services. Honey was no longer financially viable.

At the time, Honey Radio was the oldest Oldies station in the country.  While there were stations that played oldies in the Detroit market, none were focusing exclusively on the “first decade of rock and roll”.  We primarily focused on the songs that were hits from 1955-1965, while occasionally playing some of those earlier songs from the 1950’s, too.  I think that was one of the reasons I loved working at this station so much.  When you think of the music from that decade it included rockabilly, doo wop, surf music, Motown, British Invasion music, songs from the “Brill Building”, and early soul and R&B.

We not only played the hits from this decade, but we also played songs that were local hits from local artists that were not being played anywhere else! We played music from Nolan Strong, The Dynamics, Gino Washington, Jack Scott, and so many other local acts. We did a daily show (The Top 12 at 12), which focused on a different year of the decade and counted down the Top 12 songs in Detroit from that particular day.  We always used a local chart to count down the hits.  Those charts could be from The Detroit News, WJBK, WKNR, WXYZ, or other charts.  It was unique to our station!

Today’s radio is what many refer to as “liner card radio”.  (Update: In the last five years, radio has now lowered itself to using AI DJ’s with generic content. Can it get any more boring?) The DJ’s on the air rarely have any content and read things from cards in the studio (usually promoting station events, station appearances, or sponsor information).  The most entertaining DJ’s are usually the morning show hosts, but even they are overloaded with sponsor reads and liners.  One of my radio mentors, Jay Trachman, used to say “People say that DJ’s talk too much.  This isn’t true.  The truth is that DJ’s tend to waste their listener’s time by not having anything to say. They don’t have any REAL content to share.” This is where Honey was different.

Honey Radio DJs were “personalities” – each unique.  Boogie Brian was the “Bard of Lincoln Park” and often spoke in Rhyme.  Richard D. was the “Silly DJ from Savage Minnesota” who now lived on Lack Of Drive in Warren with his wife Oldielocks and kids Doo Wop and Bee Bop.  Other personalities included Bill Stewart, Ron T., Greg Russell, Dr. Bob, “Young” Jon Ray, Scottie OJay, Rob (and every one of his characters), and me. Each of us had our “features”.  Scottie hosted the “Soul Patrol” show, Richard had the “Off the Wall Record” and “Poor Richard D’s Almanac”, Boogie had “Cruise Casts” and “Boogie’s Forgotten Favorites”, and  the list goes on and on.  There was always something fun and unique happening on Honey.

Another thing I loved about Honey was the jingles.  Our jingles were PAMS jingles.  They were many of the same tracks/jingles that were used by local radio stations all across the country during the 60’s.  They were just re-sung with our call letters.  These jingles were just awesome!  Today, you can hear many of these same jingles on Sirius XM’s 50’s on 5 and 60’s on 6. I am lucky to have many of these jingles that were taken from the master tapes on CD in my collection.

With Honey going off the air, many of us would be out of a job.  Rob and I had been working together off and on whenever I was on air for a while.  After Honey went off the air, we hoped to find a job doing mornings somewhere.  In order to do this, we needed some more “tape” of us together.  Richard D gave us permission to go on the air instead of the satellite show in the morning that final week.  We had free reign to “play around” and have fun on the air.  At the same time, we’d be getting hours of material that we could potentially use to try to get a show somewhere.

(Updated) 30 years ago today, Rob and I hit the studio with a few ideas, many voices, many characters, some great music, and had the best week of our career!  It was Thanksgiving week.  Music was scheduled for Monday-Wednesday and Friday.  Thursday we were supposed to air satellite programming.  Instead, we were on for 6 hours that Thanksgiving and played songs with a different theme each hour (Number songs, Songs with girls names or guys names, Instrumentals, Songs with body parts in the title, etc…)  Originally, those shows were recorded to cassette tapes.  Those tapes were called “Skimmers”.  The tape recorded only when the microphone was turned on.  Some time ago, I took those tapes and recorded them digitally and transferred them to CD.  I still pop them into my car and listen to that final week whenever I need a laugh.  I am guessing, I will need to pull them out to honor the 30th anniversary of Honey’s end.

The only CD I have a difficult time listening to is the last show, from November 25, 1994.  It was the last day of live broadcasting.  We had friends visit us in the studio (South Bronx Johnny, Helen & Beverly, my dad, and others).  The calls we got from listeners that day were very emotional.  They made us feel so loved.  The last break of our show, Boogie’s wife had recorded a message for him that we played right before he went on the air.  He did the final four hours of live programming.  He had prerecorded a sign off that lasted about 15 minutes with his personal reflections on the station, the staff, the listeners, and the end.  I remember Rob, his girlfriend Mary, and I all listening to this and just sobbing. Boogie expressed what everyone was feeling and it was the perfect ending to an amazing station.

It is hard to believe that it has been 30 years since that last broadcast.  When I look back, I can’t believe I was lucky enough to work with those legends!  I can’t believe I was lucky enough to be a part of such an amazing station.  I had only been in radio about 6 years when I started at Honey, and I learned SO much from watching and talking to Boogie and Richard!  What an honor to have had them as coaches, mentors, and friends.

(2024 Update) I believe my buddy Rob had already passed away when I wrote that blog. South Bronx Johnny passed away shortly after that. In 2022, Richard D passed away. I am so glad to have those tapes to hear them all again.

The Late, Great Richard D!

The one thing that I will always remember about working at Honey – is the laughter.  There was always laughter whether you were in or out of the studio.  There was laughter whether you were on air or off air.  I always seemed to leave the building with my cheeks hurting from smiling and my sides hurting from laughter.  Today, I can pop those shows in (or some of the Richard D shows I have on tape), and still laugh!

(Update) 30 years later, Honey is no more.  That makes me sad, because the world could sure use some laughter!

Song Draft 2021- Round Four Pick – Misery by The Dynamics

As the Song Draft continues, this is one that was on my list, and then I removed it. Then, while listening to my iPod, I decided it was too good not to include it. Once again, it has Detroit roots. This song was also on the list of songs my dad wanted me to record for him when I worked at WKSG in Detroit.

My Fourth Round Draft Pick is Misery by The Dynamics.

The Dynamics hailed from Detroit, Michigan and were formed in the early 1960’s. Misery was their first hit, and their biggest hit on the Billboard Hot 100, where it reached #44. At that time, the group was a quintet made up of Fred “Sonny” Baker, Starling Schafer, Lorenzo Campbell, Samuel Stevenson, and George White. It is interesting to note that the terrific instrumental backing was provided by an all-white combo from Dearborn called The Royal Playboys, featuring guest artists Joe Cyers on drums and Cliff Bramlett on guitar. (Thanks to the Michigan Rock and Roll Legends website for that info.)

The song was recorded at the United Sound studio for Fox Records, a small independent Detroit label, but the master tape was sold to Big Top Records out of New York and distributed nationally. “Misery” was a big hit in the Motor City, spending most of the fall of 1963 in WKNR’s Top Ten on the popular AM station’s Classic Top 30 Survey. (Side note: Keener 13 was one of the coolest stations! When I was at Honey Radio, we often played airchecks and sound clips from WKNR jocks with music. Many of the Honey Radio jingles were WKNR jingles that were re-worked for Honey.) As mentioned earlier, the song also did well nationally lasting 10 weeks on the Hot 100 and peaking at # 44.

I just absolutely love this cut. The intro totally grabs me with that drum beat and smooth little guitar ditty. You can’t go wrong with a pretty awesome sax solo, either!

From Michigan Rock And Roll Legends: The song would become the subject of a still unresolved controversy in 1964 when Pete Meaden, then manager/publicist of The Who, rewrote the lyrics to the song as “Zoot Suit” for The Who’s first single, released in England as being by The High Numbers.  Meaden claimed sole songwriting credit for the melody he stole. The truth is in the grooves, however, as The Dynamics’ recording of “Misery” completely blows “Zoot Suit” off the turntable when the songs are played back-to-back.

It wasn’t until I started writing about this song that I found out about the Who song. I gave it a listen and was amazed at the “Note for Note” plagiarism. You may be familiar with the George Harrison/Chiffon’s lawsuit, which claimed that Harrison stole the melody for “My Sweet Lord” from the Chiffons “He’s So Fine.” I have listened to them both, and while I found them similar, I never really felt they were the same. That is NOT the case when I listen to the Who and the Dynamics! They are literally one and the same (except the lyrics). It’s crazy!

I have to agree with the Michigan Rock and Roll Legends website, though. The Dynamics song is far above and beyond the Who song!

Trivia: In the late 1960’s, the Dynamics were managed by Ted White, who was married to Aretha Franklin!

Misery – The Dynamics

If you give me one more chance
I’ll prove my love is true
(I’ll prove my love is true)

And do all the things
That I’m supposed to do
(That I’m supposed to do)

But if I let you down
(If I let you down)
And you set me free
(Set me free)

Oh, I don’t know but I think
I’d just live in misery

There is nothing I can do to
Make up for the
Wrong things I’ve done
(For the wrong I’ve done)

Cause when I met you, pretty baby
I knew you were the only one
(You were the only one)

But I couldn’t see
(I couldn’t see)
Just how it would be
(How it would be)

Oh, I don’t know but I think
I’d just live in misery

Now I sit and cry cause
I lost everything that I had
(Everything I had)

But I have to go on and
Take the good with the bad
(Take the good with the bad)

And I still love you
(And I love you)
Hope you still love me
(Hope you love me)

Oh, and maybe you’ll come back
And end this misery

Give the Who a listen and tell me this wasn’t totally ripped off from Misery!!!

As a bonus – here is the flipside of Misery – another song on my dad’s list – I’m the Man

Looking back 25 years – WHND

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Monday, November 21, 1994.  6:00 AM.

My partner Rob Main and I walked into the studio of WHND to begin what would be the last week of live broadcasts from Honey Radio.  We had heard the news weeks prior to this that the radio station was going off the air in favor of Spanish programming.  When the station was not broadcasting from our studios, we were airing satellite programming from the Cool Gold Network, which was no longer going to providing services. Honey was no longer financially viable.

At the time, Honey Radio was the oldest Oldies station in the country.  While there were stations that played oldies in the Detroit market, none were focusing exclusively on the “first decade of rock and roll”.  We primarily focused on the songs that were hits from 1955-1965, while occasionally playing some of those earlier songs from the 1950’s, too.  I think that was one of the reasons I loved working at this station so much.  When you think of the music from that decade it included rockabilly, doo wop, surf music, Motown, British Invasion music, songs from the “Brill Building”, and early soul and R&B.

We not only played the hits from this decade, but we also played songs that were local hits from local artists that were not being played anywhere else! We played music from Nolan Strong, The Dynamics, Gino Washington, Jack Scott, and so many other local acts. We did a daily show (The Top 12 at 12), which focused on a different year of the decade and counted down the Top 12 songs in Detroit from that particular day.  We always used a local chart to count down the hits.  Those charts could be from The Detroit News, WJBK, WKNR, WXYZ, or other charts.  It was unique to our station!

Today’s radio is what many refer to as “liner card radio”.  The DJ’s on the air rarely have any content and read things from cards in the studio (usually promoting station events, station appearances, or sponsor information).  The most entertaining DJ’s are usually the morning show hosts, but even they are overloaded with sponsor reads and liners.  One of my radio mentors, Jay Trachman, used to say “People say that DJ’s talk too much.  This isn’t true.  The truth is that DJ’s tend to waste their listener’s time by not having anything to say. They don’t have any REAL content to share.” This is where Honey was different.

Honey Radio DJs were “personalities” – each unique.  Boogie Brian was the “Bard of Lincoln Park” and often spoke in Rhyme.  Richard D. was the “Silly DJ from Savage Minnesota” who now lived on Lack Of Drive in Warren with his wife Oldielocks and kids Doo Wop and Bee Bop.  Other personalities included Bill Stewart, Ron T., Greg Russell, Dr. Bob, “Young” Jon Ray, Scottie OJay, Rob (and every one of his characters), and me. Each of us had our “features”.  Scottie hosted the “Soul Patrol” show, Richard had the “Off the Wall Record” and “Poor Richard D’s Almanac”, Boogie had “Cruise Casts” and Boogie’s Forgotten Favorites”, and  the list goes on and on.  There was always something fun and unique happening on Honey.

Another thing I loved about Honey was the jingles.  Our jingles were PAMS jingles.  They were many of the same tracks/jingles that were used by local radio stations all across the country during the 60’s.  They were just re-sung with our call letters.  These jingles were just awesome!  Today, you can hear many of these same jingles on Sirius XM’s 50’s on 5 and 60’s on 6. I am lucky to have many of these jingles that were taken from the master tapes on CD in my collection.

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With Honey going off the air, many of us would be out of a job.  Rob and I had been working together off and on whenever I was on air for a while.  After Honey went off the air, we hoped to find a job doing mornings somewhere.  In order to do this, we needed some more “tape” of us together.  Richard D gave us permission to go on the air instead of the satellite show in the morning that final week.  We had free reign to “play around” and have fun on the air.  At the same time, we’d be getting hours of material that we could potentially use to try to get a show somewhere.

25 years ago today, Rob and I hit the studio with a few ideas, many voices, many characters, some great music, and had the best week of our career!  It was Thanksgiving week.  Music was scheduled for Monday-Wednesday and Friday.  Thursday we were supposed to air satellite programming.  Instead, we were on for 6 hours that Thanksgiving and played songs with a different theme each hour (Number songs, Songs with girls names or guys names, Instrumentals, Songs with body parts in the title, etc…)  Originally, those shows were recorded to cassette tapes.  Those tapes were called “Skimmers”.  The tape recorded only when the microphone was turned on.  Some time ago, I took those tapes and recorded them digitally and transferred them to CD.  I still pop them into my car and listen to that final week whenever I need a laugh.  I am guessing, I will need to pull them out to honor the 25th anniversary of Honey’s end.

31282815_10160534885675195_3560746677718666396_n

The only CD I have a difficult time listening to is the last show, from November 25, 1994.  It was the last day of live broadcasting.  We had friends visit us in the studio (South Bronx Johnny, Helen & Beverly, my dad, and others).  The calls we got from listeners that day were very emotional.  They made us feel so loved.  The last break of our show, Boogie’s wife had recorded a message for him that we played right before he went on the air.  He did the final four hours of live programming.  He had prerecorded a sign off that lasted about 15 minutes with his personal reflections on the station, the staff, the listeners, and the end.  I remember Rob, his girlfriend Mary, and I all listening to this and just sobbing. Boogie expressed what everyone was feeling and it was the perfect ending to an amazing station.

It is hard to believe that it has been 25 years since that last broadcast.  When I look back, I can’t believe I was lucky enough to work with those legends!  I can’t believe I was lucky enough to be a part of such an amazing station.  I had only been in radio about 6 years when I started at Honey, and I learned SO much from watching and talking to Boogie and Richard!  What an honor to have had them as coaches, mentors, and friends.

The one thing that I will always remember about working at Honey – is the laughter.  There was always laughter whether you were in or out of the studio.  There was laughter whether you were on air or off air.  I always seemed to leave the building with my cheeks hurting from smiling and my sides hurting from laughter.  Today, I can pop those shows in (or some of the Richard D shows I have on tape), and still laugh!

25 years later, Honey is no more.  That makes me sad, because the world could sure use some laughter!

31306824_10160534885815195_4945635832003365390_n