Tune Tuesday – What’s Going On

It was on this day in 1971 that Tamla Records (a division of Motown) released Marvin Gaye’s What’s Going On. According to many stories, it almost wasn’t released.

From songfacts.com:

According to the book Mercy, Mercy Me: The Art, Loves & Demons of Marvin Gaye, Motown head Berry Gordy initially refused to release this song, calling it the “worst record I ever heard in my life.” The song was slipped out by the man in charge while Gordy was on vacation and, of course, he was furious… until he found out the single sold 100,000 copies in the US upon its release. Needless to say, he soon changed his mind about this song.

Although Berry Gordy admits he had reservations about “What’s Going On,” he claims all of the stories surrounding his refusal to release the song are false. He explained to the Wall Street Journal: “For years, people have written that I stood in the way of this song’s release and that Marvin had threatened never to record for me again if I didn’t put it out,” he said. “That must make for great reading, but none of it is true.”

He went on to explain the potential ramifications of the song: “My reason for pushing back on Marvin wasn’t to stop the single, just to determine whether or not this was another one of his wild ideas,” Gordy said. “Motown was about music for all people – white and black, blue and green, cops and the robbers. I was reluctant to have our music alienate anyone. This was a big risk for his image.”

The song was written by songwriter Al Cleveland, Four Tops member Renaldo “Obie” Benson and Marvin Gaye. It was Marvin who added lyrics and worked on the arrangement. Marvin did not want to record the song, he wanted the Originals to record it. However, Benson and Cleveland persuaded Gaye to do it himself.

Songfacts.com says,

Until this song, Gaye rarely participated in the songwriting process. For this album, he took control of the production so he could make a statement as an artist. Motown management was skeptical, but Gaye was an established star and had enough power to pull it off, going so far as to use an orchestra on this track.

The song is one of Motown legend. James Jamerson, the bass player for the Funk Brothers, was apparently drunk when he arrived at the studio. Jamerson could not sit properly in his seat and, according to one of the members of the group, lay on the floor playing his bass riffs.

Fun Fact: At the beginning of the song, there are people chatting. Marvin wanted to give the song a laid back feel, so he, the Funk Brothers and Mel Farr and Lem Barney of the Detroit Lions are the ones having conversation as the song begins.

The song was one of the first Motown songs to make a political statement.  Jackson Browne said in a 2008 interview with Rolling Stone: “No one was expecting an anti-war song from him. But it was a moment in time when people were willing to hear it from anybody, if it was heartfelt. And who better than the person who has talked to you about love and desire?”

It was nominated for two Grammy Awards in 1972, but did not win either category. It peaked at #2 on the Billboard Hot 100 chart and was ranked the fourth greatest song of all time by a 2004 Rolling Stone poll. It was also ranked the 2nd on the Detroit’s 100 Greatest Songs List by the Detroit Free Press.

Tune Tuesday – Pride and Joy

The song in my head on this Tune Tuesday is a two-minute masterpiece from one of the greatest voices to come out of Motown – Marvin Gaye.  Yesterday would have been his 80th birthday.  In his short, but amazing career, he had many hits which included I’ll Be Doggone, What’s Going On?, Sexual Healing, Can I Get a Witness?, and, of course, I Heard It Through the Grapevine.  I could have easily picked any one of those today, but instead, I chose one of his early (and sometimes overlooked) classics – Pride and Joy.

early-marvin-g

The song opens with a “question and answer” between the bass guitar and piano and from the moment Marvin begins singing, the bass and the piano bounce along with him as he sings.  The bass bounces along with the piano just seems to be playing around in the background, and it just sounds fun.

The song was recorded in 1962 and released in 1963.  The instrumentation on the song is performed by The Funk Brothers.  The background singers on the song are none other than Martha and the Vandellas, who would go on to have great success a few weeks later with their song “Heatwave.”   The song is soulful, playful, and perfect.

Lyrically, the song is a simple love song (supposedly written for Marvin’s girlfriend at the time Anna Gordy – Motown founder Barry Gordy’s sister).  Marvin’s vocal is spot on.  The “question and answer” that started with the bass and piano now is exchanged by Marvin and the background singers.  There is almost a “gospel” feel to the song.  I love how Marvin can bounce from higher notes to lower ones and make it sound so effortless. The song would go on to become Marvin’s first Top 10 record.

Pride_and_joy_singlecover

“Pride And Joy”

You are my pride and joy
And I just love you, love you darlin’
Like a baby boy loves his toy
You’ve got kisses sweeter than honey
And I work seven days a week to givea you all my money
And that’s why you’re my pride and joy

And I’m tellin’ the world
You’re my (pride and joy) pride and joy (pride and joy)
I believe I’m your (baby boy) baby boy (baby boy)
And I know you’re mine (pride and joy)
My pride and joy (pride and joy)
Yeah baby (baby boy) Yeah baby (baby boy)

You, you are my pride and joy
And a love like mine, yeah baby
It’s something nobody can ever destroy
You pick me up (pick me up) when I’m down (when I’m down)
And when we go out, pretty baby
You shake up the whole town (whole town)
And that’s why (that’s why)
I believe you’re my (you’re my) pride and joy (pride and joy)

(Pride and joy)[x4] (baby boy)[x2]
(Pride and joy) My pride and joy (pride and joy)
And I love you like a baby loves his toy (pride and joy)

Yeah Yeah Yeah Yeah (pride and joy) My pride and joy (pride and joy)

Oh Oh (pride and joy) In the morning (pride and joy)

And I’m your baby boy (baby boy)(song fades)