The Music of My Life – Decade Extras – The 1990’s Part 2

This is sort of a continuation of the Music of My Life feature. It focused on music from 1970-2025. It featured tunes that have special meaning to me, brought back a certain memory or a tune that I just really like. I found that with the first three decades, there were songs that I didn’t feature. So I sat down with my original lists and selected some songs that “bubbled under,” so to speak.

I figured a good way to present them was to focus on a decade. 10 years = 1 song per year = 10 songs. Last week we looked at the 90’s. This week I have 10 more from the 90’s. Next week we’ll move to the 2000’s. So, let’s check out a few “Decade Extras.”

1990

To kick off the decade, I chose a song that is still played today and remains one of the most requested songs at parties and weddings. When Vanilla Ice hit the scene, many people mocked him, but all these years later, his song Ice Ice Baby remains a favorite.

In a 2016 interview, he explained that the song was based on a real life scenario. “The song tells you the story. It’s me, with my top down, in my 5.0 Mustang, cruising down A1A Beachfront Avenue. It’s a weekend experience that turned into an amazing song. It’s timeless. I still love singing it, and it never gets old.”

The song samples “Under Pressure” from Queen and David Bowie. Songfacts.com says: Vanilla Ice never got permission to use it. No lawsuit was filed, but it is likely that Vanilla Ice agreed to pay Queen and Bowie a settlement. According to industry insider Hans Ebert, Brian May of Queen first heard this song in a disco in Germany. He asked the DJ what it was, and learned that it was #1 in the US.

Ice Ice Baby

1991

In 1991, I was working at my first country station. I was familiar with many of the legends that were mixed into the playlist like Willie Nelson, Waylon Jennings and Johnny Cash. My dad listened to many of them, so I heard them, too.

The song Get Rhythm was a Johnny Cash song from 1956 as the B-side to I Walk The Line. Johnny’s music has influenced many an up and coming country singer. In 1991, Martin Delray decided to cover the song for his debut album. It had to be a thrill for Delray to have Johnny sing with him on the track AND appear in the music video.

I’ve always loved this song.

Get Rhythm

1992

Annie Lennox is best known for being in the 1980’s group the Eurythmics. It was her extremely successful and inventive duo with Dave Stewart. In early 1990, the group split and Lennox took time off to work on charitable endeavors and focus on her home life. In 1992 she released her first solo album, Diva.

The third single from the album was Walking on Broken Glass. Pop Matters Magazine described the song as a “gloriously weird pop song with one of the oddest intros: prancing strings, strutting keyboards, and the enigmatic line”. It went on to claim that “all of that make the track sound like nothing else on pop radio in 1992.” Honestly, I think that is why I like the song – it stood out.

The video was based on the 1988 movie Dangerous Liaisons, with elaborate costumes inspired by film, which was set in France during the 1700s. Annie Lennox recalled the song’s video in a blog promoting her 2009 greatest hits album:

“This was a wonderful video to create. There were some wonderful people involved – John Malkovich and Hugh Laurie (before he had an American accent)! That was tremendous fun. The idea of it being a period piece, like Les Liaisons Dangereux. The alternative title for ‘Broken Glass’ could easily have been ‘Hell hath no more fury than a woman scorned.’ The video is very wry and tongue-in-cheek. People can take me a little seriously sometimes, but I do actually have a rather radical sense of humor.”

Walking on Broken Glass

1993

Karaoke introduced me to the Gin Blossoms. I was going out the the bars a lot around this time and every once in a while someone would sing one of their songs. When I started driving for EDS and listening to the radio, I heard them much more.

Found Out About You was written by Doug Hopkins for the group’s first album, 1989’s Dusted. The album, however, was on a small label and really didn’t get noticed. When the band signed to A&M, they rerecorded the song for their New Miserable Experience album and it was released as the fourth single.

Singer Robin Wilson says, “The first time we ever demo’d “Found Out About You” we knew it was a hit song. I remember that being a significant event in my mind, when we were in the studio doing that song. I was sitting out on my car and what I imagined to be a hit song was a bunch of kids dancing to it at the Devil House. We were listening to it and Bill [Leen, the bassist] looked over at me and said, “Hey, wow, this song is going to get you a lot of women, isn’t it?” I was just like “Yeah, whatever.”

I was hooked from the opening guitar…

Found Out About You

1994

I heard Round Here by Counting Crows long after it had been released. This was one of the albums that my ex loved to listen to, so I hear it on long drives a lot.

Adam Duritz wrote the song and says it is sort of autobiographical. He wrote the song when he was in college and part of a band called the Himalayans. Members of that group helped with some lyrics and the music. When he formed Counting Crows, he brought the song with him and they reworked it a bit. Wanting to give everyone their due, Adam made sure to credit everyone in both bands with writing the song, so “Round Here” has eight different writers listed on the composer credits.

Songfacts.com says, The theme of childhood promises not panning out is one that shows up a lot in Duritz’ lyrics. In the chorus of this song, he lists some sayings that our parents often say: “Around here we always stand up straight,” “Around here we’re carving out our names.”

Adam says, “You’re told as a kid that if you do these things, it will add up to something: you’ll have a job, you life. And for me, and for the character in the song, they don’t add up to anything, it’s all a bunch of crap. Your life comes to you or doesn’t come to you, but those things didn’t really mean anything. By the end of the song, he’s so dismayed that he’s screaming out that he gets to stay up as late as he wants and nobody makes him wait; the things that are important to a kid – you don’t have to go to bed, you don’t have to do anything. But they’re the sort of things that don’t make any difference at all when you’re an adult. They’re nothing.”

Round Here

1995

When You Say Nothing At All was originally a hit for country singer Keith Whitley in 1988. It was co-written by Paul Overstreet. I had played it when I was at that first country station. I thought it was a great song lyrically, but wasn’t a fan of his voice. He died in 1989 of alcohol poisoning.

When some of Whitley’s friends decided to put together a tribute album to Whitley, they had other singers recording his songs. It was Alison Krauss who chose to cover “When You Say Nothing At All.

When I heard her version of the song, it stopped me in my tracks. Her voice is so beautiful and perfectly fit the song. Her voice took the song to an entirely different level. She knocked it out of the park!

When asked by Songfacts what he thought of the Krauss version, Overstreet said when he first heard it, “All the hair stood up all over my body. I was like, ‘Are you kidding me!?’ She sang it great.”  It still gives me goosebumps!

When You Say Nothing At All

1996

I think whenever guys have a “guy’s night” or gals have a “gal’s night” they begin to talk and tell stories. “My wife/girlfriend does that, too!” or “Why is it that all men keep shirts or socks with holes in them?” You know, that kind of thing.

I have been guilty of asking male friends, “How come they can do that and we can’t?” It all falls into that “Battle of the Sexes” thing. Music has focused on those male/female differences for years, but I hadn’t heard it put the way Mindy McCready did in 1996.

It was at my second country station that I heard “Guys Do It All The Time.” It is the ultimate switcheroo song from the woman’s point of view. The song itself does a great job in conveying this, but the video only enhances it with gal’s doing guy things.

I saw Mindy in passing at a Radio Seminar, and she was even more beautiful in person. It was sad to see her life spiral out of control before her passing.

Guys Do It All The Time

1997

Picture it – you are getting ready to go on a trip or maybe you are being shipped off for the military. This is the last night you will be with your special someone for a while. You’d want it to last forever and make it special right? That’s the premise of Save Tonight by Eagle Eye Cherry. He wants to cherish this one last night spent with his love. He explains that you can’t fight changes, all you can do is accept them.

This was the last song Cherry wrote for his debut album and he wanted it to be special, “something that would stand the test of time.” He achieved his goal – two decades later, the song is still in rotation on throwback radio stations and is a fixture on the setlists of countless cover bands.

Songfacts says that the black-and-white music video was filmed in Sweden and follows Cherry in the roles of several different characters whose lives intersect, including an amiable young man, a bespectacled butcher, a robber, a truck driver, a busker, and a homeless man.

Cherry is actually a trained actor, having attended New York City’s School of Performing Arts, with credits that include a bit part on The Cosby Show and a stint as an ex-con on the short-lived TV drama South Beach.

Save Tonight

1998

Another song that really stood out to me on the radio was Iris by the Goo Goo Dolls. That opening guitar always seemed to cut through whatever was going on. It was almost hypnotic.

Songfacts says that lead Goo Johnny Rzeznik wrote this song for the movie City Of Angels, where it is sung from the perspective of Nicolas Cage’s character. In the film, Cage plays an angel sent to help humans make their transition to the afterlife. When he falls in love with a human (played by Meg Ryan), he must choose between love and eternal life.

Johnny explained how the film influenced the song: “I was thinking about the situation of the Nicolas Cage character in the movie,” he said. “This guy is completely willing to give up his own immortality, just to be able to feel something very human. And I think, ‘Wow! What an amazing thing it must be like to love someone so much that you give up everything to be with them.’ That’s a pretty heavy thought.”

Iris was nominated for Grammys in the categories Song of the Year, Record of the Year, and Best Pop Performance By Duo Or Group. It didn’t win any of them.

Iris

1999

It was around 1998-1999 that I took a leap of faith after deciding to give up on radio. I had received a call from a station in the Flint area. They had called the Detroit country station that I had just resigned from asking if they knew anyone who wanted full time work. The boss talked me up and gave them my number. It was from there that I would spend the next 10-12 years working full time in Country radio.

LeAnn Rimes was making quite a name for herself around this time. She had burst on the scene in 1996 with her debut single “Blue.” She was only 13 years old at the time!

In 1999, she recorded an album of country cover songs. It included Patsy Cline’s Crazy and She’s Got You, Hank Williams Your Cheating Heart and Lovesick Blues, and other classics. The album was entitled “LeAnn Rimes” and was her fourth studio album.

If you have ever been in a situation where your lover broke up with you, only to begin dating one of your closest friends, you know how much that hurts. How do you handle that situation? In country radio, you write a hit song about it. That song was only original song on the album – Big Deal.

What I loved about the song is the slow and deliberate opening verse. It almost has a gospel song feel to it. She is lamenting about letting her man get away and eventually winding up with her friend. Then the tempo kicks in and she let’s her rival have it. She’s tired of her bragging …

Big Deal

And that is a wrap on the 1990’s. You may remember that the further along I got in the original series the less songs I was able to come up with. I think I have enough to look at the early 2000’s and officially put this feature to bed. Next week we’ll glace at 2000-2009. I hope you’ll come back then.

Thanks for reading and listening!

Turntable Talk #23 – The Soundtrack of Our Lives

Once again, Dave Ruch from A Sound Day has offered up a gem of a topic for his monthly Turntable Talk feature! This month it is a topic that I have been hoping he’d get around to. Per his instructions:

This time around, let’s look for THE SOUNDTRACK OF OUR LIVES !  Pick a great movie soundtrack and talk a bit about it. It can be from a great movie or a dog of one (or anything in between), one made specifically for the film or one assembled from existing tunes as long as it’s one that works for you!

There are certainly many fantastic soundtracks to choose from. Movies that are known for being a great film and also their great soundtracks include American Graffiti, Smokey and the Bandit, The Wedding Singer, The Sting, and Forrest Gump. Those aren’t even considered “musicals!” When I think about musicals, wow, that list is a long one. 

Plenty of movie (and TV) soundtracks can be found in my collection. When I worked in radio, I would often buy soundtracks so I could uses some instrumental tracks as voiceover beds (music that plays underneath your voice as you are doing a bit or talking to a listener). I used a variety of cuts from Napoleon Dynamite, Stripes, The Three Amigos, Dragnet, and movies that were box office bombs! My pick comes from a movie that was far from a bomb. It was one of the biggest films of the 1980’s.

The one soundtrack that has always been a favorite for me (and it doesn’t even contain all the songs featured in the film) is The Blues Brothers. It has some fantastic cuts from Belushi and Aykroyd as well as musical legends like Ray Charles, Aretha Franklin, and Cab Calloway.

I had this soundtrack on vinyl and I played the heck out of it. Many of the songs were featured on my “driving mix tapes” when I had my first car! While the album contains 11 great tracks, the film included many other classics that I wound up searching for to add to my collection. The music doesn’t follow their chronological appearance in the film for some reason.

She Caught the Katy

The album opens with this Taj Mahal song. The Blues Brothers version has a lot more sound to it. It is so much fuller with the horns and guitars of the band. It is the song that the starring credits roll under. The opening guitar lick leads to the first big horn stab (and we see Belushi) then you have another horn stab (and we see Aykroyd) and the third big horn stab hits as we see the movie’s title card.

Belushi’s vocal on this is perfect. I like his vocal on this cut more than any other song on the album.

Peter Gunn Theme

This is the first of two TV themes on the album. This instrumental plays as the Blues Brothers are driving back to Elwood’s place. There are some really great shots of the city of Chicago in this scene. As you listen to this one, you can hear the talents of Tom “Bones” Malone, “Blue” Lou Marini, and “Mr. Fabulous” Alan Rubin. If I had a dollar for every time I used this as background music to introduce a wedding party I could fly to Italy! 

Gimme Some Lovin’

Best known for being a hit for the Spencer Davis Group (and a young Steve Winwood), the soundtrack features the full song. In the film, the band begins to play this song at Bob’s Country Bunker (a country bar) and the owner shuts the lights off on them. If I had to choose between the two, I’d pick the Spencer Davis version over this one, but it is still a great jam.

Shake a Tail Feather

Originally done by the Five Du-Tones of Chicago in 1963, James and Bobby Purify had a bigger hit with it in 1967. This version tops them because of one man – the great Ray Charles. In the film, he owns a music shop and the band is buying new instruments. Ray is asked about a keyboard and Murphy Dunn tells him that the “action” of the keys is not that great. Ray sits down and says, “I don’t see anything wrong with the action on this piano” and launches into this song.

As Ray plays, a crowd gathers outside the store and dances along with the song doing all the dances mentioned in it (the monkey, the jerk, the boogaloo, etc…). This song is fantastic. 

Everybody Needs Somebody To Love

The song was written by Solomon Burke and recorded by him in 1964. Wilson Pickett’s 1966 cover is probably the best known version. This song is featured at the Blues Brothers’ big concert toward the end of the film. Over the intro, Elwood (Aykroyd) speaks to the audience and thanks “the members of Illinois law enforcement” who are present and waiting to arrest them. We get to hear a big more of Aykroyd on this track.

The Old Landmark

When you mention the Blues Brothers to someone, they will often quote “We’re on a mission from God.” This song is performed by the Godfather of Soul, James Brown who plays a preacher. Jake and Elwood are attending this church service and it is a pivotal moment in the film (and what sets them off on their “mission from God.” 

The Old Landmark is a gospel song written by Dr. William Herbert Brewster Sr. back in 1949. It has been recorded by the Staple Singers, Aretha Franklin, Dionne Warwick and many others. James Brown takes this to a whole new level. It’s hard to imagine anyone performing this. He performed/recorded this one live on set.

Think

The Queen of Soul, Aretha Franklin, performs this one as she is telling off her husband Matt “Guitar” Murphy. The song was a hit for Aretha in 1968. For the film, they bump up the tempo and add some dancers. This track is SO good! ”Blue” Lou Marini grabs his sax midway through the number and really jams through the end.

This was one of the harder songs to do in the film. Aretha had recorded the song and found it difficult to lip synch to her vocals as they filmed. It was a scene that needed many takes to do. This version is far superior to her original version.

Theme From Rawhide

The second TV theme on the album takes place in that country bar. After the lights go out they band has to figure out something that the audience will like. They wind up performing this one. Aykroyd’s vocal is just awesome here not to mention the “call and answer” between him and Belushi. Add in a whip and you have a real country hit on your hands!

This scene always makes me laugh because they perform on a stage surrounded by chicken wire. Why? Because the crowd gets so excited they throw beer bottles at them!

Minnie The Moocher

This was a song that Cab Calloway had been singing for decades! He was the “Hi-De-Ho Man.” I just love this version of the song. The rumor is that Cab wanted to do the disco version of the song that he had recorded in the past. They insisted that it needed to be the jazz/big band sound. 

The song itself send you right back to the 1940’s. The full sound of the band, the horn section, and the amazing trumpet solos by Alan Rubin. Without a visual, it is still fantastic. Watching it in the film only enhances the experience. 

They band is on stage waiting for Jake and Elwood to arrive. The crowd is getting antsy. The band is dressed in street clothes and look sort of shabby. Cab asks if they know the song and the band says they do. He yells, “Hit it!” and the curtain opens. Out struts Cab in a white tuxedo backed by the band, wearing black tuxes and looking sharp. The stage now has an backdrop of famous 40’s places with neon signs and a sweet looking band stand.

As a trumpet player, I can’t NOT mention the spectacular trumpet playing of Alan Rubin on this one!

Cab was a scat singer and his call and answer with the audience is just priceless. I’m not sure how old he was here, but his vocals are right on! He was a legend!

Sweet Home Chicago

This is the longest track on the soundtrack. The original version was done by Robert Johnson in 1936. This is the second song the band plays at their big concert (and the one where they make their escape, hence the long instrumental ending). As they intro it, they dedicate it to the late, great Magic Sam (who was from Chicago) who recorded it in 1967.

This is such a fun song to listen to and to watch in the film. The looks that they give John Candy’s character and the other folks who have been chasing them always make me smile. The song serves as the background music as we transition from night to day and the ultimate finale of the movie.

Jailhouse Rock

Movie Spoiler: The entire Blues Brothers Band gets arrested at the end of the movie. Naturally, the final song of the movie is Jailhouse Rock, originally done by Elvis Presley. Trivia: In the film, the first “prisoner” to jump up on the tables and dance is Joe Walsh!

On the soundtrack, the song is a bit different than in the film. You have a complete cut on the album, while in the movie each band member has a little solo as their name appears in the credits. In the film version you also get a line or two sung by James Brown, Cab Calloway, Aretha Franklin, Ray Charles and more. It’s a perfect capstone to wrap the soundtrack.

I have played the songs on this album over and over again on vinyl, cassette, on my iPod, and YouTube. It remains one of my favorite soundtracks of all time! What disappoints me is the many songs that were featured in the film that didn’t make the soundtrack. They are worth finding and checking out!

Of course, I can’t tease those without listing them, so here goes:

  • Somebody Loan Me a Dime – Fenton Robinson (Plays while Jake is escorted from his prison cell)
  • Shake Your Moneymaker – Elmore James (Plays while Jake and Elwood visit with Curtis at the orphanage)
  • Soothe Me/Hold On, I’m Comin’ – Sam and Dave (Plays on the 8 track in the Bluesmobile while Jake and Elwood are driving and get pulled over)
  • I Can’t Turn You Loose – The Blues Brothers – Originally done by Otis Redding (Plays while they drive through the mall and as they take the stage at the Palace Hotel Ballroom concert)
  • Let the Good Times Roll – Louis Jordan (Plays on the record player in Elwood’s place)
  • Anema e core (Until) – Ezio Pinza (The piece is playing the apartment that Tom Malone and Lou Marini used to stay – the “Are you the police?” scene)
  • Quando, Quando, Quando – Murph and the Magictones (Plays in the Holiday Inn scene)
  • Just the Way You Are – Muzak version of the Billy Joel song. (Plays in the Holiday Inn scene)
  • Die Romantiker (The waltz that plays at the Chez Paul restaurant)
  • Boom Boom – John Lee Hooker (Plays as the Blues Brothers are going to meet Matt “Guitar” Murphy)
  • Mama Lawdy/Boogie Chillen – John Lee Hooker (Plays when Jake calls Maury Sline and on the way to Bob’s Country Bunker)
  • Your Cheatin’ Heart – Kitty Wells (Plays as the Blues Brothers enter Bob’s Country Bunker)
  • Stand By Your Man – The Blues Brothers (Plays at Bob’s Country Bunker)
  • I’m Walkin’ – Fat’s Domino (Plays as Jake and Elwood and the orphans promote the concert)
  • Ride of the Valkyries – Richard Wagner (Plays as the Nazis are chasing the Blues Brothers toward the end of the movie)
  • The Girl from Impanema – Muzak version (Plays, naturally, in an elevator as the Blues Brothers go up the 11th floor with the tax money)

The Blues Brothers may or may not have been the first movie of “mine” that I made my wife watch with me. I’m sure that she made me watch one of her tear jerking chick flicks to get back at me afterward. To me, this movie remains a classic. As far as the sequel – not so much. It did have a decent soundtrack, but that is about it.

I have been wanting to write about this album for a long time and am glad that Dave finally gave me a reason to indulge myself with this blog. I am also excited to see what the rest of the bloggers have chosen for their soundtrack. 

I’m already looking forward to next month’s topic! Thanks for reading!