The Music of My Life – 1986

Welcome back to The Music of My Life, where I feature ten songs from each year of my life.  In most cases, the ten songs I choose will be ones I like personally (unless I explain otherwise). The songs will be selected from Billboard’s Year-end Hot 100 Chart, Acclaimed Music, and will all be released in the featured year.

I turned sweet sixteen in 1986. MTV was 5 years old and music videos were becoming more and more iconic. To make that point, we kick off my list with a video that is often listed as one of the best of the 1980’s.

Robert Palmer released Addicted to Love in January of 1986. It was accompanied by a video where he is singing in front of a “band” of beautiful women who look exactly alike. They wear lots of makeup and identical outfits as they pretend to play the instruments.

According to songfacts: the funny thing about the video is that the models posing as a band were selected precisely because they did NOT know how to play the instruments. As a result, each girl is keeping her own time and moving to a different beat. The video is constantly parodied, including in a Pepsi commercial with Britney Spears.

You might say the song came to Palmer in a dream. It all started with a guitar riff that came to him in a dream one night. He told Q magazine in 1988, “That noisy riff woke me up. I went downstairs, got out the tape recorder, then went back to bed. Next morning, I thought, Phew, caught one there!”

From the “What Might Have Been” file: Palmer wanted this song to be a duet with Chaka Khan, and he almost got his wish. He recorded it with her, but Chaka’s label, Warner Brothers Records, would not allow her voice to be used on the record, so Palmer had to erase her part and re-record her high notes before releasing it.

If you’re going to be addicted to something, love is a good thing, wouldn’t you say?

Addicted to Love

Next, we have a song whose video was like nothing that had been done before. Depending on the source, some say it was the 4th most played video on MTV. The video is so fun to watch, you may actually forget that the song is full of sexual innuendos.

Sledgehammer was a BIG number one song for Peter Gabriel. It was his first solo number one. It actually bumped his old band, Genesis, out of the number one spot.

The song was influenced by the ’60s soul music Gabriel listened to as a teenager, in particular Otis Redding, who Peter saw perform at the Ram Jam club in London in 1967. The horn section was typical of this sound. As a matter of fact, the horn section that he used was the legendary Memphis Horns, who played on several hits from Stax Records.

The wildly innovative video was directed by Stephen R. Johnson and featured stop-motion claymation techniques. It swept the MTV video music awards in 1987, and is considered a major breakthrough. It was a bit hard for Gabriel, though. He once remembered how he spent 16 hours lying beneath a heavy sheet of glass for the video, while each frame was shot, one after the other.

I’ve always felt that this song had at least some influence in the blues. It just sounds like a great blues song to me.

Sledgehammer

Songfacts says that this song has a lot of haters and has appeared on various “worst of” lists over the years. An example: it was listed #1 on VH1’s 40 Most Awesomely Bad Metal Songs. As a Michigan guy, I can tell you that they used this song as the Detroit Pistons theme song for years. Heck, they use this song at all kinds of sporting events.

Europe’s The Final Countdown is like an anthem. The iconic keyboard riff was composed by lead singer Joey Tempest five years before the song was recorded. The band’s keyboard player Mic Michaeli had lent him the instrument.

Despite writing the song, Tempest still cannot believe the success. He said, “It was quite a surprise that the song ‘The Final Countdown’ became such a big hit because it was written for the band, it was written for our concert, it was written to be the opening song in our concert. It was almost six-minutes long, it was never intended to be a short pop hit or anything, it was very much a surprise and its been used for all kinds of events, anything from Formula 1 to boxing. It’s been used a lot.”

I liked this song before Arrested Development aired on Fox, but came to love it even more because of the way they used it on the show. Will Arnett is a magician on the show and they often used the song as background music as he performed his “illusions.” The song only made a very funny scene, even funnier for me.

The Final Countdown

The next pick is not quite a duet, but it brought back a legendary voice and put her back in the spotlight. It almost didn’t happen, but Eddie Money stepped in and made it happen.

My favorite track on Eddie Money’s Can’t Hold Back album is Take Me Home Tonight. The song is based on The Ronettes’ 1963 hit “Be My Baby,” and features their lead singer, Ronnie Spector, on the chorus performing her famous line, “Be my little baby.”

At first, the song was going to be a duet with Martha Davis, lead singer of The Motels. Eddie, however, wanted “the real thing” (Ronnie) on the song, so he called her to ask, telling her, “This is a tribute to you. The song is all about you.” According to Spector, she got on board as soon as she heard the lyric, “Listen honey, just like Ronnie sang… be my little baby.”

“When they said that, I was sold,” she told Entertainment Weekly. Spector says Money was very excited when she showed up to record it. “He was a crazy person – freaking out in the studio, going, ‘I’ve got the real Ronnie Spector singing ‘Be My Baby’ on my record!,'” she said.

This cracks me up because I can see Eddie going crazy. He was a bundle of energy. Every time I interviewed him on the radio, it was hard to get a word in because he would just chat away with that “Eddie Money” energy!

Take Me Home Tonight

It must have been the summer of 1987 when our band took a trip to Cedar Point. I am not a ride person, so I hung out with guys who also didn’t ride them. As we walked the streets of the Point, we saw a “You Be The Star” booth. I suppose you would call it an early form of Karaoke.

There was a book that listed a bunch of songs that they had a music track from. They ushered you into this little recording booth with a microphone and headphones. I don’t remember if you got to rehearse the song first, but I thought that was the case. At the end of the session, they played your song on the speakers for all to hear and you got a cassette of the tune to take home. It cost a pretty penny to do and the music tracks were very cheap sounding.

I had some money and made a tape of Mack the Knife for my grandma (which was awful). I sounded so bad on it. Then, me and my three friends chose Hip To Be Square. I had heard the song before, but didn’t know it well enough to sing the lead. My buddy, Steve knew it and sang it like he had a record deal! Chris and I were satisfied enough to be the “Here, there and everywhere” guys.

The music video was directed by the team of Kevin Godley and Lol Creme, who made some of the most innovative videos of the ’80s. They got a distinctive look by using a medical camera – the kind doctors use to see inside the human body. They had the band perform the song a few times a few feet away from the camera, and did the heavy lifting in post production – the band loved it because it was so easy for them. The resulting video contained angles previously unseen on MTV, including one from the point of view of the drumsticks. It was nominated for Best Experimental Video at the 1987 Video Music Awards.

Hip To Be Square

The next pick is one that didn’t mean much to me in 1986, but two years later it sure did. I remember early in my senior year receiving a ballot in which I was to vote on our class song. Honestly, I don’t remember what songs we were picking from, but I do recall some of them being not very “class song-like.”

Our class chose Time to Remember by Billy Joel. It was the third single from his The Bridge album. The chorus is about looking back on the good times with appreciation and gratitude, making it a perfect song for proms, graduations, and just about any occasion where memories are shared:

This is the time to remember
‘Cause it will not last forever
These are the days to hold on to
‘Cause we won’t, although we’ll want to

Our teachers told us that the high school years would fly by. We never really felt that, especially during some boring lecture. Of course, the senior years goes by the quickest. Those lyrics should have been posted somewhere for every one to see, because by the time I heard them, and the meaning sunk in, it was graduation day.

I’m reminded of a quote from Ed Helms’ character Andy on the final episode of NBC’s The Office:

“I wish there was a way to know you’re in the good old days before you’ve actually left them.”

I don’t have to tell you, especially if you are a regular reader, that those days are definitely a time I remember, and remember them fondly!

Time To Remember

The group Cameo was formed in 1974, however, it wasn’t until 12 years later that they had their first Top 40 Hit. Word Up was the title track from their 13th album! The song was written by band members Larry Blackmon and Tomi Jenkins.

“Word Up” is a saying that was popular in New York and other urban areas in the US that acted as an affirmation of what was said, kind of a hipper “you bet.” Blackmon said this about the song:

“It just sounded good, and it was before its time. You can play “Word Up” anyplace anywhere, and someone is going to be grooving and bobbing their head. Our sound was unique, as well. I haven’t heard another one like it, and we probably won’t hear another one like it in the future. It was that significant for us.“

This was one of those songs that everyone at school seemed to be singing as they walked down the hall to class. We all seemed to know the words.

It got a lot of radio airplay and MTV played the video a lot. I’ve seen the video many times before, but I had forgotten about a neat cameo. (LOL – a cameo in a Cameo video!) Watch for Star Trek: The Next Generation’s LeVar Burton as a policeman.

Word Up

I am almost 100% against remaking movies. I feel the same way about television shows. Music on the other hand is a bit different. When an artist covers a song, they bring to it their own interpretation of the song. Think of all the different versions of an old standard like “Georgia on My Mind.” Off the top of my head I can throw out 5-8 versions that I absolutely love.

I remember the first time I heard the Art of Noise doing Peter Gunn. I was in the car and I thought, “What in the world is this?” The more I listened the more intrigued I was. I was impressed with how close the guitar sounded like Duane Eddy. Of course, I was even more surprised to hear that it WAS Eddy!

It didn’t do much on the charts, but the sound was so different and unique that I had to go pick up the tune. The video was a private eye parody with comedian Rik Mayall as the detective. The song was a Grammy winner, as it took home the award for Best Rock Instrumental Performance.

Peter Gunn

I mentioned that Sledgehammer had a bit of a blues sound to it earlier, and so does this one. Take a little blues and mix in some rock and you get some good stuff from The Fabulous Thunderbirds.

The title track from their Tuff Enuff album was a top 10 record for the group in 1986. They are often considered to be a one hit wonder band, but their song Wrap It Up was a minor hit. Kim Wilson wrote it and sings lead on the song.

The song is about a guy who will do pretty much anything for his gal, including wrestling with a lion or a grizzly bear, swimming the sea, put out a fire, and fight Ali. He’d even walk ten miles on his hands and knees, which really isn’t walking I suppose, but walk sounds better than crawl.

There is so much I love about this song, the syncopated guitar lick, the lyrics and the attitude. It made for a perfect sing along driving song.

Tuff Enuff

My last pick is another cover song, and this one I think tops the original and most of the other versions. That is saying a lot, because I am not the biggest Beach Boys fan.

California Dreamin’ was a hit for the Mamas and the Papas. It was written by John and Michelle Phillips. Barry McGuire (who had a hit with Eve of Destruction in 1965) actually recorded it first with the Mamas and Papas singing backup. They, of course, recorded their own version of the song soon after.

The Beach Boys recorded it for their Greatest Hits album, Made in U.S.A. The song was produced by the great Terry Melcher and had Roger McGuinn of the Byrds playing the 12-string guitar on it. Naturally, there was a video which featured McGuinn along with every living member of The Beach Boys and the “California Dreamin'” songwriters, John and Michelle Phillips. This primed the group for a big comeback two years later with their #1 hit “Kokomo.”

There are so many things about this song that I just love. That opening 12-string is fantastic. With the opening line, you get it and an echo of it which I thought sounded cool. Even cooler, after the line “and the sky is grey” there is that rumble of thunder that makes you feel the chill of the wind and the anticipation of a storm. Then there is that fantastic harmony! It is perfect for this song. Finally, their version opts for a jamming sax solo and loses the wimpy flute solo used in the Mamas and Papas version. That sax aids in conveying a “haunted sounding ending” as the song begins to fade away.

The song never hit the Top 40 on the Hot 100 chart, but on the Adult Contemporary charts it went to number 8.

California Dreamin‘

Next week, we’ll take a look at 1987. I’ll feature two fantastic duets, we’ll shake, rock, and roll, and hear about 6 beautiful ladies … er, 5.

What was your favorite from 1986? Tell Me about it in the comments. See you next time….